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B/F: The Drive Thru #42

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In episode 42 of ‘The Drive Thru,’ GTM’s monthly automotive news series, the hosts thank their sponsors such as HPDEjunkie.com, Hooked on Driving, and AmericanMuscle.com, among others. The episode kicks off with a discussion about various automotive and motorsport updates, including Tesla’s Cybertruck controversies, Super Bowl car commercials, and the unveiling of the RS6 GTO concept. They also discuss the reliability of brands like Volkswagen and Fiat, BMW’s stance on manual transmissions, and Chrysler’s new Halcyon concept. Highlights from GTM’s ‘Brake Fix’ Season 4 include interviews with notable guests like Mario Andretti and Monster Jam’s Bryce Kenny, crossovers with other podcasts, and a look back at significant motorsport events. The episode concludes with lost and found car deals, amusing Florida man stories, motorsport news, and a teaser for Season 5.

Tune in everywhere you stream, download or listen!

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Showcase: Season 4 Finale!

Best 2024 Super Bowl commercials: All 59 ranked according to USA TODAY Ad Meter

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Arteon? More Like Arte-Gone; Volkswagen Suddenly Cancels The Previously Planned 2024 Arteon

VW planned to execute the Arteon after the ‘24 model year, but decided to pull its plug one year early  ... [READ MORE]

Consumer Reports Says Not To Buy These Popular Cars, Offering Alternatives You Should Buy Instead

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Audi reveals the ultra-limited 2025 RS 6 GT

Only 85 will come to the USA, all looking exactly like this  ... [READ MORE]

‘It’s Over’: BMW Boss Says The Manual Transmission Is Going Away For Good Sooner Rather Than Later

The manual transmission M car is not long for this world.  ... [READ MORE]

Introducing the Chrysler Halcyon

 ... [READ MORE]

WEC Series Expands for 2024!

 ... [READ MORE]

**All photos and articles are dynamically aggregated from the source; click on the image or link to be taken to the original article. GTM makes no claims to this material and is not responsible for any claims made by the original authors, publishers or their sponsoring organizations. All rights to original content remain with authors/publishers.


Automotive, EV & Car-Adjacent News

For a list of all the articles and events referenced on this episode check out the show notes below.

EVs & Concepts

Formula One

Japanese & JDM

Watch A Hyundai Ioniq 5 N Lap The Nürburgring Quicker Than A 997 GT3 RS In Sport Auto's First EV Test

Lost & Found

Lowered Expectations

Motorsports

Travis Pastrana reviews ELECTRIC! Stark VARG Electric Dirt Bike Review

EVs in NASCAR

News

Stellantis

Tesla

VAG & Porsche

TRANSCRIPT

Executive Producer Tania: [00:00:00] The Drive Thru is GTM’s monthly news episode and is sponsored in part by organizations like HPTEjunkie. com, Hooked on Driving, AmericanMuscle. com, CollectorCarGuide. net, Project Motoring, Garage Style Magazine, and many others. If you are interested in becoming a sponsor of the Drive Thru, look no further than www.

gtmotorsports. org. Click about, and then advertising. Thank you again to everyone that supports Grand Touring Motorsports, our podcast, Brake Fix, and all the other services we provide.

Crew Chief Eric: It’s a button. Welcome to the drive thru. I was going to say, should we kick this thing off? I’m ready to put it in first gear.

It’s a button.

Crew Chief Brad: Oh, yeah. Breaking news. Welcome to drive thru episode number 42. This is our monthly recap where we’ve put together a menu of automotive. Motorsport and random car adjacent news. Let’s pull up to window number one for some automotive news. Bam! Let’s pick it up a notch.

Crew Chief Eric: Let’s do some smoky burnouts.

Crew Chief Brad: Isn’t that [00:01:00] what Emeril Lagasse used to do?

Crew Chief Eric: Bam! Bam! Brad, we have an update. We have breaking news. There is a cyber truck update. We found out a little secret when we were doing a crossover episode with one of our guests.

Crew Chief Brad: Did Elon Musk snort my hundred dollars up his nose? Is that what happened?

Crew Chief Eric: Well, he must’ve spent it on something because you didn’t get your day one t shirt that you were supposed to get as a reservation holder.

Crew Chief Brad: Did you get it as a reservation holder or after you place your order?

Crew Chief Eric: No, you were supposed to get it when you placed your reservation. Oh, I didn’t

Crew Chief Brad: get

Crew Chief Eric: anything. That’s what we were told. Remember, you were all upset about that.

Crew Chief Brad: It wouldn’t fit me now.

Crew Chief Eric: Anyway,

Crew Chief Brad: I don’t know

Crew Chief Eric: what happened to my t shirt. You know, what’s funny is that t shirt might be worth more than that Cybertruck allotment at this point.

Executive Producer Tania: And those were some expensive t shirts, a hundred dollars.

Crew Chief Brad: If everybody got one and they’re like millions of people put in orders for Cybertrucks.

Crew Chief Eric: I figured it out. It’s like the fire festival. Everybody put in all this money.

Crew Chief Brad: Yes. Yes.

Crew Chief Eric: Some people got a t shirt.

Crew Chief Brad: Tesla is the fire festival of the automotive.

world. Where is your order? Have you received Dogecoin? I have been spending all my [00:02:00] time, literally 24 seven for the last month, trying to cancel my order and, and just not having any luck canceling my order.

Crew Chief Eric: We will come back to the cyber truck.

Crew Chief Brad: No, please don’t. Oh, we will. We will. It’s. Please. Please don’t it’s still in the news,

Crew Chief Eric: but you know, what else is in the news?

We need to talk about a couple things that happened here in the month of February. And what’s important about this particular episode is this is our season four finale. Wait a minute. What? You didn’t know? Season four? Yeah. We’ve been doing this for. Four years. We are getting close to the point where if you are tuning into this show for the first time today, it’ll take you a year to listen to all of the episodes that we have.

That’s how close we’re getting. Wow. I didn’t realize that’s insane. And season four was pretty epic. And we’ll talk about that in a minute here, but We also want to talk about some other exciting things because February is a great time of year. We get to talk about the new cars that are projected for the rest of the year.

Because remember new car season starts [00:03:00] in August, September timeframe. So we only got six months to go until the 2025 model start hitting.

Crew Chief Brad: You got to slow down, slow your roll with the 2025. It’s barely 2024 fiscal year

Crew Chief Eric: 2025 starts in September.

Crew Chief Brad: No, we are nowhere near September back off that soapbox.

Crew Chief Eric: We want to talk about those awesome Superbowl commercials.

And we want to talk about the Superbowl racing, which is the Rolex 24 hours. Let’s jump into it. Which came first, the Rolex or the Superbowl? Well, it was the Superbowl. So let’s talk about those Superbowl commercials.

Executive Producer Tania: Two car commercials. I think

Crew Chief Eric: there were

Executive Producer Tania: six or two. There

Crew Chief Eric: were

Executive Producer Tania: six

Crew Chief Eric: and here they are in no specific order.

And I’m going to save the best one for last. There was the perfect 10, which is the Kia EV6 commercial, which we’ve been seeing for a couple of months. That was

Executive Producer Tania: one of them. And then there’s the other one. That’s the last one you’re going to mention.

Crew Chief Eric: Which is the redo of the Toyota commercial from last year with the Joneses.

Remember keeping up with the Joneses? Well, this one was the STFD handle or shut the front door handle or the daredevil handle. It was a couple of different titles for that one.

Executive Producer Tania: What are you talking about? Shut

Crew Chief Eric: the front door. I [00:04:00] linked it in the show notes.

Crew Chief Brad: There is a USA Today article that shows all the links.

Crew Chief Eric: Yes, it has all the links. I watched it.

Executive Producer Tania: Is this the ATV one?

Crew Chief Eric: No, that’s a good one too. The ATV, the mullet, that’s a funny one. You guys saw that one too? Well, I watched the Super Bowl, so yes.

Crew Chief Brad: Whoa! Tanya watched the Super Bowl? Of

Crew Chief Eric: course, I always do. I didn’t know you got

Crew Chief Brad: down like that.

Crew Chief Eric: She literally watches it for the commercials.

Executive Producer Tania: No, I used to have small little gathering every year for the Super Bowl. very much.

Crew Chief Eric: I wasn’t invited. When, when, when was

Crew Chief Brad: this? My first call. Yeah. My, where was my invites? Did it get lost in the mail? Is that what happened? Well, you sent it to my old address. We’re with my Cybertruck t shirt.

Executive Producer Tania: When I used to have them.

I don’t know if you were going to travel. I

Crew Chief Brad: would have traveled to Texas to hang out with Tanya for the Super Bowl. We traveled to go to an F1 race, for God’s sake.

Crew Chief Eric: That sounds like a good time. All right, so we’ve listed three so far.

Executive Producer Tania: Okay, fine. I remember the Toyota one. It was stupid. That’s why I forgot it.

Crew Chief Eric: So we got the EV6. We got the Toyota Tacoma commercial. We got the mullets with [00:05:00] the Kawasaki ATV UTVs, which I thought was Funny, especially when he blows by the bald guy who’s chopping wood. And then suddenly it’s like business in the front party, in the back, then you’ve got the Christopher Walken BMW commercial, which I’m not even going to try to imitate Christopher Walken.

But all I know is I wanted more cowbell by the end of that virtual.

Crew Chief Brad: And I just say, I am so excited to see Christopher Walken. Cause more times than not, I’m just like, where the hell is Christopher Walken? Like, I was like, he just fell off the face of the earth. You don’t see him in anything anymore. And it’s like, Oh, there he is.

Crew Chief Eric: The best part of that commercial wasn’t even all the people making fun of him It’s that scene where he’s at the dining table with usher and he’s like don’t you have somewhere else to be and then when he? Leaves he’s doing the whole chemical brothers dance thing on his way out. I was like, that’s cool.

That’s really good If you remember that music video, I thought that was really good.

Crew Chief Brad: Yeah Yep,

Crew Chief Eric: yep. So it’s a tie for number one in my book. There’s two more to go.

Executive Producer Tania: Is your tied one even a car commercial?

Crew Chief Eric: It’s car adjacent

Executive Producer Tania: because there was a helicopter in it. The bridge is [00:06:00] out.

Crew Chief Brad: Oh my god.

Crew Chief Eric: Get out like a good neighbor.

Crew Chief Brad: Neighbor. Yeah.

Crew Chief Eric: Like a good neighbor.

Crew Chief Brad: Neighbor.

Crew Chief Eric: So good. And the sheep. Oh my god. I was dying laughing. I was like, Oh, this is. I appreciate the comic stylings of Arnold Schwarzenegger and it counts because it’s car insurance with State Farm You know

Crew Chief Brad: as we said in the intro car adjacent news car adjacent commercials and then DeVito To reprise the twins role that was bad to me was the best part

Crew Chief Eric: It’s epic, but to Tanya’s point it is a tie for first in my book But if we’re going to get super specific I think the number one commercial, the one that really pulls at the heartstrings, the one that gives you the feels,

Executive Producer Tania: the Volkswagen American love story commercial.

Crew Chief Eric: Oh my God. What a piece of advertising going back to the days of like Das Auto, all the things that they alluded to in Mad [00:07:00] Men. Felt like old timey Madison Avenue marketing, and it was beautiful. It was super well done. The cinematography was a made all the black and whites and this beetle, you know, going through town ends up in the showroom and then all the little clips of Herbie.

And, oh man, what a great commercial. It’s long though, too. If you watch the unedited version, it’s like over two minutes long. There’s all sorts of other people qualify as great commercials from the Super Bowl, like the Dunk Kings.

Crew Chief Brad: That was stupid.

Crew Chief Eric: I just didn’t get it. It

Crew Chief Brad: was painful.

Crew Chief Eric: I’m looking for the car commercials because they are a staple during the Super Bowl, that there’s going to be car commercials.

And there’s been some epic ones in the past, like the 400Z commercial with Eugene Levy and the Fast and Furious stuff, the Transporter ones from back in the day with the Audi. I mean, there’s been some really interesting commercials. They

Executive Producer Tania: weren’t as memorable this time around, other than the Volkswagen one, and then Probably the Christopher Walken one.

Like the Kia one is,

Crew Chief Brad: it’s a normal Kia commercial. It’s

Executive Producer Tania: like the same commercial they had at Christmas time, basically. It [00:08:00] probably was the rejected Christmas commercial and they saved it for the Superbowl.

Crew Chief Eric: It’s like the B reel of that one, get the boppy where he’s driving through the cement tunnels and he’s driving to go get the little bear and bring it back to his son or whatever.

Executive Producer Tania: Yeah. That was the Christmas commercial.

Crew Chief Eric: Yeah. But were they a good neighbor? We posted the list in our show notes of all the Super Bowl commercials. I think there’s like 50 plus of them out there, but we obviously weren’t highlighting the car commercial specifically, I enjoyed all of them. Honestly, whether it was the Tacoma commercial or the Kawasaki’s or whatever, they were all pretty good, but you know, I wish.

That Rolex had commercials like these, because that’s what’s missing. Like the Rolex watch or the Rolex race? The Rolex race. They don’t have cool commercials. Like it’s always the NBC sports, blah, blah, blah, fill the airtime. So I don’t know about you guys. We did a viewing party here. We had people rolling in and out through both days of the race.

And, you know, I tried to stay up as much as I possibly could. Like always, I think I give Le Mans a little bit more attention than I do Rolex, because the track is shorter and [00:09:00] it does kind of get boring. Unless something happens in the middle of the night. This year was like any other year at Rolex.

Wouldn’t you say, Brad?

Crew Chief Brad: Yeah, there was nothing really that stood out.

Crew Chief Eric: Other than cars were dropping like flies.

Crew Chief Brad: Yeah, but every so often they go through years like that.

Crew Chief Eric: They do. And unfortunately it was Porsche’s race to lose. The odds were stacked in their favor. They had more cars than everybody else. We saw the demise of all the Cadillacs and the Acuras, the BMWs.

By the end it was like, all right, well, it’s going to be Porsche, Porsche, or maybe it’s Porsche. I don’t know who’s going to win this race. There’s people arguing, oh, the 963, da da da da da. I still don’t think that car holds a candle to some of the other ones that are out there. The difference is that it lasted the 24 hours, and that’s really the point of an endurance race.

But in terms of speed, in terms of performance, I don’t Think it holds a candle to some of the other cars, especially when we go back to Lamont’s this summer and we put it up against the Ferrari 499 again, I think the Ferrari is just going to clean their clocks.

Crew Chief Brad: Porsche didn’t do well at Lamont last year either.

Nope. They did not. [00:10:00] No, they didn’t have a good showing at all. Obviously this was the season opener for IMSA, but how is Porsche doing in WEC?

Crew Chief Eric: So there’s eight races in the WEC series, rounds they call them. And so the calendar started with Qatar, which is sort of like a prologue race that happened last week.

So if you’re listening to this on Tuesday, when it aired, that race has already ended. And then they’re going to do round one at Qatar on March the 2nd, then they go to Italy in April, Belgium in May. Then they’re at Lamar in June, Brazil in July. They’re in the U S in September. Then they go to Japan in September and then they’re in Bahrain in November.

So the calendar runs February to November, much like our show does, but there’s only eight races in the season.

Crew Chief Brad: I need to really pay more attention to WEC.

Crew Chief Eric: Well, you should, because you know what else they’ve done? They’ve signed a contract so that you can tune in to WEC on what was HBO, HBO max. It’s just called max now.

So if you have a subscription to max, you’re going to be able to pick up WC. [00:11:00] Now, if you don’t have a subscription to max. You have a decision to make because you could become a member of the ACO USA, which if you look at the annual membership, it’s a little bit cheaper than signing up for HBO and you can get access to the live stream of those WEC races.

So you kind of have a choice to make in terms of how you want to watch the eight rounds of the WEC to include Le Mans. So the cool part about this is if you’re at home this year. For Lamont, you’ll be able to watch it on two different services, HBO max and the ACO streaming service. So I think that’s really, really cool.

Crew Chief Brad: That is cool. I’m looking forward to watching.

Crew Chief Eric: Well, there is some good news coming out of Rolex. It wasn’t like last year where we had Porsches and GT three trying to take each other out and some action there in the last five minutes, I was thinking that the end was going to be a little bit more climactic than it was, but really the one thing that we wanted to celebrate was.

The Ferrari 296 and more importantly, Reesey competition winning their class and GTLM, so it’s a double win for Reesey winning Rolex [00:12:00] for the first time and winning it in the new Ferrari. Last year, we had still had that mix of 296, 488 going on. And it wasn’t a great showing for the 296, but this year you’re starting it off, right?

And it’ll be good to see the 296, hopefully win the championship. Cause it got really close last year up to third place, despite not starting off the season, very strong. You know, last year we were at Rolex in person, whole different ball game, watching it on TV, man. It is so nice to just flop on the couch and

Crew Chief Brad: go to sleep.

Crew Chief Eric: Well, there’s that too.

Crew Chief Brad: I’m going to forget that and still want to go back again at some point. Maybe when the kids are older, I can take one of them with me.

Crew Chief Eric: I think it’s more fun to revisit every couple of years and you kind of leapfrog it.

Crew Chief Brad: Yeah, yeah, yeah. I wouldn’t do it annual. It would just be brutal.

Crew Chief Eric: You know, that does kick off the IMSA schedule for the year, which has a lot more rounds than the WEC schedule has. But the thing to remember about the IMSA schedule Look at it closely, because if you’re into the prototype cars, they don’t run all the rounds in a season. [00:13:00] There’s tracks like Lime Rock, there’s tracks like VIR, Mid Ohio, where it’s only gonna be the GT cars, the amateurs and the pros, running on those smaller tracks.

And the reason they do that is all those, those tracks are safe, but they’re just not designed from a safety perspective for the larger LMP cars and the type of speeds that they can carry. You know, those natural terrain courses like a mid Ohio or a lime rock that were designed eons ago at this point, great places to be all of us here have driven on them, they’re fantastic, but.

I can understand when you got these 200 plus mile an hour missiles, that there’s just no room for error and there’s just not enough runoff at some of those tracks. So pay attention to what you’re tuning into. So don’t be disappointed if you suddenly realize, man, where did all the prototypes go? It’s just, they run a slightly different schedule than everybody else does.

Alright, so we gotta move on. Just like every February, it’s time for us to reflect on the previous season, and like I said at the beginning, this is the Season 4 finale. What do you think, guys? Let’s put together a little playlist of episodes that people should tune into if they’re listening to the show for the [00:14:00] first time, or if they’re not caught up.

I think Season 4 was pretty epic, wouldn’t you say?

Executive Producer Tania: Yes, of course. I would say that the biggest I don’t know the whole season was our movie review of that. God awful stunt man.

Crew Chief Brad: It’s not two girls, one formula.

Executive Producer Tania: Was it this season? Did we also did the, um, Travolta movie?

Crew Chief Eric: So trading paint was in this season and it was released in this season.

The stunt man actually comes out in season five. We’ve recorded it in season four. It’s a little spoiler alert.

And there’s another everything I learned from movies, Steve and Izzy crossover coming in season five, which is going to be a lot of fun as well. So I don’t want to give that one away.

Executive Producer Tania: Obviously a highlight amongst all the wonderful guests that came on a true gem was none other than Mario Andretti.

Crew Chief Eric: Episode 200 goes down in the books as probably one of the most. Epic guests we’ve ever had on the show and that’s not to discount any of the other celebrities [00:15:00] we’ve had on the show But we did have the one and only Mario Andretti on break fix So if you have not listened to that go back and check out episode 200 you can learn all about his time in Formula One, his relationship with Ferrari, his time at Le Mans, as well as some adventures he had with Bobby Unser racing at Pike’s Peak.

So those are some of the things that we talked about on that episode. And I got to give a big shout out to William Big Money Ross for co hosting that episode with me, where we got to interview Mario Andretti. So lots of good stuff there. Well, Brad, you know, I know your favorite section of the drive thru is Lost and Found, but that goes hand in hand with probably one of the most popular sub series.

On break fix, which is what should I buy? We did quite a few of those this season.

Crew Chief Brad: I mean, I liked the whole series of going through the decades. We didn’t start that in season four. I think we started that in season three. So no, we started with the nineties, didn’t we? And then we kind of bounced around.

Yep. Those were some of my favorites. And then the, uh, kit cars and posers. Episode I thought was kind of fun just because you didn’t know what to [00:16:00] expect. Everybody came to the table with something different. I learned of a car that I wanted to buy.

Crew Chief Eric: Oh, that Coontosh that isn’t a Coontosh. Yeah, that thing’s slick.

Crew Chief Brad: Yes, the,

Crew Chief Eric: the

Crew Chief Brad: Foontosh.

Crew Chief Eric: And we actually had, I don’t want to call it an oddball. What should I buy in there? And if you’re playing the break, fix trivia game at home, it’s the only episode I technically wasn’t on, even though I was present, which is what Tanya?

Executive Producer Tania: I know that one. I was in a, what should I buy?

Crew Chief Brad: The ladies, the EV, the EVs.

You hosted the EVs.

Crew Chief Eric: That was

Executive Producer Tania: this

Crew Chief Eric: season? Yes. That was the beginning of the season. That’s how far back that was.

Executive Producer Tania: Well, we’ve gone through like the hundredth day of January. So like, it feels like it was three years ago. My goodness. That was an excellent episode. Highly recommended. What a great panel of ladies.

Crew Chief Eric: It was. And a lot of people have commented on that episode. I’ve actually had some other ladies that I’ve met who have asked for advice about buying a new car and I’ve sent them the link to the episode and they came back and they’re like, that was awesome. What an excellent job the panel did on that.

And I have to say, you guys did a fantastic job and it is probably one of [00:17:00] my favorite episodes because I had nothing to do with it.

Crew Chief Brad: It’s also probably one of the better, what should I buy is cause it’s less. Bullshitty. More factual based and less like happy hour.

Crew Chief Eric: Every joke has a grain of truth in it, man.

That’s all I know. We crossed that 200 episode threshold, but we also crossed the 250th episode threshold. And as you’re listening to this, we’re beyond the 300th episode threshold now. So it’s been a really long year. Season four is by far our biggest season. And for episode 250, Mountain Man Dan and I got a chance to To sit down with Bryce Kenny from Monster Jam.

You know, we’ve been reaching out to different disciplines, trying to get folks to come on and represent their motorsport and talk about it, what it’s like. And you know, Monster Jam came a call and we were like, Hey, why not? Bryce was a great guest. He’s written a new book. He’s a motivational speaker. He has lots of really interesting things to say about the business of racing.

So it’s not just all about doing tricks with big trucks and big tires. He really has a message he’s trying to [00:18:00] put out there. And his life story is pretty interesting as well. And he gives a lot of credit to his grandfather and growing up through the top thrill dragster discipline of motor sports. So a very dynamic episode.

So if you didn’t get a chance to tune into that, I highly recommend going back and checking it out.

Crew Chief Brad: Definitely.

Crew Chief Eric: So I have a confession to make.

Crew Chief Brad: I knew it. Welcome to the confessional. No.

Come tell us your confession, my child.

Crew Chief Eric: This is why I tell people they need to sign up for Patreon and check out the behind the scenes, because you never know the bloopers that’ll come out of an episode, the screw ups, the things that just get left on the cutting room floor. But we had this moment on one of our episodes and that was actually the Bob Garrison Apple 935 episode.

So like I said, I have to confess. You can see this in the behind the scenes. It’s hilarious. So Bob is on the phone with Mike Carr and I, and Mike is our resident golden age of sports car era guru. [00:19:00] Before we got on the episode, we’re doing our research. We’re trying to figure out who this guy is. And all we were told is you need to interview him.

You need to interview him. Blah, blah, blah. He’s 90 years old. Get him on the show. Okay. I reached out to the records archivist. It’s at the International Motor Racing Research Center, I reached out to Revs, nobody’s got any information on this guy, like, who is this Bob character, like, I don’t know. So we get on there, we kind of like tee him up with these easy questions, and we’re literally trying to get to know him on the fly, and then at some point, the story just diverges and he starts talking about Steve Jobs and Wozniak and Apple and he had already talked about how he was developing these 935s and this and this.

I’ll never forget the look on Mike Carr’s face when I think at the same time we got struck by lightning we figured out who he was and we’re like holy crap this is the Apple 935 guy like this is one of the most iconic. Porsche race cars, like of all time. When you watch the behind the scenes, you kind of see how it all unfolds.

And then how we try to pick up all the pieces and rebuild this [00:20:00] episode. Because again, lightning struck and we’re like, Whoa. So when you listen to the edited version, it’s an incredible story and Bob’s story is amazing. And when I see people that have decorated their car with that livery, I run up to them and like.

Do you know the story of the Apple nine 35? Do you know why this livery is so important? And they’re like, no, well, we interviewed the guy that had the original card. You need to check out this episode. So I always like to recommend this as one of our best ofs. If you’re putting together a playlist of break fix episodes, so check out the Bob Gerritsen and Apple nine 35 episode.

Brad, we tried to cater to the two wheel community this year. I know that’s a soft spot for you. Motorcyclists,

Crew Chief Brad: the traveling, Larry lives, have a cool and Elspeth beard.

Crew Chief Eric: All of these guests had amazing stories. Larry going around the country, basically doing his own one lap of America on a motorcycle. Clive who’s holds the record on a BMW motorcycle at Pikes Peak.

And then you got Elspeth beard who went around the world on a motorcycle. I mean, absolutely amazing stories. And they weren’t the only bikers. [00:21:00] That we had on the show in season four, but those are three of the most epic stories.

Crew Chief Brad: So when are we going to have you and McGregor?

Crew Chief Eric: It’s coming, man. It’s kind of, I’ve, I’ve reached out to Hollywood, you know, they said, we’ll do lunch, you know, we’ll call you.

Don’t call us.

Crew Chief Brad: Emma McDreamy. I’ll do it together.

Crew Chief Eric: A hundred percent. And, and Eric Bana too. That’s another one. I want, you know, to trifecta. Love the

Crew Chief Brad: beast. What about the crossover episodes we had this year?

Crew Chief Eric: Dude, we had a ton of crossover episodes. I mean, obviously we have Steve and Izzy on every quarter doing movies and stuff like that, and we’re a little delinquent on getting them out on time, but that’s okay.

We had an. Action pack season this year. We had episodes with like Danny P on cars. We did stuff with Mark Green from cars. Yeah, just you name it. Right. One of the ones that was the most fun and she was on Tanya’s ladies and Evie episode was I got called up by Carolyn Ford again, and she wanted to do a crossover episode with her friend, Tracy Bannon from MITRE to talk about cybersecurity and cars, which actually related back to a article that we wrote that was on gt motorsports.

org tying together. Automotive security and [00:22:00] cybersecurity kind of stuff. And we did it as a Halloween spooktacular kind of thing. That was the vibe of it, but it turned into a really great conversation about data hygiene, renting cars, you know, where you should use your mobile device. Don’t ever plug it into that Malibu that you picked up from Hertz, you know, all that kind of stuff.

It’s actually a very informative episode, not always to do with cars, but a lot to do with cyber. And it’s also fun to find out that Tracy has a fun car herself and it’s one of Tanya’s. Favorite Mercedes, one of the older SLS from the eighties. So gorgeous car, Tracy’s a friend. We hope to have her back on the show, but if you haven’t checked out, look that up.

That was right on Halloween this past year. So another cool episode we did sort of how to left field talking car adjacent, just like cybersecurity. We had David page, the creator of diners, drive ins and dives. From Food Network on Brake Fix. And that was a lot of fun. And the Pit Stop episode, which is available on Patreon, is a great one too, because he talks about owning a [00:23:00] Maserati Biturbo and what that was like.

And his dad frying the clutch and all this fun stuff. He shared some really great stories. And we talked about how food influenced cars and vice versa. Just like we did that episode way back when, Brad, remember how we did music in cars? It was kind of in the similar vein. So it was a lot of fun.

Crew Chief Brad: Didn’t it come out in that episode?

Spoiler alert. That the red Camaro that Guy Fieri drives is actually David’s?

Crew Chief Eric: The original one was, and then he didn’t tell the story, but alluded to the fact that that one was wrecked. And then they bought another one to replace it with. So it’s a replica of the original Camaro. That was David’s. Correct.

And the new one apparently is Guy Fieri’s Camaro. So like he owns it or whatever. He owns several Camaros, but yeah. Is it Fieri or Fieri? Depends on how you want to say it.

Crew Chief Brad: Just like, is it Favre or Favre?

Crew Chief Eric: Do you have those Favre with, uh, Chianti? Favre beans? Exactly. A little out of left field, but dovetailing into one another.

You know, we did the whole DeLorean Legacy Project mini series with Kat DeLorean. We had the [00:24:00] designers and some of the engineers on and all that kind of stuff. Coming from that, we also got an opportunity to sit down with Malcolm Bricklin, who was very close with John DeLorean back in the day. What a character.

That’s a two part episode. The first half covers the early days, the Bricklin SV1, how he brought Subaru to America and founded all that really, really interesting story behind Malcolm Bricklin. And then the second half of that talks about the new car that he’s building under the banner of visionary vehicles.

So he’s got this vehicle called the three EV. It’s actually a three wheeled EV, really, really innovative and interesting stuff. And at well into his. Twilight years. I mean, he’s still trying to build cars and trying to get out there and revolutionize the market and shake things up. Really interesting to get to sit down and talk to Malcolm Bricklin about his 60 year run, if not more in the automotive industry.

And Tanya, you mentioned The Stuntman in season four, but there’s another movie you forgot that we reviewed with Steve and Izzy. Corvette Summer?

Executive Producer Tania: Wait, no, that wasn’t this season. [00:25:00] That was No,

Crew Chief Eric: that was our hundredth episode. That was way back when. Yeah, I don’t listen to podcasts. This was where we had Scotsman Gabriel Byrne playing an Italian

Executive Producer Tania: Oh, that horrible Lamborghini movie.

Crew Chief Eric: Yeah,

Crew Chief Brad: you remember that?

Executive Producer Tania: Oh, that one, like, awkward scene that didn’t need to be there. Yeah, okay.

Crew Chief Brad: The whole movie was that scene that didn’t need to be there.

Executive Producer Tania: Oh yeah, because we watched that at Rolex.

Crew Chief Eric: We did, along with that weird Adam Driver movie where he’s going down the river in a grand marquee’s woody wagon.

Executive Producer Tania: That was the most bizarre, yeah, I don’t remember what that was called. That was so weird.

Crew Chief Eric: Yeah, we did a double header. It was like a double feature. We’re gonna watch that and then we’re like. Well, Lamborghini’s gonna be like, a walk in the park. We get to the end of Lamborghini, and thank God they threw up that disclaimer that says, This isn’t even based on anything in reality, it’s a loose interpretation of fiction.

Ugh, what a mess. I gotta say this, though. Season 4 is not quite over yet, guys. This is the second to last episode because there’s one more [00:26:00] because February has an extra day in it this year. So you get an extra episode in season four. Leap episode, leap season. That’s exactly it. And I’m not going to tell you what it’s about, but it’s a good one.

It’s got a great panel of folks on that. So tune in on Thursday for the. Extra bonus season four episode. And we kick off season five on March 1st, heading into international women’s month. And I tell you what, it is an action packed season five. We have some awesome content coming. And now that we’ve expanded into the motoring podcast network, look for more episodes from the Ferrari marketplace.

From John Summers, the motoring historian, there’s going to be Evening with a Legend. We have a new show coming called Pixels to Pavement. There’s all sorts of other really cool stuff coming in Season 5. And so we committed, even just on break fix, to double the amount of episodes we were going to do in Season 5.

Season five. But this is going to take us way over the top. So here comes episode 500.

Crew Chief Brad: What Eric’s not saying is that starting March 1st, we’re going to be releasing [00:27:00] one episode every hour for the entire year.

Crew Chief Eric: If only.

Crew Chief Brad: Yes.

Crew Chief Eric: If only. The goal is to make sure that people tuning into the show for the first time, you have to listen to break fix every day for 365 days in order to get caught up.

Crew Chief Brad: So here’s a question for you. Just, you know, looking into our five year plan, who’s going to have more episodes, top gear or brake fix?

Crew Chief Eric: It’s going to be cars. Yeah.

Crew Chief Brad: Yeah.

Crew Chief Eric: 2, 500 and change. And I have to give a shout out to Mark Green. He has publicly announced. That he is looking to retire. He’s looking for new ownership of cars.

Yeah. He’s looking to move on. I mean, what an incredible journey he’s been on. And we’ve been fortunate enough to work with Mark, to be mentored by Mark, have Mark on the show. We were on cars. Yeah. A couple of times ourselves. I mean, what a great guy. What he is entrenched in the car community. He knows so many people.

I don’t know if you could ever, you could spend the next 10 years trying to get caught up on cars. Yeah. I mean, 2, 500 episodes. What’s on his playlist. Start

Crew Chief Brad: with Eric and my episodes.

Crew Chief Eric: That’s right. But listen to it on break fix. Cause you can get it there too [00:28:00] and you don’t have to look for it.

Crew Chief Brad: Yes.

Crew Chief Eric: Well guys, it’s time we switch over and talk about Volkswagen, Audi and Porsche news.

And I have to pull back something I said last month. Maybe we spoke too soon. The end is nigh. The GTI is dead. Well, the day after we released drive through number 41. Volkswagen came out and said, here’s the design for the Mark 9 GTI.

Crew Chief Brad: They were probably listening to the podcast, and they heard us, and he was like, well, we’re not taking that shit.

We’re gonna release these images, and we’re gonna tell BrakeFix to suck it. And that’s what we got.

Crew Chief Eric: Can you tell me the difference between This car and the Scirocco at this point, four doors

Crew Chief Brad: instead

Crew Chief Eric: of two. I mean, if we squish that nose anymore, it’s going to look like the third gen, the

Executive Producer Tania: Scirocco

Crew Chief Brad: replaces the two door GTI and the four doors, just the golf,

Executive Producer Tania: four doors, a Jetta,

Crew Chief Brad: they get rid of the Jetta because nobody’s buying that car anymore.

Executive Producer Tania: No, because it’s the size of

Crew Chief Eric: one

Crew Chief Brad: Jetta is the size of a

Crew Chief Eric: facade. What are you talking

Crew Chief Brad: about? The facade’s the size of an S class.

Crew Chief Eric: Would you bring [00:29:00] up a valid point? Right? So we got all this shuffling going on and Tanya sent me something earlier about how the Scirocco might come back as an EV and all this kind of stuff.

I don’t want to get my hopes up. I don’t even want to acknowledge it. Just saying the word Scirocco just kind of pisses me off. Like I want one so bad. But I have to wait until they become a gray market car to get the good one. Right? Because how long is it going to 2008, 2009, 2010, those Scirocco R’s are fantastic.

And I’m like, ah, it’s killing me. But on the other side of the coin, we’ve talked about how the Passat is gone. You know, the jet is huge. The golf, I don’t know, whatever, but is anybody really surprised or does anybody actually care that the Arteon is dead ahead of schedule?

Crew Chief Brad: The what? I can count on one finger how many Arteons I’ve actually seen in the wild.

Every time I see it, I’m like, is that the new Phaeton? I don’t think it’s Arteon. I don’t understand the point of the car. They had the Passat, which was a fairly luxurious car, before they Americanized it and made it more like the Camry. Yeah, I don’t get it either. And,

Crew Chief Eric: and I could never figure out the Arteon’s [00:30:00] place, right?

Because, as all the VW’s got bigger, seemingly moved from, let’s say the A chassis to the B chassis and the B’s moved to the C’s and so on down the line. Was the RT on the A6? The thing is huge, which is why I jokingly say it reminds me of the Phaeton because the Phaeton was an A8, but the A8’s gotten bigger.

To your point, Brad, I don’t know where it fit.

Crew Chief Brad: The Phaeton was like a show of Creative force at Volkswagen to say, Hey, here’s what our engineers and design team can do. If money is no object, this is what they can do kind of thing. But this car doesn’t, I just don’t understand the point of it. The Phaeton I thought was a statement.

Crew Chief Eric: It was, but they didn’t need to build the Phaeton and they lost money on everyone that they

Crew Chief Brad: built. That was the beauty of Volkswagen in that era was they would just build shit to build it. And they would make up the difference selling clean diesels. Yes, yes, yes. And then the clean diesels turned out to be

Crew Chief Eric: Forever unclean.

Crew Chief Brad: Yeah, forever unclean diesels. Thanks, Bosch.

Crew Chief Eric: ILLUSION! You know what? Consumer Reports is at it again. And you [00:31:00] know how I feel about this. I’ve written articles about this time and time again. You know, Consumer Reports on your next track toy and how it’s an unreliable piece of crap. Here we go again. And basically the punchline is, don’t buy a Volkswagen, buy a Mazda.

Really?

Executive Producer Tania: That’s not the main focus of it. That just happens to be one set of the cars that they put in there.

Crew Chief Eric: Aren’t we talking about Volkswagens?

Executive Producer Tania: But you’re insinuating, like clickbait, that the whole article is just about that when it’s not.

Crew Chief Eric: Oh, I know. It’s about punching holes in everybody else’s line card.

Executive Producer Tania: Let’s back this Consumer Reports article train up a hot second because the title is not to buy these popular cars offering these alternatives instead. I’m sorry, the Chevy Trax is a popular car. Okay, yeah, you’d avoid it, but it’s a popular car really. I find fault with the whole thing just off the bat.

Crew Chief Brad: This is like the Mary of Kill List. Marry this car, kill this car. So I agree with Tanya. What is a Trax?

Crew Chief Eric: It’s the evolution of the GeoTracker, isn’t it?

Executive Producer Tania: They’re a little weird, smaller SUV.

Crew Chief Eric: Didn’t you [00:32:00] just describe the GeoTracker?

Executive Producer Tania: Sure. I did have one as a rental once. I mean, it went from point A to point B, but it was.

Crew Chief Brad: Didn’t Buick have something too? Over, under the quality and ride of an Impala. Oh man.

Executive Producer Tania: I would take the Chevy Trax.

Crew Chief Brad: There you go.

Crew Chief Eric: So one of them on this list is kind of funny. The Mercedes CLA, the claw into the club, a good neighbor, but in this case, the alternative is to buy an a three and their gripe is it’s an all around better car, but it doesn’t have a ton of leg room.

Well, the Benz doesn’t have a lot of headroom. So which one is it?

Executive Producer Tania: Well, they said the Benz has no backseat. Essentially.

Crew Chief Eric: But the Benz is a bigger car than the A3. I don’t This is weird. Well,

Executive Producer Tania: then that’s quite telling if it’s a huge riverboat that you can’t put a passenger in the back seat.

Crew Chief Brad: The Benz is a longer car.

There’s no headroom because of that stupid coupe like greenhouse. It’s like the BMW SUVs, the X4 They’ve got that really stupid greenhouse that makes it so you can’t use the back [00:33:00] half of the car at all.

Crew Chief Eric: And it reminds me of the old BMWs, if you remember the three series in the five series right around the E 46 and the E 30 nines and even the E 36 s.

They were like, the M five is so much bigger. It has three inches extra leg room in the back compared to the three series. And I’m like, the five series should be bigger, but it’s really not. It’s when you get to the seven and so on that they get drastically bigger. So yes. On the road, the Mercedes looks huge, but to your point, it has a lot less headroom than the A3, so aside all this other stuff, don’t buy a VW, buy a Mazda, that was the one that stuck out to me, was the Mercedes Audi thing, and I’m like, if I’m spending the money, I don’t know, if you’re rolling up to work, what do you want to be seen in, you know?

To me, the A3 is a little bit too Jetta.

Crew Chief Brad: And then there’s don’t buy a C Class, buy a 3 Series.

Crew Chief Eric: But you know what has tons of headroom, tons of legroom, is this next car. A convertible. Oh, no. This thing is absolute fire. This is the RS6 by Audi, Avant, which [00:34:00] means station wagon, GTO concept. Find something wrong with this car, please.

Silence because it’s perfect. It’s beautiful. It’s a wagon high horsepower. It’s all wheel drive It’s still gas powered. This thing is a freaking monster and it has a spoiler on it It is just beautiful and that homage to the late 80s early 90s Early Haywood, Honstuch, IMSA, GTO, Audi 90.

Executive Producer Tania: There’s only going to be 85 of them.

How much is this thing going to cost? Like

Crew Chief Brad: 350, 000,

Crew Chief Eric: 700, 000.

Crew Chief Brad: And then it’s going to sell at auction for 20 million.

Crew Chief Eric: A hundred

Crew Chief Brad: percent. The thing that does it for me, I love the white wheels. Oh, they’re gorgeous. The white wheels do it for me. And they remind me of the old S4 wheels.

Crew Chief Eric: They do have a similar style to that.

You’re a hundred percent right. I can attest as an owner of white wheels. They are extremely hard to keep clean.

Executive Producer Tania: What? You know what else is hard to keep clean? I’m just kidding. We’ll get to that later.

Crew Chief Eric: Oh boy. Smell Tesla in that statement. That’s sarcasm. Race goes brown. You know, I [00:35:00] know Tanya loves small little hot hatches, especially Fiat Pandas, but who doesn’t love a VW Lupo?

Making over 500 horsepower.

Executive Producer Tania: I mean, why not?

Crew Chief Eric: Right? This is one of those WTFN moments.

Executive Producer Tania: Look at

Crew Chief Eric: this thing.

Executive Producer Tania: I’m surprised it goes without screeching tires.

Crew Chief Eric: No, you know why it goes? It’s not front wheel drive. They did the whole Renault Turbo 2 thing. They put the motor in the back. Oh, yeah, yeah, yeah. I

Executive Producer Tania: know, I know.

Crew Chief Eric: Thing is mid engine. Look how much they had to widen it. The wheel literally sits outside of the original fender well. This thing is bonkers. And it’s got an RS4 swap, right? So, I mean, this thing is an absolute rocket ship. This makes me happy. We need more of this.

Executive Producer Tania: Oh, I’m sure there’s a lot more of this, just not here.

Crew Chief Eric: I mean, can you imagine getting smoked by this thing at like spa or the Nürburgring?

Crew Chief Brad: It looks like it could smoke you though. It’s incredible.

Crew Chief Eric: And you know what else it has, Brad? It’s got white wheels. And it’s got the bumper bands. It does. What he yells when he, when he goes by. Cinder! [00:36:00] All right, we need to move on for Volkswagen out of Porsche news and talk about the rest of Lower Saxony.

We actually have some BMW news for a change. Can you believe it, Brad? They’re still in business.

Executive Producer Tania: There was some Mercedes news and I don’t remember what it was. Oh well.

Crew Chief Brad: Their cars should be avoided.

Executive Producer Tania: No.

Crew Chief Eric: They are beautiful though. I mean those GTRs, GTSs, what was the SLS? Those things are just unbelievably amazing.

Oh no, I love Mercedes cars. All AMGs. We kid because we care. Yes.

Executive Producer Tania: I mean, if anybody wants to give me a Goldwing Mercedes.

Crew Chief Eric: Yes, a thousand percent. We will give Tanya

Crew Chief Brad: an A Class.

Crew Chief Eric: No, no, no, I want the Coupe. Oh my god, those SLSs, GT3s, all those, god. And I told you guys before, I got a chance to drive a CLK Black, which is what Clarkson owned years ago.

That’s the predecessor to the SLS and all that stuff. Dude, that car was unbelievably good. Unbelievably good. I got in the driver’s seat and I’m like, nah, I don’t know. This is going to be lame, but out on track. Ooh, what a weapon. And I can only imagine it was good. [00:37:00] Then they’ve only gotten better since, right?

Because that’s the German way you continue to refine those ideas and they get amazing. So I can’t imagine what a new GTS or GTR is like in comparison to that CLK black. But that’s not what we’re here to talk about. We’re here to talk about BMW. Will they, won’t they? This hokey pokey continues. What won’t they, will they?

The manual.

Crew Chief Eric: Weren’t they the ones saying that they were going to be the ultimate holdout? They were going to be the last ones with the petrol engine. They were going to be the last ones with the manual transmission. BMW is going to be the long pole in the tent. Sure. Yeah, okay.

Executive Producer Tania: They’re going to be the flag in the wind that changes direction, however the wind blows.

Crew Chief Eric: So BMW is now saying, It’s time to say goodbye to the manual transmission again, because we went through this with the M three and the M four, they got rid of the manual transmission. And then the owners all took up pitchforks and torches and BMW caved and said, okay, okay, okay. We’ll put manual transmissions back in them.

And now they’re saying, nope, nope. We’re done. No more manuals in BMWs. I don’t care anymore. What? Is there [00:38:00] a place for a manual transmission in 2024? Yeah, you’re Honda Civic. Man, you’re making me feel like a dinosaur. Love me, my manual transmission. I mean, you say that about yourself.

Crew Chief Brad: Yes, I would love to be able to shift gears and get a manual transmission in every car, but it’s just not realistic anymore.

I’ve made the conversion and I survived. How’s your left calf these days? Slightly smaller than your right. Just as big as the right. You can come measure it yourself.

Executive Producer Tania: I don’t know. It’s, it’s hard because if they transition, well, it’s never going to happen, but if the goals of electrification happen, the manual is dead.

And with all this autopilot stuff, the more that that gets put into. Even conventional cars, what do you need a manual for if the car is driving itself?

Crew Chief Brad: Yeah, Johnny Cab. It seems like the whole direction is to remove the driver from the driving experience from the car. We can’t be trusted. The car’s gotta do it all.

Crew Chief Eric: Ugh. Ugh. It just takes the fun out of driving.

Crew Chief Brad: Not necessarily. You have to find fun in other ways. Like the sound. The wind in your hair. Oh, yeah.

Crew Chief Eric: The sound. Sound that comes through the [00:39:00] speakers because the car doesn’t make any noise. I’m not talking about,

Crew Chief Brad: I’m not talking about the electric cars I’m talking about with the manual versus an automatic car.

And the automatics aren’t the same as they used to be.

Crew Chief Eric: I’m going to bet you in five years, they’re going to make it so that we don’t have opening windows in cars anymore, that the air is pumped in and filtered artificially. It creates too much aerodynamic drag to open the windows. And why would we want to add the extra weight and this and that, and blah, blah, blah.

And the mathematical computations that say we should all be driving eggs. On the road.

Crew Chief Brad: Well, if we’re not driving, period, why do we even need windows? Just sheet metal. Sheet metal’s a little lighter and thinner than windows. Little eggs.

Executive Producer Tania: Well, it could just be cameras. Like, Polestar getting rid of the rear glass and it’s just a camera.

You just have cameras everywhere. Yeah,

Crew Chief Brad: everybody’s gonna be driving around in panel vans. Panel vans! We’re all driving HHRs!

Executive Producer Tania: Just take me out of this life. Future!

Crew Chief Brad: Is coming to America.

Executive Producer Tania: Now go get a horse.

Crew Chief Eric: It’s all going to end up like an episode of Upload or Black Mirror.

Crew Chief Brad: Black Mirror. It’s going to be Black Mirror.

Crew Chief Eric: Well, you know, it’s not the only kind of scratch your head [00:40:00] moment going on. As we transition to talk about Stellantis, you know, they’ve been going through their reorg and obviously the big merger was bringing in Peugeot and Citroen and all that and trying to figure out what to do with the French. And there was an opportunity last year or the year before that they were talking about bringing Peugeot back.

But instead we saw the demise of Alfa Romeo. You know, we talked last month that they only sold 600 Fiat’s in North America last year, which is insane. The other brand in the fleet that’s really sort of on the fringes right now is Chrysler. So Dodge is okay. As long as they bring back the Challenger and the Durango and Charger and all that.

So Jeep is the flagship and then you’ve got Ram as well, but Chrysler sort of been in the wings. The only Chrysler left was the Pacifica. What they did is they gave the Pacifica a facelift when they got rid of the caravan. And then they took the old Pacifica body and they called it the Voyager for like a year or two.

And that I think is gone as well. So they’re sort of left with, okay, they make a minivan. All right. It’s not as popular as like a [00:41:00] Sienna or an Odyssey. So it’s not going to be the first minivan that people go to. Then here comes Chrysler going quietly, updating their logo, their emblem, the symbol on the car.

Very EV looking, very kind of like LED. Looks like something from Batman Beyond or from Tron. And I’m like, okay, well, what’s that all about? A little bit of Hubbaloo about that only within the, you know, the Dodge Chrysler camp of people that actually care about that. And then a couple of weeks later, they came out.

And they revealed this thing called the Halcyon. Have you guys seen this?

Executive Producer Tania: I mean, it’s a concept. Let’s be clear. It’s not necessarily ever going to see the light of day.

Crew Chief Eric: It’s not. But it also called into question sort of two things. Why are we bringing back the Chrysler 200? Which already failed. Because that’s what it looks like.

It’s just sort of like a Tron interpretation of that. And then it made me scratch my head going, weren’t they going to come out with the Airflow? Do you guys remember that? It was like a low slung CUV, sort of built on the Cherokee, not the Grand. It was kind of cool looking, aerodynamic, EV, [00:42:00] all this kind of stuff.

Whatever happened to that? Why are we focused on this Halcyon when they were talking about coming to the market with the Airflow? And they built a couple of Airflows.

Executive Producer Tania: I would just like to. Respond to your previous statement that it looks anything at all resembling a Chrysler 200 because if you didn’t know this was a Chrysler, you wouldn’t go, Oh, it’s a Chrysler.

Crew Chief Eric: You don’t see it in profile. It, the shape is like the same as a 200.

Executive Producer Tania: Now in the back and three quarter, I’m like, Hmm, that’s a take in. I see where your inspiration came from.

Crew Chief Brad: Or an Audi. Biggie Tron, BT, or whatever that is. Yeah, with that single light.

Executive Producer Tania: And then the front even, I’m like, Hmm, are you lucid y a little bit?

Not quite, but maybe.

Crew Chief Eric: If you compare this to Angel Guerrera’s concept of the new DeLorean, I think the front end was also copied from that. It has a lot of that design language in it. Low slung, angular, but also curved front end. When I looked at it, it was like, Man, this car has a lot of different cars. And it’s DNA.

Executive Producer Tania: And Chrysler 200’s not one of them, other than the name.

Crew Chief Eric: I bet it’s on a 200 chassis. [00:43:00] Those wheels even look like they’re off something else. It doesn’t say Chrysler to me.

Crew Chief Brad: Maybe that’s the point. Yeah, maybe. They’re rebranding and reinventing themselves. You don’t want to look like what you’ve looked like in the past, especially because their products were seen as shit.

Crew Chief Eric: The 300 was cool. Those were fun to drive.

Crew Chief Brad: The 300 was a Dodge, the Alpine or Alpine or whatever. That was a rebranded Durango.

Crew Chief Eric: That’s true.

Crew Chief Brad: Chrysler was like Oldsmobile. It was just rebranded products of somebody else. The Pacifica excluded,

Crew Chief Eric: which was just a caravan with a different body on it. I like it, but I don’t.

It’s interesting, but it just doesn’t say Chrysler to me.

Executive Producer Tania: But it’s not even about what it looks like. The bigger piece of this that they’re pushing is all the tech that’s inside. If you read like all the things this car is capable of doing and it’s lithium sulfur battery can charge 40 miles back every minute of charging all this stuff.

I mean, that’s ridiculously fast or much faster than what’s out there now.

Crew Chief Eric: How much of that is theoretical though?

Executive Producer Tania: Yeah, I’m sure all of it, but. You know, still, in theory, wow, that’s incredible. But then, like, all this biometric [00:44:00] recognition as you approach the vehicle, like, repositions. That’s kind of creepy.

Uh, and then it’s got chill mode, and I guess reclines your seat a little bit while the autonomous level For auto driver takes over and you get like a moon view out of the sunroof

Crew Chief Eric: and some sort

Executive Producer Tania: of augmented reality happens.

Crew Chief Eric: Oh, we’ll talk about that too.

Executive Producer Tania: Watch TV, sit back, relax while your Chrysler drives you into a ditch.

Crew Chief Brad: My mind went somewhere else when Tanya was talking about the car doing things for you when you lean back and It sounded like a spa day. It sounds like something. It sounds like going to a strip club and the car is going to take care of you.

Executive Producer Tania: Tells you to relax. Lets you rest and relax.

Crew Chief Brad: Oh my

Executive Producer Tania: god. The dimmable glass roof and canopy.

Crew Chief Eric: That’s horrible, but yes.

Crew Chief Brad: I think it’s weird that the rear door is so tiny and the front door is so big.

Crew Chief Eric: Just like the 200. That’s what [00:45:00] I’m saying.

Crew Chief Brad: The 200 wasn’t this bad though.

Executive Producer Tania: Yeah, but the doors open. What’s that called when they open?

Crew Chief Eric: Suicide doors. Suicide?

Executive Producer Tania: Yeah.

Crew Chief Eric: Like a 63 Lincoln. I mentioned earlier.

Quick shout out to William, big money Ross and to John Summers, the motor historian during February, we put out an episode almost every day of the week, and we focused on the Mille Miglia and the reason I bring it up as part of slant is because Ferrari is part of this group as well. So it was devoted to the history of Ferrari and the Mille Miglia, which is a thousand mile race around Italy.

There’s lots of great stuff to learn there. We put some episodes in between. And then after that, William also covered things like the Cavalino classic, but one of the other episodes that he put out, and I got a chance to finally watch this was the Ferrari movie. I don’t want to spoil what William had to say about it.

Cause he talks about it from a historical perspective, but I wanted to see, did you guys finally get a chance to watch the Ferrari movie? Nope. Get a chance to watch it and then answer this question. Who is this movie really about? That’s what I was [00:46:00] left with at the end.

Executive Producer Tania: Lamborghini.

Crew Chief Eric: Lamborghini. Meanwhile, we’ll continue our domestic news brought to you by AmericanMuscle.

com, your source for Chevy, Ford, and Mopar performance and OEM replacement parts.

Executive Producer Tania: Do you remember everyone’s favorite muscle car that went to Le Mans?

Crew Chief Eric: Oh

Executive Producer Tania: ho ho! So the Garage 56 car has made its debut at the 2024 Lightning Lap.

Crew Chief Eric: Is that a VIR?

Executive Producer Tania: Yes.

Crew Chief Eric: And what did it do? God, I need to go there for this. It

Executive Producer Tania: did a lap time of 2 minutes 26.

7? I don’t know if that’s good or bad.

Crew Chief Brad: Wait, what? That’s on grand course. I

Crew Chief Eric: was gonna say, because if that’s full course, I can go faster in my car than that. What are you talking about?

Crew Chief Brad: No, that’s grand course. Yeah, that’s quick.

Executive Producer Tania: So they went up the climbing S’s at 158 and a half miles an hour. Wow.

Crew Chief Eric: Wow.

They’re saying that’s

Executive Producer Tania: 20 miles an hour faster than any of the other street cars that have left.

Crew Chief Eric: Well, it’s not a street car, it’s a race car. How fair is that?

Executive Producer Tania: Of course, it’s not fair.

Crew Chief Eric: It’s a two frame, two chassis race car.

Executive Producer Tania: Well, that’s what they’re comparing it to.

Crew Chief Eric: Compared to [00:47:00] a stock ZL1 Camaro, yes, it’s going to be ballistically fast.

Still, I would love to know where that ranks. If they’re just doing the top gear leaderboard, or if they separate it by race car. Versus, you know, streetcar.

Executive Producer Tania: Fell short, apparently, of whatever Subaru.

Crew Chief Brad: The Subaru Air Slayer.

Executive Producer Tania: So it fell shy of that record, I guess.

Crew Chief Brad: Which is just a souped up STI, it looks like.

Crew Chief Eric: Was it factory built or was it privateer? Because I don’t think it’s fair if it’s a privateer. Because they could make it make 2,

Crew Chief Brad: 000 horsepower. It’s 860. The two horsepower WRX built for Jim Connor by Subaru motor sports partner, Vermont sports car. So it’s built by Vermont sports car, but it was commissioned by Subaru motor sports.

Crew Chief Eric: So it’s basically a Hoonigan special. Yes. It’s a super corn to your point. If you took the Hoonicorn out there, that Mustang that makes a gajillion horsepower, right? Ken blocks car do the same thing. So I feel like these cars are in a special category compared to, let’s say the Tesla. Or, you know, the Taycan or some of the other lightning laps that they’ve done in the past, you know, whether it’s car and driver or some of [00:48:00] the other places that do these lightning laps at VIR.

Executive Producer Tania: But you can watch the lap from in car of Garage 56.

Crew Chief Eric: 226 on Grand Course, you know, every possible turn.

Executive Producer Tania: And apparently he locked it up in turn one. So there you have it. He could have been faster.

Crew Chief Brad: That’s respectable. That is absolutely respectable. There is video at the front of this article too. I need to go back and watch.

Crew Chief Eric: You just listen to it because the sound is glorious. Oh my,

Crew Chief Brad: yes. It’s the greatest sounding car ever. I will say, I love this little quote or the last line of the article. It’s an all NASCAR endurance race. Might be more fun than the 24 hour race in France, I would watch a 24 hour NASCAR race at a real track, not like a oval, but like a real track, 24 hours of NASCARs.

Oh my God. The sound that would make,

Crew Chief Eric: I think if they did 24 hours on an oval, like

Executive Producer Tania: how boring would that be? But

Crew Chief Eric: it would end up like trade and paint. You know, we were talking about the guy with the baseball bat on his forehead going around in circles. It’d be like a Tilt A Whirl. [00:49:00]

Executive Producer Tania: Well, so if they did a 24 hours NASCAR race, obviously there’s not enough NASCAR drivers to fill seats.

Right? Who do you have stepping in to make the teams up?

Crew Chief Brad: You get gentlemen drivers.

Crew Chief Eric: No, it becomes the IROC series again, which we all want to come back. Right? So now you bring out formula one drivers, you bring out rally drivers, anybody that you can get in there. You got to make teams and people that want to pay to drive.

Well, yeah, that too. All right, well, we need to move on to Japanese and Asian domestic news. And you know how we make fun of these stupid drag races between Teslas pulling Porsches and Porsches and drag races with Tesla Model 3s and hot laps of the Nürburgring and this and that and the other thing and why is it important?

Who cares? And this next one, I had to stop and I had to check it out. When they said an Ioniq 5N edition lapped the Nürburgring quicker than a Porsche.

Crew Chief Brad: Not just any Porsche, a two generation old GT3 RS. [00:50:00] Oh, you picked up on that too, did you? Yeah, for people that know the Porsche. Model numbers and stuff.

Yeah. It’s two generations old.

Crew Chief Eric: So it’s like a nine, nine, one dot one or something like that. Yeah.

Crew Chief Brad: It’s a nine, nine, seven.

Crew Chief Eric: Oh, wow. It’s even older. Holy smokes.

Crew Chief Brad: Oh, cause they’re on the nine, nine, two now, aren’t they? Yeah. Yeah.

Crew Chief Eric: Nine, nine, two dot two or something. Yeah. Because now they’re doing like software revision numbers.

It’s insane. I got to tip my hat for a front wheel drive EV that weighs. like a small truck. It’s respectable. I like that car. I still think it’s cool.

Executive Producer Tania: It does also say that it beat the Lamborghini Gallardo Ferrari 599 GTB along with the 997 996 in was seconds off of a Cayman GT4 BMW M2 and the Type R Civic.

That’s

Crew Chief Eric: not bad.

Executive Producer Tania: And it almost matched the Taycan Turbo, so I’m like shocked. But then again, it’s not an IONIQ 5. It’s this. Monster version,

Crew Chief Brad: the N edition. Yeah. A 640 horsepower version.

Executive Producer Tania: It can only do two laps. [00:51:00]

Crew Chief Brad: One of my biggest gripes about Hyundai, then this is from driving a couple of them, they look great on paper.

They put up good stats. Somebody like this can get a decent laugh. So I’m out of one, but every time I’ve ever driven one myself, I’ve never been impressed. They feel numb. They’re not fun cars to drive, even like a Genesis coupe or something like that. They just, I don’t feel it connected to the car. I haven’t driven a Veloster.

Crew Chief Eric: I had the opposite experience with a Veloster N, especially on track. I walked away from that going. This is the best GTI built in Korea because I feel that the new GTI is super numb. It’s got too many electronics, too many nannies, everything’s fly by wire. I’m surprised the brakes aren’t fly by wire at this point.

And so driving the Hyundai, it was like, wow, this reminds me of the old days. This is farfignougan, right? But you know, they discontinued that car. So, you know, there’s a lot to say there as well. But I, I like the fact that Hyundai sort of has their version of the. Our line, right? Which is this N series. So there’s an N version [00:52:00] of pretty much everything in their lineup and they didn’t stop.

They said, we’re going to do an ionic N. And I think that’s super cool. Maybe not all Hyundai’s are equally built. And to your point, the regular ones are kind of boring, but I think they all suffer the same problem, which is you take it to your local target and you can hack into the USB and drive the car away, you know, that whole, yeah.

Exploit thing. So there’s weird stuff like that. That makes you scratch your head going like, what are you guys doing? Would I turn one away? Nah, looking back, if I had to do it over again, kind of knowing what I know now, I would have seriously considered a Veloster and some of the other, even the Elantra N and some of those are really interesting cars.

If I had been in the market at the time that they were new. Well, in another twist of fate, you know, we talked about BMW doing the hokey pokey and changing their minds about manual transmissions, Toyota. Seems to be backing down off of their no EV policy. And we know they did put out that electric RAV4 thing.

I don’t even know if they’re really selling that, but they’re taking a different [00:53:00] direction with this. And they’re talking about investing in the Kentucky factory to build a three row SUV that’ll be all electric. I mean, where did this come from?

Executive Producer Tania: Out of the blue. Seemingly,

Crew Chief Eric: they’re not just throwing it at like, Oh, we’re going to build one.

They’re throwing 17 billion with a B dollars at this. That’s a big investment to make.

Executive Producer Tania: It did have an all electric land cruiser concept,

Crew Chief Eric: but those are just concepts like they can play with the idea, right?

Executive Producer Tania: Well, they’re taking that concept and they’re going forward. I guess

Crew Chief Eric: they’re also talking about bringing over the century, which is going to replace some of the higher end Lexus or the Lexi.

What is the plural of Lexus? The Lexi, I don’t know. So they’re talking about bringing the centuries over, which they’re not the centuries of old, you know, the big Luxo boat sedans, like we’ve talked about, which were the inspiration for a lot of the Lexuses, but this is like the replacement for the Lexus LX 600.

And some of those kinds of things, these things are just huge SUVs. This is really interesting, especially because we’ve heard from Toyota so many times [00:54:00] that they’re sticking to hybrid. They’re sticking to hybrid. They’re sticking to hybrid. And it’s like, wait, now you’re investing all this money to start building EVs.

Executive Producer Tania: Well, they have two. It’s not that they don’t have any, because they have that weird alphabety. BZR4, BZ4X. This is a

Crew Chief Eric: RAV4, basically.

Executive Producer Tania: And then there’s a Lexus, I think, that’s all electric.

Crew Chief Eric: The new one that replaced the LX600, yeah, that they showed after the Super Bowl. TX. Because I kept thinking T Rex every time I heard it.

Executive Producer Tania: I don’t know what it means in their future. Just because they’re putting a handful of all electrics in their portfolio doesn’t mean they’ve necessarily abandoned their stance that hybrid is a better option, or even hydrogen. But I think the problem, the hydrogen, they’re dealing with the infrastructure problem.

Crew Chief Eric: Well, it doesn’t help that Shell is closing all of its hydrogen fueling pumps. Sadly, I didn’t even know that was a thing. I have never seen a Shell station in the United States that has hydrogen. Have you?

Executive Producer Tania: Of course they’re not in the United States.

Crew Chief Eric: Okay. So they’re closing them down in the rest of the world.

[00:55:00] All right.

Executive Producer Tania: I think so. I don’t think they’re in the United States. I could be wrong, but

Crew Chief Brad: actually it says right here, Shell permanently closes all of its hydrogen refueling stations for cars in California.

Executive Producer Tania: There you go.

Crew Chief Brad: There you

Executive Producer Tania: go. California.

Crew Chief Eric: Well, we’ve sort of fallen backwards into EVs and new concepts.

So Mountain Man Dan sent us one. Travis Pastrana reviews an electric motocross bike. I’m not really sure what to think other than that. It’s cool. It’s neat to see Travis out there doing what he does on bikes with an EV. The question is, and Dan has brought this up before that they are. Using in them in competition, one of the championship races last year, something like that, the EV was like clearly doing well until something catastrophically broke and then it was over, but that’s like any motor sport, right?

Stuff happens, things break, and you learn what to fix because you’re stressing these pieces of machinery to their limit on the racetrack, whether it’s on road, off road or otherwise. So I think it’s cool. We’re going to link to the video in the show notes and you can check it out, leave your comments, let us know what you think about the new [00:56:00] electric motocross bike that Travis was.

Checking out, but I think we have some other random EVs and concept cars, right, Tanya?

Executive Producer Tania: The Fisker Ocean, we haven’t talked about in a while, and I actually think it was sometime early last year, was passing at car transporters filled with oceans, which was interesting to see. However, I wonder how all of those are doing because according to reports, they’re not doing so well.

Crew Chief Brad: Uh oh.

Executive Producer Tania: Tesla’s not the only one with problems sometimes. Apparently they’re plagued with a lot of gremlins. Even the cars that people high up in Biscar have received have failed. So they’ve had multiple like high level people that took ownership of the cars and then they’re driving down the road, complete power failure, car dies, multiple reports of that.

Even if normal people have taken ownership, other issues around brake loss and in all sorts of other electrical gremlins of. But the fob’s not working, other sensors, this, that, and the other. So that’s not really a good sign if they’re plagued with a lot of software or electrical issues.

Crew Chief Eric: I’ve got a simple solution for the brake problem.

You want to hear what [00:57:00] it is? So what we’re going to do is. We’re going to have this reservoir filled with hydraulic fluid and then we’re going to push a pedal and it’s going to make these pistons move these plates that are going to create friction and slow the car down. I’m on to something here, guys. I can

Executive Producer Tania: solve the key fob problem too.

Because what you do is you get this thing called a lock cylinder and then you make a key that has a metal piece protruding from it and then you stick that in and then it moves these tumblers and it moves a lot.

Crew Chief Brad: Wow. Oh, you can fix the power failure problem by adding this motor. It’s called a internal combustion and there’s an explosion that happens inside each cylinder.

You’re going down the road and this just keeps the motor going and going and going and it transmits the power through what’s called a transmission and it sends that power to the wheels.

Crew Chief Eric: We are onto something.

Crew Chief Brad: We are innovators,

Crew Chief Eric: visionaries. No one has thought of this before. This is incredible. We are in uncharted territory.

Like, I got to start contacting patent lawyers today because we are going to solve the problem. We’re going to

Crew Chief Brad: cut all [00:58:00] this out so people don’t steal our great ideas, right?

Executive Producer Tania: Uh, all jokes aside, hope they get their stuff figured out.

Crew Chief Brad: I hope they don’t.

Executive Producer Tania: I could care less, honestly, but you know, I’ll send them good vibes.

Crew Chief Eric: Well, like we talked before, people are going to be driving eggs. That levitate down the road soon because Polestar has removed the rear window in their vehicles. I’m like, really guys,

Executive Producer Tania: why, why one more thing to break

Crew Chief Eric: because Polestar is a hot mess. I’m going to lay it out for you right now. Hot takes.

Executive Producer Tania: Yeah.

They just got like kicked to the side. A

Crew Chief Eric: hundred percent Volvo ditched them. And the Polestar CEO comes out and says, you know, there’s issues in the EV market because the used car market is complete garbage. When it comes to EVs, they’re worth. It’s sort of like buying somebody else’s used dust buster. Do you really want to do that?

I’m not going to buy used Ryobi tools. Like that doesn’t make sense. So the EV market on the new side is flooded with just junk. And then I read this report recently that there’s a place, I think it’s down in Texas where they have these Teslas. For just like acres and [00:59:00] acres, they’re insurance cars and they’re destroyed from different angles and they’re basically totaled, but they don’t know what to do with them.

And it’s not like we’re going to make three good cars out of two, take parts from this one. And it’s just, I watched this video and this guy’s just walking down and it’s model three, model Y model one after the other, after the other, after, and you’re like, whoa. And then we’ll talk about this in lost and found.

Brad, if you scroll through cars. com or autotrader, you’re not going to find a lot of used EVs on there. People sort of keep them until they’re consumed or wrecked and then it’s like single use plastic. Well, one and done and kind of move on and buy something else.

Executive Producer Tania: We’re so conscious about the environment.

Crew Chief Eric: Shush, shush you. Remember, we’re going to get the patents on this new way of doing it. I’m going to call it clean diesel.

Crew Chief Brad: Diesel is such a bad word. You got to call it something.

Crew Chief Eric: Is there a bleep button for diesel? Like every time it’s like Brad, it’s time. We move on to your favorite part of the drive through lost and found where you get to scour the internet, looking for [01:00:00] the newest old piece of crap available in dealership lots.

Crew Chief Brad: Oh my God. The Ford GTs are multiplying. There are now two Ford GTs out here. Both of them, 450, 000. Oh, one yellow with black stripe. One looks just like Jeremy Clarkson’s old car. It probably is Jeremy Clarkson’s old car. Yeah. I thought Doug DeMuro bought that one. And then there’s a 2008 Shelby GT 500 convertible for 71, 000.

A 2012 Fiat 500 lounge. If we can’t sell new Fiat’s, we’re definitely not going to sell this.

Crew Chief Eric: Who puts together an appearance or comfort package called lounge?

Crew Chief Brad: The Italians do apparently this car is an athleisure wear accessory. That’s it. There’s not much going on out here. There’s a bunch of Volkswagens.

Crew Chief Eric: You know what there is going on. We have another nominee. For the uncool wall. What? Have you guys heard of the Vetter slash?

Executive Producer Tania: Hot garbage.

Crew Chief Eric: Take a look at this thing.

Executive Producer Tania: This looks like something from another decade that belongs in like a TV show.

Crew Chief Brad: They put a rear window on the front.

Crew Chief Eric: Because [01:01:00] Polestar doesn’t need them anymore.

So there’s a clearance sale on those. They just put them on.

Executive Producer Tania: Like what bastardization is this? What got butchered and put back together?

Crew Chief Eric: Is that a Pontiac badge on the front?

Executive Producer Tania: Looks like it.

Crew Chief Eric: This started its life. Believe it or not, Corvette C six, Corvette

Executive Producer Tania: poor thing should have been put out of its Missouri.

Crew Chief Eric: This looks like something out of Batman, the animated series. But when I first saw it, because of this burgundy color, it brought me back. Do you remember the Bradley, which was like a C3 Corvette, that the guy tried to put it Ford, crown Victoria on top of, and it was like this color and it was kind of put together in the same weird way.

So I immediately, I went back to that. I was like, this is the modern Bradley,

Executive Producer Tania: look at this thing. It’s. Terrible. From the front, suddenly I’m like, oh, is it trying to be a Bugatti, like a Veyron?

Crew Chief Eric: This is like something I

Crew Chief Brad: expect to see on Car Masters now. Yes, like that car that they built with the weird vents and shit.

Executive Producer Tania: So many angles. Oh my god, the back.

Crew Chief Brad: What is going on with this interior? They [01:02:00] took a Nexus 7 tablet and just put it everywhere, glued it to the dash. And then they covered it in this material that was taken out of a Dodge Viper from the 90s. Why? Why would you do this to a Corvette?

Executive Producer Tania: So what are reverse?

What are those called?

Crew Chief Eric: Stupid. So those are called, I’ve never seen reverse scissor doors. How the hell do you get in and out of this thing? So imagine it, if you’re listening at home or go look at the show notes, because this car is an incredible feat of engineering. The doors pivot at your hip and they open upwards like a Lamborghini or a McLaren, but they open backwards

Executive Producer Tania: out and back.

It’s like,

Crew Chief Eric: well, this is going up on our uncool wall and you can vote for it later today. So cast your votes. There are, I think, 65 other cars on the uncool wall now. And one of the things we added when we remodeled the uncool wall, it’s still. Terrible to look at on purpose by design, but we actually added badges to the car.

So you can go back and see our staff [01:03:00] picks our drive thru nominees and some of the ones coming out of our discord and things like that. And honorable mentions are on there as well. So a lot of fun. You can go back and vote as many times as you like on our uncool wall. And you can find that on gtmotorsports.

org. What’s next it’s that time again. It’s time to talk about Teslagate. We

Crew Chief Brad: would be remiss.

Executive Producer Tania: Yes, so, Tesla.

This first article about a driver in a Cybertruck driving with VR or AR goggles on. First of all, I think it was a stunt, so there’s that. The more concerning thing is don’t put this out there in the world for people to try to go do. That’s the more concerning thing at the moment because the Cybertruck doesn’t have autopilot.

So it’s a stunt because there’s no way that it’s self driving and he’s just not paying attention. So boom on that. But second of all, don’t put this out in the world. So people are like, Oh, I can go do this too. Or some [01:04:00] asshat’s going to go do it in their Tesla, which is another article they’ll accidentally.

Bow over a woman and her dog killing them and then go, I didn’t realize I, uh, ran anybody over. While they were checking emails on their phone in autopilot, allegedly. I mean, what a great excuse to like, bow somebody down and be like, Oh shit, oh crap, what do I do? Oh, you know what? I was on autopilot. Like, it’s not still your fault, asshole, and you didn’t notice?

Like supposedly there’s some like street cam that’s like the woman was on your hood for a hot second, you know, dying. Like, what

Crew Chief Brad: the f To Tanya’s point, there are no cars in existence today that have autopilot. Go read the fine print. They all say the same shit. The car does not drive itself. Don’t be fucking delusional.

Crew Chief Eric: Mm hmm. I will say you missed the point entirely, Tanya. Nope. She’s, she got it. She good. The whole thing with the VR goggles. It’s just like when I sit down on my simulator, I don’t need to use my monitors, I can plug my Oculus or MetaQuest into my sim and play the game through that. So, [01:05:00] when you plug your Oculus into the Cybertruck, you don’t need a windshield.

Remember I said, we’re going to be driving eggs that levitate. So, how do you know where you’re going? You put on your VR, AR goggles and it’s just like being

Crew Chief Brad: outside. Elon Musk was a visionary. He saw the writing on the wall. You don’t need a windscreen wiper because you’re not gonna use the windscreen.

Crew Chief Eric: You won’t know that it’s raining.

Crew Chief Brad: The laser goes across your meta quest. They use the same laser from that eye surgery.

Crew Chief Eric: They’re giving you LASIK.

Crew Chief Brad: From the LASIK, yes, LASIK technology. Then your meta quest that goes across and cleans your windshield. The simulated rain in your simulated world. Just like they added simulated rain to iRacing.

We’ll see how that turns

Crew Chief Eric: out. No, no,

Executive Producer Tania: no, no, no, no, no, no. See the neural link.

Crew Chief Eric: Oh God.

Executive Producer Tania: The neural link. Put in you and then that’ll connect you intimately with the car.

Crew Chief Eric: Didn’t they put the neural chip in somebody’s head? Like Tesla did that. I

Executive Producer Tania: think so.

Crew Chief Eric: Cannot wait until [01:06:00] they have complete cranial meltdown because I feel like I have that when I’m reading these articles.

I can only imagine if that thing’s self combust inside your head. Good night.

Executive Producer Tania: They did put it in someone and allegedly they can move a mouse, like computer mouse with their mind.

Crew Chief Brad: You know, I think I’ve got a new invention. It’s called a hand, and you put the hand on the mouse, and you can move it without even needing to use your mind.

But you use

Crew Chief Eric: your mind to

Crew Chief Brad: move

Crew Chief Eric: your hand! You see, it’s that telekinesis powers

Crew Chief Brad: that we have. I don’t, I don’t need wireless! Touch it! I can push the buttons! You’re

Executive Producer Tania: not telepathic! You don’t have telekinetic powers! What, the mouse must have a chip in it or something? Like, and you’re like microwaving like waves out of your brain to control it?

Crew Chief Eric: There is no spoon. So all you do is tilt your head and that’s the mouse. It’s like the old trackball mice. No, no, go back, go

Executive Producer Tania: back! Like Night at the Roxbury! Refresh! [01:07:00] There’s already technology like that where your eye movements can be tracked, and so that you could move things on a computer screen in that way.

Crew Chief Eric: Right.

Executive Producer Tania: I think they’ve already designed that stuff for people with disabilities. I don’t need to embed a chip in my brain and then all of a sudden have like, I’m going to get charged to go to the facilities in my own home or something.

Crew Chief Eric: Just imagine how many Camp Lejeune emails you can get straight to your brain.

Executive Producer Tania: You’re going to get paywalls. I need to pay for my subscription to, I don’t know, use my brain. I get like shut down because my Neuralink subscription expired. Like

Crew Chief Brad: yeah, cause you didn’t pay your bill. Dear Lord, please start the apocalypse. Start over. I mean, we are

Crew Chief Eric: solving the world’s problems. And you know what, Brad, we alluded to earlier, there’s more news with the Cybertruck.

And this one is just ripe for the picking. This is delicious.

Executive Producer Tania: See, it’s all misunderstood. The problem is the type of stainless steel they have chosen is magnetic, has slight magnetism to [01:08:00] it. Therefore the metal fallout from everywhere, be it brake dust. passing a railroad track, factories, they’re sprinkling little metal pieces that are attracted to the stainless steel body panels and then they get attached there and that metal is what’s rusting.

Lies. Not the actual Cybertruck.

Crew Chief Brad: Yeah, flag on the play. I call bullshit.

Executive Producer Tania: So even normal painted cars. Have this problem. What

Crew Chief Brad: I call bullshit. Cause there’s nothing that’s attracted to the cyber truck. All right.

Executive Producer Tania: Just go get some barkeepers friend and just polish your thing all the time.

Crew Chief Brad: Yeah, I guess you can’t use like Google on or whatever that the bug stuff is to get rid of it.

We

Crew Chief Eric: just take this back to basics. The whole point of stainless steel is that it’s not supposed to rust. The fact that it’s rusting indicates to me that it’s stainless steel.

Executive Producer Tania: It’s the stainless steel itself is not rusting.

Crew Chief Brad: It’s the metal that attaches to [01:09:00] it.

Executive Producer Tania: There are deposits of metal that are falling onto the stainless steel body and getting stuck there.

And those little pieces of metal are what is rusting and creating the little orange flecks everywhere.

Crew Chief Brad: Are we on that game show to tell a lie? We’re going to tell you three statements. Two of these are true. Yeah. One is a lie.

Crew Chief Eric: Two truths and a lie. Yeah, this is like, wait, wait, don’t tell me now, right? I mean, this is insane.

Crew Chief Brad: Did DeLorean have these problems?

Executive Producer Tania: Apparently they did change their grade of stainless steel at one point to make it more repelling, less magnetic. I don’t know enough about DeLorean’s history because I’ve never heard, but again, the community is very small. So who’s to say?

Crew Chief Brad: So is the Cybertruck community.

It’s getting

Crew Chief Eric: smaller every day. It’s getting smaller and smaller. Based on precedent, on all the other things we’ve learned about Tesla, and all the other adventures that we’ve been on through TeslaGate over the years. I don’t

Executive Producer Tania: know what to believe.

Crew Chief Eric: Exactly. And it will come to pass in several years that it’s really [01:10:00] actually brushed sheet metal posing as stainless steel, and the cars are rusting.

Executive Producer Tania: Regardless, if I paid 100, 000 for it, I don’t know, put an effing clear coat on the stainless steel.

Crew Chief Eric: Ya

Crew Chief Brad: think? No, you just put a wrap on it. Did

Executive Producer Tania: that defeat the purpose again? We’re happy to offer you that as an extra fee.

Crew Chief Eric: One of the most genius moves ever. But also has a negative side effect. If you guys remember the original McLaren F1, the way those cars were painted, it was actually really, really cool.

They would do the color and all that kind of stuff. And then they would literally lock it in with like a thick urethane that was basically impermeable. So the color would never fade. It could never get shipped, but you also couldn’t repaint the car because it was locked into that particular color. It was basically sealed.

To your point, Tanya, I don’t know why they couldn’t have done this with the Cybertruck. It’s not like it doesn’t already weigh literally 10, 000 pounds.

Executive Producer Tania: There must have been something they could have sealed the panels with to prevent this, if it’s truly the industrial fallout.

Crew Chief Eric: They could have used great stuff because the doors leak like every other [01:11:00] Tesla does, right?

The point is More of these issues are coming out. Like we’ve said, it was kind of rushed to production.

Executive Producer Tania: Rushed, hasn’t it been in product? Have been trying to build for like a decade. It’s been rushed.

Crew Chief Brad: Rushed to production. . Wow. Rushed to production.

Executive Producer Tania: rushing it for a decade.

Crew Chief Eric: Two lies and a truth. Well, there you go.

Crew Chief Brad: Two. Two truths and a lie. . That was clearly the truth.

Crew Chief Eric: It’s unbelievable. It is. It is. I don’t know that my expectations could get any lower, but these next couple of articles have really put me there.

Crew Chief Brad: Lowered expectations. Riders on the

storm.

Crew Chief Brad: That’s

Crew Chief Eric: what

that

Crew Chief Brad: sounded like. Riders on the storm.

Crew Chief Eric: So the great not state of representation without taxation, the District of Columbia in our fair capital.

is pushing for speed limiters on cars.

Executive Producer Tania: How does that work? Like, like they could only impose that on DC registered cars.

Crew Chief Eric: No, no, no, no, no, no. Because [01:12:00] if California has their way, because they are the neck that turns the head of the snake, California is trying to adopt a European style speed limiter. To impose on the rest of us, but it’s only really going to work on new cars from the sounds of it.

Executive Producer Tania: And my old car is going to be worth so much money. I got it. No, right. For a while.

Crew Chief Eric: But you remember back in the seventies when they made the speedometers only go up to 85 miles an hour. So that way you thought you were saving gas because you couldn’t go past 85. Although some cars could do like 120. You just bury the needle and go for it.

So same kind of thing, but this is going to be electronically controlled. And I said this before there was going to come back to bite people in the butt with all this auto driving, self driving nonsense that we’ve been talking about. Enjoy driving the speed limit. Cause they’re going to. figure out a way to limit the cars with GPS to that speed.

Executive Producer Tania: Nationwide tried that already. Put our transponder in there for your good driver saving so we can charge you when we see that you go over a certain speed.

Crew Chief Eric: No, thank you. I’ll pass.

Executive Producer Tania: I don’t understand why people don’t get it. Like if we really did truly at the [01:13:00] snap of a finger could move tomorrow to this futuristic sci fi world where everyone is in a self driving car, i.

e. trains, essentially, right? Like, like, essentially, like, the world is just a bunch of series of monorails because the cars are all going to be computer controlled and they’re going to follow the leader.

Crew Chief Eric: Remember they’re levitating eggs, levitating eggs. Whatever,

Executive Producer Tania: the levitating eggs are going to follow one speed and someone’s going to decide what that speed is.

And maybe it’s 55 miles an hour, certain roads and 30 others, or who knows? Maybe it’s. 155 miles an hour, I doubt it. But there you have it, you know, it’s all going to be controlled. Because in order to have a system like that actually work, you can’t have multiple speeds going on. I mean, you can, but it’s more complex programming, and who’s going to bother doing that?

Crew Chief Eric: Exactly. And the GPS systems already know, because of the mapping software, what the speeds are of the roads as they exist. today. But it does bring up an interesting conversation because the more local roads, the B roads, the city roads, those speeds are dictated based on the number of pedestrians and sidewalks and all this kind of stuff to determine what the speed of those [01:14:00] boulevards and avenues should be.

But on the highways, the National Safety Commission, National Highway Commission designates the national speed limit based on fuel economy. And let’s just say in an ideal. Sci fi world where it’s like Demolition Man and we all have our levitating eggs with foam and all that kind of stuff when they wreck.

55 mile an hour speed limit, which has been raised to 65 in a lot of places. The 55 mile an hour speed limit, let’s just say, which is the national average, doesn’t need to exist anymore because it’s based on fuel economy. So what should the new speed limit be on the highways?

Executive Producer Tania: Well, it’ll be based on electrical economy.

Because you’re not gonna go 80 and then drain your battery faster. So there’s going to be an optimal point where you’re in a range, even of speed and power drawing off the batteries that makes sense.

Crew Chief Eric: Isn’t part of the whole thing with EVs? Especially with electric motors is once you get to a certain point, you need a very minimal charge in electromagnet to keep it spinning at that constant speed.

Theoretically speaking, a higher average speed limit could be attainable without [01:15:00] consuming more power,

Executive Producer Tania: but there’s still a volume of cars problems,

Crew Chief Eric: but they’re going to take care of that. They’ll make all the petrol cars illegal, you know, it’s coming or at least the conspiracy theorists believe it that way.

There’s probably an ounce of truth to that, but it’s going to take a very long, it’ll be beyond our lifetime before we see the last petrol car, not able to drive on the road.

Executive Producer Tania: It’s a scary thing with all the computer stuff and how integrated and in the cloud the cars are becoming. I mean, who’s to say that somebody doesn’t just push a button and slows your car down.

Crew Chief Eric: Or stops traffic altogether. I mean, you make fun of these movies like the Italian job where they took over all the traffic lights and the Fast and the Furious where they hacked. You know, it’s kind of thing, but let’s just say in the real world, some of these it systems are not that secure or not as secure as they could be.

And there’s new vulnerabilities and exploits being derived, you know, zero day attacks and all these kinds of things every day. So let’s just say somebody could get through and stop Skynet and all of the levitating eggs just suddenly freeze and you’re locked. In it, it’s got no windows, no artificial recirculating air, and your [01:16:00] VR goggles are still showing you Cupman or whatever, you know, video game you’re playing while this is going on.

It’s kind of a scary reality, if we get to that point.

Executive Producer Tania: No thanks, I have a horse.

Crew Chief Eric: There’s a lot of movement going on. So, Europe influences California, California influencing the District of Columbia. I understand the District’s complaint at the end of the day.

Executive Producer Tania: If you read the article, they’re not saying they’re blanket doing this.

I can’t say necessarily, I disagree. If this is truly that it’s repeated offenders would get a governor installed.

Crew Chief Brad: I saw where it said first time offenders.

Executive Producer Tania: Is it first time?

Crew Chief Brad: Would get it for a year. Yeah. Well, that’s

Executive Producer Tania: a little bit harsh.

Crew Chief Brad: For like major speeders.

Executive Producer Tania: Well, first of all, drunk driver shouldn’t.

Crew Chief Brad: That’s a different story.

Executive Producer Tania: Punishing people like that, by all means.

Crew Chief Eric: And part of DC’s problem, and I get it, is the fact that they have a lot of Unrecognized revenue based on all these speeding tickets and cameras and all this kind of stuff because a lot of the folks that are speeding through the district are from out of [01:17:00] state.

Well, let’s face it. DC is like what, seven square miles or something like that? It’s not that big. It’s like, okay, everybody’s out of state. So you’re going to put all these punitive legislation against the, so many people that live in the district. And then how many of those are a diplomat tags where they get everything waived anyway.

So it’s like, there’s a small percentage of the population in the district of Columbia that actually lives there. That’s actually registered there. And they’re the ones that are going to be getting nailed. Does this really solve a problem? And then what you put a restrictor on my car. If. Maryland and Virginia and Delaware and everybody else doesn’t have any reciprocity.

Executive Producer Tania: I don’t see how they could do that. And how could they put it on the out of states? What’s their jurisdiction?

Crew Chief Eric: They don’t have any. See, again, it’s the taxation with no representation thing. It’s never going to get anywhere. It’s big talk. But if California has their way, then it’ll become part of these new rules.

And all the manufacturers will have to bow down to that. That’s the scary part is you will start seeing cars that are GPS limited. And as we said before, it’s going to come in the cars. That have all these fancy fly [01:18:00] by wire features. Think about this. We joked about the solution to the electronic brakes failing on the Fisker Ocean, but when your brakes are electronic, I can override them and slow down the car.

And it doesn’t matter how hard or how you didn’t hit that pedal. The analog systems are still unhackable at the end of the day, unless you bust the brake line, which is pretty rare. Well, this next one, you know, we need to lighten the mood a little bit. So there’s a great meme that we found, and this one’s specifically for Tanya, and we’re going to post it in our show notes.

And it’s a picture that says GTR or RX 7. And what are the pictures of, Tanya? Garbage. It’s a Chevy Impala from the early 2000s and a Ford Taurus from the same time period. So which one do you choose? GTR or RX 7? Horse. Walk. Bicycle. These are the two cars we get to pick from, guys. Which would you choose?

These are the only two left on Rent A Wreck. All the other levitating eggs are out. These are the two cars that are left. Which one do you choose? [01:19:00]

Executive Producer Tania: You know, honestly, because I’ve never driven one, I’m just gonna choose the Escort.

Crew Chief Eric: It’s a Taurus!

Executive Producer Tania: Oh, yeah, sorry, Taurus.

Not on here.

Crew Chief Eric: What about you, Brad? Are you a blue oval or Chevy man?

Crew Chief Brad: What do you pick? I’m going to choose the Impala because I feel like it would be a more comfortable ride as I go off the cliff and plummet.

Executive Producer Tania: That you’ve done the Louise yourself.

Crew Chief Brad: I think Ford has more spontaneous combustion issues in their lineup than Chevy, so I’m going with the Chevy.

Executive Producer Tania: Oh, good, then it’ll be put out of its misery quickly.

Crew Chief Brad: I’m going the lap of luxury. I’m trying to really pull on those distant, distant, distant Cadillac relative genes in the

Crew Chief Eric: Impala. I guess that leaves me to break the tie. I’m going to choose the RX 7. I mean, the Taurus. The Escort. I Yes, only because I know it shares DNA with the ever popular, [01:20:00] globally renowned Monday and I wouldn’t be caught dead in an Impala of that era.

So, sorry, they’re terrible. You wouldn’t be caught. You’d be in the trunk. Ain’t that the truth. Well, speaking of getting stuck in things. Have you seen this Instagram reel of Jeremy Clarkson and McLaren?

Executive Producer Tania: Why can’t he get out of it?

Crew Chief Eric: That’s the point.

Executive Producer Tania: He can’t figure out where the door handle is?

Crew Chief Eric: And the best part is, you don’t realize it’s him until he starts talking to the other person.

Executive Producer Tania: That’s funny.

Crew Chief Eric: Well, it’s not all fun and games in Lowered Expectations. This next one is sad. And I think it needs some explanation. Right, Tanya?

Executive Producer Tania: I mean, I don’t know why they just vandalized this Waymo card just because the people in San Francisco just lit it on fire.

Crew Chief Eric: I don’t get it either. And I was just in San Francisco in December and I saw these running around town.

I mean, they’re pretty benign. You know that they’re there. They’re riddled with cameras and stuff. Why it felt like you remember back in the nineties, Brad and university of Maryland winning the football game. And they’re like knocking down the goalposts and trying to burn the college down. Is that what we’re doing here?

Crew Chief Brad: Yeah. I was wondering, does this have [01:21:00] to do with the 49ers with the Superbowl and the 49ers?

Executive Producer Tania: It was February 11th. Oh, Superbowl Sunday.

Crew Chief Eric: So maybe because there’s nobody in it, they figured they could go crazy and riot and just burn a wemo to the ground.

Executive Producer Tania: There’s a lot of purple gases. That are released when batteries are burned, so these people aren’t of high intelligence.

I

Crew Chief Brad: feel like the fact that it’s a Wemo is just like an anecdote.

Executive Producer Tania: I don’t condone, I couldn’t vandalize anything like that or anything

Crew Chief Brad: at all. It was just a coincidence that it was an electric car. I don’t think they single out that car and say, we’re going to destroy this electric car because it’s an electric car.

I don’t think that’s what happened. I think they were just a bunch of drunk people that thought they were having a good time and were just being really dumb. But

Crew Chief Eric: in a really fun cartoon sort of way, I would have liked to have seen a video of it fleeing the scene on fire and like panels falling off.

There’s nobody actually driving the car, but it’s like, it starts screaming, must return to base. Let’s return to

Executive Producer Tania: base. That would have been so sad for the machine.

Crew Chief Eric: A little bit too, uh, WALL E, you know? [01:22:00] Weemo

Crew Chief Brad: 5 is alive.

Crew Chief Eric: Well, it’s time to go down south and talk about alligators and beer.

Executive Producer Tania: Okay, so we will go to Florida, but first we’re going to be up north around Grand Rapids, Sturgis, Michigan.

Crew Chief Brad: The Florida of Michigan. I thought Sturgis was like in the Dakotas.

Executive Producer Tania: Well, there’s multiple, like, cities all have the same names, right?

Crew Chief Brad: There’s a Springfield in every state. There’s a Sturgis in every state.

Executive Producer Tania: Well, anyway, we’re in Michigan. We’re 90 miles south of Grand Rapids. Is there a big Amish population in Michigan?

Crew Chief Eric: Yeah, just like there is in Ohio and Pennsylvania. Is there really?

Executive Producer Tania: Yeah, yeah, yeah. In Michigan? Yeah, it’s there. I didn’t appreciate that. Okay. Well, this woman stole a horse and buggy from some Amish folk, Walmart parking lot, which also the Amish [01:23:00] shop at Walmart.

Crew Chief Eric: We got to start with that.

Executive Producer Tania: What are they buying at Walmart? I don’t know. I don’t admittedly know much about the Amish.

Crew Chief Eric: Maybe they were reenacting the Griswold family vacation where they were on rumspringa to Walmart.

Crew Chief Brad: It’s Michigan. Where else are they going to go? Detroit?

Executive Producer Tania: Well, who knows, but the problem is, though, for whatever her purposes was, legally, it was better to have stolen a car to have received a misdemeanor instead of by some horse laws and getting a felony.

Oh, ho, ho, ho, ho,

Crew Chief Brad: ho, ho, ho. How is Grand Theft Auto a misdemeanor? It doesn’t endanger a horse. Well, how much horsepower was in the car? There was one

Crew Chief Eric: horsepower in the buggy.

Executive Producer Tania: The distinction to your question is, if she was just doing this to go joyride, it would have been a misdemeanor on the auto thing. If she was stealing it to steal it permanently, then I think it becomes a felony.

But there is no question, I think, when it’s a horse and buggy, whether it was a joyride or not, I think it’s a felony.

Crew Chief Brad: Oh my god. It’s felony.

Executive Producer Tania: It’s the livestock aspect of [01:24:00] this.

Crew Chief Brad: It’s a horse, of course. This is insane.

Executive Producer Tania: Well, and then what do you do with it? Are you prepared to take care of a horse?

Crew Chief Brad: She’s like, I’m going to rescue you.

You’re going to be my friend.

Crew Chief Eric: I am going to give you carrots. It could have been an act of saving the horse or something like that. I mean, I, I mean, wilder things go through people’s heads. But I would be like, okay, cool. There’s a horse over there. Whatever.

Crew Chief Brad: What a time to be alive where we get to talk on this show about a tool bag sitting in a cyber truck, playing with his hands, with his VR and a woman stealing a horse and buggy in the same show in the same country

Crew Chief Eric: in 2024, how does stuff like this still happen and what possesses people to be like, you know what I’m going to steal that horse and buggy.

We could put this on Ripley’s, believe it or not, you know, again, two lies and a truth, right? Or whatever it is. So here we are. Did she get caught? Uh, I mean,

Crew Chief Brad: did they catch her? Did the police have their own horse and buggy chase?

Crew Chief Eric: This is slowest getaway in the history of the world. It ended up looking like the LA in the nineties.

It was a low speed chase, [01:25:00] multiple cop cars. They’re boxing her in the whole thing. Jerry’s and Barry’s man.

Crew Chief Brad: Did she ditch the wagon and just hop on the horse to go faster? What is this West

Crew Chief Eric: world?

Crew Chief Brad: Yes, it was Dolores.

Executive Producer Tania: So, yes. They found the horse and buggy abandoned, and then they found her nearby at a motel.

Crew Chief Brad: Covered in horse poop. Yeah, she was at a motel.

Executive Producer Tania: You had to get somewhere. The only option was the horse.

Crew Chief Brad: Did she hitch the horse to a post when she went to the inn?

Crew Chief Eric: If you’re gonna steal something from a Walmart parking lot

Crew Chief Brad: Honestly, that’s probably the best thing to steal from a Walmart. There’s probably not much else there you’re gonna Steal a couple of Impalas, some F 150s from the 80s.

Crew Chief Eric: It goes back to what we were talking about earlier. Simple solutions for simple problems. In this case, why steal a horse and buggy? Get a bicycle. It’s going to be faster. Like, I

Executive Producer Tania: don’t get it. I just don’t.

Crew Chief Eric: So what’s next? What else is for Florida man?

Executive Producer Tania: Well, that was Michigan. Now we’ll go to Florida.

Crew Chief Eric: Oh boy.

[01:26:00] Was there a Rolex man? That’s what we really need to dive into. And can you imagine if the Superbowl had been in Florida? Good night. We’d have stories for the next 20 years.

Executive Producer Tania: No Rolex man.

Crew Chief Eric: Okay. Well, what happened in Florida then?

Executive Producer Tania: Well, I’ll start with the worst of the two and worst being like, this is just absurd.

So this Florida man carjacks someone. That’s still a thing? Yes. But who does he carjack? He carjacks his grandmother. Ha

ha ha ha ha ha! Ha ha ha ha

Executive Producer Tania: ha ha! You know, he knows it’s his grandmother. Carjacks, of course, gets arrested. And then writes her a four page apology letter.

Crew Chief Brad: Meemaw, I’m sorry. Meemaw, please don’t put me in jail.

Please don’t press the charges on me, Meemaw. Can I have some meatloaf? Unreal. How about you not carjack your grandmother?

Crew Chief Eric: You just asked your grandmother to borrow the car. What did he do? Carjacker at the end of the driveway? Get out. I need to go to Walmart. I need to meet somebody head of motel after they pour some muggy.

But let’s flip this around. Imagine you’re the carjacker and it’s like old school 90s carjacking. [01:27:00] So you just run up at the intersection and grab the person out of the car. Like they were doing it in LA and stuff. Right. Can you imagine running up and you’re going, man, this car looks familiar. And then you grab your grandmother driver’s seat, leave her in the middle of the road, like seriously, I’ll see you later.

He

Executive Producer Tania: had her come outside to unlock her car under the pretense of getting something out of the trunk. And then he like. Grabbed the keys out of her hand and like, sadly pushed her to the ground and then like, stole the car.

Crew Chief Eric: Okay, wait,

Executive Producer Tania: is that really carjacking? I mean, loosely, but nonetheless, you couldn’t have just been like, Hey, I need to borrow the keys to get something out of the car and then steal the car.

Crew Chief Eric: Drugs are a powerful thing.

Executive Producer Tania: Well, speaking of drugs. This next person in Florida allegedly stole an Amazon van and then went on a 20 mile joyride.

The best

Executive Producer Tania: part is the sheriff’s office having a great comedic sense on social media. Quote, is your package late? Wow. [01:28:00] Wow. Wow. So not only is this guy charged with grand theft, meth trafficking, possession of weed.

Which, is that a problem in Florida anymore? I don’t know. But yeah, he was lost in the neighborhood. And so I thought that taking the van would help him get out of the neighborhood he was lost in. What?! Kids, don’t do drugs!

Crew Chief Eric: Unbelievable. Is your Amazon package running late? Definitely.

Executive Producer Tania: This last one is in Texas.

Oh

Crew Chief Eric: boy. And it’s

Executive Producer Tania: not necessarily, eh, I mean, take it for what it is. A 9, 000 pound Hummer EV. Sink so deep in Texas mud, a tow truck has to come pry it out. And this was like the Hummer with the super awesome off roading package, whatever it’s called, that they have

Crew Chief Eric: the same all terrain tires the Cybertruck comes with?

Executive Producer Tania: It must. But it had the GMC Extreme Off Road Package with 35 inch mud terrain tires in extract mode! Except it had to get extracted by something else.

Crew Chief Brad: I’m surprised a regular tow truck was able to extract it.

Crew Chief Eric: [01:29:00] They used the one they pull semis with.

Executive Producer Tania: Yeah, that’s probably what

Crew Chief Brad: you need. Yeah.

Executive Producer Tania: 9, 000 pounds for sure.

And then 9, 000 pounds plus the suction force

Crew Chief Brad: of the mud, which pretty much doubles or triples the weight of the vehicle.

Crew Chief Eric: And for those that don’t understand what we’re talking about, have you ever stepped in mud and lost your shoe? Because that’s exactly what we’re talking about here.

Executive Producer Tania: In fairness, I think like anything would have probably gotten stuck in this like mud pit that he parked his car at his parents house or something to go charge it.

For some reason in this grassy it was already swampy and wet from the rain and then parks it there and then it like slowly sank and then he tried to like get it out the act of getting it out made it dig in and sink even further and then it just it got beached there.

Crew Chief Eric: So they pulled it out with the F 350 dually?

Executive Producer Tania: They pulled it out with a Cybertruck now. Ah.

Crew Chief Brad: All I can think of is the scene with Marissa Tomei on the stand and my cousin Vinny. Everybody knows when you get stuck in the mud in Alabama, one wheel turns, the other one does nothing. [01:30:00]

Crew Chief Eric: Oh, I love me some Florida, man. What can I say? Well, what I can say is it’s time to go behind the pit wall and talk about motorsports news.

And this month, the month of February, not only do we have the Super Bowl and the 24 Hours of Rolex, we also had the Daytona 500. So we dedicated to the month of February. To NASCAR and its derivatives. So we kicked it off with origin stories about Bill France, the evolution of NASCAR, all the way into a discussion about NASCAR in space.

And we had special guests, Steve Post, who’s been the voice of NASCAR on MRN. That’s the motor racing news network for over 20 years on the show. We caught up with him. We did a two parter with Steve, and there’s a lot of other great content on Brake Facts that you can go back and check out. But did you also hear that they’re going to start campaigning EVs in

Executive Producer Tania: NASCAR this year?

What do they do, like three laps and then?

Crew Chief Eric: I’m trying to figure that out because I wasn’t sure how you put a four speed and four [01:31:00] barrel car on an EV. You know how the rules are in NASCAR sometimes. I mean,

Executive Producer Tania: they did it with the Formula E, I guess. Why not?

Crew Chief Eric: All jokes aside, with the new sprint race format, which Formula One has Started to sort of adopt as well over the last couple of years, I can see them building an EV that lasts long enough to run those shorter races.

And to your point, they probably have to change cars, especially a longer race, but I think we’re going to start to see more EVs campaigned in NASCAR. So. Between the seventh generation garage, 56 type Camaro, all that kind of stuff. There’s lots of technology advancements happening in NASCAR. So if you’re not a fan today, I would say start paying attention because there’s a lot of really cool stuff going on.

Crew Chief Brad: I mean, running in formula E braking and you’re not flat out for 500 laps is very different than Running around an oval, it flat out for an extended period of time. I don’t see how that went around the wait and see.

Crew Chief Eric: Well, what does it sound like?

Crew Chief Brad: Can

Crew Chief Eric: you imagine? Yeah, that’s pretty much it, right? We got to switch to [01:32:00] formula one because there is so much drama going on right now.

Danny Rick, Danny Rick, what can we say?

Crew Chief Brad: So he’s with our. B now?

Executive Producer Tania: Visa, paycheck,

Crew Chief Eric: cash app, blue thing. Is that an Indy car? It’s not a Formula car, right? What? It looks like an Indy car. The way they decorated it.

Executive Producer Tania: Delivery.

Crew Chief Eric: Because all the other Formula cars look all the same every year. I can never tell. The Aston looks like an Aston.

The Ferrari is still red. The Mercedes is silver. I don’t know. They always look the same. Everybody makes such a big deal.

Crew Chief Brad: This steak doesn’t look the same. Is it still steak? I thought they were, they couldn’t be steak.

Executive Producer Tania: They can’t use that name.

Crew Chief Brad: Why can’t they use steak?

Executive Producer Tania: I don’t know, but I thought I saw Are they

Crew Chief Brad: vegetarians?

They’re vegans, aren’t they?

Executive Producer Tania: But it’s not! The Vampire Coalition should be involved. It’s not like a steak like you eat. It’s like a steak, steak in the ground.

Crew Chief Brad: I know, it’s the Lumber Coalition. The Lumber Coalition’s involved.

Crew Chief Eric: Isn’t it a betting thing? Like a sports book?

Crew Chief Brad: It is, exactly.

Executive Producer Tania: I don’t know if they’ve officially changed from steak, but I thought I saw something that said that they can’t use that.

Crew Chief Eric: All kinds of cool stuff about [01:33:00] Christian Horner, though. Christian Horny. We will get into that, for sure. What in the heck is going on in Formula 1 in 2024 and not just new liveries like the Visa, Cash App, MoneyGram, Chipotle special.

Crew Chief Brad: There’s nothing going on. Formula 1 has been so boring this off season.

All the drivers are staying put. The team principals have their jobs for next year. There’s been zero controversy. I mean, I’ve literally slept through the entire F1 off season. What about you, Tanya? What did I miss?

Executive Producer Tania: You’re absolutely right. I haven’t heard any news. It’s been pretty quiet. Obviously they started pre season testing this weekend.

So other than that, I mean, it’s business as usual.

Crew Chief Eric: Andretti got his team, right? Is that what I heard?

Crew Chief Brad: Andretti got his team. Porsche and Audi are both coming. Christian Horner is a standup citizen. Susie and Toto Wolf. Were not investigated. And then Uninvestigated, Gunther Steiner is still at Haas,

Crew Chief Eric: so this is like 16 lies in a truth.

Even I’m paying attention to this and I don’t generally pay attention to Formula One that much anymore.

Crew Chief Brad: Yeah. What else did not happen? Lewis Hamilton is going to sign with [01:34:00] Mercedes for the rest of his life, even after his career. He’s going to sign on for an ownership deal and he’s gonna wear the three pointed star on his.

Tombstone.

Crew Chief Eric: If this was the April Fool’s special, I’d say you all are correct. Everything that has been said is the exact opposite. So where do we start with this?

Executive Producer Tania: So has Christian Horner been, like, what’s happened with that? Like, he’s accused of some inappropriate conduct towards a female employee.

Crew Chief Eric: What it means is He updated his LinkedIn and it now says open to work

Crew Chief Brad: down to clowns.

What it says, I

Executive Producer Tania: think that’s what got him in trouble to begin with. Maybe allegedly possibly or ginger spice,

Crew Chief Eric: poor Jerry Hallowell. Yeah. That blows my mind, man.

Executive Producer Tania: He seems like such a nice. But I

Crew Chief Brad: knew Christian Horner was a tool bag. You said that many times before. Well, cause I’ve got, I’ve got a man crush on Toto.

That’s why. Okay.

Crew Chief Eric: Is that second to your Daniel Ricardo man crush as well?

Crew Chief Brad: Toto’s a man. Daniel’s just a boy. Toto’s a man. Oh, okay. I have a boy [01:35:00] crush on Daniel. Real talk. Does this

Crew Chief Eric: open the door to allow Gunther Steiner to come back? Does he get Christian Horner’s job? That

Crew Chief Brad: guy is No. Steiner never should have had the job at Haas.

He like bullshitted his way to get that job. As much as I love him, this is not for you, my friend, find a new day job.

Crew Chief Eric: Can you imagine how all this is going to play out in Drive to Survive? You need Gunther in there.

Executive Producer Tania: Well, he’ll be in one more season and that’s it.

Crew Chief Eric: So in Dreddy’s Out, they rumored a possibility of Formula One racing in Chicago.

We’re not sure if that’s the same street course they use for NASCAR and IndyCar, things like that. That’s kind of interesting. That would put us up to what, like four locations in the United States. For Formula One Grand Prixs, that’s huge. I mean, why we can’t go back to Watkins Glen is beyond me, but Hey, you know, that was the old Formula One Grand Prix of the U S back in the day.

Crew Chief Brad: Could you imagine these cars at Watkins Glen though?

Crew Chief Eric: I can, and I want to dream and I want to hope. Yeah.

Executive Producer Tania: They talked about it, but who knows? It’s not on the schedule this year, so it’s not happening. Yeah.

Crew Chief Eric: But in the future, we could be adding another [01:36:00] track to the schedule. Can you imagine four races in the U S for Formula One?

That’d be pretty good.

Crew Chief Brad: Four races that are still too expensive for me to go. Oh, a hundred percent.

Crew Chief Eric: So Christian Horner’s on the outs, Gunther’s looking for a job still, he’s on the unemployment line, Andretti’s out, like, out, out, like, I think, hopefully that’s either finally dead, or, I don’t know what they’re gonna do there, maybe he’ll just buy Haas.

I don’t think it’s finally dead, I think

Crew Chief Brad: they’re still He’s still trying, and I agree, Gene Haas has not been happy with his team’s performance in F1 since I’ve been watching.

Crew Chief Eric: They’re touted as the all American F1 team, right? So it’s like, why doesn’t Andretti just partner with Haas? Is there some other blockage going on there?

Or just Gene, he’s just trying to be a

Crew Chief Brad: dictator? I don’t get it. Maybe he’s just trying to be something with the word dick in it. He’s just trying to be a, yeah, I don’t know. And then. Yeah, we’ll see Leclerc and Norris lock their contracts. Who’s Leclerc going to be driving for? Ferrari?

Executive Producer Tania: Yeah. So

Crew Chief Brad: alongside of Lewis Hamilton.

Executive Producer Tania: Next year. So

Crew Chief Brad: here’s the question, which one’s going to be the primary driver? Which one’s going to [01:37:00] be number one?

Executive Producer Tania: Yeah, because he is the primary Ferrari driver. How do you let him be the primary Ferrari driver when seven time champion, whatever he is? Louis Hamilton is on the team.

Crew Chief Eric: Is it seven or eight?

It’s not eight. It’s seven. But I thought everybody said he had more championships than Schumacher and Schumacher had seven. No. I think he tied Schumacher. I heard it was eight time champion. Maybe I’m wrong about that.

Executive Producer Tania: No. He’s got seven titles but I think he’s got more total wins than Schumacher.

Crew Chief Brad: Okay. He definitely has more total wins.

Crew Chief Eric: Like

Executive Producer Tania: podium. First place podiums.

Crew Chief Eric: Which doesn’t mean anything. The championships. Matter more,

Executive Producer Tania: they’re tied.

Crew Chief Eric: Point being, I thought Hamilton was not, no way, not know how. I’m never going to Ferrari because he never wanted to be considered like Schumacher.

Executive Producer Tania: It said that it’s been a childhood dream to drive for Ferrari.

Crew Chief Eric: So which is it?

Executive Producer Tania: I don’t know. I’ve never heard him say that he didn’t wanna be associated with Schumacher,

Crew Chief Eric: but he could have gone to Ferrari ages ago. That doesn’t make any sense.

Executive Producer Tania: No. Why would he have left the cash cow Mercedes that was winning [01:38:00] championship after championship?

Crew Chief Brad: Yeah. It wasn’t until two years ago that Mercedes fell off a little bit.

Executive Producer Tania: And not to Ferrari.

Crew Chief Brad: Where’s Ferrari been? I can’t remember the last time Ferrari was like legitimately competing. Yeah, it was Vettel. I think Vettel and Kimi.

Executive Producer Tania: I heard something about Ford engines on Red Bull.

Crew Chief Eric: I heard Ford might be making a comeback to Formula One after all these years. Yeah, not this year though.

But a lot of these changes, like even Hamilton going to Ferrari doesn’t happen until next year. Right? So let’s just say by the grace of whatever powerful being, he wins a championship with Mercedes this year, which is probably a stretch of the imagination to say that

Executive Producer Tania: not

Crew Chief Eric: gonna happen. Let’s say he gets his eighth.

Is there even a point of going to Ferrari?

Executive Producer Tania: Sure, why not?

Crew Chief Eric: Money. I guess. Say you

Executive Producer Tania: drove for Ferrari.

Crew Chief Eric: Yeah, but why would Ferrari want a backmarker? Because he’s like middle of the pack now.

Executive Producer Tania: Wait, you just said if he won a championship, why would he go to Ferrari? If he, of course, Ferrari will want him if he wins another championship.

Crew Chief Eric: No, my point is you get your eighth, you [01:39:00] have all the records. You got the most wins and the most championships. Wouldn’t you just hang it up and be like, I’m done. I’m good. Would you

Executive Producer Tania: go drive for a Ferrari? Cause what the hell do you have to else to lose?

Crew Chief Eric: Yeah. You

Executive Producer Tania: look

Crew Chief Eric: good in red. Yeah. But then you go to Ferrari and you don’t have to really participate.

You can just kind of show up kind of like Schumacher did when he came back after he left Ferrari, he was kind of like, yeah, whatever I’m here. I’m the car. I don’t really have

Crew Chief Brad: to drive that hard. I don’t know that I believe that. I think if you’re a competitor, you’re a competitor. Long shot, if he wins again this year, he will try to win with Ferrari as well, unless they make a strategic decision as a team that the cleric is the future and the cleric is the number one.

And Lewis is in a more support role given his age and where he’s at in his career, his stage,

Crew Chief Eric: it ends up just like it was in the eighties with Gerhard Berger and John Lazy and playing that stupid game. You had burger kind of there, just like, or, you know, whatever, just. To have a second person with a name in the car.

He’s not a

Executive Producer Tania: backmarker, because if the car is competitive, then Leclerc should be in first position, and Hamilton becomes Botas. He’s there to [01:40:00] take second in block.

Crew Chief Brad: This is about the team and the constructors championship at this point, and trying to get points for that, versus the drivers championship.

Crew Chief Eric: That’s not what Formula One is supposed to be about, though. And to me, this is why I can’t watch it anymore. It takes away from the spirit of the sport. It’s all this politics.

Executive Producer Tania: There’s always been drivers orders. That’s nothing new.

Crew Chief Eric: There is a cutoff point, like in the prost days with Senna, like that didn’t really exist.

They drove as hard as they possibly could and damn near killed each other every time they went out.

Executive Producer Tania: Because they said, I’m not listening to the

Crew Chief Eric: orders. Yeah. And

Crew Chief Brad: did every team have two drivers?

Crew Chief Eric: Yeah. It’s always been that way. It’s forever.

Crew Chief Brad: It’s always been that.

Crew Chief Eric: There was a point that it changed. And I remember the team orders being a big deal when it was Schumacher and Barrichello.

Because up until that point with like Eddie Irvine and all that stuff. like, yeah, like whatever, but when it was Schumacher and Barrichello, then it became a whole deal where there were a couple of times where like Rubens was going to win the race and they’re like, you need to let Michael come by. He’s got to take the lead.

Even though you’re like way ahead, you know? And so [01:41:00] team order started to become a thing there in the late nineties, early two thousands. And it’s just like,

Executive Producer Tania: yeah, so it’s been like 30 years. It’s nothing new that there’s team orders in the formula one. It’s not like five years ago they started doing team.

No,

Crew Chief Eric: but even then it wasn’t as. Prevalent is it is now where it’s like literally we’re all tuning into the driver broadcast and you’re hearing them just tell the drivers like what to do and they’re just kind of doing it and it’s like they’re not racing anymore. They got their spotters telling them exactly what to do.

To me, I feel like it takes away from the sport

Executive Producer Tania: could be wrong. You don’t even watch.

Crew Chief Brad: I feel like what you just described is in every racing. Program, I’m sharing with the multiple teams. There’s team orders. Now, every once in a while, the team models will be let them race case in point with team Corvette, it’s the legendary Daytona race at the final laps where they were battling it out with each other.

Botas and Hamilton did that a few times when they were teammates.

Executive Producer Tania: Well, there’s also the team orders of y’all are one and two, stop fucking around and crash and not be one and two at all and be DNF, right?

Crew Chief Brad: Yeah. The team orders that these cars are [01:42:00] expensive. Let’s not have to be jackasses kind of thing, but it’s in every, it’s not just formula one.

I guarantee you any team motor sport, there’s team orders. Guaranteed.

Crew Chief Eric: I think they’re just different, the way they’re executed. Like, I think the IMSA team orders are like, Hey, you’re going to be out for this amount of time and to do this. Like, it’s different in endurance racing than it is in Formula One, right?

Executive Producer Tania: Well, endurance racing, you have time to be like, Well, in 45 minutes, you’re going to let the guy, whatever. Like here, it’s like in four seconds, he’s up your ass. Just give him the pass.

Crew Chief Eric: Well, maybe I’ll start tuning in, because I found out the other day that you can somehow access Formula 1 through ESPN Plus, but I got a resource for you.

No, you can’t.

Executive Producer Tania: You cannot access it.

Crew Chief Eric: But it’s false advertising. That came from Hulu.

Executive Producer Tania: What did it say? Free with your Disney Plus access?

Crew Chief Eric: Well, why did they show

Crew Chief Brad: Formula

Crew Chief Eric: 1

Crew Chief Brad: there with all

Crew Chief Eric: the other stuff?

Crew Chief Brad: Because they want you to buy.

Executive Producer Tania: Yes, they want you to realize that suddenly you have to buy the ESPN subscription.

Because

Executive Producer Tania: ESPN plus is just the app to ESPN. [01:43:00] It’s like the most convoluted thing. Like you still have to pay for ESPN, and then you pay for the app to watch the shit from ESPN. And if you want to watch it on Hulu, you have to pay 75 a month for Hulu live. When you can pay that for a year subscription of F1 TV, and F1 TV gives you so much more if you’re really interested in Formula 1 because you choose the drivers and you can go into their like live.

Feeds and like be on board with them and do all that. And listen to their

Crew Chief Brad: team orders.

Executive Producer Tania: You get access to like everything, which anywhere else, you’re just going to literally see whatever the broadcast is. Right. So true fan, like that one TV makes sense. If you already have ESPN, then awesome. You get to watch formula one, but I already went through this.

They’re like, oh, I’ve got Disney Plus with the ESPN Plus, and everyone’s telling me, oh, you just did thing, and then found out these people that were like, oh, yeah, oh, but I have ESPN. Oh, so that’s why you watch it.

You’re

Executive Producer Tania: paying for ESPN. You can try in like two weeks when the first race is there. I tried, and it doesn’t exist.

It’s not there. You have to buy the other subscription.

Crew Chief Eric: That’s okay. I’ll be on [01:44:00] HBO Max watching the WEC races anyway, so it’s all good. There’s plenty of rally to catch up on too. But that being said, you know, we mentioned that earlier, it’s interesting to see more of these streaming services picking up different forms of motorsport instead of having to go to just one place, but I agree with you, F1 TV, IMSA TV, WRC plus, there’s some great services out there if you want to get all those extras and all that other access.

Speaking about access, press release went out recently from the ACO USA, and I’m going to do a humble brag here, but yours truly is going to be the next Master of Ceremonies or host of their Evening with a Legend series. Yeah, I get to sit down and interview legends of Le Mans, folks like Doc Bundy, Rick New, and others.

I can’t spoil right now. I want you guys to tune into that. If you’re interested in becoming a member of the ACO, Membership dues are actually not that bad. You’ve probably wasted more money on lesser things, but it does also give you access to WEC discounts at the Lamont [01:45:00] store. They have their travel service.

If you want to go to Lamont’s, there’s discount on tickets, things like that. There’s lots of other benefits that you can get from the ACA USA, but you’ll also be able to tune into those evening with a legend episodes on break fix. Later in the year. So if you want that early access, become a member, get into the zoom sessions, live, get your questions answered by these legends of Lamont’s.

Otherwise you can tune into it later in the year on break fix. So I want to remind everybody that our motor sports news is brought to us in partnership with the international motor racing research center and watch. Kens Glen, their sweepstakes for the 2024 Corvette Ray is still underway and it’s going on through April this year.

So if you haven’t bought your tickets yet, you still have a chance to enter to win a 2024 Corvette Ray. It is a three LZ package convertible silver with blue stripes, gorgeous card. I have heard that it is on the assembly line, so it is a real thing. It’s gonna be here soon and they are taking a delivery of it, so it’ll be just in time.

For [01:46:00] some lucky winner to take it home in April. Well, now it’s time that we wrap up this drive through news episode. Brad take us home.

Crew Chief Brad: As a reminder, you can find tons of upcoming local shows and events at the ultimate reference for car enthusiasts, collector, car guide. net.

Crew Chief Eric: And as part of our HPDJunkie.

com trackside report, Hooked on Driving Northeast is leading the charge with their first event of the year at Virginia International Raceway, better known to many of us as VIR, on March the 7th and 8th. Also, we want to make note that HOD Corporate, based out of California, has also recently changed their management, and we wanted to wish Outgoing owner and friend of the show, David Ray, a happy retirement.

If you’re still planning your track season, look no further than HPD junkie. com for an up to date list of events from all across North America on their website. You can filter by location and find the perfect HPD event for you. And be sure to keep an eye on our motor sports calendar on gtmotorsports.

org forward slash events to learn about [01:47:00] other special events happening in various different disciplines of motorsport all across the country.

Executive Producer Tania: We just crested 310 episodes of Brake Fix while you’ve been listening to this episode. But more importantly, we’ve expanded our catalog as part of our new motoring podcast network, where you can enjoy programs like the Ferrari Marketplace, the Motoring Historian, the History of Motorsports series, Brake Fix, and others.

Search for Brake slash Fix or Grand, G R A N, Touring everywhere you download, stream, or listen, and be sure to check out www. motoringpodcast. net for reviews of the shows, new episodes, bios of our on air personalities, and descriptions of the services we offer.

Crew Chief Brad: If you’d like to become a BrakeFix VIP, jump over to www.

patreon. com slash gteammotorsports. And learn about our different tiers, join our Discord, or become a member of the GTM Clubhouse by signing up at club. gtmotorsports. org. Drop us a line on social media or visit our Facebook group and leave us a comment. Tell us what [01:48:00] you like, dislike, and send us ideas.

For future shows.

Executive Producer Tania: And remember for everything we talked about on this episode and more, be sure to check out the follow on article and show notes available at gtmotorsports. org.

Crew Chief Brad: And a big shout out and thank you to our executive producer, Tanya, for yet again, another fantastic drive thru show and a fantastic season with drive thru episodes.

And to all of our fans, friends, and family who support GTM, without you, none of this would be possible. Outro.

Crew Chief Eric: That’s the season four outro,

Crew Chief Brad: isn’t it?

Crew Chief Eric: Quatro! Oh, it’s Quatro! Hey! Ooooo! I was gonna say, what’s that thing that Jim Carrey used to do?

Crew Chief Brad: I don’t remember that. I just remember

Crew Chief Eric: Let me tell you what happened!

You look like Christian Horner when you do that.

Crew Chief Brad: Well, I got to do it via text. I’ll send you a pic of it.

Crew Chief Eric: Where’d Tanya go?

Crew Chief Brad: Uh, the bathroom.

Crew Chief Eric: Oh, there she is.

Crew Chief Brad: She’s on a hike. She’s on a hike in the Grand Canyon somewhere.

Crew Chief Eric: Oh, got it. Got it. Oh my God. What do the kids call it with it? The dab?

Crew Chief Brad: [01:49:00] Gosh.

Crew Chief Eric: The most boomer thing I’ve ever said, I think.

Crew Chief Brad: What is that thing that kids say these days? Ha ha ha

Crew Chief Eric: ha ha. OOOTRO! And we’re out. Here

we are in the

bus, cars in back of us, all just waiting to order. There’s some idiot in a white Zahn behind me. I lean out the window and scream, hey whatcha tryna do, blind me? My wife says maybe we should

Crew Chief Eric: We hope you enjoyed another awesome episode of Brake Fix Podcast brought to you by Grand Touring Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media platforms at GrandTouringMotorsports. And if you’d like to learn more about the content of this episode, be sure to check out the follow on article at GTMotorsports.

org. [01:50:00] We remain a commercial free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, and friends through Patreon. For as little as 2. 50 a month, you can get access to more behind the scenes action, additional Pit Stop minisodes, and other VIP goodies.

As well as keeping our team of creators fed on their strict diet of fig Newtons, gumby bears, and monster. So consider signing up for Patreon today at www. patreon. com forward slash GT motorsports, and remember without you, none of this would be possible.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Introduction and Sponsors
  • 00:34 Kicking Off the Episode
  • 01:02 Cybertruck Update
  • 02:21 Season 4 Finale and February Highlights
  • 03:26 Super Bowl Car Commercials
  • 08:38 Rolex 24 Hours Recap
  • 10:01 WEC and IMSA Updates
  • 13:46 Season 4 Highlights and Memorable Episodes
  • 28:02 Volkswagen, Audi, and Porsche News
  • 36:33 The Mercedes-Benz Experience
  • 37:14 BMW’s Manual Transmission Dilemma
  • 38:24 The Future of Driving: Autopilot and Electric Cars
  • 39:57 Stellantis and the Chrysler Conundrum
  • 45:09 Ferrari and the Mille Miglia
  • 46:11 American Muscle at Le Mans
  • 49:30 Hyundai’s Surprising Nürburgring Performance
  • 52:40 Toyota’s EV Shift
  • 55:17 Electric Motocross and Concept Cars
  • 01:00:48 The Uncool Wall: Vetter Slash
  • 01:03:17 TeslaGate: Cybertruck and VR Driving
  • 01:11:42 Speed Limiters and the Future of Driving
  • 01:13:07 The Future of Autonomous Vehicles
  • 01:13:47 Speed Limits in a Sci-Fi World
  • 01:15:16 The Reality of Computer-Controlled Cars
  • 01:16:09 DC’s Speeding Legislation
  • 01:18:24 The Great Car Debate: GTR or RX-7?
  • 01:20:31 Vandalism in San Francisco
  • 01:22:52 Horse and Buggy Theft in Michigan
  • 01:26:11 Florida Man Strikes Again
  • 01:30:04 Motorsports News and Updates
  • 01:46:09 Upcoming Events and Final Thoughts

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From Dirt Tracks to Determination: The Grassroots Legacy of West Virginia Motorsports

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West Virginia’s motorsports history isn’t just about speed – it’s about spirit. It’s the story of ingenuity, community, and the relentless drive to make something out of nothing. Vehicle historian Tom Adamich took listeners on a heartfelt journey through the hills and valleys of the Mountain State, tracing the evolution of racing from its humble beginnings to its modern-day momentum.

Motorsports in West Virginia began in the 1930s with grassroots ambition. Early races were held on ball diamonds, grassy fields, and harness racing tracks – venues that weren’t designed for speed but became crucibles of creativity. Dunbar, near Charleston, emerged as a key site in the mid-teens, hosting both auto and motorcycle races. Clay surfaces, grandstands, and pits followed, transforming these makeshift tracks into community hubs.

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World War II paused racing, but the post-war years ignited a surge of interest. With manufacturing booming in areas like Huntington, Parkersburg, and Morgantown, racing became a working-class pastime. Tracks like St. Albans, Scott Field, and Pennsboro flourished. Evans Raceway even installed lights in 1947, signaling a new era of investment and popularity.

The cars evolved too. Open-wheel racers dominated the 1920s and ’30s, but modified passenger cars – precursors to stock cars – returned with a vengeance. These vehicles embodied the DIY ethos of West Virginia racers.

Bio

Tom Adamich has been a vehicle/motorsports historian since the early 1990s. He served as the project archivist at the Wills Sainte Claire Auto Museum (Marysville, Michigan) from 2009-2016.  He has been a frequent presenter at the Argetsinger Symposium – including presentations on Strategic Air Command (SAC) racing history, Cuban motorsports history, and Formula Vee.

Synopsis

This episode of The Logbook, our History of Motorsports series, presented by Tom Adamich, explores the rich history of motorsports in West Virginia. Adamich, an experienced vehicle historian, outlines the grassroots beginnings of racing in West Virginia from the 1930s, highlighting key events and influential individuals who shaped the sport. It covers the challenges and innovations in early racing, the impact of World War II on racing activities, and the resurgence post-war. The discussion also touches on modern advancements, legislative developments, and community efforts to sustain and grow motorsports in the region. Personal anecdotes and notable stories, such as those of racer Dave Kurtz, add depth and a human element to the historical narrative.

Follow along using the video version of the Slide Deck from this Presentation

Transcript

[00:00:00] Break/Fix’s History of Motorsports series is brought to you in part by the International Motor Racing Research Center, as well as the Society of Automotive Historians, the Watkins Glen Area Chamber of Commerce, and the Argettsinger family.

West Virginia Motorsports History By Tom Adamich. Tom Adamich has been a vehicle and motorsports historian since the early 1990s. He served as the project archivist at the Will St. Clair Auto Museum in Marysville, Michigan from 2009 to 2016. He has been a frequent presenter at the Artsinger Symposium, including presentations on strategic air command racing history, Cuban motorsports history, and Formula V.

Grassroots and bootstrap strategies were used by early racing pioneers in West Virginia beginning in the 1930s. Adamitch, co author of the auto racing entry in the West Virginia Encyclopedia and other related articles and publications, will profile several events and individuals who [00:01:00] innovated and dominated on the dirt tracks, ball diamonds, and other unique race courses that dot the hills and valleys of the great state of West Virginia.

Tom, we’re going to talk about West Virginia motorsports history. My name is Tom Adamich. I’m the president of Visiting Librarian Service, and I have been in that role for 30 years. I’m an archivist and a librarian and a vehicle historian. I’ve been a member of SAH since 1993. I’ve been a member of the National Association of Automobile Museums since 1998.

I’m a humble servant in that I’ve had the pleasure of getting to know many of you through this symposium. It has been one of the great opportunities to share information, particularly on motorsports. Tom, what in the world possessed you to look into this topic? Understanding that racing really… Is that grassroots type of activity, even in its upper [00:02:00] echelons as it becomes that business model.

And I think there’s still that local aspect of people getting together that people enjoy vehicles. They enjoy the mechanical aspect of creating something out of nothing. And they still do it. Believe me, even where I live in Ohio, there’s still these small tracks all over the place where people get together and they have modified stocks and all those things.

And the young kids, that’s what’s heartening, that a lot of these kids learn skills and they’re still doing it. And of course, the time that I did work in West Virginia and I met a lot of good people, and wanting to know what did it look like at different times in the state, and to be really somewhat surprised at times that the Area had such a very successful and still does a very successful racing climate today.

I’m going to talk about something that is in line with some of my past presentations. Keep [00:03:00] in mind that theme of the populace, the people and some of the spirit that they have to make something out of nothing. Particularly, look at the time frame of the history of racing in West Virginia, starting in the early 20th century.

A lot of that is historically based, which I think reflects on the spirit of the individuals who were involved. We’re going to look at some of those early years, and we’re talking starting in the late teens and early 20s. Progressing through particularly jumping forward, then following World War 2 because of some of the issues that racing faced during the war, then we will focus on some of the good people.

And then we’ll just briefly talk about a racing today in West Virginia. And some of the future opportunities that may exist. I like to say that a lot of the people who are involved in racing in West Virginia are probably part of that [00:04:00] camp that dealt with the fact that they were just in the right place at the right time.

And that history was on their side and I think when you look back, you can say that a lot of this is very true. 1 of the most interesting parts of early racing was the fact that it took place in small venues. Venues that would not have been thought of as being appropriate. Some early racing took place on ball fields and some very grassy areas that were available.

And of course, venues that were part of county fairs and those activities were very popular early on. The idea of racing on a harness racing track was very appealing. And it helped to really start the development of racetracks throughout West Virginia, various regions of the state progressed at different times.

The northern part of West Virginia, somewhat close [00:05:00] to the Ohio border really was 1 of the 1st areas that developed probably because of that influence of Ohio and Pennsylvania. The population center for those of you who know West Virginia still is based in Charleston in the capital. It was a logical choice for development and Dunbar, which is in that South Metro Charleston area was 1 of the biggest.

Early tracks, they started the mid teens to have auto racing and motorcycles and I include that because again, our motor sports focus, you know, we think of cars, but we want to always be cognizant of some of the other vehicle types that did evolve during that time and the opportunities for racing and competition.

Again, Dunbar was one of those early places, and it really speaks to the fact that there were opportunities for development beyond what had been a traditional harness racing [00:06:00] track. And of course, improvements were very much part of that. In this case, at Dunbar, clay was brought in as a surface. Giving the opportunity for infrastructure to be developed, the pits, including grandstands, and those spectator areas and participant areas, you know, that were also part of that progress.

Racing, as you went into the 20s and the early 30s, most of those open wheel type race cars that we were familiar with from that era, then began to be the dominant vehicle type. Prior to that. Most of the vehicles were modified passenger cars, and you’ll see a trend back to that, but the open wheel cars were very specialized.

And very much targeted toward very organized racing. And this was again the dominant racing type during that period. I jump forward to World War II because I think it’s significant to say that the [00:07:00] war did pause a lot of the racing events. After the war, the pent up demand that did exist was really what gave the sport, especially in the state, that real catalyst to move forward and become extremely popular, especially for the working folks.

There was a lot of manufacturing that did exist within the state, especially in that area. On the Ohio and West Virginia border, and in the Charleston segment, and over into Huntington to the West and Eastern Kentucky. Other parts of the state as populations and opportunities existed, they developed tracks.

St. Albans became a big racing venue as did Scott field. And Gillen Park at Parkersburg had a lot of industrial influence as did Williamson, Glenboro, and Pennsboro. Pennsboro being a location in Ritchie County, which is in that region. And then as you went [00:08:00] west to Wellsburg and Weston, and then further west.

Into the areas of Morgantown, which had a big steel area that not a lot of people know about, but definitely connected to its influence from Pittsburgh. But I mentioned that because as we get into some of these locations, you’ll see how some of that post war opportunity influenced the development.

Notably, that Evans being one of the first tracks to have lights back in 1947. So again, they were putting resources into these venues, and they became very popular. Going back to that modified stock car, what became a stock car, and the good people who were very ingenious and inventive to make something out of nothing.

I had the pleasure of meeting Dave Kurtz and his lovely wife. I worked briefly for the state of West Virginia for the library commission. And I drove from Charleston. They lived in Weston. I drove [00:09:00] east to visit them. He started racing at age 17. He actually had to get a note from his mother because he was underage.

And so you can think back and, and look at some of the things today and, and that’s kind of an interesting juxtaposition that somebody had to go through that. But there again. People were very industrious and inventive, as they are today. Young people find a way, and he did. He enjoyed racing at Norwood Park, which was in Clarksburg, and then at the Pensborough Rice Speedway, which is in Simpson, and some of the areas.

In that region, including Eldora Raceway in Fairmont, he was part of that Central West Virginia Racing Association organization that developed, and there were several of those throughout the state that were the oversight bodies for the sport. This is the part I always enjoy. He was able to take a football helmet and some pipe and bail wire that he [00:10:00] had around to make that roll cage that he used.

And he used the army pistol belt that a family member was in the war, had worn when he was in the war. Thank goodness he had that roll cage, because he was not immune to having rollovers and things happen to him. No injuries, but as you can see, he, to the right, he’s already up and about. Dave was a resourceful gentleman, so.

One story, they bought a car from an old lady. They found this car and the lady said, Here it is. I don’t have a title on it. I’ll sell it to you. Of course, it was one that had been sitting outside and the bees got into it. And his friend that he went with was in that position of dealing with it. But there again, Mr.

Kurtz really represents that person who could, again, make something out of nothing. Some of the things that he did were just very inventive. And I think represented the common people and what they were trying to do and accomplish in the [00:11:00] sport. Dave got involved in some product testing for NASCAR, that he was part of that initiative for Monte Ward.

And then he went on and raced in those early races at venues that we’re familiar with, as far as NASCAR is concerned. Just kind of some neat. Things that happened to the people as they were trying to create their team, trying to create their racing opportunities. I go back and I referenced his wife, Pauline, cause she was just the nicest lady.

God bless her. As far as somebody who was industrious, she was just as industrious as he was. To be able to help him, and she even helped in the pits when she could. This was back in the day when the ladies weren’t allowed to be working there, but she was able to go in there every once in a while, and if he needed something, she would do just as much work as he was doing.

And of course, when they were off track, she did a lot of that, too. They decided when he was going to retire [00:12:00] when she had her first babies. She was pregnant, so he was honored his word, but by golly, he got drawn into a race and won the money. Then they were able to use that money for the birth of their first daughter.

She passed away a few years after I talked with them. And then Dave passed away in 2019. So it’s kind of a trip down memory lane for me that it was such a nice trip out to talk with them. Just one of those things that is in the right place at the right time, I think, and represents that spirit of the sport and why racing is still popular with people, because I think it does represent that common interest and so on.

And again, here’s some friends of his that were part of that early racing. Monty Ward in particular was a very successful racer during that time. And these people throughout the state of West Virginia represented the different regions of the state. I wrote an article that appeared in the state magazine Golden Seal [00:13:00] as a result of that.

As I mentioned earlier, parts of the state developed at different times, but even around Morgantown that became a very popular venue for racing. Today, there’s been a lot of Activity at the legislative level, and that’s a place, even when I was in the state, people in Charleston were trying to promote it and they had a motor sports commission developed during that time.

But this is the latest iteration of the West Virginia motor sports committee. And again, the emphasis is not only on auto racing, but it does involve a lot of other types of vehicle racing and motocross and those types of activities. They promote the different areas, and these are the dedicated facilities that exist today, areas that are dedicated to track racing, but also this Hatfield McCoy Trail, which if any of you have an inclination to [00:14:00] learn more about that, please let me know, because it’s a very interesting development.

It really lends itself to types of vehicles that are on there and its relationship to people enjoying the sports and what develops and how they can participate. You get to learn a lot about geography at West Virginia, which for any of you that have been there, it is God’s country because of its many little valleys.

And haulers as the natives call it and river bottoms and things like that, that really give it its unique character. It’s just a good way to learn not only about racing, but about where the people lived and what they did. So it has evolved a bit. It’s a little bit more technologically advanced and a little bit more expensive.

Some of those people have to invest a good amount of money, but there again, the intent. And the idea is to enable people to enjoy and [00:15:00] participate and they’re historically able to do so. Looking at timeframes history without that context of what the history is at the time, sometimes we miss what really is there.

And in this case, we have to look at today and see what our economic conditions are and, and some of that to really get a sense of. Today’s activities. It continues to be a story that evolves and one that will continue to require making improvements and things that will be part of that as the industry continues to develop.

Particularly in the early 2000s, there was that big move to try to have a NASCAR venue set up in the state, and I think there’s still some movement there, not as much as it was, but there’s always that interest in having some type of influence NASCAR wise. In the state, we’ll see where that comes. And again, just a lot of good people that live [00:16:00] there.

They’re just friendly folks. You all come, you know, they’re very welcoming in that sense. They do represent motor sports very well in that regard. And I encourage you to look at the West Virginia encyclopedia. If you’d like to go online, I’m happy to provide this deck for you, if you’re interested, and to answer any questions, and I had a lot of good help from people, folks from the West Virginia Encyclopedia and, and from Golden Seal, who are very much part of that Humanities Council in West Virginia, and very eager to share information and promote the good things that West Virginia has to offer.

And again, I’m happy to talk with any of you, and hopefully, God willing, that we can meet again in the future. Thank you, Tom, once again. West Virginia has a very interesting racing history, and I think Tom covered a lot of that. Hint, hint, hint to some of you. There’s a lot to be covered by racing historians about [00:17:00] West Virginia, and Tom, I think you provided a nice framework for looking into it, because I think it’s one of those types of situations where it kind of gets overlooked.

A lot of connection. Thank you, Tom, for the presentation, and we’re looking forward to having you come back in the future.

This episode is brought to you in part by the International Motor Racing Research Center. Its charter is to collect, share, and preserve the history of motorsports, spanning continents, eras, and race series. The center’s collection embodies the speed, drama, and camaraderie of amateur and professional motor racing throughout the world.

The Center welcomes serious researchers and casual fans alike to share stories of race drivers, race series, and race cars captured on their shelves and walls and brought to life through a regular calendar of public lectures and special events. To learn more about the Center, visit www. racingarchives.

org. This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect [00:18:00] of automotive history. The SAH actively supports the compilation and preservation of papers. Organizational records, print ephemera and images to safeguard as well as to broaden and deepen the understanding of motorized wheeled land transportation through the modern age and into the future.

For more information about the SAH, visit www. autohistory. org.

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Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Introduction and Sponsors
  • 00:16 Meet Tom Adamich: Motorsports Historian
  • 00:43 Early Racing in West Virginia
  • 01:09 Tom Adamich’s Background and Passion
  • 01:51 Grassroots Racing Culture
  • 04:12 Historical Racing Venues
  • 06:54 Post-War Racing Boom
  • 08:47 Dave Kurtz: A Racing Legend
  • 13:13 Modern Racing and Future Prospects
  • 16:46 Conclusion and Acknowledgements

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One standout figure was Dave Kurtz of Weston. Starting at age 17 with a permission note from his mother, Dave raced at venues like Norwood Park and Eldora Raceway. He built his own roll cage from pipe and bail wire, strapped in with an army pistol belt, and tackled tracks with fearless resolve.

His wife Pauline was equally industrious, helping in the pits despite restrictions on women. When Dave won a race just before retiring, the prize money paid for the birth of their first daughter – a poetic end to a racing chapter. Both Dave and Pauline have since passed, but their legacy lives on in the spirit of West Virginia motorsports.

Beyond Cars: A Broader Motorsports Landscape

West Virginia’s racing culture isn’t limited to stock cars. The state’s motorsports commission promotes a wide range of vehicle competitions, including motocross and off-road racing. The Hatfield-McCoy Trail system exemplifies this diversity, offering rugged terrain for recreational riders and racers alike.

West Virginia’s unique topography – its valleys, haulers, and river bottoms – shaped its racing culture. Tracks popped up where opportunity struck, often influenced by neighboring states like Ohio and Pennsylvania. Morgantown, with its steel industry ties, became a surprising motorsports hotspot.

Efforts to bring a NASCAR venue to the state in the early 2000s reflect ongoing aspirations. While that dream remains unrealized, the passion for racing endures.


Preserving the Past, Inspiring the Future

Tom Adamich’s work, including contributions to the West Virginia Encyclopedia and Golden Seal magazine, helps ensure that the stories of racers like Dave Kurtz aren’t forgotten. His presentation reminds us that motorsports history isn’t just about the cars – it’s about the people, the places, and the perseverance.

West Virginia’s racing legacy is a testament to what happens when heart meets horsepower. It’s a story still being written, one lap at a time.

This episode is sponsored in part by: The International Motor Racing Research Center (IMRRC), The Society of Automotive Historians (SAH), The Watkins Glen Area Chamber of Commerce, and the Argetsinger Family – and was recorded in front of a live studio audience.


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The International Motor Racing Research Center (IMRRC), partnering with the Society of Automotive Historians (SAH), presents the annual Michael R. Argetsinger Symposium on International Motor Racing History. The Symposium established itself as a unique and respected scholarly forum and has gained a growing audience of students and enthusiasts. It provides an opportunity for scholars, researchers and writers to present their work related to the history of automotive competition and the cultural impact of motor racing. Papers are presented by faculty members, graduate students and independent researchers.The history of international automotive competition falls within several realms, all of which are welcomed as topics for presentations, including, but not limited to: sports history, cultural studies, public history, political history, the history of technology, sports geography and gender studies, as well as archival studies.

The symposium is named in honor of Michael R. Argetsinger (1944-2015), an award-winning motorsports author and longtime member of the Center's Governing Council. Michael's work on motorsports includes:
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For over two decades, Steve Post has been a familiar voice in the NASCAR community. Whether calling the action from pit road or hosting Winged Nation, his journey through motorsports media has been anything but static. On this episode of Break/Fix, we catch up with Steve to explore how his career – and the sport itself – has evolved since 2017.

Back in 2017, Steve was settling into his role at MRN and Winged Nation was just gaining traction. Fast forward to today: the hair’s longer, the waistline’s slimmer, and the passion for motorsports burns brighter than ever. Now the lead pit reporter for MRN, Steve reflects on the 2023 NASCAR season as one of his most enjoyable yet – his 21st year on the road. “I still absolutely love the men and women who work on these cars,” Steve shares. “From engineers to pit crew athletes, it’s just amazing to watch them work.”

Tune in everywhere you stream, download or listen!

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We pick up where Part-1 of the IMRRC’s “Life in the Fast Lane” left off, picture it… Watkins Glen, December 2017.

Tune in everywhere you stream, download or listen!

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Winged Nation has grown from a niche show into a full-blown passion project. While the MAVTV segment has wrapped, Steve and the team are pivoting to long-form podcast storytelling. “We’re in a beautiful time for communication,” he says. “We want to go deeper – no more seven-minute segments interrupted by commercials.”

Photo courtesy Steve Post

Expect more social media content, trackside interviews, and grassroots coverage. With sprint car racing undergoing a seismic shift – between World of Outlaws and High Limit – Steve is committed to spotlighting the hundreds of drivers beyond the headline names.

Spotlight

Synopsis

This episode features a conversation with Steve Post, a seasoned NASCAR journalist and pit road reporter for the Motor Racing Network (MRN) with over two decades in the industry. Steve discusses his work in NASCAR, including his role as the lead pit reporter and his involvement with the program Winged Nation, which focuses on sprint car racing. He reflects on the journey from 2017 to 2023, detailing the evolution of his career, the growth of sprint car racing, and memorable interactions with legendary racing figures. Steve also shares personal stories about taking up running, spending time with his daughters, and his new passion project, the blog Postman68. He emphasizes the importance of following one’s dreams and offers advice to aspiring motorsport broadcasters. The narrative highlights Steve’s passion for motorsports, his dedication to his craft, and his ongoing commitment to inspiring the next generation of petrol heads.

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  • How has Winged Nation Evolved?
  • Have you kept in touch with Pete/Judy? 
  • You’re still involved with NASCAR – how have you seen it change in the last 7+ years.
  • Garage-56 – thoughts?
  • What else have you gotten into since 2017? 
  • If someone wanted to get into your line of work, what piece of advice would you give them? 

Transcript (Part 1)

[00:00:00] Break/Fix’s History of Motorsports series is brought to you in part by the International Motor Racing Research Center, as well as the Society of Automotive Historians, the Watkins Glen Area Chamber of Commerce, and the Argettsinger family. I’m always a big sucker for the story where the small town guy makes it in the big time.

And our featured speaker today is that, quintessentially. I’m also a big fan if the small town guy happens to be from this area. And by this area, I mean Southern New York, Northern Pennsylvania. Mr. Post is a guy who, as a kid, grew up on the dusty bull rings of Five Mile Point Speedway and Pencan Speedway.

And once the small town guy who made good is a fellow that I know, that’s pretty much the trifecta for me. I’ve known Steve now for probably close to 25 years, I think. He was a tremendous guy then, he is a tremendous guy now. It’s taken us three years to get him here, [00:01:00] in part because he just has such a crazy, crazy schedule.

And what I’m most happy, and what I think you guys are gonna be Really interested in hearing about, you’re going to hear about NASCAR and drivers and all of that cool stuff. But this is really Steve’s personal journey. This is really the story of a guy from Halstead, Pennsylvania who made it to the big time.

There’s eight people that announced for Motor Racing Network. And Steve is one of them. Small town guy who made it on the big stage. Local guy who made it on the big stage. And a guy I know personally. That’s it for me. I’m going to introduce Mr. Steve Post. Thanks very much. Thanks for coming. Steve. Alright, thanks Kip.

Thank you. As Kip has talked about, it has taken about three years to put this together, and I’m really shocked that Kip would want to put it together. As he mentioned, we’ve known each other about 25 years, and Kip did bus tours. And I recall one of the early bus tours we did was a group from the WeGo Racing fan club.

We went to New Hampshire. And the shocking part that Kip would have me back is because I was surprised [00:02:00] he let me on the bus to return from New Hampshire. Back in the day, I enjoyed frosty cold beverages. And in many cases, I enjoyed multiple frosty cold beverages. So, we’re riding in this bus trip to New Hampshire, and this was when Stroh’s Beer introduced the 30 pack.

Oh, are you kidding me? 30 pack of beer. So I break out a 30 pack on our bus trip to New Hampshire. We get to New Hampshire, we park across the street, and over into the racetrack is six lanes of bumper to bumper traffic. So we’re playing Frogger, trying to get to the traffic. I have what I’m taking into the racetrack of my Stroh’s 30 pack in one of those really handy styrofoam coolers with a nice string handle on it.

I get halfway through playing Frogger in the six lanes of traffic, the handle breaks, the cooler hits the ground, and beer goes everywhere. While not wanting to waste the investment in the beer, I [00:03:00] do the best thing that I know what to do, and I pull my shirt, and I’m rounding up beer cans while all the cars are tooting their horns and people are laughing and cat calling.

And I probably got six or eight of my beers near my shirt there. And I look up and here’s Kip over along the fence line, just keeled over, laughing, laughing out of just the sheer moment of me trying to round up my beers, laughing out of embarrassment that this is part of his people. These are his group.

And here we go. One of the finest examples. So first off. Kip, I’m glad you let me get back on the bus to return from New Hampshire, and I do appreciate being here, and I’m glad everyone has joined us here on this snowy, frosty day. So the story kind of starts like this, and it starts with an announcer. Good evening, ladies and gentlemen.

This is Dusty Doyle welcoming you once again to Five Mile Point Speedway, your home speedway of the Southern Tier. I was a little kid, and my life and my passion began every Saturday night with those words. Dusty Doyle, five mile point speedway, going to the [00:04:00] races with my father. And I loved being at the racetrack.

And I loved listening to Dusty Doyle announce races. The Dusty Doyle isms that were out there. When a car came off from turn number two, he would go up, up, up, up, up the backstretch. And you know that he was making time. You may or may not have been, but Dusty Doyle sold you. That car is going into turn number three faster than any car in the history of Five Mile Point has ever gone into turn number three.

One of my favorites is a mysterious character named Andy. We’re under caution. We’re coming through turns three and four, ready to go green. And the phrase was, Andy, let him go! We all wondered who Andy was. The flagger was not Andy, the flagger was Joe Winterstein. Who’s Andy? But every time we’d go green, Andy, let him go!

And there is actually a Facebook name, Andy, let him go, out there now. In tribute of Dusty Doyle. The Dusty Doyle isms that were so much fun. When the heat rays would roll out and there was 13 cars. He would say 12, and another [00:05:00] car because it’s not good luck to say 13 at the racetrack. It was always that.

And when we did that moment at the beginning of the night, ladies and gentlemen, will you please stand? Let’s remember who we are, what we are, and where we are for one stanza of our national anthem. Dusty Doyle isms, an announcer that had a passion for racing, a guy that I never met, but a guy that had such an impact on me along the way.

My roots in racing go back actually before I was born. My father, who is father of ever, I wouldn’t put him a year or a decade, my father was a mechanic, there was a racer in New Milford, Pennsylvania named Buzz Gulick, and Buzz’s grandstunts still races along the way, but Buzz Gulick raced locally at Pen Can, and my dad was a mechanic on his car before I was born.

Dad decided at some point that raising a family and they were doing some horse showing and some other things that maybe it wasn’t compatible with working on a race car, so he decided he was going to take the family and take us to races, and that’s what we did. We went to races virtually every night of my childhood along the way.

It was an amazing childhood. It really was. And we would go [00:06:00] Saturday nights to Five Mile Point Speedway. Pen Can was our Friday night track, but in that era, in the early 70s, Pen Can was very hit and miss. Some year, one club was running it. Another year, another club was running it. They’d start in May.

They’d end in August. They’d start in August. They’d end in September. It was very hit and miss. So a lot of my memories We’re from five mile point Speedway down in the Binghamton area. And so many great memories. We think about racing and we talk about racing now. And one of the bygone events that we used to have in racing that I don’t see too much of anymore are kiddie rides.

We don’t seem to see that too much anymore. I think they’re important because I remember riding in Wally Locke’s J 10 car at five mile point Speedway. And that’s 45 years ago. I remember climbing in and sitting on the side rails. And the rumble of red Harrington’s modified was 45 years ago. I remember kiddie rides.

I remember at Penn Can you’d line up along the fence and a car would pull up and you didn’t have a choice who you’re getting. I got the chance to ride with Mike [00:07:00] Colston in his car. The flagger threw us all in the back of it and we went into mud up to our knees riding with Mike Colston. And I remember those moments, those kiddie rides, those moments.

45 years later, it meant so much to me that developed this passion of racing. Grew up going to Five Mile Point, we would sit on the backstretch. We would sit over in turn number three, there was a barrel down at the end of the back straightaway, and we would stand on it, it was a big water barrel, big, long water barrel, and we would stand on it.

David Brush, one of my friends, He was the shortest guy, so he would stand in front. I’d stand next. My brother John would be there or whoever else we would all kind of fall into line and we would watch bigger than life names, wheel cars around a racetrack guys with a name like Chuck Akulis and Carl Bubby Nagel.

How about that name? Man, there is a great, great race car driver. Old Bones, Dave Kniesel. Wow, Clark Summit, Pennsylvania. Kniesel Speed Sport. Man, there’s not a cooler guy on the planet than Dave Kniesel. [00:08:00] Frankie Mears used to come up. That was the kid. That was a protege of Dave Kniesel. And Frankie Mears, he could roll a race car around a racetrack.

Larry Catlin from down in Waverly. Turquoise number 88 coupe. What a beautiful race car. He won a lot of races in that number 88 coupe car. Toughest guy in the world in the history of all of motor sports to pass. This is no offense to Dave Marcus and no offense to Ryan Newman, but if you pass Gordy Isham at five mile point speedway, you really accomplished something.

I ran into years ago, Andy Belmont, who raced in the Arca series. And I ran into Andy down at Daytona talking about the Arca series. And I said, ham from five mile point speedway. And he says, I’m telling you what he says. I lost 15 years of my life trying to pass Gordy Isham. And those were the heroes.

Those were the racers. Those were the big names that we love. Those were the big names that we followed along with my first recollection of a race. And I appreciate there’s a Facebook group. I went on there a couple of weeks ago and ask, and I think I’ve got the dates on this, right? Would have been 1971.

Would’ve been the Spring 100 or Miller Dodge 100 at five Mile [00:09:00] Point, and a guy by the name of Pete Cordes scored the win in that race. Blue number 68, bigger than life, Pete Cordes, Walden’s floor covering on the race car, and Pete Cordes won that race being that was maybe my first memory. That became my guy.

I was a Pete Cordes man, eight years old, but six years old when I first saw that race, but I was a Pete Cordes guy. My dad, he liked Bubby Nagel. My brother was a Chuck A Coolest guy. David Brush, he liked Dave Canizel. I was all in for Pete Cordes, and I loved watching Pete Cordes race a car. Pete Cordes, my hero as a childhood, bigger than life.

And I just loved watching Pete Cordes score and race cars around Five Mile Point Speedway. Away from the racetrack, my life was all about racing as well. I would take little matchbox cars and line them up around a carpeting, or on the floor, and I would announce races. I could say the same things that Dusty Doyle said.

I could say the same things that Cal Arthur over at Pen Can or Jimmy Bevins at Pen Can would say. There is no way in [00:10:00] the world I could sound like Jack Burgess’s voice ringing through the fairgrounds at the State Fair in Syracuse. I would do anything in the world to hear Jack Burgess’s voice ringing through the fairgrounds at Syracuse.

Sadly, Jack is no longer with us. And even sadder yet is that at that fairgrounds they tore that thing down and it’s just unreal. But all of the voices that I would listen to. And I love the way they described races. Joe Murata had some great, great lines. I love Joe Murata. I could listen to Joe Murata call a race.

Roy Sova, friend of mine up at Oswego Speedway. And I love the way announcers called the race. And it was a passion of mine on those little matchbox cars. I would use Dusty Doyle’s lines and Joe Murata’s and Jack Burgess’s lines. And I would love that. Another part of my childhood was on Thursdays. When all the other kids were riding bikes, or climbing trees, or in the creek playing, or doing whatever, I would sit by the mailbox, waiting for the gator racing news to arrive.

Gotta get a gator! Oh, I lived for Thursdays when that gator, I would tear into that, and I knew the next hour of my life was [00:11:00] reading through, taking me places that I had never dreamed I would go to see. Gotta get a gator, and I’m telling you, Pete the Mailman, that poor guy When that gator didn’t arrive on Thursday, you want to talk about a kid walking back in the driveway cussing out a mailman.

I was that kid cussing out Pete the Mailman when that gator didn’t arrive on Thursday. Saturday afternoons, the ritual in the family was me sitting on the front porch. Where I lived, between Halsted and New Milford, you could see both Highway 11 and Highway 81. And there they would go, the Kniesel Speed Sport Hauler with Dave Kniesel headed to Five Mile Point Speedway.

Oh ho, we knew we were in for it then, when Dave Kniesel was gonna be there. There goes Norm Norton, there goes Doug Holgate, going up there. And I would sit there and I would check off who’s all gonna be at Five Mile Point that night. Oh my gosh, there goes Dick Longstreet. In his late model, that number 97 late model.

You know what that meant? When Dick Longstreet was running late models, it was a race for second. That guy had more bounties on him than anybody in the world. And I would sit there on that porch on Saturday afternoons. And then we’d have those rainy Saturday afternoons where [00:12:00] I’d sit there and watch the cars go up and I’d sit there and one would go the other way.

And I was in complete denial as a kid. Oh no, the car must have broke down. Oh no, no, no, there’s no way. And when that second car went by, and the third car went by, I lost my mind. I’m telling you, you want to talk about a little kid having a tantrum. I am telling you, I was done, because we weren’t going to the races, because the stupid weather had rained us out.

on Friday nights or Saturday nights at five mile point. That was my young childhood along the way. We always went to the races and along with elementary school and then in middle school and into high school. And I think the first Saturday night we would miss some along the way because I am telling you, my father, what a wonderful man.

The only time we would miss races is we were in Canada fishing. So we would go to Canada fishing trips and that would cause us to miss some races. But the only planned miss that I had that I ever scheduled something else. was my junior prom. Oh man, I’m going to the junior prom. My brother let me have his car.

Really cool car. Wendy Hine was going to be my date along the way. [00:13:00] I was going to go to the junior prom. Yeah, I was sad. I was going to miss five mile point, but you know, it’s the junior prom. It was a disaster. I hated the junior prom. I had no fun at all and I felt sorry for poor Wendy Hines stuck with me at the junior prom so much so that the night of my senior prom while everyone else was borrowing brother’s cars and wearing nice.

I was in the car, headed back to Five Mile Point Speedway where I belong, and I spent my senior prom at Five Mile Point Speedway. I loved racing as a kid, and I mentioned my father. We would go on road trips. We’d go to Fonda. We went up there one time. We went to Albany, Saratoga, went to Lebanon Valley, and one of the great trips we would go on every year is Labor Day weekend.

We would load up. Bob and Ella Darrell, mom and dad, all of us kids, and we’d get a place somewhere up on Lake Ontario. Friday nights, we’d go to Rolling Wheels. Saturday nights, we’d go to the Bud 200 modified race at Oswego. We did a little bit of asphalt racing. We’d go to Shangri La a little bit. And boy, with the Bud 200, we were regulars there.

We loved going to Oswego for the Bud 200. We’d go to Weed Sport on Sunday night. And on Monday, coming back, we would [00:14:00] go to the New York State Fairgrounds. While kids were running to the cotton candy stands. While kids were running to do rides. While other kids were running to do this, or listen to that, or see that.

This guy was a beeline to the ticket window because we were going in to watch the Labor Day Classic at the New York State Fairgrounds, and we did that many, many years. What a wonderful, wonderful weekend of racing with the family, and it is something that I cherish forever. One of our other favorite events was the Northeast 150.

Up at Weed Sport. We’d go up there and we had our Pete Cordes and our Chuck Akulis and our Carl Nagel’s. The beauty of the Northeast 150 is that we would see Carl Nagel racing against Will Kegel. Oh my gosh. Wiley Will Kegel. The Tampa Terror. I read about him in Gator Racing News. And here he is in front of me.

Dave Lape. He built his own race cars. Lapco chassis. Oh my gosh. Dave Lape. What a legend. Jumping Jack Johnson. Kid AJ Slideways. Magic Shoes. Mike McLaughlin. So I’m sitting there and it’s overload for a kid. You’ve got Will Kegel and Carl Bubby Nagel and Dave [00:15:00] Kniezel and Pete Cordes and Alan Johnson and just overload for a kid.

It was the Northeast 150. Man, what an experience. We did that a number of years and all of those were great, but our favorite event, and actually I was just talking to dad about it a couple of weeks ago. Was the Eastern States 200 down at Orange County Fairgrounds, Middletown, New York. Man, that was it.

That was, that was big time. 1978. We watched a man by the name of Lou, the monk Lazaro win that race. Lou Lazaro. While everyone is rolling in with nice trailers, with wheel racks, Lou Lazaro would roll into a track with a flat trailer pulled by a station wagon. With tires in back of the station wagon and a dog is the only person with him.

He would roll into the racetrack and you know what would happen? He’d whoop everyone’s butt. Lou the Monk Lozaro. I watched him win the 1978 Eastern States 200. Man, what a memory. 1979. Oh, it was a fluke. No way this could have happened. The Eastern States 200, 1979. The [00:16:00] kid got lucky. Oh, the kid, he was not Will Kegel.

He was not Buzzy Rudiman. He was not Frankie Schneider. He was not Lou Lazzaro. Some kid by the name of Brett Hearn won. The Eastern States 200. Oh, what a fluke. That is never going to happen again. Well, it happened 10 more times. Brett Hearn, kid, but I watched him win his first Eastern States 200. Maybe my favorite, 1980.

Oh, just the name since chills. Just the names. Kenny Brightbell. Huh? I don’t know if any of you remember Kenny Brightbell. I’m telling you, still around, still doing stuff, raced up to a few years ago. And every once in a while, I think he still climbs aboard a race car. Kenny Brightbill, on the side of the car, on the side of the hauler.

Brightbill Donkey Farms, we haul ass. Yeah, and I’m telling you what, Kenny Brightbill, and it didn’t matter where he went, he hauled ass. That guy could wheel a race car. Later got to meet Kenny Brightbill, and the first thing I noticed about him was when he shucked my hand. He shook my forearm. His hand was so big he would grab you.

His fingers were at your elbow and your hand, [00:17:00] your palm to palm. Just an amazing guy. Kenny Bright Bill. I watched him win the Eastern States 200 in 1980. And I guess the point that I’m getting at is, is it’s no mystery how I ended up where I ended up because I had the best childhood that any kid could ever have going to the racetrack.

Watching heroes going to the pits afterwards and meeting your heroes. My dad was buddies with Eddie Rafferty. Eddie Rafferty showed up at my house one time. Oh my gosh. I mean, this was an amazing childhood that I have, and I’m so blessed with my mom and dad. They are just so amazing. And we did so much together.

My mom and dad were school bus contractors in Pennsylvania. The bus contractor, the school districts would contract with individuals. It wasn’t like New York state where you were, the school district owns all the buses and they just hire people to drive them. In Pennsylvania, they contracted with the people.

So mom and dad had the same schedule we did. So our summer times when we weren’t at the races, we were in Canada fishing and just a blessed childhood and amazing childhood that I had. And I’m just so thankful to [00:18:00] have been raised in turn number three at five mile point speedway and going to all those races.

Graduated from Blue Ridge High School in 1982. And I had this really weird, awkward, backward misconception of what a career needed to be. Somewhere I got twisted up that you never let your passion become your career because you could then learn to hate both of them and that I am telling you is the most faulty premise on the planet.

Okay, I lived my life for a number of years thinking I don’t want racing to be my career because I don’t want to hate and I don’t know where that came from. I know it didn’t come from my parents. I’m not sure where it came from, but I had this premise, so I go off, I get accepted at. I’m at Penn State University and I am going to be an accountant.

Yes, I’m going to be an accountant. And I’m going to go to the races on the side. So I roll through my freshman year and my sophomore year and I’m at Penn State Hazleton. And I go to my junior year at the main [00:19:00] campus and the big accounting 401 class. This is the Mac daddy of all accounting classes. This is the one man.

This is the one. This is going to set me up for life. And I’m sitting there at night library or in my room doing the homework. Oh my God, I hate this stuff. Oh my God. Let me just get this homework done. So I never have to see this stuff again. Have they lost their mind? I’m going to sit here and do this.

And all of a sudden it struck me. It’s like, wait a minute, dude. This is your major. This is what you proclaim that you wanted to do. And so I was in the Smeal school of business at Penn state and had this right hand turn and made the decision at that point to go into marketing because marketing was more people oriented.

Accounting was more numbers oriented. So I got out of that, but I still lived under this mindset that I didn’t want to work in racing. I wanted to work somewhere and just have racing be this passion and be this hobby. Along that time period, it was 1984, July 22nd, 1984, between my sophomore and junior year, made my first trip to Pocono Raceway, the like Cola 500 for the Winston [00:20:00] Cup series.

And you wanna talk about heroes bigger than life. Harry Gantt beat Kale, Yarborough. Kayle Yarbrough and Harry Gant. I used to watch those guys in February in the Daytona 500 with Ken Squire calling the races. I’d run home from church and hear those guys, and here they were at Pocono Raceway, right in front of me, racing, and watched Harry Gant win the race down at Pocono, beating Kayle Yarbrough, Bill Elliott, I think was third in the race, and all of these bigger than life TV guys were right here in front of me, right here, close to home.

Rolled through the balance of my college career when I arrived at my senior year, did all of the traditional interviews for sales jobs, all the marketing interviews you would do, and nothing was really happening. And I kind of poked around and said, well, maybe I’ll just dabble in this racing a little bit and reached out to Pocono Raceway, reached out to five mile point Speedway and soon after that effect that ironically, I think the phone call or the mail or whatever it was, we didn’t have email back then.

That all came about on the same day where Bob Plebin at Pocono Raceway. was going to allow me to volunteer to work in the press [00:21:00] room. Staff, man, I’m telling you what, I’m Kale Yarborough and Harry Gant, Richard Petty. I’m going to be right there. Well, rubbing shoulders with them. My gosh, we’re, Hey, we’re going to be hanging out together.

So I got hired, hired being an interesting term when you’re really offered to volunteer at Pocono Raceway. And then Jim Randall was the promoter at five mile point speedway at the time. And Jim offered me to do PR. And to find sponsorship, and I’m not sure. I think Jim was paying me 35 a week or something like that.

I mean, it was for where I was at. It was great. So graduated from Penn state in 1986. And that summer I actually worked at five mile point speedway, 35 a week. Worked at Pocono Raceway for free. We’re sitting at five mile point speedway and in comes a pace car. The Reverend Brother Pat Evans shows up. Now there’s a character.

Some of you know, Pat Evans, some of you have heard of Pat Evans and Pat was a racing minister. He showed up and he recruited me to be a columnist for Speedway Scene newspaper. Oh my gosh. You want to talk about having it all? I mean, I had it all. I was going to Pocono doing [00:22:00] the cup stuff. I was at five mile point doing the dirt stuff.

And now I was a columnist for Speedway Scene. Oh my gosh. Well, the reality set in. And about September, the 35 a week, the five mile point was paying was only during the race season. And that was going to be thin along the way. And I needed to find a job, got a job in the marketing and sales field. Cause again, I’m still subscribing to this racing on the side.

Got to have a career. That’s not racing. And I got a job at warehouse carpet outlets. They’re now based in Endwell. I was actually in the Ithaca store for about three or four months. And then in 1988, made the move down to the Endwell store. 1987 started working in Endwell with Warehouse Carpet Outlet.

1987, a couple of different things happened to me on the racing front. Made the move from Speedway Scene to Gator Racing News as a columnist. Just became dear friends with Norm and Donna and Joe and Susie Patrick and just wonderful people with Gator Racing News and another one of those entities we have that is no longer around.

But became a columnist there, just a sheer numbers thing and so much easier to get my stuff to Syracuse than it was up to Massachusetts. But something happened in 1987 [00:23:00] in local racing in the southern tier in northeastern Pennsylvania that would alter my life and alter the course of racing. It was June 26 of 1987 and a new guy had come into Pen Can Speedway.

He was a new old guy. As 1987 started to unfold, different people would say, did you hear Ricey’s coming back to Pen Can? I’m like, Ricey, who’s Ricey? Who’s, who’s Ricey? Seward Rice. He was the club president for the Susquehanna County Stock Car Club in the early 1960s. And from all accounts, he was the man.

He was beloved. They thought he did a great job. The club had more money than they ever had before, and Seward Rice was the club president. Ricey worked at a foundry in Halstead, Pennsylvania, the Halstead Foundry. And the Halstead Foundry shut down, and he was looking for work. Driving up 171. His old buddy, Pappy Bevins, owns Susquehanna at Pen Can Speedway.

Charlie Bray, the previous promoter, had shut it down the year before, and the track was sitting vacant. And on June 26th, Seward Rice took over and started promoting races in 1987 at Pen Can Speedway. And over [00:24:00] the course of that time, I got to know Seward over the course of that year, still working at Five Mile Point.

As we got acquainted and got into the off season, the next year, Ricey wanted to hire me to be the assistant announcer to Cal Arthur. Oh my gosh. Assistant announcer to one of my heroes. What an opportunity. And in 1988, I went to work as an assistant announcer for CalArthur. And I also went to work doing some PR and some sponsorship stuff for Seward Rice.

And I learned so many great lessons watching the way Seward Rice operated. He was one of those rare promoters. that would walk the pits after the races. Promoters never walked the pits after the races because you don’t want to hear all the pissing and moaning and complaining. Promoters don’t walk the pits.

Seward Rice would walk the pits. And I’ll never forget one of my favorite drivers meetings in the history of drivers meetings. Early August. It’s hot. We’ve been there every Friday night. Everybody hates everybody. Nobody wants to be there. We all want to be there because we all like racing, but everyone’s tired.

I’ll look at you cross eyed and you’ll take my hat off. And Ricey calls the troops in and he had a big baritone [00:25:00] voice. And he said, Gentlemen, we’re all tired. We’re all hot. And we’re all really bothered by it. You’ve been racing here, and this guy’s ran into you, and my flagger did this to you, and my handicapper, Casey Cole, he puts you back here.

Casey’s right there. He puts you here, and you feel like you’ve been screwed, blued, and tattooed. And Russell said, what in the world is this? He said, your crew members, they’ve been working all year. They’ve been sweating. You’ve hollered at them. They’ve hollered back at you. The officials, they’ve told them to push the car here.

We’re doing this. You got screwed by this guy. Your crew members, they feel like they’ve been screwed, blued, and tattooed. And all of a sudden, this is starting to unfold. He said, my employees. They’re sick of arguing with you. They’re sick of working in the kitchen up there, flipping burgers in 90 degree weather.

They’re sick of parking cars, and they’re sick of dealing with security, and everyone’s hot, and everyone’s miserable. My employees, they feel screwed, blued, and tattooed. And I’ll be honest with you, I’m about done with all of it as well. And I’m feeling [00:26:00] screwed, blued, and tattooed. And we’re all sitting there, it’s the only time drivers have ever listened in a pit meeting.

I’ll guarantee you, it’s the only time they’ve ever listened. And everyone’s standing there, he says, Gentlemen, let’s make a deal. We’ve only got three more weeks of racing. Let’s all just get through it together and get away from each other. And we’ll all come back next year. And I never saw a transition more amongst a field of drivers, employees, everyone, everyone walked away and we had three peaceful, wonderful weeks of racing ended with a pen can spectacular.

And it was just amazing. Ricey. I’m telling you, the guy had a real knack for communicating and his very first thing was the spectator comes first. I’ll never forget the first night back in 87. He took over the track and he called the driver’s meeting. And he said, look, he said, we’re in Susquehanna, Pennsylvania.

There’s a few people around here. There’s a lot more people 30 minutes away at a whole lot more people in Scranton, which is 40 minutes away. We need to roll early. We need to be done. We’re starting at seven 30. We need to be done by 10, 15, 10 30. We need to be out of here so everyone can go do what they wanted to do.

Along the way, I became the lead announcer at pen can, and I knew the starting time was seven 30. We had a gentleman by [00:27:00] the name of Millard Hall, who sang the National Anthem. Quite generally, at 7. 28, Millard Hall was singing the National Anthem, and we were good. But we had one night, I think Mike Colston flipped on the front stretch, I think we had some kind of bounty to issue to Billy Trigo or something, I don’t know, something, there was all kinds of stuff going on, and we were late.

And I looked at my clock, I looked at my watch, and it was 7. 34, when I introduced the singing voice of Pen Can Speedway, Millard Hall. Well, Seward Rice, white, head to toe, handlebar mustache, he’s over in turn number two, he just walked out of the pits and I saw him. I saw him. Puts the arm down, like, oh boy, here we go.

I’m in trouble here because I’m four minutes late. First heat race runs, he’s down in the infield, he comes across it, and you’re sitting duck. He’s headed my way, he’s taking his time, and he’s meeting people and kissing babies and talking to tow truck drivers and everything, but He’s not veering in any other direction.

And it took him about three heat races to get there. And he walks up in the tower and I was announced from outside there and he walks up and he just kind of taps me on the shoulder and he said, uh, let’s get on the office and talk. I don’t remember. I don’t know if Liam was my gal, other announcer or someone, someone else took over the microphone and we went [00:28:00] down in the office and he said to me, Steve, what time do we start here?

And I said, we started at seven 30. He said, what time did we start today? And I said, well, Millard was singing at seven 34. He said, All right. He said, So that’s four minutes. I said, Yeah, he flips me a sheet of paper and he says, Count the names on that paper. And as I’m counting, I realized this is the employee list and everyone’s name is there.

Probably Grant Buck’s name was there and Casey Cole and everyone’s name was there. He says, How many years on that list? And it was 50. 50 people. He said, hold on one second. And he radios down to Sandy, his daughter who ran the ticket office at Sandy ballpark. How many people we have here? She’s way about 1500 people here.

And he said, okay, he flips me a calculator. He says, now take your four minutes. He says, and multiply it by 50 people. Now multiply it by 1500 people. He said, if every one of my employees cost me four minutes, we’re out of business. We’re done. I don’t know how, I don’t know what the number was, but it was thousands of minutes.

We’re done. He said, so my question is the same question I had at the beginning of this conversation. What time do we start? Said we start at 7 30 and it didn’t matter. We could have pestilence. We could have [00:29:00] tornadoes. We could have cars on. Fire the length of the front straight away. We could have 10, 000 people in the stands or two in the stands.

It didn’t matter. It’s seven 28. Millard hall was singing that national anthem. It was just going to happen, but those lessons learned about fans first and his passion for it. And all the lessons learned. What a great, great era. What a great time in the late eighties also did some work. Then I got into the radio business overnights at WHWK, the country station down in Binghamton and did that along the way as well.

And then came 1990, had an opportunity to pick up a second track, Makatek Speedway in Lakeville, Pennsylvania, the Thrill Track. And Thrill Track had something to do with what happened on the racetrack and had everything to do with what did not happen on the racetrack. I kind of went down for an audition.

I’m down here, I’m announcing and Makatek, you announced at a porch off from the side of it. I love announcing outside. I’m not one of these guys likes to be behind glass. I like being outside where I can hear things. So I’m on this porch and I’m reading lucky numbers. For a hat, lucky number 765 321. And [00:30:00] I hear some people cheer and I say, someone won something.

For a t shirt, 761. The next thing I know, I hear people cheering and screaming and hollering. I get to like the third number and the place is just losing its mind. I look up and at the start finish line. Making his way from turn number one to turn number three is a man buck naked. We had a streaker at mock attack on my first night announcing their crowd is going wild.

I said, well, there’s no sense of doing lucky numbers. They don’t care about lucky numbers. Now place is going wild. Everyone’s losing their minds. So streaker on my first night at mock attack. And as it got done, I said, you know, I think I’m going to like this place. This is entertaining. This is really entertaining.

I introduced music to the shows, and I would play some songs along the way. One of the songs that I liked to play was David Rose’s The Stripper. Da da da, da da, da da, da da. You know, and we all know that’s an old song from the early 60s. And so, and I would go, like, we’d go to intermission. I’m like, oh, ladies and gentlemen, we’re gonna take a little break here.

And hey, if you feel so inclined, here’s a little music. You know, so boom, and I’d hit it. [00:31:00] And you know, some fat guy’d get up and dance, and I wouldn’t, you know, it’d be fun. So I’m sitting there one night. And I hear this ruckus as the stripper is going on, and I look down at the start finish line, and here is this middle aged woman who is starting to do the dance.

And I’m sitting here going, oh, this is fun, yeah, we’re gonna have fun with this, you know? Any of you, when you were first driving, ever play chicken in the car? You know, any of you ever play chicken? It soon became obvious that she was ready for a game of chicken, and I wasn’t sure. All of a sudden, articles of clothing started to come off, and I’m like, oh boy, we’re entering territory here that I’m not sure we should enter, but I’m game, I’m in.

And it became obvious to me, she was a little bit more in than I was. So I hit the pause button on the stripper song. She stops. The crowd loses their minds. Beer cans are flying at the tower. And all hell is breaking loose at Mocatech Speedway because I ruined what was a perfectly good Strip tease going to happen at the thrill track at Makatek Speedway.

Makatek Speedway the other thing, and they explained this to me right off the bat, you are a two sport announcer. When you announced that Makatek, you were a [00:32:00] race announcer and a fight announcer because they love to fight at Makatek Speedway. The flagger was a guy named Ed Ziga. And to my understanding, Ed Ziga, like three things, flagging races, drinking beer and fighting.

And I’m not sure what the order was, but I do know what the rules were. When a fight would break out on the grandstand, it didn’t matter where we were at in the race, the caution would come out. Because it was time for the announcer to start calling the fight. And you start calling the fight. Now, if Ziggy knew the people involved in the fight, the red flag would come out.

He’d come down off from the flag stand and join the fight. He loved to fight. And I called many a fight. fight at Makatek Speedway. So much fun. So we were going to clean the place up. We get this security guard, guy by the name of Clarence. Clarence was very round, big one way as he was the other. He was about five by five.

And I think the reason he got the security is he had the shirt, he had a fake badge and he had some handcuffs and he worked for free, probably for food in the concession stand. So Clarence is there one night and Makatek was built on a side hill. And so you stood along in the dirt on the back. So [00:33:00] Clarence is standing there watching the races unfold and this scrawny little guy bounces off from him.

Clarence is like, okay, you know, no big deal. This scrawny little guy bounces off again and Clarence says, I’m gonna have to ask you to stop bouncing off from me. About the third time the guy bounces off from Clarence, it’s game on. Now Any other place on the planet, when you have a fat security guy chasing a skinny guy, the first place the skinny guy goes is to the exit.

Not mock attack. No, the skinny guy goes right down through the grandstands with clearance in hot pursuit. Of course, we’re there, we’re during intermission or something, so I’m all of a sudden going down the front stretch, up through the grandstands, with clearance, in hot pursuit, back down through the grandstands, back up.

The pits were behind the grandstands. So the guy jumps the fence into the pit area. The whole crowd runs back to the watch and watches and up through the pit area. And the crew guys are all working on the car. So what the hell’s going on? And there goes this guy. And finally he wants to the pits and out the exit.

They go with Clarence and hot pursuit. All right, ladies and gentlemen, now that intermission is over, we need to get back to racing. I’m sitting there. Announcing a race and 10 minutes later or so, Clarence [00:34:00] walks up into the tower, just huffing and puffing like you wouldn’t believe he says to me, I caught that guy and I said, really?

I said, man, he put you through the paces. He said, yeah, I never ran like that in my life. He said, I caught the guy. He says, you ain’t gonna believe it. I said, I found drugs on him. Whoa. I said, man, that’s really, really good. You found, so he found drugs on the guy. He says, yeah, and I’m sitting there and I’m announcing or doing something and I’m like, well, what are you going to do about it?

Then he said, well, I’m going to call the state police. I’m like, oh, okay, that’s fine. I said, wait a minute, where’s he at? What’s going on? And he says he’s handcuffed to a tree, Steve. The modified feature is next and I’m not going to miss the modified feature. So he’s handcuffed to a tree up in the woods.

This poor guy goes to the races, has a little weed on him, gets into it with a rotund. He gets caught by the fat security guard and finds himself handcuffed to the tree. While Clarence watches the modified feature, then he calls the state police. Mockitech Speedway, the one and only. I could not do the post race parties at Mockitech Speedway were unreal.

I could not do one half of one night at Mockitech Speedway now, and we [00:35:00] would party until sunrise. We would bother. One time at Mockitech Speedway, I was in charge of turning the lights off. Well, I’m telling you at 10 o’clock in the morning, you don’t realize the lights are on. And the client that ran the track went over there Wednesday night to start grading the track.

And the place is lit up all week long because I forgot because we left at daytime. Mockitech Speedway, just some great, great memories. Some great Williams times along the way. Career, I’m still selling floor covering. I’d moved to a distributorship and I moved down to Clark Summit, Pennsylvania. And in Clarksville, Pennsylvania, I hung at a place called The Only Place, and there I made some really, really good friends.

Reed Miller and Dick and Phyllis Longstreet. Just dear friends to this day. Unfortunately, we’ve lost Dick in the last year and a half. Just really, really sweet people, and we formed a car show called Speed Sports Showcase down in Scranton. I know many of you that had gone to the car show, and we did that.

So we had the car show going on, and I’m really thrilled, by the way. I’m stepping forward to hear Tony Frable and a group are going to put together Speed Sports Showcase again. So the car show returns to Scranton, and I am just so happy for them. And I do like it. They didn’t know this. to me, but they actually reached out to fill us into myself.

And I believe to read and ask for our permission to go do it again. And I just like [00:36:00] that respect that they showed. They didn’t have to do it, but I love the fact that there’s a car show. So as I’m looking at life here in the early nineties, speed sports showcase, I have a program book that I do with all the racetrack or the two racetracks I’m at I’m announcing.

I’ve got all this stuff. I’m writing a column for Gator racing news. Another group that I was very involved with is we go racing fan club. I talked about that a little bit when we’re talking about Kip. I was president of the Wigo racing fan club, and we just had so many great memories. Life was just rolling along.

with Selen Carpeting and the party and the racing and everything else. It was really, really good. Well, at a WeGo Racing fan club event at Shangri La down in Owego, I met a young lady. And that young lady would ultimately become my ex wife. But of course, there was a few steps in between there, along the way.

And this whole philosophy of You don’t let your passion become your work was really starting to fail on me because I was spending more time and races and events and social events and we go fan club and speed sports showcase than I was selling carpeting and the people that I worked for was a distributorship out of York, Pennsylvania.

They came and they said, look, we’re not telling you to leave, but we’re ultimately going [00:37:00] to tell you to leave. You need to follow this racing thing, dude, you’re spending more time on racing than you’re working for us. And we really suggest you do it. Had a lot of things going on and. I had this young lady that I was falling in love with.

And so it was like, we better start to think about this. In 1994, started interviewing for some jobs in the NASCAR business. Landed in 1984, I was hired by a company called McLean Marketing. I was going to be the PR rep for Factory Stores of America with Butch Mock Motorsports and Todd Bodine. Well, what do we do?

How do we do this transition? So we hurried up February 4th, 1995. We decided to get married. We’re going to throw together a wedding. And some of you were there as well as 26 inches of snow on wedding day. This was fraught with a challenge as well, because we were doing all of our friends a favor by saying, we’re just going to do a money tree.

We want to make it easy for you. We just want to do a money tree. Truth of the matter is, is we needed the money tree to pay for the wedding and to pay for the trip to North Carolina. We have 26 inches of snow, we [00:38:00] go through the ceremony, and we’re getting word that this one’s not coming, and that one’s not coming, and this one’s not coming, and it’s like, oh my gosh, what are we gonna do?

Beyond all of the feelings we’re having of the day is, the money tree is going to be dry. We’re going to be at the VFW in Halsted, Pennsylvania and not even be able to pay for the keg of beer that we spent the money on. But the good news is, is the money tree was good, was enough money to pay for that. We went and we did a family reception at the VFW in Halsted.

Then we went and we did a racing family reception at Tego’s Tavern in Conklin. Another great place, by the way. And then we were staying at the Quality Inn. And of course, there’s 26 inches of snow. The Quality Inn was right next to a place named Country Bob’s. So the third reception was at Country Bob’s, and Country Bob’s was a place not for the faint of heart, not a whole lot of proud moments happened at Country Bob’s, by the way.

But yes, we were there, and my bride at the time actually rode the mechanical bull in her wedding dress on that night in our third reception, yeah. Casey and Clara, they’re, they’re remembering that. They’re remembering that. Well, just an amazing, amazing time. Tego’s Tavern. I got it. I got to [00:39:00] get off script here a little bit to do a Tego’s Tavern story.

Great little bar in Conklin, Tim and Polly Bunsik. They ran it. How ate up we were with racing. Okay. The old phrase, you’re not drinking a beer unless you have dirt in your beer. We get to the off season and we know we’re facing a long, cold off season with no dirt in our beer. Polly Bunsik goes over to five mile point and she gets a shovel full or pale full, five gallon pale, five mile point and clay, I don’t know that they’ve ever seen each other, but whatever the dirt was, and I love.

Five Mile Point Speedway, but I’m telling you what, the clay content of Five Mile Point Speedway has never been all that much. She went over and she got a five gallon pail of Five Mile Point dirt. And she brings it over, and she puts it in little baggies. And she takes and she puts a pinhole in the little baggies and tacks one up above every seat at the bar.

You’d walk in, you’d get your draft beer, you’d tap the baggie, and a little Five Mile Point dirt would fall down. We had dirt in our beer the entire off season. Now, of course, strangers that would walk in off the street What are these people doing? Putting dirt in their beer, lost their minds. But that’s just part of life that we had around at that time, and just an amazing, amazing adventure.

So fast forward, we’ll get back to the wedding [00:40:00] now. I got married on Saturday, February 4th. We made our way to North Carolina. We’re getting ready to go to Daytona. I’m gonna be Todd Bodine’s PR guy. Tuesday morning, arrive back in the office, get a call to go and meet with the boss. I could tell by the look on his face, this was not necessarily one of those real happy meetings that we were gonna have.

Steve says, I think I jumped the gun on hiring you. We no longer have the Factory Stores of America account. What I need you to do is take the press kits that you developed, take your business card out of the front of them, box them up, drive up to Charlotte Motor Speedway, and deliver them to another agency.

Because we’re so late in the game, they’re going to take your press kits and go to Daytona. What does this mean for me? What does this mean for, we just got married. We got no money. We got nothing. Ed McClain, the guy that owned the agency, he was able to take us to Daytona. We did hospitality for CITCO, for Speed Weeks, so we went down to Daytona for Speed Weeks, but it wasn’t soon after that, that we end up broke in Matthews, North Carolina, which is just outside of Charlotte.

Ultimately, to be ex wife and I, we handled things usually by going to a bar room somewhere along the way. That was generally our way of handling crisis situations. And it was a Tuesday night, and we [00:41:00] had a whopping total of 26 to our name. We didn’t have enough money to move back home. And I was pretty much committed, I’m gonna do this racing thing.

Even though right now it’s looking really bleak. Unemployed, strange city, all of our friends are up in the Binghamton area. We’re sitting here in Charlotte, North Carolina, and we got 26 to our name. And she’s like, what are we going to do? We’re crying. We’re all upset. We’re all everything like that. And I said, well, there’s a bar out across the parking lot.

They have dollar draft night tonight. We’re going to go drink. Like we own the place. We’re going to get up tomorrow morning. We’re going to build resumes and we’re going to do like everyone else in America does and find jobs and that we did. We drank like we own the place staggered back across the parking lot, got up the next day and created resumes.

Fortunately, she was a travel agent and at the time we had travel agents. It’s an old career. That’s no longer on Skip can attest to very few travel agents around, but at the time it was a great career. And the good news is, is she landed really, really quickly. I think that was Wednesday morning and she interviewed with a guy that Friday morning, and not only did he hire her to start Monday, but he paid her a little bit in advance because she explained the situation.

So [00:42:00] we bailed ourselves out of that. I’m left with the dilemma. Do I go back into the floor covering business in North Carolina, knowing that I’m lying to whoever I’m interviewing with, because if I tell them I’m going to be your best salesman in the world and someone in NASCAR comes, I’m going. And so I made up my mind I was going to work for temporary labor agencies and that’s what I did.

And I’m not mechanically inclined at all. It’s really bad for a guy that works around racing. I mean, I can barely find the dipstick. I mean the key in the side of the engine. I’m good at that. That’s about it. So I get a job with a temporary agency installing heating and air conditioning units. And I often think about it when I drive by those complexes when it’s 100 degrees in August or when it’s 20 degrees in July, those poor, poor people, because there ain’t no way in the world when I installed those air conditioning units are those things working properly, and there has got to be the worst air conditioning installation job in the world.

So we rolled through 1995 with me doing that. Julie, being a travel agency, the fall of that year, I was able to get a volunteer job at Charlotte Motor Speedway working in the press room and through that was meeting a lot of people and that really worked out well. [00:43:00] And the good news is I came out of that with an interview and in 1996 was hired by Cotter Communications Square D Company.

Film are racing with driver Kenny Wallace. Yes, indeed. Well, Kenny Wallace, the Kenny Wallace you see on TV, the Kenny Wallace you see on social media, the Kenny Wallace that you hear laughing in real life is the same Kenny Wallace that I have. Wide assed open. Kenny Wallace. That’s who he is. Al Robinson, of course, we all know, a lot of us know and love Al Robinson.

Al was doing PR at Dover, and Al asked if Kenny and I could fly into Baltimore on a Thursday, do a media tour, and then drive up around and go to Dover. So we do that. And we go to all the TV stations and met with a reporter and did all of that. And when you traveled with Kenny Wallace, you were a fast food person.

We didn’t eat all that well with Kenny Wallace. We were fast food. Well, this day, we were feeling really, really good. We felt like, man, we did a great media event. Everyone’s going to be happy. So we stepped up our game. We went to Subway. Wow. Subway restaurant somewhere up around the Chesapeake Bay. We stopped at a [00:44:00] subway.

We walk in places full of people. There is a large African American woman is the sandwich artist that we have. And we’re going down through and we’re getting our sandwich. And she says, do you want oil and vinegar on your sandwich and Kenny said, why would I want oil and vinegar on my sandwich? And she says, that’s what Aretha Franklin’s doing.

And she’s losing all that weight. Kenny being Kenny right in the middle of the subway, puts his hands down and he says to this large rotund African American woman, you like Aretha Franklin. And she says, Honey, I love Aretha Franklin. 15, 20 people in the restaurant, 4 or 5 people in the line, Kenny Wallace, R E S P E C T, find out what it means to me.

He breaks into a chorus of respect right there. I don’t know whether I’m dying of horrified. I’m standing there going this is, I’m his PR guy. I’m supposed to be preventing incidents like this. She drops her fixings and she’s dancing, he’s singing. The whole place is wondering what the hell is going on, and we’re standing here in a subway, singing Aretha Franklin songs.[00:45:00]

Something I never saw and didn’t really plan in the whole PR training. There’s not a manual on Aretha Franklin songs in a subway. So Kenny gets done singing the song, and she says, So now, the question is, do you want oil and vinegar? And he says, I want double oil and vinegar on mine and put it on his too.

If it’s good enough for Aretha Franklin, it’s good enough for us. And out the door we go. Kenny Wallace, what a guy, what an adventure. Your first PR gig. If I would advise anybody on first PR gigs, I would say, get a guy like Kenny Wallace, because you know, you’re never going to have a dull moment and never going to have a dull moment.

As far as that goes, I learned a very valuable lesson during that time period because while Kenny Wallace was a lot of fun and we had a lot of fun doing media and media and everyone loved him. We average about 22nd place finishes. And so when you’re running in that position, you don’t get a lot of TV coverage.

Square D was like, we need to get more coverage. We need to get more coverage. We need more coverage. And I said, I’m trying. I’m talking to the TV people. And I met Benny Parsons. Benny was always around the Concord area. We’d always see him when we’re out to eat and out to dinner. And I met Benny and I said, Benny, man, I’m getting clubbed by my folks here.

He said, Steve, we’re not going to talk about a guy running in the mid pack. He said, we’re going to talk about [00:46:00] the guys up front. He said, I’ll do what I can. He said, we’re not going to talk about it. It was April of 1997. Second year was Square D Martinsville Speedway. Kenny Wallace goes up and puts the Square D Ford on the pole position.

Like, oh boy, here we go. Game on. We’re able to lure ourselves into an in car camera and that race for 500 laps at Martinsville, Kenny and Rusty went toe to toe for the win. We ended up not winning the race, but we ended up on TV all day long. Every reporter wanted to talk to us afterward. We’re standing there.

We’re an hour after the race and there’s people still wanting to talk and everything like that. I go out to dinner, but get back home Monday. There’s people calling radio interviews. Everyone wants to talk to Kenny. Everyone wants to talk to Kenny. Happy to go out to dinner that Monday night, ran into Benny Parsons.

And Benny said, let me guess PR man of the year after yesterday. Aren’t you damn right about that, Benny. There’s a whole big different world. He says, that’d be happy with your PR efforts. Now I said, yeah, you know, I’m a really good PR guy today. And five days ago, I was a useless PR guy. We learned the value of performance and learn those lessons.

doing stuff with Kenny Wallace. So I worked on that program for two years with Square D company needed to change. The agency business was [00:47:00] changing and was just in a spot where it was time to move on, which is customary in it and did an interview and got a job doing PR for the IWX motor freight team, which was a truck series team.

Randy Tolsma was the driver of that truck. And we just had an absolute ball did team PR for them also in 1998. I was able to return to my racing roots a little bit. My announcing routes, I got hired to sit in and start announcing the summer shootout at Charlotte motor speedway on Tuesday nights. That’s the legends and bandolero racing that they have at Charlotte.

So 1998, I’m doing team PR for IWX on the road, traveling with the team, having fun, really having a great group of guys. We’re all hanging out, having fun Tuesday nights during the summer for 10 weeks, able to do the summer shootout. Roll through that a year and a half, I get to August of 1999, Steve Coulter, a man that I have so much respect for, he was the owner of IWX Motor Freight.

We get to August, we’re in Indianapolis, and it was nothing for Steve to say, let’s go have a beer at the bar. And we sat down, we had a beer at the bar, and Steve said, I’m a trucking company, and a trucking company really doesn’t need a good PR man. Here we go. I know where this conversation is [00:48:00] going.

Conversation had a little bit of a twist to it though. Steve said, here’s the deal. He said, you’re part of the team, you’re part of the family here. I want to keep you on board, I’ll keep you to the end of the year. So, I’m a guy that got a five month window. to get a job. Why have so much respect for Steve Coulter?

He said, what I want you to do. He said, I want you to find the right job. He said, don’t take the first job. He said, if we get to the end of the year and you don’t have anything, we’ll talk about next year. We’ll figure it out, but find the right job. He says, and I’m with you. He says, use the fax machine, use the printer.

You need time off to go interview whatever you need to do. He said, you’re part of the family. You’re a great PR guy. I need you with someone who needs a great PR guy, not a trucking company. Then that’s what I want for you. Roll along. We get into October, November, and I catch when the Texaco Haviland is going to have a driver change, Ricky Rudd is going to drive for Robert Yates.

Knew the people at the agency performance PR plus woman by the name of Kimberly Brannigan. Kimberly is the daughter of Dick and Linda O’Brien, formerly with Oswego Speedway. Day before Thanksgiving of 1999. meet with her and it became just a formality. She says, I need to [00:49:00] run this past the owner of the agency.

She said, but I’m going to recommend we hire you. She said, where are you going? I said, I’m going back to IWX for the team. She said, I’ll call you by the end of the day. I get done, go up to the race shop. Sure enough, an hour or two later, get the call. And I’ve been hired by them. She said, here’s the problem.

This is brand new with Ricky Rudd. We’re late. We’re behind. We don’t have a photo shoot. We don’t have this. We don’t have that. We need to start ASAP. Called up Steve Colter. And I said, look, I got a gig, Texaco Haviland. It’s exactly what you said I needed to do. It’s what I need to do. It’s what I need to go from there.

I said, where do we go? And he says, what do you have to do there? And I said, I got to do this. I got to do that. And he says, you start Monday down there. He said, as long as you get done, which you’re supposed to get done for me over the month of December to get everything buttoned up, we’re good to go that month of December, double money, double income because Steve Colter, the man of his word, kept me through that year and that month.

December 1999 with IWX, we had a bonus program and the bonus program was a percentage of winnings and had this conversation with my wife and I said, you know, I can’t ask for the bonus check, but you know, I guess technically because I was with the team all year, I earned it. I had that month of December of 1999 was getting paid by IWX by the Texaco have on folks performance PR plus.

And the day after [00:50:00] Christmas got a check for 2, 600. My bonus money for Steve Coulter just could not believe that someone could, it’s fair and it’s right, but in our business that doesn’t happen all the time. And what an amazing, and it turns out Steve ends up being part of my story as we go further down the road.

2000 ends up donning Ricky Rudd. I’m going to be Ricky Rudd’s PR guy. Ricky Rudd, classiest guy that I’ve ever worked for in my life. Straight up shooter. We sat down and met the first time and he said, what are you responsible for? I said, I’m responsible for media. He says, when media around you be there, he says, you’re not my hat.

carrier. You’re not my helmet carrier. You’re not in charge of my suit. You’re not in charge of anything else. You’re hired to do PR with media. You do media and we got along really, really well. Ricky Rudd, just an absolute pro to deal with some amazing PR stuff. We pulled a lot of really good stuff. Ricky cherished the media relationship.

He used it to his advantage a lot. He would go do media tours. He was very savvy on it. He had previously owned his own team with the tide sponsorship, so he certainly knew the value of it and had a great, great run with Ricky Rudd through the year 2000 came close to winning. And in 2001, what was it? June 17th.

We roll [00:51:00] into Pocono Raceway where I’d got my first gig, first volunteer job. We roll into Pocono, Friday afternoon, when the pole position and I’ll be darned if Ricky Rudd doesn’t go out and win the first race with the Texaco Haviland team. My first race as a PR guy at Pocono Raceway of all places. When you’re the PR guy, when you’re going to win a race, especially when you’ve been snake bit like we had, we had a lot of things go wrong.

You have in the truck, you have a hat bag. And that is your victory lane hat bag. But of course, you don’t want to be the guy with five laps to go to get the hat bag, because then you jinxed everything. But of course, Pocono Raceway, to get from one point to the other is about 18 miles. There’s nothing close at Pocono.

So I’m sitting there with five laps to go. It’s like, we’re going to win this race and I got to go all the way back to that truck and then all the way back out to victory lane with that hat bag. So I said, well, okay, I’m not going to get the hat bag. I’m just going to walk back here. So then when Ricky brings the car in, so I walked and walked, I didn’t want to jinx anything four laps ago, three laps ago, two laps ago, I’m just about to the truck as the car’s coming off from the third turn.

Pocono and the radio just erupts. We did it, we did it, you know, and I did that and a run into the truck [00:52:00] and Kelly was our truck driver and Kelly literally throws me the hat bag and I said, dude, he said, I didn’t want to touch it. I didn’t want to be the one to jinx this. I said, I didn’t want to walk back here.

I didn’t want to be the one to jinx it. He says, let’s go. And away we went with a hat bag out to victory lane, had an amazing celebration, amazing first win for Ricky with Robert Yates and fat back McSwain. And that whole crew did all of the post race stuff, did all of that needed to be done. And I’m sitting there and I got.

Don and it was quiet and most of the media had left. It was dark. It was late at night. And I said, you know what? I’m just going to take a walk out to victory lane. Just to kind of take this all in to kind of savor it. I walked out into victory lane, victory lane at Pocono still the same victory lane. It’s kind of an oval shaped area over in the corner.

Someone had left a cooler, one of those little igloo coolers. And I’m like, Oh, open that cooler. And there was one can of yingling beer. in that cooler. There’s no one around. I’m like, I’m technically stealing this beer, but I’m assuming somebody left it. And I sat on the steps and just thought about life, thought about starting at Pocono and standing there in victory lane that day with the first [00:53:00] win with an ice cold, yingling beer.

Man, I’m telling you what, life didn’t get much better than that. Get in the car, go back to the hotel, back to the airport, and we’re just rolling along. The PR gig with Ricky Rudd, with Texaco Have One, was an amazing time. I learned a lot of the lessons with Kenny Wallace about being in the front of the field and being in the mid pack and where you’re at in the pecking order.

With Ricky Rudd, we were challenging for championships, winning races, and you just became a really, really busy PR guy, and what an amazing, amazing time it was in life. As we rolled along, that was 2001. We got our first win. We want it Richmond later that year. We want it Sonoma the next year, but Ricky and Roberts were, they were getting ready to have a divorce.

Texaco. Have one was going to go to chip Canassie racing with Jamie McMurray. And you know, I started to look at the lineups here and I said, wait a minute. Ricky’s going to the wood brothers and they already have a PR person. Texaco. Have one is going here and they already have a PR person. Robert Yates is going to have one car with Dale Jarrett, UPS or Ford, whatever it was, might’ve been UPS.

They already have a PR person. And I’m like, huh. I don’t know, this is not working out and I was working well ahead of the curve and got a chance to talk with David [00:54:00] Hyatt, who was then the president of Motor Racing Network. And we had talked before and we’d talked about me doing an audition and he grabbed me at Pocono, the July race.

We’d won the June race. He grabbed me in the July race at Pocono. He says, you still interested in doing an audition for us? I said, yeah, as a matter of fact, I may be a little bit more interested now than I was before because, and I shared with him, I said, look, my deal’s coming to an end and I don’t know what it’s going to look like.

I feel like I’m going to be all right, but I don’t know what it looks like. September 13th, 2002. New Hampshire Motor Speedway, hanging off a billboard in turn number three for a modified race, I did my audition. It was an interesting cast of people in that audition, now that I look back at it. We had Joe and Barney Hall in the booth, which they always did the auditions.

Down in turn one and two, Kyle Rickey. In the pits, Ryan Horn, Gary Danko, and I was in turn number three. Probably turned out to be the biggest audition that MRN ever had, because I actually work for Ryan Horn now. He is our production department manager. He oversees the department. Kyle Rickey still works with the network.

I still work with the network. Gary Danko had a few races. So we literally on that audition went four for four and everybody got a gig with MRN along the way. The modified race [00:55:00] was kind of funny. A little bit of a side note on the modified race. It was one of those races, I don’t know if it rained or was wet or damp or something.

Ryan Horn was our pit road guy doing the audition and we were just mocking the broadcast. This was going to nowhere other than just our little private channel there. This is going to nowhere. Carl Pasterak is one of the modified racers and Carl wrecked or something broke and he was really hacked off at NASCAR.

So Ryan being a good little MRN audition pit reporter runs down, Carl what happened? Well the goddamn NASCAR did this and damn the NASCAR didn’t do this and they didn’t do that. NASCAR officials heard it. And NASCAR officials fined Carl Pasteryak 500 for something he said on an MRN audition because they thought it was an MRN broadcast and he actually got fined later on they amended that because he got into it with an official they amended it so that he was altercation with an official but actually it was the MRN audition were the only audition in the history of MRN that resulted in someone getting fined just a crazy great memories along the way so we roll into 2003 I’m going to get this career of a lifetime motor [00:56:00] racing network here I come I get my contract, I rifle it open, and the number on the bottom of it is 12, 000.

Let’s see, wife, two kids, 12, 000. That’s not gonna pay the rent, let alone anything else. But it’s the dream job. But it’s 12, 000. How does this work? How does this work? And I had one of those moments where I reached out to all the relationships I had in the past. I reached out to performance PR plus the agency and they hired me to do hospitality for DuPont that year.

So I ended up doing Jeff Gordon hospitality for 10 or 12 or 15 races. Went back to Steve Coulter with IWX and I said, look, here’s my deal. You know, this is my dream job. If I could write a trucking newsletter for you, if I can do whatever it is. He said, well, we still have the team. I don’t need full time PR.

He put me on a retainer, did that, knew the folks at Concord Speedway hired to do that. Another one that, and we was chatting earlier, LW Miller, Wayne Miller from down in Dew Shore, LW was racing in the modifieds down there, and I had done some work up here with LW and I reached out and I said, guys, I just need a favor.

I’ve got a [00:57:00] dream job here with MRN. but it only pays 12, 000. I need some help to get to the next level. And everybody that I had formerly worked for contributed something that year. And it was an amazing year. Next thing I know, I’m juggling projects and I’m flying here and I’m doing this and I’m doing that and trying to invoice people and trying to remember, did I do this?

And did I do that along the way? Also the summer shootout gig at Charlotte motor Speedway had moved into the big track. So I was the voice of Charlotte motor Speedway for a few years. And for the years, 2003 and 2004, it was very, very part. time the MRN stuff was 16 races. I think it was in 2003 and I’ll never forget that first race.

It was March 14th of 2003. The craftsman 200 NASCAR craftsman truck series at Darlington raceway. My first race at that was at Darlington. That’s pretty stinking cool. I don’t care who you are. That was pretty cool. So we’re there and I’m gung ho. I’ve done research on. Every guy that has ever ran in the truck series.

I know more than anybody ever needed to know about the truck [00:58:00] series. I am so gung ho and so ready to go. And there was a young kid from Missouri by the name of Carl Edwards in that race. And Carl was his ninth truck series start and he was driving for Jack Roush. It was his first year of his big opportunity.

We’re running in March. So it was early season might’ve been the second or third race. What we had is Carl’s truck was overheating midway through the race. And the signal with MRN is we would just point, we would see the driver, get the driver’s attention as he’s sitting in the truck. He would motion you in or tell you no, and that’s fair, and that’s the kind of the signal we have.

They push the truck off from Pitt Road on the front stretch. What we had was an announcer that was really, really anxious to get that interview. I was gonna get Carl Edwards. Well, what we had was Carl Edwards who was like, I’m gonna get the chance to talk on MRN. This is great. Point of the mic flag, Carl calls me in.

In hindsight, looking at it, it was pretty stupid because the crew was still working on the truck. I go in. Carl, what happened? What put you out? Put the microphone into Carl. The next thing I know, I’m picked up by a crew member, told to get the hell out of the way. They pick me up, and they’re pushing the truck back to the garage area, and I did my first in race interview with MRN, being carried by a crew member through the [00:59:00] garage.

Well, Carl’s getting his first MRN interview, so he ain’t letting up. He’s thanking his dad, his mom, his Meemaw, his papa, he’s thanking everybody. And we’re rolling across the interview and there’s crew guys and I’m hanging out of the roll cage and I’m getting carried and my feet are dangling and I got the microphone in there and I’m getting this story and everything and I drop.

And when I go off the air, the crew chief cussed me out from head to toe. And I said, but Carl, it doesn’t matter. It was just, it was my first race. And Carl Edwards and I, our first meeting along the way, and it was just really, really cool to have that. The irony of the world, you know, talk about the interesting irony, talking about Ricky Rudd to win that first race at Pocono.

Bobby Hamilton won that truck race, Square D Company was his sponsor, which was part of my past. And, I don’t know, I just love the irony like that. And then we rolled along, 2004 sedan, and I got a 33 percent pay raise, baby. I’m up to 16, 000 man again, went and begged, borrowed and steal from everybody. But as things would happen with MRN, there was a couple of things going on that [01:00:00] really worked in my favor.

One of my dear friends got my name of Winston Kelly. Winston is the executive director of the NASCAR hall of fame. And Winston is still with the network. But at the time he was with Duke power and we had a. Period of time there in 2003, 2004, where we had a lot of hurricanes in the Southeast. And when there was a hurricane, Winston had to stay back in Charlotte and man, the headquarters, if you will, for Duke Power, because I was in Charlotte, which was a hub city for US Airways.

I was a very convenient guy to fill in. So I’d be sitting there on a Thursday morning and someone from MRR recall and say, Hey, Winston’s, gotta stay. Can you fly to Dover? Yeah. Says there’s a plane ticket waiting for you at the airport. Up to Philly. Would go to Dover. And I think in the course of those two years, 2003 and 2004, I picked up six race weekends.

because I was in Charlotte because I was convenient because I was ready to go because I had all of this part time work and I was very flexible and was able to do it. We also had in that time, our veteran reporter, Jim Phillips, he retired at that time. Adam Alexander was another one of our reporters. He made the move to TV, although I worked a few years with Adam Daniel Humphrey at the time or Daniel Fry.

She [01:01:00] also moved on. And so there was a lot of turnover and Adam and Danielle were having. babies and kids. So I was called every time that someone was having a baby. Someone had a doctor’s appointment. I was called to fill in and I was very, very fortunate in 2003 and 2004 that I picked up a lot of extra work with motor racing network and really was able to kind of carve out a little bit niche somewhere around the way.

2005 things really started to pick up. I did an audition with NASCAR performance at the time. NASCAR had an automotive line. They wanted to do a NASCAR performance doors, brand moved chassis parts or clevite bearings or whatever it was, you know? And so they want to do a crew chief show. Larry McReynolds was going to be the co host of it.

It was just determined who was going to be his co host of it. And I’d have gotten along really well with Larry. His son Brandon had ran the summer shootout. Larry and I knew each other fairly well from the garage area and everything. And just loved Larry and I thought we could work together well. But their vision of the show was, let’s have a bunch of crew chiefs sitting around and talk tech.

And we’re gonna do this on radio. And I thought, okay. And I was able to weasel my way into an audition. I have no technical knowledge at all, no skills at [01:02:00] all. And I’m sitting there and there’s this crew chief turned broadcaster auditioning with Larry and another crew chief turned broadcaster auditioning with Larry and another MRN guy that worked on his own car, shade tree mechanic guy.

And me, I wouldn’t know a Phillips head screwdriver from a socket wrench, okay? I’m just, that’s just, just how I am. And so I did the audition and the on air audition went well. Larry and I worked well together. We mock interviewed somebody or did something. And I sat in the meeting afterward, the interview portion of it.

And there’s old cartoons, and I don’t know if you’ve seen it where the light bulb goes on on the head in the caption of the cartoon. And I don’t know where this came from. This is just divine, whatever, whatever it is. I’m sitting there in the meeting. And I said, what you guys envision is crew chief sitting around talking.

They said, yes, that’s what we want. And that’s really what we’re concerned about. Steve, you’ve admitted you don’t have much knowledge of the technical end of the sport. And I said, Are people going to listen to that? I said, Because what happens when those two crew chiefs get talking over everyone’s head?

And I sat in that room and I swear to God, I’m watching light bulbs on top of people’s heads going off. I’m like, You need an [01:03:00] idiot. You need a dummy. You need someone. That can get these guys to translate it to English so that people will listen and not drive themselves into bridge abutments trying to figure out what Larry Mack and Chad Knauss are talking about, for God’s sake.

And I sat there in the room and I thanked them for their time and I walked out and I’m like, son of a gun, I don’t know where that came from, but I think that was pretty good. I got back to the hotel and David Hyatt, the president at the time of MRN, he calls me at the hotel. He says, dude, I don’t know where that came from.

I think you got the gig. He said, and you were the low man on the totem pole when we went into this thing. He said, you were the one who just slid in there because we liked you. And sure enough, I got that gig NASCAR performance live. And we had a 10 year run, which is in radio. A 10 year run is a lifetime.

And we had a wonderful experience where Larry, another crew chief and I would co host a radio show and getting to know those crew chiefs and getting to work alongside of them. And they. owned it. Guys like Jimmy Elledge and Chad canals and those crew chiefs loved coming in and doing NASCAR performance live because it was their show.

It was a crew chief show. And yeah, there were times I had to [01:04:00] slow them down. There were times I have to say, okay, speak English guys. There were times I had to do it and we really had a great run and that really emboldened me in the garage area. I was so fortunate to have that show. And to this day I have crew chiefs come up, man, we got to get that show going again.

We got to get that crew chief show going again. And that relationship with the crew chiefs talking about. That relationship. So that when I walk in that garage on Friday morning, I know those guys that is gold for what I do with MRN and that radio show may be one of the best breaks that I ever had in my life in the opportunity to do that show and to sit in the studio for an hour with a crew chief and pick his brain and talk about things and talk about the way things go.

As we rolled along programming on Sirius XM NASCAR radio kind of came into play as well and I was able to weasel my way into the midday show co hosting with Chocolate Meyers. And I don’t remember, I tried to find the year of this, but there was one year where I was on the air virtually seven days a week.

I know I had one year, the month of May and the month of September, I was on the air every day doing something. And you get to the stage where you’re just running yourselves in circles. And you continue on, and I had [01:05:00] all of these things happening, and this career is just growing. And along the way, I mean, you’re interviewing, you’re in Sirius, you’re at the SEMA show in Vegas doing Sirius shows, where you have Carol Shelby and Guy Fieri.

Sitting there across from me, the diners, drive ins, and dives guy, and they’re both car guys, and they’re talking about it, and Chocolate Myers, and you know, Charlie Daniels swings by and hangs out with us, or James Taylor’s doing a new concert tour, and we have a, I’ll never forget, we’re in Daytona, we’re down there for one of the anniversaries of the Daytona 500, and up comes AJ Foyt.

And sits down at our table and chocolate Meyers, A. J. Foyt and Steve Post. Talk about who doesn’t belong and why. Okay, we’re sitting there talking, hanging out, talking, racing, just absolutely amazing what was going on and what was happening. When I look at Interviewing different drivers. The question always comes up, who are some of your favorites to interview?

I’ll tell you the one that’s always the adventure to interview is Tony Stewart. Tony Stewart. I am telling you, he will mess with you every time. His standard go to is while you’re talking, you’ve got the microphone, he’s tapping the microphone and you’re talking and it’s bouncing [01:06:00] off your lip. It’s bouncing off your chin.

And he does that. But Tony has this trick, uh, I’ll try to describe this in a family friendly manner here. Tony is part of the Coca Cola race or was when he was driving part of the Coca Cola racing family of drivers. And that meant during driver intros, he’d always walk around with a Coca Cola bottle.

Well, he would carry this Coca Cola bottle at about belt height, walk up alongside of you. And one little flip of that Coca Cola bottle at belt height, he could take your breath away. If you know what I mean. So you’d be standing there interviewing somebody and the next thing you know, boom, you’d get hit by Tony Stewart and your breath was gone.

Poor Clint Boyer and I are talking to each other. We’re standing face to face pre race. Neither one of us saw it coming. The good news for me is the microphone was over to Boyer. At this point, Tony puts the bottle and did a double flip. And he got Both of us, at the same time. Boyer is there, and I’m not pulling this microphone back.

Cause I’m in as [01:07:00] bad a shape as you are. And Boyer’s like, Oh! Oh! Tony Stewart’s down here with his normal greeting! And I’m like, Oh my God! So the Tony Stewart, he was just that character. And so, uh, Boyer got through that interview. I just threw it back to the booth, cause I couldn’t talk. I was breathless, and we rolled along.

And I would dare say though, The characters in NASCAR, one of my all time favorites, Was Ward Burton. Ward Burton, South Boston, Virginia. Oh, Ward Burton with the South Virginia draw. Ward had ran for Larry McClure for years and that deal had went away. And then two or three years or one year or something later, they had kind of revived the deal and they show up at Pocono with a car and Ward is ready to go.

He’s their driver. He’s their guy. We’re out on pit road for qualifying. And I said, Hey, I’m the two way channel or whatever it is. Let’s talk to Ward Burton. We haven’t talked to him in a while and you know, he’s always good to talk to and everyone loves Ward Burton and everything. Hi, Ward. Welcome back to racing.

Welcome back. Uh, good to see you. How did this deal all come together? And hold the microphone over. And Ward starts to talk [01:08:00] and a bee starts flying around his mouth. Well, I want to thank Larry McClure for putting this deal together. And he’s blowing at the bee cause the bee is landing. And we got Ron Pittman running the engine.

Runt Pitman building the engines and we got Joe’s text sponsoring. I’m losing my mind. My producers on the radio, what is going on? I can’t answer. I’m just holding the microphone. We do also, MRN does the sprint vision, the vision screens. And later on they told me the vision people, all you could see was the MRN microphone just doing this because I’m losing my mind.

You talk about church laughs. This interview never. Ended. I am telling you, Ward and this bee had the most persistence I’ve ever seen in my life because Ward wanted to thank everybody from the guy that cleaned the shop floor. And this bee was not leaving him alone. And he did a he had to do that 20 times during the interview.

I’m losing my mind. I can’t even stand myself right now. And literally when the interview was done, we use that while that’s [01:09:00] word bird, I just turned the mic off. Cause I couldn’t have talked if my life depended on it. And it was an amazing, amazing run. And an amazing time in my life doing all of the serious stuff and doing the stuff for Motor Racing Network.

And again, the years all kind of run together. Got called into an office, got called into a meeting, and it was with the serious folks. And, uh, they had decided that they were going to go in a different direction with the Midday Show. Face it, nobody likes to hear this and I didn’t want to hear it. I didn’t like to hear it.

Although I will say this, doing seven days a week and doing everything. I knew that that probably wasn’t really good either. And so I was still going to work on serious on the weekends, but I was no longer going to do the midday show. And I kind of disagreed with that. I’m not one of those people that really, uh, you know, I told him, okay, when’s my last day?

I’m not going to be a jackass at the end of it. I’m going to thank everyone for their time and say, Rick. Benjamin will join you next week and we’ll continue right on. And then they were cool. We were all good with it. We all handled it well. And so you’re doing it. And the NASCAR thing is kind of rolling along.

And I love what I do for motor racing network. And it’s like, okay, all of a sudden I have this big block of time during the middle of the week. And so I started working on some projects beyond NASCAR. And at the time, and it would have been [01:10:00] a 2010 MRN bought a website called racing one. com and racing one.

com had chat rooms and fan forums. Back in the day when that was a big time. So they had the fan forums and we’re at a meeting and they said the number one fan forum on racing one. com is cup series. Next tell cup sprint cup. It wasn’t Winston cup then, but probably next tell copper sprint cup series racing.

The number two fan forum is the world of outlaw sprint cars. Does anyone here know anything about the world of outlaws? And I’ll be honest with you. I knew. A little bit about the world of outlaws. My history with sprint car racing was generally not all that good, quite honestly. I grew up here in this area, as I’ve established, and I would go to the races around.

And we had a group up here called the Empire Super Sprints. And the early years of the Empire Super Sprints were not all that pretty at times. The Empire Spin and Stops, I think, were some of the nicknames that they had. The drivers were perfectly fine, but a track would prepare for the sprint cars by bringing in one push truck.

And sprint car racing was not necessarily something that I really enjoyed at that point in my life. But I love dirt track racing and I’m like, I want to get back to some dirt track [01:11:00] racing routes. So what we did that year is we formed what we call the world of outlaw report in 2010. We would just dial up somebody, Steve Kinzer, Sammy Swindell, Donnie shots, whoever it was, Jason Myers, Jason sides, we’d call them up and interview them about the race that they just had.

Maybe they won or an upcoming race and we put together the world of outlaw report and that was 2010 and it was the year of the 50th. Annual Knoxville Nationals and the numbers on the world of outlaw report to the voice of NASCAR to MRN, the numbers on the world of outlaw report were surprisingly good.

I don’t know now looking back at it, the neighbors were shocked, but I think we were all kind of pleasantly surprised by it. So let’s do something special for the 50th anniversary of the Knoxville Nationals. Let’s do an MRN one hour show. Highlighting the Knoxville Nationals. We need to get your cohost.

Who are you going to have? Kendra Jacobs. I had worked with Kendra on the Texaco Havilland account. Kenny Jacobs, a legendary sprint car driver from Ohio. His daughter, Kendra, she had been working at the time for Penske Racing. So she knew sprint car racing. She’s a former Miss Knoxville National. I said, she’d be the perfect cohost for this one hour show.

We’re just going to do one off. It’s going to be one off [01:12:00] deal. Kendra and I knew each other. Like I said, we’d work together. We were buds. We were pals. We’d travel around the country some. So we were really, really good friends with each other. Called her up. She would love the idea of doing it. She sat in the studio and we recorded the show.

We were going to just record it and then air it later on. Not going to do it live. So we sit down and we do the first segment of the show. Five minutes, seven minutes, 10 minutes, whatever it is. And this thing is just rolling. We are on the same page. I mean, I’ve done a lot of radio by this point and I’m sitting there and we are clicking.

We get to the first break. Craig Moore is our producer of the show. Craig gets on the private channel. Kendra, how much radio have you done? She looks at her watch. She’s about 10 minutes. He says, you’re serious. You’ve never done this before. She says, no, I’ve never done any of this before. Well, we interviewed Danny Lasoski.

We interviewed Brian Brown and readers, Bobby Ellen. Bobby would have been the 20th anniversary of Bobby winning the nationals. I think he won the 30th Knoxville national. So it would have been the 20th anniversary. Obviously, Danny Lasoski and Brian Brown was the young gun. Danny’s nephew. We interviewed those three showing up and the show blew the doors off.

We’re like, man, there’s something here. There is something here. That was 2010. We sat down during the off season. We’re like, you know, you have the world of outlaws, [01:13:00] which are great, but you have the Pennsylvania posse, which are not the world of outlaws. Although the world of outlaws come there and you’ve got.

California and you’ve got Ohio and you’ve got Knoxville and you got Jackson. You’ve got all of this sprint car racing. So we need to be bigger than the world of outlaw report. And we came up with a show by the name of winged nation and wing nation was born in 2011. Kendra Jacobs and I talk in sprint car racing.

It has been an absolutely amazing journey along the way. We ended up with an invite to go out and do live shows at the Knoxville nationals. Wow. It’s go to the Knoxville. My first year I did a Knoxville nationals. It was opposite of Watkins Glen. for the cup series and I’d already committed that I was going to be with MRN Watkins Glen.

So the idiot that I am said, we’ll do Wednesday and Thursday shows at Knoxville and then we won’t do a Friday and Saturday show. I’ll just leave. So I go out to Knoxville for my first time ever and I arrive in Mecca. I arrive in heaven, dirt track heaven. Tom Schmay, formerly with the Sprint Car Hall of Fame, he knows what I mean.[01:14:00]

You walk into the Marion County Fairgrounds for the Knoxville Nationals, and you know that’s where you want to be that week in August for the rest of your life. I walked in, we did a live show, crowd there, everyone’s screaming and hollering, races go off, preliminary night one, just a great night. Come in and do a show on Thursday, preliminary night number two, everything is great, everything is good.

And Friday morning Well, everyone else is all fired up about going to Knoxville. I go to the Des Moines airport to get on a plane, to fly Des Moines, to Charlotte, to Philly, to Buffalo, to Erie, to wherever, to wherever, to wherever, to get to Elmira. I love Watkins Glen, but I have never been in a spot where that was the last place on the planet.

I wanted to go that day. I was in good company that day. I don’t know what exactly was going on. A young lady that many of us know, Aaron Crocker, who raced sprint cars and race world of all the sprint cars. Erin Everett. She was on the board of directors for the Hall of Fame and something in her world was that she had to leave on Friday morning and her and I sat in the Des Moines [01:15:00] airport and had the biggest Pity party that two grown people have ever had in our lives.

And we have vowed that that will never, ever happen again. We roll along. We started doing live shows at Knoxville in 2015. He called into a real quick meeting at MRN. We’ve got something out here. Someone’s fishing around here. So we’re going to play around with this a little bit. Mav TV. They want a sprint car show, radio style talk show covering sprint car racing.

And so we’re thinking about putting cameras in the studio. And would you guys be into that? Well, yeah, we’ll be into that. Mav TV. It’s great taking a show to TV. It’s a sure enough. We ended up doing a separate show for Mav TV, just the logistics of it. And I just take a whole lot of pride. In saying that M.

R. N. And I love the motor racing network. I love our NASCAR work. I love what we do. M. R. N. The voice of NASCAR. Our first venture into TV was sprint cars. And I just love that. I just love, I love what we’ve created with Wing Nation. And it continues on to be just this amazing show that we’ve built. Kendra has gone on, she is [01:16:00] now out at Knoxville doing all the marketing and promotion out there.

Aaron Everham now, Ray Everham’s wife, Aaron Crocker, she’s my co host on the show and I’ve got another co host, Ashley Strami, David Strami’s wife, her father was Joe Deal, raced at Port Royal. So we have got this show, we do three shows a week and the numbers are unreal. As a matter of fact, this year we hit a milestone, 2017 Wing Nation was the first MRN digital show to clear one million unique.

Listeners to our show. It has been unreal. We’re now invited to do Knoxville. We did shows at the Jackson Nationals in Jackson, Minnesota. We did shows at the Bob Weikert Memorial in Port Royal and this wing nation stuff just is amazing. And I think it’s so amazing about it because when I sat down years ago and had that meeting was serious.

And they told me they no longer wanted me during the mid days. I don’t know that I was heartbroke. I know I was disappointed. And I look at that meeting and I’ve talked to Daniel Norwood, the guy at serious, and I thanked him because that door closing opened up this unreal world of sprint [01:17:00] car racing that we have now.

And it is absolutely amazing to get to do my passion of NASCAR racing, my passion of sprint car racing, and be able to do it all and put it all together. Along the way, I ventured into some other things. I did a food blog. I shared with you that when I was doing the serious stuff, I’d met Guy Fieri, the diners, drive ins and dives guy.

And we remain in touch now and just kind of once in a while our paths across, but he’s just all over the place like I am. But I said, what if we did a NASCAR version of diners, drive ins and dives? Like, what are the good places to do in Richmond and what are the good places to eat here and who are the good team cooks and you know, food sponsors and everything else.

So for a few years, did a website called food around the track. dot com, and we actually had an MRN podcast called fast food. What really happened with it? I was kind of at a crossroads with it. And when that meeting about the math TV thing happened, I said, well, I think it answered the crossroads probably need to put my focus on sprint cars.

And so we kind of got out of the food business along the way. Last year, kind of discovered a couple other hidden passions that I didn’t realize were there. Lenny Sammons, who does area auto racing news and does. Indoor TQ racing. So I had the opportunity to [01:18:00] start announcing those. I did Allentown and Atlantic city last year.

I was able to do Trenton and I’ll do Allentown and Atlantic city, not able to do the Albany race. I’m sorry. I’m going to miss the bus load, but we’re in Daytona at that point. And I just found this world of TQ and we did 600 micro racing. That is just a wonderful, wonderful place of short track racers just out there slugging it out and I’ve had so much fun.

Along the way last year as well, we have a modified tour, the NASCAR wheel and type modified, the Southern modified racing series. Of course, in the South, we have this juggernaut called Bowman gray stadium, the mad house, and it is an amazing place. And the mad house is a football stadium. So they’ve got to end like in the second week of August, because a Winston Salem state plays their football games there.

So the mad house is a very short season, very compact, very exciting. It’s great. great racing. Those drivers have got with the folks who are in Caraway, a private tour, southern modified racing series, and they also promote the north south shootout. So found myself getting involved with those folks a little bit and I discovered the asphalt modified again, kind of rediscovered it.

And what an amazing car that is. I sat at [01:19:00] Charlotte Motor Speedway and there was a modified race. Then I was on that little quarter mile track, so it’s not really a great track for him, but I’m watching this and I’m like, man, he’s modified cars. Wow, they’re drastically different than the wing sprint car, but so much the same wide tires engine hanging out all over the place.

You know, sprint car has a wing. They have the wide tires and the loud pipes and the noise and started to do a little work in the modified world. And we’ve got a project coming up beginning of next year, a little bit more work with a modified tour and going to start doing some of that. And so as we’ve evolved and as NASCAR has evolved, I love doing the pit road stuff, but I found passion and the other forms of racing.

I just had a moment this year. I had a couple of moments this year, but I had one that just kind of blew me away. The summer shootout. I mentioned that in 1998, I was hired to do the summer shootout. So I roll along and we’re on a media tour. And one of the executives at Charlotte motor Speedway says, how long have you been doing the summer?

Sure. I says, actually, you know what? This is my 20th year of doing the summer shootout, man. That’s really cool. We need to do something with that. We need to do something with that. And I’m like, oh, that’s good. That’s great. Whatever you guys want to do. I’m here. So we roll along through the summer shootout.

I never hear about it. [01:20:00] I’m not. begging for it. It is what it is. I mean, it’s a great idea, but a lot of great ideas fall by the wayside. We get to week number nine, the next to last week. And they said, Hey, we want to do something special next week for the season finale. We want you down with Lenny’s the tiki is the announcer.

He does the track side stuff. I do the play by play. So we want you down to do the pre race for that. I said, okay, whatever you guys need, I’ll be down there, you know? So I go walking down and I’m just standing there, minding my own business, talking to the flag or talking to the officials. And I see a young man behind the stage, a young man by the name of Thomas van Wingerden, the van Wingerden family.

is an amazing family. Tom Van Wingerden was the patriarch of that family. He had a passion for racing that was just amazing. It was legends racing at Charlotte. It was what him and his boys did. His boys went and raced on Tuesday nights at Charlotte and they were all in. They were there to win races. He ran a successful business in town, but they were there to compete hard and they did racing for all the right reasons.

Tom. Died probably seven or eight years ago in a four wheeler accident. So sadly the family had kind of fallen by the wayside. As far as racing goes, they still run the business. They’re [01:21:00] still all very successful. And I follow along with some of them on social media, but I saw Thomas Van Wingerden backstage.

I said, that’s weird. I hadn’t seen him at the track all year long. There is an award that is not given out on a regular basis called the Tom Van Wingerden spirit of the legend award. And it is an award that is given not on the basis of what you’ve done. It is given on the basis of how you’ve done things and that passion, that spirit.

And I’m standing there and all of a sudden it strikes me that I’m getting ready to go on the stage and get the Tom Van Wingerden Spirit of the Legend Award. And I am telling you, I’ve been blessed with so many honors in this sport with so many things that have happened along the way. But getting that award in August of this year for who I am, the Tom Van Wingerden Spirit Award was the highlight.

It’s the best award because it was how I present myself. I love racing. I don’t know if I can tell. I know I’m a little shy. I know I’m a little reserved. I know I don’t really come out of my bubble. But I love racing. Racing legends cars on Tuesday night at the Daytona 500 and everything between. I love it.

And to get that award was just [01:22:00] absolutely amazing. And it’s just really, really touched my heart, but I up that this week, I did something this week that is even in my opinion, better than that. I was at Eldora Speedway doing the, uh, truck series race. And I shared with you back an hour, hour and 15 minutes ago, my favorite driver was Pete Cordes.

I’ve never met Pete Cordes as an adult. I was a fan of his as a kid, but I’d never met Pete Cordes as an adult. I met Eldora. I’m doing some hospitality. I’m there hanging out and some guy comes up and says, Hey, I remember you from five mile point. You used to watch Chuck. Cool. Some Carl Nagel and those guys race.

And I said, yeah, man, those are the days. It’s a man. I used to live right nearby to Pete Cordes. I was all my God. That was my guy. Pete Cordes. That’s my guy. He’s man. He’s doing great. Doing really, really well. You know, we’re older race car drivers. We don’t know. I hadn’t read that Pete had passed or anything, but you just never know.

And I’m like, wow, that’s great to hear. He’s doing well. He’s doing great. I got thinking to myself, I said, how many people get to meet their heroes? How many times when we’re a kid, whether it’s a baseball hero or [01:23:00] football hero or racing hero, do we get a chance to meet our hero? And as Kip and I were putting this together, I said, you know what?

Why don’t I come up a little bit early and why don’t I go see if I can meet my hero? I’m at Knoxville. I’m out there getting ready for the Nationals. Pete and I had started to email back and forth and started to talk a little bit back and forth about it. In 1975, Pete was involved in a crash at Five Mile Point Speedway.

And I was an 11 year old kid, a Pete Cordez fan, and he broke his back in that crash at Five Mile Point Speedway. Being the fan that I was, I was able to reach out and send a letter to Pete and send him a note. And I’m there and Knoxville Raceway. We had just kind of emailed back and forth and broached that conversation about, Hey, I’m coming up there in December.

I’d love to take you and Judy to dinner to meet you. You’re my childhood hero. I would love to meet Pete Cordes. I’m pulling into Knoxville. I get an email from Pete Cordes. And in that email is a picture. And in that picture is this [01:24:00] card. Dear Pete, I am one of your fans. And I saw you Saturday night and hope you get well.

I will miss the blue number 68 at Five Mile Point. Your fan, Steve Post. How cool is that for your hero to save it? Isn’t that amazing? He sent me that. Steve Post, RD2 Halsted. Pete Cordes, modified stock car driver, Sydney, New York. I found the zip code, 10 cent stamp. I’m pulling into Knoxville Raceway. I get an email from Pete Cordes, and I’m sitting in the passenger seat, and I open this up.

And I started to cry. My passion. My hero had saved this letter from an 11 year old kid that his bigger than life hero had suffered a back break at a race blown away by this. I was able to reach out and to make this even better. I landed in Syracuse, jumped in the rental [01:25:00] car, made the haul over to Sydney and on Thursday night at 4 I did dinner with my hero, Pete Cordes, and his wife, Judy, to meet your hero, the guy that saved your letter as an 11 year old kid.

I’m happy to report a lot of times when you meet your heroes, they may disappoint. As we live in this age of social media, we learn way more about our heroes than we need to know about them. We all have warts. We all have bad times. We all have little hiccups along the way. My hero, Pete Cordes, when I was an 11 year old kid, was bigger than life.

My hero, Pete Cordes. As a 53 year old man is bigger than life. Times 10. An amazing man, an amazing man. This guy built his race cars from bumper to bumper, built his engines from bottom to ground up, raised three kids, had a successful career at Bendix, race that modified three or four nights a week, depending on what the tracks were and did it all while raising that family and while doing everything.

Pete Cortez, 30 years ago, found out he had cancer in his arm. Had some failed [01:26:00] procedures done and has lost his right arm to cancer. His wife shared with me something that just blew me away. And part of the reason he lost his arm was maybe some faulty diagnosis from some doctors or some faulty treatments.

The day after he lost his arm, he went home and he got up the next morning and Judy walks out and Pete Cordes is sitting at the table learning how to write left handed. Unreal. He still changes brakes on his own cars, says it’s amazing what you can do with vice grips and some leverage with only one arm.

And it’s your weak arm. He claims, and I was, he claims he’s smarter because he says the whole left brain, right brain thing. And he was right handed. So his left brain was very engaged, but now that his left hand is the primary hand and he says, I have so many ideas I wish I could have done as a race car.

I’m like, why didn’t you think of that? Why didn’t you think of that? What I learned was that he was so smart with chassis setups and then it was bigger tires on the right front, bigger tires and bars here and everything like that. And on Thursday evening, I had a two and a half hour visit with my hero, as I mentioned, bigger than [01:27:00] life as a kid and bigger than a lifetime’s 10.

I met my hero, Pete Cordez. And that is just an amazing, amazing night that I will never forget. And the good news is we’re going to meet again. Next time I’m up, he may even come to a NASCAR race along the way. I just cherish that relationship. So that’s really my story. Steve post race fan, little kid that grew up at five mile points.

Speedway loved racing. Little kid that used to sit around a matchbox cars and mimic the announcers. A single dad with two kids and just love my daughters to death. Teenage girls love my desk. I’m a radio broadcaster, but ultimately just a kid from Halstead, Pennsylvania that decided to pursue my dream after some bumps and hurdles and misturns along the way, and I got, I caught that dream and I’m really, really proud of where I’ve been at and where I’ve come to.

And I’m just appreciate the opportunity today to share my story with you. And I thank you for coming out and listening here today. Appreciate it.

This episode is brought to you in part by the International Motor Racing Research Center. Its charter is to collect, share, and [01:28:00] preserve the history of motorsports, spanning continents, eras, and race series. The center’s collection embodies the speed, drama, and camaraderie of amateur and professional motor racing throughout the world.

The Center welcomes serious researchers and casual fans alike to share stories of race drivers, race series, and race cars captured on their shelves and walls and brought to life through a regular calendar of public lectures and special events. To learn more about the Center, visit www. racingarchives.

org. This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect of automotive history. The SAH actively supports the compilation and preservation of papers. Organizational records, print ephemera and images to safeguard as well as to broaden and deepen the understanding of motorized wheeled land transportation through the modern age and into the future.

For more information about the SAH, visit www. autohistory. org.[01:29:00]

We hope you enjoyed another awesome episode of Brake Fix Podcast brought to you by Grand Touring Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media platforms at GrandTouringMotorsports. And if you’d like to learn more about the content of this episode, be sure to check out the follow on article at GTMotorsports.

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Transcript (Part 2)

Crew Chief Brad: [00:00:00] BreakFixPodcast is all about capturing the living history of people from all over the autosphere. From wrench turners and racers, to artists, authors, designers, and everything in between. Our goal is to inspire a new generation of petrolheads that wonder How did they get that job or become that person?

The road to success is paved by all of us because everyone has a story.

Crew Chief Eric: Tonight’s guest needs almost no introduction. He’s been part of the NASCAR community for over 20 years. And Steve, the postman post has been one of the mainstay voices. of MRN for the past 13 years while carving out a niche in television projects, reporting, and being a talk show host for programs like The Winged Nation.

He joins us tonight and we pick up where part one of the IMRRC’s Life in the Fast Lane leaves off. Folks, picture it, Watkins [00:01:00] Glen, December of 2017. And with that, let’s welcome Steve to BreakFix. Hey, hey. Like I said, Steve, in the introduction, in part one, we were settling in at the MRN. You were talking about how Wing Nation was picking up speed, and you had just met your longtime hero, Pete Cordes.

And it’s been nearly seven years since then. So let’s talk about Where is Steve now? Take us on the journey from 2017 to 2024.

Steve Post: Well, it’s interesting because you held that cover. And where I’m at is the hair is obviously longer. I think I’ve shed about 60 pounds since then, too. I’ve actually, I’ve seen some of those pictures that kind of pop up every once in a while.

And it’s been an amazing journey. It’s been a remarkable journey and really, really good. Wow. Where have I been in six years? A little bit of everywhere. And it’s been all over the map, if you will. I guess big picture as far as the motorsports goes, just continuing on as the lead pit reporter now for Motor Racing Network.

Absolutely love my work with [00:02:00] MRN. I was sharing with some folks that as we wrapped up the 2023 season, I think This year I maybe enjoyed my NASCAR coverage and being part of the NASCAR coverage as much as any other year. And this is the 21st year that I’ve been on the road with MRN. So really, really enjoyed the season with NASCAR.

Love being on pit road. I still just absolutely love the men and women who work on these cars, whether it’s the technical engineers or the mechanical guys that are up under the car and inside of the car. Are those athletic pit crew members? I just absolutely marvel at how they work on these cars. Always cool to hang out with the drivers.

Always cool. Just to get into the people involved with the sport.

Crew Chief Eric: So have you

Steve Post: learned

Crew Chief Eric: the difference between a

Steve Post: screwdriver and a

Crew Chief Eric: ratchet since 2017?

Steve Post: No, it’s still served me well not to know the difference between that. I know what a hammer is. So I do know what a hammer is exactly. But now, as I shared in my visit back in 2017, and it was Eli Gold, the great broadcaster, the voice of Alabama football, many, [00:03:00] many years with MRN, he says, you don’t need to know the answers.

You just need to know the people and ask the questions to get the answers. And so I still don’t know a ratchet or a socket wrench thus far. It’s still served me all right in the past six years and the previous years.

Crew Chief Eric: In addition to all your duties at MRN, you’re also still part of Winged Nation. And like we were talking about, it was just picking up a head of steam back in 2017.

So how have things progressed since then?

Steve Post: Yeah, Winged Nation has just exploded. It’s taken over my life. And that’s a good thing. I really enjoy, I love winged sprint car racing. We had probably just started the MAV TV portion of the show. And so we have just wrapped up. As a matter of fact, the MAV TV portion.

We’re in such a beautiful time in communicating in the world, let alone sports, let alone motor sports. And what we found is the constraints of a 30 minute television program broken down in seven minute segments. We just get someone started talking and then it’s like, hold that thought. We got to pick a commercial break.

[00:04:00] There was some other behind the scenes issues with the program, some challenges with personnel, the timing of it, we’d had to record it on Monday. I’m telling you, you get home midnight, one o’clock in the morning or fly home Monday morning. You’ve got to go straight to the studio and do the show. So the Mav TV portion of wing nation, we just closed that out.

But what we’re doing is we have a Tuesday show that will remain about what it is. And that’s the nuts and bolts, the weekend and week out who won this, who won that. We’ll interview at least one of the race winners, big newsmakers. If something’s coming up, we’ll preview it. And then what we’re going to do is we’re going to do a little bit more podcast D storytelling where we sit down and we don’t have those seven minutes.

So when we get someone wound up on a topic. They can get going on the topic. So we’re going to go along form wing nation conversations, also looking at some social media elements. When I’m out at the racetrack, I’m going to be doing a fair number of sprint car races this year. And you know, rather it’s just good to three or four minute segment with a driver that we’ve not heard from.

There’s so many interesting characters. We’re in a fascinating time with [00:05:00] sprint car racing, where there’s even a split in big time sprint car racing with the world of outlaws and high limit. And everyone’s worried about where everyone’s going. Well, let’s say High Limits gets eight drivers. And let’s say the World of Outlaws get 12.

That’s 20 drivers. And we all know those 20 drivers. There are hundreds and hundreds of drivers at Lernerville Speedway and Silver Dollar Speedway and Usage Speedway and various racetracks. And we’re going to kind of get in the trenches. And even if we go three, four minutes with some of these guys and gals and talk about who they are.

We’re going to tell a little bit of a story. Our president of the Motor Racing Network and MRN owns Wing Nation. Our president is like, who is telling the story of sprint car racing? And we’re raising our hands. We’re going to be the ones to do that in a little different format as we look at 2024.

Crew Chief Eric: Originally you had talked about. Coming up through oval track racing, especially asphalt, you got into dirt later, especially winged outlaw cars and things like that. Now you’re heavily involved in that. Earlier this season, we had Lynn Paxton on and he gave us [00:06:00] a tour of the EMMR, which is basically, you know, his museum, if you think about it.

Who are some of the hall of famers, some of the people you’ve met now that you’ve had to kind of go back and relearn that world?

Steve Post: Well, I’ll tell you, first and foremost, Lynn Paxton is my go to guy. When it comes to things, we did a variety of live shows for years at Port Royal Speedway. And one of the shows we would do on our Saturday night program is all the hall of famers, all the classic drivers.

And I said, I’ll do this under one condition. That Lynn Paxton will co host it because Lynn knows everything about everybody and he knows every story about everybody. The true ones, the untrue ones, and all of those that fall in between. Lynn has always been a great resource to me as far as that goes. I was fascinated you mentioned Lynn Paxton.

I always get a little bit of a chuckle. My local track was Five Mile Point down in the Binghamton area. Which sadly, I think we’ve lost five mile point. We were supposed to lose it last year. It got a stay of execution, but sadly, I think we’ve lost it this time. And it looks like it’s going away. And in 1972, there was a world of outlaw [00:07:00] race there.

And I went to that race as a kid, never remembered anything about it. Now here I am doing wing nation. So I am in Lin’s museum getting the grand tour as only Lin can do. And he said, what’s your background in sprint car racing? Well, I said, not a lot in sprint car racing, just as I shared with everybody at the talk six years ago, not a lot in sprint car race.

I said, there was a race at five mile point. I went to a 1972 world of outlaw race. Only 14 cars showed up and yada, yada, yada. He stands back and he gets this big grin on his face and Lynn says, Oh, you were at that race where he says, you remember who won that race? I have no idea who won that race. He says, you’re looking at Lynn Paxton actually won that race.

And it was ironically. The first world of outlaw race in the state of New York, which I found out in talking with Lynn, I think the next night they ran up at rolling wheels, but it was the first outlaw race in the state of New York. So Lynn Paxton is certainly one of those historic people that I really, truly love to talk to.

Another one from [00:08:00] Pennsylvania is Fred Ramer. Fred Ramer is one of my favorite people on the planet. If you want to know an opinion, just ask Fred. Because he will share with you his opinion. There is very little gray in Fred’s world. It is black or it is white and he will gladly share with you. And I always look forward.

I always make it to the pits and make sure I catch up before the races. And then after the race, we always have a cold, frosty beverage. Fred and I do. And we solve all the problems of the sprint car world. And shake hands and go on our way. So Fred RA’s one of those legendary, iconic people that I really enjoy.

When you look at some of the younger legends of the sport, Darren Pitman is a guy that I just have huge respect for, really have enjoyed our visits. Darren is such an advocate, and this is whether it’s a visit on Wing Nation or a visit in the pit area, Darren is like the foremost authority on safety in sprint car racing.

And of course. All of auto racing, we always deal with safety. We always have those questions in whatever form. Darren is just a wealth of information [00:09:00] on safety in sprint car racing. Always enjoy chatting with Joey Saldana. Joey is just such an interesting guy. So he looks like an accountant. But he drives like the Tasmanian devil.

I mean, it’s unreal how Joey Saldana is just such a great, great person in the sport, great, great guy. And honestly, one of the guys, and he is future hall of famer. He’s not there yet. But one of the guys that I have just truly enjoyed is Donnie shots, 10 time world of outlaw champion. We just have hit it off really well over the course of time, Donnie and I have.

So, you know, you get into the sprint car world and when you’re hanging out with guys like Donnie Shots and you’re interviewing guys like Sammy Swindell and Joey Saldana, Terry McCarl is another guy I love. Just spent some time with Terry at the World Finals at Charlotte. We solved all the world’s problems in the trailer one night before we even got started.

Really enjoy. Talking to the legends of sport will love the talent in the sport, the present talent in the sport, but love talking to the legends of the sport as well.

Crew Chief Eric: I got two more names to throw at you. Damien Gardner. We recently [00:10:00] sat down for a movie night with our friends at the international motor racing research center and watched his documentary about going from the West coast version of outlaws to doing land speed in a late model there.

And so I’m wondering, have you had a chance to sit down with Damien the demon? I had one chance with Damien

Steve Post: probably seven years ago. Auto club speedway in Southern California. They did a tribute to the California short track racers. They had Brent dating down, but they had Damien there. And I actually interviewed Damien on a stage show that we did there.

And it is fascinating to listen to his stories about sprint car racing, the demon. He certainly earned that nickname, but then the land speed and the things they did with that car and the way that that car went, I think that you have got to be a special, not one too tight person to run a sprint car on a dirt track.

Damien Gardner says here, hold my beer. I’ll show you what really whacked out is, and he is absolutely amazing. Great, great conversation we had there on the stage, actually, at Auto Club [00:11:00] Speedway.

Crew Chief Eric: Let’s rewind the clock a little bit and talk about Pete Cordes and his wife, Judy. You were just reigniting that relationship in 2017.

So how has that played out? Eric, I’ve dropped the ball on that one totally.

Steve Post: Pete and I would talk to each other a couple times a year on the phone, and we would go, and about nine months ago, I crushed my phone. I’m not one of those people smart enough to back up anything, and I’ve lost numbers. I was up in the Binghamton area last week.

I reached out and sent a Facebook message to the person that had got me Pete’s number, and I haven’t heard back from him yet. I’ve lost touch with Pete, but the goal is to get back with him here. And as soon as I get the number, that’s going to be the next call I make, uh, within the next day or two, I’ll be reaching out and touching base with Pete again.

But it’s just one of those things where once the season hits, I just lose mind. And the next thing, you know, it’s a month, it’s two months, it’s three months. And that’s been multiple months since I’ve had a chance to catch up with Pete. And I haven’t caught up with him this year yet. And I literally was thinking about him.

I crushed the phone and haven’t had a chance to double back. So I need to get on that one [00:12:00] again.

Crew Chief Eric: Well, you know, what’s good about this is that he’s still with us. So that’s kind of awesome that that relationship, that friendship perpetuates and you guys will get back together soon enough during part one, you also talked about, you know, moving to the Carolina.

So guessing you’re still headquartered down there and how are your girls?

Steve Post: Girls are great. They are 25 and 22. They are living their respective dream lives. I have stressed to them that if their dad could move from Northeastern Pennsylvania to North Carolina to try to get a job broadcasting races on the radio and do it, they need to pursue their dreams.

And so my oldest daughter is doing well. She’s 25 years old. She spends about half of her life here in America. She spends the other half of her life in India. She is a yoga instructor and you vetics is a holistic medicine that she does. She is a counselor in that. And then some spirituality as well. She knows who she is.

She’s trying to figure out how to monetize it, but she’s doing really, really well. And I love the path she’s on because she’s just as I did with my passion. She’s chasing her passion. [00:13:00] You chase your passion. You’ll figure out a way to how to make it work. She’s doing really, really well. My youngest one is far more traditional in the, went to college and did that.

She is in what they call a gap year. She just wrapped up. She graduated from Charlotte with a theater degree and she is literally not in school. She is working at a cat cafe. She’s living with four roommates and she’s working at a dance studio. And it’s been fascinating because she graduated in May. She said she wants to take a year before she starts doing anything.

And over the Thanksgiving break, she’s like, you know, Seattle has a really interesting theater scene, of course there’s Chicago, of course there’s New York. She said, there’s some other cities that have a really nice theater scene. So I think she’s finding her way as well. And she’ll do well also. So my girls are doing really, really well.

I’m fortunate. As a matter of fact, we spent some time over Thanksgiving weekend. Up in Pennsylvania, all of us together. So they still like to hang out with dear old dad every once in a while.

Crew Chief Eric: I share that in common with you. I have two girls as well. They’re a lot younger, but one of the things we pride ourselves on here at Grand Touring is [00:14:00] that we want to perpetuate motorsport in the younger generations.

And one of my biggest things that I subscribe to is make the kids part of your life. Not really the other way around. And so I wondered from your original talk, if you were dragging the girls with you to the track, what their track life was like, did it rub off on them? Do they enjoy it in any way? Mine are still coming up.

They’re coming up through the sports car and endurance world. So they’re seeing cars that they can relate to, you know, Lamborghinis and Porsches and things like that, that they can relate to everybody air quotes around that. So what was it like for you as a dad with two girls in the world of motor sports?

Steve Post: Sierra, my oldest one, really never caught on to it, and she’s my free spirit. Just never caught on with her. Now, Summer, my youngest one, she started going with me to the summer shootout. I do the Tuesday night summer shootout at Charlotte Motor Speedway, and she would go because of the cute boys. Out there at the racetrack.

Well, she’s no longer going because of the cute boys, but she goes every week and she hangs out and watches and she knows all the storylines. So it’s, it’s not [00:15:00] nearly as involved as I am, but she still follows the sport. They all follow that. I mean, she, they know who wins the NASCAR races. They follow along.

It’s funny with summer though. I always joke around with her. Ben Rhodes is our truck series champion. And now he’s a two time champion. I am not mistaken. I know one of these facts is maybe the other one is truthful. She may have been the first person to join the little Ben Rhodes fan club when he was running a legends car out at Charlotte.

That may or may not be true. If not, she was second or third. The one thing I know is that he was her first celebrity crush and I busted her and Ben about that. Ben is happily married and winning truck series championships. And she’s doing her thing. So she follows along with it a little bit, not nearly as much as dear old dad, but I think they have a really good respect.

Some of her friend group now they’ve started, they’ve got into watching the formula one races. And so they’ll get up on Sunday morning and do brunch and watch the formula one races. And I think that’s awesome. Racing is a social thing. And if she finds it for her friend group, if it’s formula [00:16:00] one. If it’s sprint cars, wherever it is, I think that’s really, really cool.

Crew Chief Eric: You being in the profession of motorsports, you have to stay in tune with what’s going on during your season in your discipline of motorsport. Is there a guilty pleasure? Is there another discipline of motorsport that you enjoy watching? Or maybe when you take some time off, you’re like, you know what? I want to go check out a race.

Over at X. What is X?

Steve Post: I’ve been very, very fortunate with MRNs NASCAR coverage. We cover cup Xfinity truck, Arca, and some modified races with wing nation. We cover wing sprint car racing. I do Tuesday night legends racing at Charlotte motor Speedway. I do micros and box stocks out at Millbridge Speedway.

Then I do some pay per view with late model stock racing on asphalt in the Carolinas. Those are all the things that I work in and I love every one of them. My guilty pleasure is Dirt Late Model Racing. Dirt Late Model Racing is the one series where I refuse. To work anything in it. I actually turned down a pay per view [00:17:00] gig because I’m like, I’ve got to keep something where I’m just a fan.

I’ve got to keep one aspect of where I’m just a fan. So for instance, a couple of weeks ago, there was a Saturday night race at Lancaster Speedway, which is a half mile dirt track, southeast of Charlotte. And then one of the historic great late model races is that Cherokee Speedway in Gaffney, South Carolina.

The blue gray 100 pays 20 grand to win. And they have these two paired up. And I literally like lived for that weekend. Got up Saturday morning, did my thing, went to the track, paid my money, had my cooler, went in and sat down and watched the late models. They were great. They started the show early. So it was a cold November evening.

But we were out of there at 7 30 home, restocked the cooler, got up, went and tailgated over at Cherokee, paid my money, went in and sat there and watched the dirt late model. So I really enjoy the dirt late model racing and I’ve traveled to the Western part of North Carolina for some dirt late model races.

There’s a couple of other bucket list races that I’m going to get to, but I’m really working diligently not to get involved in it. I [00:18:00] want to keep that as my fandom. I’m starting to actually know some of the drivers and which ones I follow and which ones I like, and there’s some incredible racing there.

So that’s my guilty pleasure. Dirt late mounts. Have you gotten behind the wheel of any of the race cars? Have you been on track? Years and years ago when I was at Five Mile Point Speedway, I was writing for Gator Racing News up there out of Syracuse. I did a meteor race. And I learned really, really early that I was not cut out to be a race car driver because I am the most calm, mild mannered person on the planet.

In that 10 lap media race, every little infraction or that I thought was an infraction toward me became an offense that I wanted to wreck the guy in the spot. I grew horns in that race. And I got out of the car and my buddy, Roger Salai, Rockin Roger was, his car was driving. And I got out and he thought I was ready to go whoop somebody and he thought I was pro wrestling it and I got out and he said, you’re really pissed off, aren’t you?

I said, yes, I am. He said, stop, stop, stop. And we decided [00:19:00] right then over a couple of beers that that might be my one and done as far as driving goes. No, I don’t need to get fighting and scrapping going on here because I’m not a fighter. Man, that got the juices flowing in a way that I’ve never had anything in my life took over like that.

That was an interesting 10 laps of my life.

Crew Chief Eric: So in part one of your story, you took us on this journey from the late 60s, early 70s, all the way through 2017. And you see so much evolution, not only in your person, but in motorsport and the way you tell the story and this encyclopedic knowledge of all these people’s places and things.

I mean, absolutely incredible. If we just hone in for a second, we target fixate. On NASCAR, which you’ve spent a lot of time in NASCAR has gone through multiple evolutions over the years. And it parallels formula one. There’s even a point at which, you know, they had to say no more tobacco advertising and everything changed.

But we find ourselves now with the six or so. generation of NASCAR cars, and we can expand upon that a little bit. I want to talk about what you’ve seen in your time at NASCAR and how you think the [00:20:00] sport has changed some of the new rules, the new formats. What do you like? What don’t you

Steve Post: like? I really do like the playoffs that we have.

I respect the year long championship run, and everyone can point out the one that went down to Atlanta. With Bill Elliott, Davey Ellison and Alan Kowicki, but there were also multiple ones that ended three weeks before the season was open with Dale Earnhardt firing the engine at Rockingham and being crowned the champion.

So I just think we live in a time where you’ve got to have those moments. Sports entertainment is not about anticlimactic. It’s all about getting that two minute drive, that ninth inning home run. Four drivers going head to head at Phoenix for the championship. So while it’s a huge change and I’ve enjoyed watching how the teams navigate this, the first round of the playoffs, the round of 16 to the round of 12, that’s your base hit round.

Don’t have any problems. Just knock it out. Give three top 10 finishes. If you have a chance to go win a race, go win a race. Don’t put yourself in a bind when you get down to the round of eight, it’s like all hands on deck. [00:21:00] We’re going to do anything we can in our power to win a race. And so I think that’s fascinating the way that that’s been navigated and the way teams have successfully or not successfully navigated it.

So that’s one thing that’s changed drastically. I think our race weekends have changed drastically as well. We used to go in on Friday morning, we’d practice for two hours, we’d qualify on Friday afternoon, we’d practice another hour or two on Saturday morning, and then we’d race on Sunday. And, and this all started during COVID, during 2020, since we had that visit, but now we go in on Saturday morning, we have 20 minutes of practice, we qualify right after it, and we tee them up on Sunday, and we race the cars.

I think the one constant in NASCAR racing is when something changes. You listen to everybody wringing their hands. This is never going to work. This is never going to work. Four weeks later, it’s like, oh yeah, that’s what we do. We practice for 20 minutes. For years and years and years, we practice for hours and hours and hours.

Now we practice for 20 minutes. For the Phoenix race, we had a one hour practice session [00:22:00] and the crew chiefs were like, well, we don’t have enough tires. I don’t even know what we’re going to do. We’ve got three things we want to try and we got an hour to try them in. I mean, yes, they enjoyed having the hour of practice, but they just had to reset everything.

So the way we do the race weekends now being so compacted is amazing because I mean, it used to be, you were at the racetrack three long days to run one race. Now you’re there two days, we learned during COVID, we could be there for one day. The problem with that is that you’re selling all these camping programs, you have all the television networks, and they need some kind of content to go.

The qualifying shows are a great place to tell stories as well, that we can’t tell on Sunday afternoon. So, I think the race weekends has changed drastically as well. So, you know, when you look at the playoff format, that’s been a drastic change. The weekend format, that’s been a change. And then where we’re going with NASCAR racing, we have raced at the LA Coliseum who in the wide world of sports would have ever seen that coming.

We have raced on a street course in Chicago. I love the [00:23:00] new nature of it. I was talking with a buddy today and I said, you have a mutual friend that’s getting married. When are you getting married? I’m getting married the third week of August. Oh, well, I’ll be in Michigan. I’m getting married the third week of September.

I’ll be in Dover. We lived our life year after year after year with the same schedule. Now, when someone says. We’re having some going on on April 15th. I have no idea where we’re going to be at. And what I think made 2023 so fascinating is we have the new, we have the Chicago street race, we continue with the Coliseum, and yet in 2023 we also brought North Wilkesboro back into play.

And we went with the old as well with the all star race up there. I think it’s fascinating where we’re at with the schedule. We’re bringing Iowa onto the tour this year and it’s going to be interesting to see where we go with the schedule. You know, are there other coliseums or venues we can race in?

There are obviously other street courses we can do. So stay tuned and see where we go with it. And I think the other thing is we’ll probably know more after this year. Is the coliseum a three year deal? Is it a four year deal? And then we go somewhere else for three or [00:24:00] four years. Then we come back to the coliseum.

In Chicago, it’s a three year agreement. Do we do three years in Chicago and then go do the Meadowlands for three years and then go do Seattle for a year or two, and then back to Grant Park in Chicago. This is not your dad’s NASCAR where we went to Pocono twice a year, whether we needed it or not. Now we’re all over the map.

You know, we’re going to Watkins Glen next year in the playoffs in September. I think that’s awesome to have that race in September. I just, I love where we’re at with the variety in the, in the series and not knowing one year to the next,

Crew Chief Eric: where we’re going. So you mentioned the All Star Race, which brings back memories of IROC, the International Race of Champions.

Do you miss those days? I lament about how we need to bring IROC back.

Steve Post: Yeah, I really did. I loved when you would have Eddie Cheever and Dale Earnhardt arguing at Daytona. You know, Al Unser Jr. swinging it around with A. J. Foyt and Steve Kinzer at Darlington. SRX has attempted to do it, and it’s a good attempt, and what they’re doing there is fine.

But it’s not been the Iraq series. It’s not been the old Jason Norie [00:25:00] Iraq series. And I would love to see more of that. I think when we look at, and we have a cycle there, a period of time where the Rolex 24 was looking a lot like that. I loved that when we had the Rolex 24 with all the NASCAR drivers and all the IndyCar drivers.

We’ve gotten away from that a little bit. I know A. J. Allmendinger’s ran it some, and we’ve gotten away from that a little bit. I don’t know that the feasibility of IROC, but to me, it’s like the Rolex 24 seems almost like a no brainer. It’s why can’t we do something there where we get more of the NASCAR drivers.

The international crowd is already there. The IndyCar crowd is there to some degree, but to me, it would be really, really cool to see something like that. To me, it seems like the Rolex 24 is a simpler. Ask and get that maybe a separate IROC series. I think that’s a little bit heavy lifting that we’re going to do.

Crew Chief Eric: I’m glad you brought that up because that takes us back to 2001, which is a great year and a bad year at the same time. And we had Andy Pilgrim on the show two seasons ago, and we talked about his time at Lamar and [00:26:00] at Rolex, and obviously he was Dale and Dale Jr’s teammates in the C5R back in 2001, to your point for me, seeing.

The Earnhardst and seeing some of the other folks coming over from the other disciplines to run in sports car endurance. It was like, wow, this is a meeting of the greats. And I think 2001 was probably one of the best years for that. I think

Steve Post: you’re right on that because you did have all of them. Tony Stewart running the Rolex 24.

I remember late in the day, he cuts a tire down and he wheels that car on three wheels around the racetrack and saves the day for his team. And so to me, it was like, you’d see these non NASCAR people, the folks that I’m not familiar with that I read about. Back in the day and speed sport news, if you will, or the, you would only see on ABC’s wide world of sports or the Indy 500 coverage.

And I think that that was a fascinating time. And I would love to see us get back to that. I don’t understand. And especially what really strikes me as the lack of NASCAR involvement in the Rolex 24, especially with the proliferation [00:27:00] of road courses in the NASCAR schedule. Now, back in 2001, there was two road courses.

You know, there was Watkins Glen and Sonoma. And yet everybody from NASCAR was running the Rolex 24. Well, why are we running it? We’re running it because it was a race. It was a trophy and we wanted to win. It’s fascinating to me that now we have seven road course races and nobody goes and runs the Rolex 24, which would seem to meet backward, but it seemed to me like everybody would want to get a ride at the Rolex 24 to get some left and right experience, but.

The other thing is, is that our young drivers have so much left and right experience between coming up through the ranks and running Trans Am and TA2 is, TA2 is the hotspot right now. Ford’s development program and Chevy’s development program have such a road course emphasis that these young drivers, the Austin Cindericks and Chase Briscoes of the world are very, very good road racers.

So maybe that prevents them from thinking they need to go run the Rolex 24. It’s kind of a different time, but it’s interesting. I would love to see. More and more of that integration of the various forms of motorsports take place on the racetrack.

Crew Chief Eric: You’re a hundred percent right. And one of our previous guests, Colin [00:28:00] Garrett came up through the world of asphalt oval and the truck series and whatnot.

And now he finds himself as the touring car champion in world challenge through SRO. So he’s working his way up into IMSA as well, but he wants to be this Swiss army knife, right? He wants to have all these different backgrounds in these disciplines. That being said, we could turn this whole conversation on its nose here in 2023 by uttering.

Two words, garage 56, you take a NASCAR to Europe.

Steve Post: Yeah. I’m the public address announcer at Charlotte Motor Speedway. Among other things, I do the PA address for the rollable race in October. The guy I work for walks in and says, Rick Hendrick wants to talk to you. And I’m like, Rick Hendrick wants to talk to me.

I’m like, what did I say? Did I say something in qualifying? Did I do what, you know, cause I’m just the dumb announcer, you know, Rick Hendrick wants to talk to me. And he said, yeah, the garage 56 car is doing a couple of parade laps and he wants to make sure you have the bullet points. And I said, his PR people gave [00:29:00] me six.

Pages of bullet points sequential shift. I know the gear ratios. I know the weight I know that the mirrors on the side of the car this I know everything about they’re going to run two laps I could talk about this car for 20 laps with everything. They gave me I understand That’s Mr. Hendrick’s PR people.

Mr. Hendrick wants to talk to you to make sure you have it right. And I walk down and I’m supposed to coordinate with a PR person, supposed to meet Rick Hendrick in the 24 Hall or at 1030 on race morning or whatever time it was. So I walk out and I have those notes and everything there. Uh, I said, Hey, and we chit chatted.

I’ve interviewed him multiple times. He’s a wonderful guy. Rick Hendrick, he’s a racer. That’s a successful businessman. He’s a great guy. We chit chatted for a few minutes. He said, I know you have all the bullet points, but I just wanted to make sure that you have the right messaging for this. And I said, well, yeah, I said, you know, I’ve kind of highlighted this and I’ve kind of highlighted this and I’ve kind of highlighted that and he looks at the sheet and on the bottom of the sheet, it said garage 56 brought a lot of American and NASCAR pride from the international motor [00:30:00] sports world.

And he’s looking down the sheet and he looks and he says my people have this buried at the bottom. This is the lead. This is the only thing you need to talk about. He said they called it the beast over at Lamont. When it showed up, everyone was snickering. Everyone was thinking this beast is not going to get around the racetrack.

We fired it up and then they were snickering even more, except for it sounded really, really badass. So they were kind of snickering, but kind of like, well, it does sound kind of cool. He said, we put it on the racetrack and it was fast. It was real fast for what we were doing, where our expectations were.

Then our pit crew members go over and do the pit crew contest. And this is NASCAR style pit crew contests. He says, from snickering the crew members from other teams wanting to come and swap crew uniforms with our crew guys, this thing turned upside down. And he said, and I don’t care who you are, he said, when you’re an American standing on the start finish line in France, and they’re chanting USA, [00:31:00] USA, USA, he says, it’s a special moment.

It’s a special moment. For America, it’s a special moment for NASCAR was a special moment. I’ll never forget it for the rest of my life. And he said, that’s your story. These other details use them wherever you want to do it. But that is your story. Typical MRM guy. I was covering a race somewhere else. So, I mean, I knew Lamont was happening.

I knew what was going on with garage 56, but wasn’t glued to the TV. Like a lot of people were, which I thought was fantastic. I thought it was great. I wasn’t glued to it. But after having that conversation with Rick Hendrick, what, uh, the other thing is, is just the international interest in NASCAR that we have and, and yeah, Shane Ginsberg and coming over certainly didn’t hurt anything from the land down under with that, but there’s so much interest in NASCAR internationally that was not there.

These are kid cars. These are not sports cars. Well, when they put that kit car out on the racetrack and the thing hauled around Lamar at a very, very good grade speed, it’s like, well, [00:32:00] you know what? These are pretty bad ass cars. My garage 56 moment was probably not until October talking to Rick Hendrick about it.

And then the exposure, like some of these videos were in the millions. Of views. He said that’s the exposure for Lamont. He says that they weren’t getting prior to that, he said, so it was a win for everybody. Don’t know where the program is going beyond the ville a couple weeks ago, but what an amazing event.

And again, I think where we can integrate, whether it’s a Garage 56 at Lamont or Kyle Larsson in a midget race or anything in between where we can integrate the sport, I think is really, really cool. And that Garage 56 program, everything was so well done and not a shocker. Rick Henrik, when he signs onto a project, when Chevy signs onto a project, when Goodyear signs on a project, when NASCAR signs onto a project, we actually talked to Greg Ives over at Henrik Motorsports.

He’s next in command behind Chad Canals overseeing this project. And he shared the same thing being there and how it was a life changing moment. Greg had been Dale Earnhardt Jr’s crew chief and crew chief for [00:33:00] Alex Bowman and everything else. And he said to be over there and to be part of that was absolutely amazing.

Just everything from the driver lineup to the car, to the performance, to the reaction. What an amazing, amazing sequence of

Crew Chief Eric: events. It was back there in June. And you mentioned van Ginsberg and the Aussies and gaining their respect. And I think what’s interesting about the garage 56 cars, it showed the potential that those cars actually have.

They’re not the old two frame kind of Conestoga wagon leaf spring set up that they were forever. You know, the days of thunder cars where it’s like they were the same for the longest time. Now they are more like GT three cars in a lot of ways. And the garage 56 car took it there. But I think what got the.

Is it took a NASCAR to the level of what they consider a V8 supercar? Because if you look at the Falcons and the HSV Holdens, those were a step above for a long time than our NASCAR. So they were still production based, things like that. There were awesome cars running around Bathurst. But you never saw them leave the islands.

Steve Post: When this generation of race car came about last year, [00:34:00] people said it’s probably closest to the V8 supercar from Australia. You know, people always say, well, except for this and except for that, we, it’s easy to do the except fours. And so it’s its own car and NASCAR wanted it to be its own car, its own identity, and we get all of that.

When he came over, it was the perfect sequence for an international event like that. It was a racetrack that nobody had any seat time. It was a street course where he has far more seat time than any of the NASCAR drivers. It was a wet track condition. And it was a car that he was more similar to than he would have been the old 1956 Ford rear end truck arms that we run forever.

And so it was a perfect storm. But what an amazing sequence of events. June 15th, approximately, we’re in Le Mans with Garage 56 and we get to July 4th weekend and an Australian supercar champ is winning a NASCAR Cup Series race. What a year for NASCAR, what a three week period it was. And when Shane gets out and talks about how that car drove and how that car raced and how it went and [00:35:00] everything like that, I don’t necessarily care for all of the stock parts.

I’ll just be honest with you. I like the engineers and the crew chiefs to have a little creativity. I also get why we don’t have that because enforcing it and policing it becomes a whole lot of gray area. I get why we do it. I’m not necessarily sure that I’m in favor of it. I like a little creativity and ingenuity.

But I talked to Mike Rockenfeller as well and he said this car is just incredible to drive. You guys take for granted this car that is just a stock car. He says this car is absolutely amazing. And So when you have guys like Rockenfeller and Shane and Jenson Button has talked about the car as well, because he had some starts and you talk about that.

And it’s like, you know, it’s probably pretty good. It’s probably a pretty cool beast that we have

Crew Chief Eric: here for this generation of race car. Then we had a want, want moment this year in NASCAR. We brought over famed Formula One driver, Kimi Raikkonen. Yeah, it’s

Steve Post: just. They’re not all going to win in Chicago, but this is what I love where we’re at with NASCAR is we have team owners like Justin [00:36:00] Marx that’s willing to do this Project 91 call.

That’s what Kimi drove. It actually was weird, was it his first effort at our Watkins Glutton last year. Uh, two years ago or 2022 was better than what it was when he ran it this year, but I think that’s racing. I think that there’s so much involved with racing when you have guys like Kimi or Shane or any of them They get out and they’re just freaking kota going nine wide into turn number one shoot nascar drivers.

I’ve never seen that There’s just such a uniqueness to nascar style of racing And I think in some areas it jumps out as a good thing and other areas, it’s like, Oh, that’s a little more difficult. But the project 91, I really can’t wait to see where this goes. And there’s other teams that have the international development programs as well.

And it’s going to be fun to see who else might climb aboard some of these cars as we go forward. The problem is seeing him in Ginsburg and he kind of set the bar pretty high for this thing and I’m not sure. I think he’s a very talented race car driver. I think that’s a really, really good team. If there’s practice, I think that gets a little bit weird.

If it’s dry, I think it gets a little bit different not to take anything away from him. He is a cup [00:37:00] series winner and he earned that cup series race and all respect in the world to him for winning that cup series race. But the reality of it is, is the stars did align for him. Well, as the stars of the line for NASCAR cup series drivers, winning cup series races in the 75 year history of the sport, it’s fascinating times where we’re at with NASCAR when you think about it from an

Crew Chief Eric: international perspective.

You mentioned during COVID things changed again, right? And it’s always in a constant flux and growth, but we also introduced, sort of took a shot in the arm to the virtual world and that brought in iRacing as a replacement for racing at the real tracks because they were all closed. We couldn’t be there.

Did you find yourself calling races in the virtual world too? I did

Steve Post: not do any of that. I’ve not done any virtual races at all. The TV crew, Fox, they just went with their normal Fox crew when they did those races, which they should have, and we didn’t call any radio races. What we did with MRN, we went in a total different direction with MRN and created a whole new product.

On Sunday afternoons, we’d put together two hour classic [00:38:00] And we started with like nine stations grudgingly taking them. Well, then the next thing, you know, 15 stations. Well, I think now we have a classic race that airs every week and it’s distributed to radio stations. I think there’s 70 or 80 radio stations that are taking them.

Now they might run them at 10 o’clock on a Sunday night. So we went that way, but when it comes to the virtual stuff, I think the virtual thing was so fascinating. And we got into this also with the world of outlaws. They were even maybe a step ahead of where NASCAR was. I don’t remember. It all runs together now.

Comparable time wise, because we were in that short window of time in 2020. What it did was. First off, it was entertaining. Those early days of COVID, we didn’t know if we were all going to live or we’re going to die. Couldn’t go anywhere. If you had to go somewhere, everyone was masked up. Nobody wanted to talk to anybody.

Nobody wanted to do anything. And here it is on our TVs. Here is NASCAR on our TVs, running virtually. Here is… Alex Bowman’s dog tripping over the outlet and unplugging his system while he’s [00:39:00] leading the race. The drivers and the commentators all being able to play on social media as well, I think it was fascinating.

Obviously what it did for iRacing was, you want to talk about buying a Super Bowl ad for iRacing, this was a Super Bowl ad. Times thousands for iRacing because then everybody was on it. Everybody was playing the games and we gathered together on, I think it was Wednesday nights for these iRacing events that we had until we could get up and running at Darlington of all places to get back to running.

But the iRacing thing was absolutely amazing. And again, where we were at as a society, we just wanted to not. Be hunkered down and scared to death for two hours. And that’s where NASCAR really filled a gap with the NASCAR fans is you literally would have CNN or MSNBC or Fox news or whoever your news source is.

You would have those on for 22 hours. We had that two hours of [00:40:00] Fox with NASCAR coverage, where instead of seeing the latest numbers from the CDC and seeing this and seeing that. You were literally laughing because Bowman’s dog did this and Boyer was drinking beer and got hammered on the broadcast and forget what happened to Denny Hamlin.

Something happened with him where one of his kids came down and flipped the switch on the TV or something. And what they did though is also showcase the personality of the drivers. I’m sure it didn’t hurt some of their personality when fans started to see that, you know, I kind of thought that guy was a little bit of a jerk, but then when you see this and you see that he’s kind of a cool guy.

And I think they did a really nice job with it. The virtual racing during that time period was amazing. It

Crew Chief Eric: humanized them. That’s for sure. Right. Because a lot of times they’re the figure on the poster and you idolize them for their feats and their triumphs and even their defeats, but to see them vulnerable in their own home, it’s a whole different story where they’ve become very real.

Yeah, it really was. You

Steve Post: see them in their

Crew Chief Eric: own

Steve Post: home. We met Alex Bowman’s dogs. Alex Bowman’s dog cost him a race win. We got to put the personalities and you’d get out of that and you’d be like. And that was funny. And this guy, and [00:41:00] that was hysterical that this guy did that. And that guy did that. And it was really, really good at a time where we needed really, really good.

There was two hours of entertainment on Wednesday nights. That was much needed for where we’re at as a culture, as a society. At

Crew Chief Eric: that point, when you look at your bigger story. And how COVID plays into it. You know, as I got through part one, you basically started to tell everybody, you know, my life has finally settled down the turbulence that was there up until that point.

It’s all good. And then COVID hits and here we go. We’re shaking it up all over again. Now, as we’re on the other side of it, do you find yourself finally sort of stabilize, but also what else is going on? First and foremost,

Steve Post: big picture NASCAR. I find it absolutely amazing and ironic that of all places Darlington.

brought us back from COVID. Darlington, 20 years ago, lost the Southern 500. They’re going to shut the place down. It’s going to be over. It’s going to be done. And this is bigger than NASCAR. The Darlington race was the first sporting event in COVID. That grand old [00:42:00] racetrack brought us back from COVID. And so we came back from COVID and yeah, you’re right.

It upset everything. My instructions when I went to Darlington is you go in the infield. You get your gear off in the truck. You go to your turn position. You don’t talk to anybody. You don’t say anything to anybody. You go to your turn position and you leave your gear there and you get in the car and you go the hell home.

That’s what I was told to do. What we had was we had a North Carolina based crew. Alex Hayden and Dave Moody in the booth. I was in the turn. Dylan Welch was in the turn and Kim Kuhn was on pit road. We were all Charlotte based. Well, all the races for the first month were all Martinsvilles and Darlingtons and drive by places.

We would go, we would never drive together, and do those races on our own, drive four and a half hours to Atlanta to do an hour and 15 minute truck race to drive four and a half hours back home. Don’t stop anywhere. Don’t say it. So what was funny about it is, is we want a phase where Alex, Dave and I, we were the three that did every one of those races.

Alex, Dave and I did six weeks worth of [00:43:00] races and never saw each other. Never saw each other because we were instructed. You go home. It was fascinating from that perspective, what COVID did as far as the MRM broadcast goes and the scheduling goes. Andy Petrie, the longtime competition director at Richard Childress Racing.

They told him they were going to go to Darlington and race with no practice. He said, that’s going to fail. That’s going to be the biggest mistake we ever made. We’re going to be the first sporting event back. And we’re going to look like a bunch of buffoons, the ringing of the hands, that’s what it was, 20 laps into the race, when everyone is wheeling it around Darlington, everything is good.

So COVID was fascinating from that perspective. It really, truly was. The other perspective I have on COVID was we were running Tuesday night truck races at Martinsville and Saturday afternoon truck races at Atlanta and we were at Charlotte Motor Speedway doing this. I don’t know where I’m at. You get up the next day and it’s like, okay, I got a truck race tomorrow.

I got to do notes. I got this. I got to do that. I have a friend that is a basketball commentator for the University of Kentucky or he was at the time. He’s still up there. And so he sent me a note, how are you doing? So I called him, I said, [00:44:00] dude, I don’t know whether I’m coming or going. I’m wore out. I’ve got so many races.

I’m just going crazy. This is unreal. Not complaining, running us into the ground. And so finally, after I talked about being busy for like five minutes to him, I come up for air and I said, so how are you? And he said, a whole lot different than you. And I said, why is that? And he said, if the sec decides not to play football this year, I’m unemployed.

I’m like, well, you don’t do football. He said, no, but football in the sec pays for everything else. And if the sec decides not to play football this year, I’m unemployed. I’m like, Oh, so I guess me whining about all my work is probably not necessarily what you needed to hear today. We had a good chuckle over and everything like that.

So I’ll never forget that COVID time period. And what that was and how that changed the sport, how it changed zoom calls prior to COVID. Nobody did zoom calls during COVID. That’s how we did all of our media sessions was via zoom call. We still use the zoom call regularly, frequently. So as far as we went through COVID and you’re right, things have settled down a little bit.

Now we’re back into the routine of [00:45:00] NASCAR. And this year I’ve enjoyed my NASCAR time this year, maybe more than any other year. First and foremost, I love traveling. So I’m, I’m grateful that I still have the love for traveling. Next year, I’m even going to enhance that a little bit by going into town a few days early.

So I’ve targeted a few races and one of them is Watkins Glen. I’m going to come up on Wednesday morning because in September, the Finger Lakes region, Watkins Glen, there is some wineries. There are some breweries. There’s some hiking. There’s some places that I’m going to check out. When I look at this year, the NASCAR stuff was a blast.

It just was really fun. We have the new, the old Ricky Stenhouse Jr. Michael McDowell winning races. Just when you thought you understood what was going on, the wheels would fall off from somebody. And, you know, you’d be like, well, I guess they’re not what they are. Beyond that, probably since 2017, I’ve added kids racing.

I do stuff at Millbridge Speedway, which is a great little dirt track that runs a kid’s program. And this was where the Brexton Bushes and the Owen Larson’s and all of the kids. They run these little box stock [00:46:00] carts and on a Tuesday night, we’ll have a hundred kids out there racing cars. So I do that program is what I’ve added to it.

And the other thing I probably added from a racing perspective, I’ve added some health and fitness projects that I’m doing. I’m dabbling with my own blog site called Postman 68. The 68 is for Pete Cordes, as a matter of fact, I’m working on that. I’ve got two or three different ideas. This is never going to be NASCAR.

com. It’s never going to be huge. It’s little things that I enjoy. Started writing, started blogging and writing some columns. And I really enjoy that. I’ve got a couple other things I’m going to do and just kind of develop that a little bit. So, uh, it’s out there at postman68. com. It’s funny. I get working on one thing and I get behind on another.

I have my race coming on there. I was, I’m at 129 races this year. I haven’t got caught up with that. So I need to spend some time to get caught up with all of that and really to share my passion for short track racing. I absolutely love. The short track world. I’m so blessed to get to work within NASCAR, but I also get to go to short tracks.

The blue gray, [00:47:00] 100, I went to a Cherokee was race number 129 of this year that I’ve been to last year. I actually went to 160 races. I vowed I would never do that again because that just became a stupid obsession. So doing all of that, the short track stuff in some pay per view work, postman, 68 wing nation.

And MRN, between all of that, I mentioned right off the top, I mentioned about losing 60 pounds, I’m actually running, I’m doing a half marathon in February, doing a lot of that as well. Between all that, it takes the 28 hours in every day and fills most of them up, that’s for sure.

Crew Chief Eric: Every story, Postman. I am always left going.

Wow. I don’t know how you do it. And you know, I thought I talk fast and I thought I jammed a lot of stuff in a five pound bag, but you got me beat. That’s incredible. I have to ask, here we are. Where is he now? We know where you’re at, but what’s next for Steve post?

Steve Post: Enjoy the ride. You know, I’m that little kid that announced my matchbox cars.

That I shared back in 2017, I think part of it is just that I’m that guy that caught my dream. First and foremost, I’m a radio [00:48:00] guy. I don’t even own a television. And there are about six or eight people on the planet that make a living calling NASCAR races on radio. And I’m one of them. That’s something to be grateful for.

And so I really have worked hard to enjoy the ride. Enjoy my passions with sprint cars. Enjoy my passions with short tracks. Enjoy my passions with running and health and fitness. If I’m going to do this and enjoy it, I might as well try to live a little bit longer and enjoy it a little bit longer as well.

I’m at a really good spot. Our leadership at MRN, it’s never been bad, but there is a significant level of respect that we have from our leadership at MRN. If you have the respect of the people you work for, Boy, I’m telling you what, life gets a whole lot easier. I could use a few more bucks in the quarterly pay.

Yeah, it’d be nice if they’d give me first class tickets on a plane instead of steerage where I ended up going. But the bottom line is, is that we’re at a really good spot with our team. So here’s a fascinating little MRN factoid. If it’s Jason Toy and I on Pitt road, I’m the new guy at MRN at 21 years.

21 years. We have [00:49:00] people that have been there for more than 30 years. We have Alex Hayden, Jeff Striegel, Dave Moody, Mike Bagley, part timers Kurt Becker, Dan Hubbard, Jason Toye have all been there longer than I have been. I’m the new kid at 21 years. Now we’ve added Kim Coons and Dylan Welch’s and Chris Wilmer.

We’ve added some really good young people. I think that’s part of it too. I love the guys I work with. It’s so fascinating this time of year. Because we get done with Phoenix and we don’t want to talk to each other. We don’t want to see each other. We’re sick of each other. We’re never going to talk to that person again.

And then usually about Thanksgiving morning, someone will send a note. Hey, you big, dumb Turkey. Happy Thanksgiving. Well, the next thing you know, the barge is flying and everyone is doing it. I think that’s what’s next is just, I’m very, very fortunate with who I work with, who I work for, what I get a chance to do, where I get a chance to go.

Kids are great. Life is good. I’m just, uh, sitting back and enjoying the ride. That’s for sure.

Crew Chief Eric: So Steve, you mentioned something really, really important, and it’s fundamental to the show as we try to inspire young petrolheads [00:50:00] trying to find their way in what we call the autosphere. And you mentioned more than once that you’ve caught your dream.

So if a young person came up to you and said, Steve, how do I get your job? What piece of advice would you give them?

Steve Post: Get a microphone in your hand and start talking. It sounds really, really elementary, whether it’s high school volleyball or your local short track or college softball, get a microphone in your hand.

Because inevitably when you talk for 11, there’s that catch phrase, that’s going to be the greatest catch phrase in all of the world, you’re going to get your key Jackson, all Nelly, and then you say it the first time and it’s not nearly that good where you get that out of the way. And then you’re going to learn some other phrases, but.

Get microphone in your hand. If you want to be a broadcaster of any kind, get a microphone here. We live in a fascinating time. Back when I was a kid, you had to get a job at the radio station. Now with podcasting and blogging and vlogging and social media, there’s so many neat opportunities. Get out there and start telling the story.

Start doing it. [00:51:00] And boy, the other thing is, and this goes back to Barney Hall, our legendary iconic broadcaster, our lead voice of MRN for years and years and years. Get in the garage area and do your homework. I do all my notes during the week so that I don’t have to sit there on race morning doing my notes.

So that I can be in the garage area talking to crew chiefs or talking to drivers or doing things. So, roll up your sleeves and have fun. Motorsports is supposed to be fun. I know sometimes we work diligently at making it not fun. We work hard at making it not fun, but you know what? If you’re having a good time, you’re likely going to have success with it.

I tell everybody have fun with it. Just yuck it up, have fun with it and enjoy it. And I love new people coming into the sport. There’s going to be one of them. It’s going to take my job someday, and I may not necessarily like that person at that time, but you know, up until then. I love all the young people coming in the sport and everyone trying to follow your dreams.

That’s the whole thing. You follow your dreams and you catch it. It’s well worth it. It really truly is. I can speak from experience.

Crew Chief Eric: Well, Steve, we’ve reached that part of the [00:52:00] episode where I like to ask my guests any shout outs, promotions, or anything else you’d like to share that we haven’t covered thus far.

Steve Post: I’m just so, so fortunate and I have so many good people around me professionally and personally. And the shout out is to the young person that’s trying to pursue their career gig, whether it’s an announcing gig or whether it’s a driving gig or whether it’s a mechanic gig or whether it’s an official gig, get out there and do it, get out there and do it.

Life is

Crew Chief Eric: meant to be lived. That’s for sure. Steve Post is currently one of the pit road reporters on MRN’s race coverage. He’s the co host of Wing Nation, an audio and television program covering sprint car racing. He’s the weekly contributor to Raceline, a nationally syndicated motorsports television program.

And for the past 20 years, he has been the lead announcer for the popular summer shootout series at Charlotte Motor Speedway. He also hosts many corporate hospitality events over the course of the year at tracks and events away from the track. So if you’d like to learn more about Steve, be sure to visit stevepostcommunications.

com or follow him on [00:53:00] social media at ThePostman68 on Facebook and Twitter. And don’t forget about his new website, postman68. com. And with that, Steve, I can’t thank you enough for coming on break fix and wrapping up your story here with part two. You know, you talked a lot about Pete Cordes and how he changed your life and he was your hero.

I want to take a moment to remind you that don’t forget that you’re a hero to many petrol heads out there as well in various disciplines of motorsports. And on behalf of all those folks, I have to say, it’s been an honor to share your story.

Steve Post: Really great to catch up with you. I thank you for the kind words and I’m fortunate and I think I understand a little bit of that and I appreciate it.

I’m just a kid from Halsted, Pennsylvania. That’s living my dream.

Crew Chief Eric: This episode is brought to you in part by the International Motor Racing Research Center. Its charter is to collect, share, and preserve the history of motorsports spanning continents, eras, and race series. The center’s collection embodies the speed, drama, and camaraderie of amateur and professional motor racing throughout the world.

The Center welcomes [00:54:00] serious researchers and casual fans alike to share stories of race drivers, race series, and race cars captured on their shelves and walls and brought to life through a regular calendar of public lectures and special events. To learn more about the Center, visit www. racingarchives.

org. This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect of automotive history. The SAH actively supports the compilation and preservation of papers. Organizational records, print ephemera and images to safeguard as well as to broaden and deepen the understanding of motorized wheeled land transportation through the modern age and into the future.

For more information about the SAH, visit www. autohistory. org.

We hope you enjoyed another awesome episode of Brake Fix Podcast brought to you by Grand Touring Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media [00:55:00] platforms at GrandTouringMotorsports. And if you’d like to learn more about the content of this episode, be sure to check out the follow on article at GTMotorsports.

org. We remain a commercial free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, and friends through Patreon. For as little as 2. 50 a month, you can get access to more behind the scenes action, additional Pit Stop minisodes, and other VIP goodies, as well as keeping our team of creators Fed on their strict diet of fig Newtons, gumby bears, and monster.

So consider signing up for Patreon today at www. patreon. com forward slash GT motorsports, and remember without you, none of this would be possible.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Meet Steve Post: NASCAR Veteran
  • 01:05 Steve’s Journey from 2017 to 2024
  • 03:16 Winged Nation’s Evolution
  • 05:47 Sprint Car Racing Legends
  • 12:11 Steve’s Family and Personal Life
  • 16:47 The Allure of Dirt Late Model Racing
  • 19:13 NASCAR’s Evolution and New Formats
  • 28:22 Meeting Rick Hendrick
  • 28:50 The Garage 56 Story
  • 31:31 International Interest in NASCAR
  • 37:19 Impact of COVID on NASCAR
  • 45:00 Personal Reflections and Future Plans
  • 50:12 Advice for Aspiring Broadcasters
  • 52:26 Conclusion and Acknowledgements

Bonus Content

Learn More

See Steve weekly on Winged Nation!

Winged Nation with Steve Post and Erin Evernham is live every Tuesday at Noon (ET). Be sure to catch Steve Post and Ashley Stremme for Winged Nation TV on REV TV in Canada at 8:30 PM ET on Wednesdays, and on MAVTV each Friday at 12:30 PM (ET). Click HERE for all the shows

If you’d like to learn more about Steve be sure to visit stevepostcommunications.com or follow him on social media @thepostman68 on FB and Twitter and don’t forget his new website postman68.com

Steve’s love for sprint car history runs deep, thanks in part to Lynn Paxton, his go-to co-host for Hall of Fame interviews. “Lynn knows every story – true, untrue, and everything in between,” Steve laughs.

One standout memory? Discovering that the first World of Outlaws race in New York, which Steve attended as a kid, was won by none other than Lynn Paxton himself.

Other icons Steve reveres include Fred Rahmer (“If you want an opinion, ask Fred”), Darren Pittman (“a safety advocate”), Joey Saldana (“looks like an accountant, drives like a Tasmanian devil”), and Donny Schatz (“we’ve just hit it off”).

Photo courtesy Steve Post

Family, Free Spirits, and Fan Clubs

Steve’s daughters, now 25 and 22, are forging their own paths. One splits her time between the U.S. and India as a yoga instructor and holistic counselor. The other, a theater graduate, is exploring creative cities like Seattle and working at a cat café and dance studio.

While motorsports didn’t fully rub off, Steve’s youngest has a soft spot for racing. “Ben Rhodes was her first celebrity crush,” Steve jokes. “She might’ve been the first member of his fan club back in his Legends car days.”


Guilty Pleasures and Grounded Passions

Despite working across NASCAR, sprint cars, Legends, and late model stocks, Steve keeps one discipline sacred: dirt late model racing. “It’s my guilty pleasure. I refuse to work in it – I just want to be a fan.”

From tailgating at Cherokee Speedway to bucket-list races, Steve finds joy in simply watching the action unfold.

Steve once tried his hand at racing in a media event at Five Mile Point Speedway. “I grew horns in that race,” he admits. “Ten laps turned me into someone ready to wreck the guy next to me. That was my one and done.”


NASCAR’s Evolution: Playoffs, Practice, and New Venues

Steve’s seen NASCAR transform – from the old days of tobacco sponsorships to the current playoff format. “I love the drama of the playoffs. It’s like a ninth-inning home run every week.”

Practice has shrunk from hours to mere minutes, and the schedule now includes street races in Chicago and events at the LA Coliseum. “This isn’t your dad’s NASCAR,” Steve says. “We used to go to Pocono twice a year. Now we’re all over the map.”

Steve misses the days of IROC, where legends from different disciplines battled in identical cars. “SRX is fine, but it’s not IROC,” he says. He sees potential in the Rolex 24 as a modern-day alternative – if more NASCAR and IndyCar drivers joined the fray.

Steve Post’s story is one of passion, persistence, and perpetual motion. Whether behind the mic or in the pits, he’s dedicated to telling the stories that make motorsports matter. And as he continues to evolve alongside the sport, one thing’s clear: Steve’s not just reporting history – he’s living it.


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Motoring Podcast Network

Racing to the Moon: How NASCAR Found Its Way into Space

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What do moon rovers, stock cars, and Vaughn Monroe’s 1941 hit “Racing with the Moon” have in common? According to Dr. Mark Howell, quite a bit. In a recent presentation for the Brake/Fix podcast’s History of Motorsports series, Howell – professor, cultural historian, and lifelong motorsports enthusiast – explored the unlikely but fascinating alliance between NASCAR and aerospace giant Leidos in their bid to build NASA’s next lunar rover.

Photo courtesy Dr. Mark Howell

In April 2023, Leidos, a Virginia-based high-tech firm with deep roots in defense and engineering, announced a partnership with NASCAR to develop a next-generation Lunar Terrain Vehicle (LTV) for NASA’s Artemis program. The collaboration debuted at the Space Foundation’s 38th Space Symposium, where Leidos executives emphasized NASCAR’s expertise in high-performance vehicles, rapid maintenance, and modular design – skills honed in the crucible of pit lane chaos.

The connection may seem surprising, but Howell argues it’s a natural evolution. NASCAR’s Next Gen Cup Series car, introduced in 2022, is a spec-built machine designed for durability, ease of repair, and future hybridization. These same principles – standardized parts, quick swaps, and rugged performance – are critical for a lunar rover expected to operate in extreme conditions.

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This isn’t the first time motorsports and moon missions have crossed paths. Howell traced the lineage back to the original Lunar Roving Vehicles (LRVs) of the Apollo 15, 16, and 17 missions. Built by General Motors, Boeing, and Goodyear, these electric, all-wheel-drive machines were marvels of Cold War ingenuity. Capable of 6 mph and folding to fit inside the lunar module, they enabled astronauts to explore farther and faster than ever before.

And explore they did – with a racer’s spirit. Apollo commanders like Dave Scott, John Young, and Gene Cernan pushed their rovers to the limit, even staging impromptu “Grand Prix” runs across the lunar surface. Cernan still holds the lunar land speed record at 11.2 mph, thanks to a downhill assist.

Spotlight

Dr. Mark D. Howell has been involved with motosports his entire life. As a teenager, he tagged along with the NASCAR Modified pit crew of Brett Bodine, who raced out of Howell’s hometown of Dallas, PA. He earned a BA and MA from Penn State, and a Ph.D. in American Culture Studies from Bowling Green State University. His dissertation evolved into From Moonshine to Madison Avenue:  A Cultural History of the NASCAR Winston Cup Series, published by The Popular Press/University of Wisconsin Press in 1997.

Howell is professor of communications at Northwestern Michigan College in Traverse City. He lives with his wife and son (and two dogs) in the village of Suttons Bay on Lake Michigan.

Synopsis

This episode of The Logbook, our History of Motorsports series, provides a presentation by Dr. Mark D. Howell, discussing the 2023 partnership between Leidos and NASCAR to develop a next-generation lunar roving vehicle (LTV) for NASA’s Artemis program. The collaboration leverages NASCAR’s expertise in high-performance vehicles and quick maintenance, reflecting on the cultural and technological history of motorsports and space exploration. The presentation highlights NASA’s previous lunar roving vehicles from the Apollo missions, addressing their design, functionality, and historical significance. Additionally, Leidos’ corporate strategies, including diversity and inclusion initiatives, are discussed in relation to their efforts to secure the NASA contract. The presentation conveys the intersection of motorsports culture with aerospace innovation, aiming to secure a competitive edge in the privatized and commercialized space industry.

Follow along using the video version of the Slide Deck from this Presentation

Transcript

[00:00:00] Break/Fix’s History of Motorsports series is brought to you in part by the International Motor Racing Research Center, as well as the Society of Automotive Historians, the Watkins Glen Area Chamber of Commerce, and the Argettsinger family.

Racing to the moon, NASCAR in space. By Dr. Mark D Howell. Mark Howell has been involved with motor sports his entire life. As a teenager, he tagged along with the NASCAR modified pit crew of Brett Bodine, who raced out of Howell’s hometown of Dallas, Pennsylvania. He earned a bachelor’s of arts and a master’s of arts from Penn state and a PhD in American culture studies from Bowling Green State University.

His dissertation evolved from Moonshine to Madison Avenue, a cultural history of the NASCAR Winston Cup series published by the Popular Press, University of Wisconsin Press in 1997. Howell is professor of communications at Northwestern Michigan College in Traverse City. He lives with his wife and son and two dogs in the village [00:01:00] of Sutton’s Bay on Lake Michigan.

This presentation examines the 2023 alliance between Leidos, the international high tech engineering firm, And NASCAR to build a next generation lunar roving vehicle. The paper looks at the adaptation of motorsports culture by the aerospace industry as space exploration grows more privatized and commercialized.

Additionally, the presentation looks at the history of NASA’s LRV program and how astronauts saw their rovers through the context of automobile racing. Both Leidos, Dynetics, and NASCAR are relying on particular language, imagery, and historic legacies to justify their partnership while trying to earn NASA’s new LRV contract by the end of November 2023.

Our next presenter, good friend of mine for many years now, Professor Mark Powell, is going to talk about something that got my attention, racing to the moon, NASCAR in space. Mark, it’s yours. [00:02:00] This is part of a project that’s been ongoing and it’s started off as kind of a vanity project because I grew up following the space program like everybody else wanting to be an astronaut and then realizing I just didn’t have the right stuff as they say.

I have applied to be an astronaut but I was turned down. But then my interest in motorsports and growing up around motorsports. I saw a connection between the manned space program And motor racing. I started doing some research, that was probably five or six years ago. This thing is really kind of, as I said, taking a life of its own.

With that, we will get into this. I’ve got some video, so bear with me. I’ve got just a few couple of minute clips that we can look at. My mother, Virginia, loved three things. Her family, naturally, NASCAR competition, she was a huge NASCAR fan, and the music of Vaughn Monroe, the band leader with a baritone voice and a catalog of hit recordings that included the famous 1941 [00:03:00] tune, Racing with the Moon.

Little did anyone guess that at some point, stock cars and this World War II era song would collide in a form of corporate and technological connection in 2023. It was this past April when Leidos, a Virginia based high tech engineering and design firm serving the defense, health, and intelligence sectors, announced its technical affiliation with NASCAR.

A statement coming just as the sanctioning body began celebrating its 75th anniversary in sports. Their partnership ultimately resulted in a next gen Lunar Terrain Vehicle, or LTV, for NASA’s return to the moon. through its impending Artemis program. The Leidos NASCAR LTV debuted in Colorado at the Space Foundation’s 38th [00:04:00] Space Symposium.

And this is a clip from the unveiling. Hi everybody, I’m Jonathan Pettis, Senior Vice President for Aerospace, Civil, and Defense at Leidos. And again, thank you all for being here, and thanks to Pete for being here. We’re super excited. About this partnership. I think the goals and the themes and the emphasis areas that NASCAR has for the future are shared greatly with what NASA is pursuing and what one of the reasons we’re so proud to partner with NASA on the Artemis program.

And as you have a chance during the next couple of days to visit our booth, you’ll see a wide variety of things we’re doing in the space. world, but obviously several different roles in the Artemis campaign. We couldn’t be more proud to be part of that. From the NASCAR partnership perspective, their deep experience and capability in developing high performance vehicles in harsh environments is something that obviously can help us a great deal as we engineer this vehicle.

And so we’re looking forward to tapping into that talent. For [00:05:00] example, the most recent effort they’ve had in designing their next June race car. If you look at some of the principles that they use to develop that new vehicle, they’re shared with some of the criteria and principles that NASA needs for a sustainable lunar terrain vehicle.

In terms of the focus on fast and agile maintenance, agile replacement of parts, designing for maintainability, who could be better at that problem? Then an organization that has to focus on high speed maintenance and pit stops. And so taking that innovation and their experience in that we think is really important to how we want to approach this problem again to develop a safe and sustainable vehicle.

And then finally NASCAR. is very good at connecting sponsors, and we are excited about what that may mean in terms of our commercial plans for the future and how we can leverage their expertise relative to our commercial pursuits. [00:06:00] We think there’s a lot of opportunity there, and so we’re super excited about that.

So without further ado, I think we have Steve and Pete in pole position. So, ladies and gentlemen, I have introduced to you the Leidos NASCAR Lunar Terrain Vehicle. Leidos

sought out NASCAR in part, as you heard, because of the organization’s development and implementation of its next gen Cup Series race car. This version of stock car It’s been in use since 2022, and it continues the tradition of NASCAR’s somewhat creative interpretation of the term stock. The next gen, or Gen 7 car, is what you might call a spec vehicle.

Cars are built according to a rigid set of guidelines using specially manufactured components [00:07:00] sold to teams by NASCAR approved companies. Using standardized parts and pieces registered with an official UPC is intended, theoretically at least, to lower costs and eliminate advantages enjoyed by better equipped teams.

Next gen cars use chassis built by a single supplier. With standardized front and rear clips for consistency, ease of replacement, and safety. We saw this system in operation last season when NASCAR re engineered rear clips after Alex Bowman and Kurt Busch were both injured in rear end collisions when impact energy was transferred into the cockpits of their cars.

So much to the point that Busch actually had to retire from competition because of his injuries. The Next Gen Cup Series cars also run composite body panels that are easier to use, easier to maintain, and more difficult to [00:08:00] massage, shall we say, into an advantageous shape. A forward thinking feature of the Next Gen Cup car is its ability to accommodate hybrid technology.

The car runs on 18 inch wheels that allow not only for larger brakes, but for the addition of regenerative equipment as well. As the automobile industry looks to both hybrid and fully electric vehicles, so too does NASCAR. Given its emphasis on consistent components and energy conservation, maybe it’s no wonder that a cutting edge systems development firm like Leidos came calling.

Leidos Dianetics, the aerospace division of Leidos, also forged relationships with recognized motor racing entities like Roush Industries and Moog Suspension Components, both of which have long standing ties to NASCAR. A key element of these partnerships is NASCAR’s ability to develop, quote, high performance vehicles for [00:09:00] harsh environments, as you heard the Leidos executives say in the press conference.

A far more interesting notion, however, is NASCAR’s ability to attract corporate and industry sponsors. You also heard that comment made. Especially as modern space exploration becomes privatized and commercialized. Leidos was founded in 1969 and today is a Fortune 500 company boasting a little over 46, 000 employees.

The firm began as Science Applications Incorporated. With initial clients like Los Alamos National Laboratory and the Air Force Weapons Laboratory. SAI supervised the cleanup at Three Mile Island in 1979. I went to graduate school right across the river from Three Mile Island. You could see it from the parking lot at the college when you were…

And the company also helped engineer the boat Stars and Stripes to victory in the America’s Cup in [00:10:00] 1987. In 2013, SAI split into a next generation of sorts of SAI and a new firm called Leidos. Leidos fosters a corporate culture of diversity, equality, and inclusion, or DEI. The company became a primary sponsor of Bubba Wallace’s No.

23 Fast Car Cup Series Toyota Camry in 2022. In the words of Leidos CEO Roger Krohn, and I quote, Bubba’s efforts have paved the way for real change while advancing a culture of inclusion and diversity in NASCAR and across the world. We see this as much more than a sponsorship. It’s an opportunity to showcase our shared values.

We are proud to have Bubba Wallace representing Leidos. Both on and off the track. Bubba Wallace represented Leidos in April at the unveiling of its prototype Lunar Terrain Vehicle, a project seeking a [00:11:00] NASA contract for the Artemis program. The Artemis program is a good match for Leidos, given the program’s attention to DEI initiatives and guidelines.

The first Lunar Orbital Mission, which is scheduled for 2025, will carry both a female astronaut and an astronaut of color. The same demographic NASA wants when astronauts return to the Moon’s surface in the years to come. Accommodating the size of a female astronaut was part of Leidos initial LTV planning, but other factors were considered as well.

Those other factors were where NASCAR came in. Leidos considered NASCAR given the organization’s 75 year history of innovation and adaptability to all manner of extreme situations. Now, granted, a Sunday afternoon at Martinsville or Michigan… isn’t nearly as challenging on a vehicle as a Sunday afternoon on the moon, but the folks at Leidos weren’t about to quibble.

Partnering [00:12:00] with NASCAR during its Diamond Jubilee is about more than just winning a NASA contract. The partnership between Leidos and NASCAR is a most interesting affiliation. While Leidos recognizes NASCAR for its innovative approach to Cup Series racing, NASCAR recognizes Leidos as a corporate entity backing not only the sports foray into interesting new markets like the Chicago Street Race, but also a team co owned by perhaps the greatest basketball player in the game’s history.

Michael Jordan, by the way, if you didn’t know. What Leidos and NASCAR provide are not only new opportunities in motorsports, but also technological opportunities that harken back to the days of the Cold War. America’s space race with the Russians got off to a rough start in the early 1960s, but Uncle Sam got her dialed in by the end of the decade.

When Apollo 8 reached lunar orbit in 1968, [00:13:00] and when Apollo 11 reached the moon’s surface in 1969, the race was over. Those successes, ironically, led to the demise of future Apollo missions. With only six lunar flights remaining on what became a reduced schedule, NASA had to work smarter, not harder. Say hello to the Lunar Roving Vehicle, the most technologically interesting and aesthetically pragmatic machine ever built.

General Motors teamed with Boeing and Goodyear To develop the golf cart sized, all electric, all wheel drive, two seater, with both front and rear steering, just like a monster truck, capable of hauling about a thousand pounds at six miles an hour, a total distance of 40 miles. Made from aluminum, fiberglass, and kapton for thermal protection, and with wheels fashioned from flexible woven wire mesh, the [00:14:00] LRV folded to fit in the descent stage of the lunar module.

The vehicle could be unloaded and assembled by two astronauts in one sixth Earth’s gravity in about ten minutes. The LRVs on Apollo 15, 16, and 17 The LRVs enabled astronauts to explore terrain far away from their lunar modules. The LRVs also enabled astronauts to explore their innermost competitive natures.

Mission commanders who began as military test pilots cut from the same genetic cloth as race car drivers. pushed these moon buggies to their mechanical limits. Apollo 15’s Dave Scott drove the first Grand Prix, as it was called, and reached a top speed of 6 miles an hour before the rear wheels lost traction and his LRV started to slide.

John Young, commander of Apollo 16, reached about six miles an hour as [00:15:00] well before his rear wheels, likewise, lost grip and slid. And here is NASA footage of John Young doing his Grand Prix. In 1972. Okay, I’m ready. I’m not gonna[00:16:00]

go the other way.

Okay. Here is Sharpie. Yeah,

that sounds good. That sounds like we’ve probably got enough.[00:17:00]

Charlie Duke, who you heard narrating the Grand Prix there. Also, on a couple of occasions enthusiastically compared John Young to racing legend Barney Ofield, making two distinct references to America’s Speed King during recorded EVA communications with flight controllers. At one point, actually, they didn’t know who he was talking about, so then he had to explain, in kind of an aside, who Barney Oldfield was.

And once he explained it, then everything was okay. During Apollo 17, Commander Gene Cernan did what any truly competitive racer would do, and simply reinterpreted the rules of the event. His Grand Prix resulted in a top speed of 11. 2 miles per hour, but only because he ran a downhill route. Cernan’s LRV record has stood for more than 50 years.

But who’s to say the 2023 [00:18:00] Leidos NASCAR LTV won’t shatter Cernan’s 1972 mark? Preliminary data suggests the new vehicle will have a top speed of 9. 3 mph and a gradeability of more than 20 degrees. Add a female astronaut and a downhill route, and it’s likely NASCAR will be truly renowned for what it brought to the project.

A competitive focus based on next gen inspired design principles, like fast and agile maintenance that are also useful for a lunar rover, as we heard during the press conference. An old school NASCAR mindset was necessary when it came to fast and agile maintenance on the Apollo LRVs. On Apollo 17, an errant rock hammer broke the right rear fender.

causing thick clouds of moon dust to cover the astronauts and all of their sensitive equipment. Gene Cernan made a quick repair using lunar maps, duct tape, and clamps, [00:19:00] building a replacement fender, and earning himself lifetime membership in the Auto Body Association of America in the process. We used to see spur of the moment, seat of the pants problem solving like this in NASCAR all the time.

But the standardized and compartmentalized nature of the next gen cup car has turned creative thinking into more of a remove and replace reality. Despite all of this, Leidos still waxes romantically about the NASCAR of old. Here’s a video the company released recently on YouTube.[00:20:00]

President Kennedy, in a speech at Rice University, committed the United States to being the first nation to put a man…

Not because they are easy, but because they are hard. Because that goal will serve to organize and measure the best of our energies and skills. Because that challenge is one that we’re willing to accept, and one we intend to win.

Ignition sequence starts. Three, two, one. We have a liftoff. [00:21:00] Throughout our history, we move forward. From advancements in engineering, to pushing the limits of what we once deemed impossible. Forward isn’t just our trajectory. It’s the whole point. Keep running, flat out! That’s the, the Eagle has landed. Ah, ah, ah, ah, ah!

We are the champions, yes! We choose to move forward. Not because it’s easy, but because it’s hard. From breaking the barriers of space. To shattering glass ceilings for those whose guts and determination move us past our limits to unimagined heights. Our history is one of innovation and ingenuity.

After all, always forward has no limits. [00:22:00] Any questions? Alright, let me leave you with this. We do this. We choose to go to the moon. Not because it’s easy. Because it’s hard.

Okay, I’m just gonna do a little editorial aside here. If you’ll notice, under diversity and equality, they show a picture of Danica Patrick. To me, if I were on the creative team, I would have had footage of Janet Guthrie, because Janet Guthrie was actually an aerospace engineer, and actually knew her way around the inner workings of a car.

And she was a woman. Danica Patrick, I think now she just does podcasts that are like conspiracy theory things. I don’t know, just an editorial aside there. I will move on now. The relationship Leidos has [00:23:00] developed with NASCAR is two fold. One aspect of the partnership focuses on more recent NASCAR innovations.

Not just the next gen car, but also this past summer’s Garage 56 NASCAR by way of IMSA project we saw at Le Mans. The other aspect celebrates NASCAR’s sociocultural and almost mythic connection to American automobile history, seen here in Kyle Busch’s Toyota Camry. Lido sees NASCAR as a celebration of grassroots ingenuity and what we cultural historians often refer to as rugged determination or individualism.

Achieving success according to your dreams, your goals, and your work ethic. As I see it, Leidos is relying on particularly strategic language and particularly specific historical narratives, including President Kennedy’s 1962 speech at Rice University, to [00:24:00] validate its technical and professional affiliation with NASCAR while trying to earn NASA’s contractual approval.

The Artemis LTV competition is down to a handful of aerospace automotive affiliations, including partnerships between Lockheed Martin and General Motors, Teledyne, Toyota, and Bridgestone, and Northrop Grumman with Michelin. Since NASCAR hopes to award the LTV contract to its chosen recipient, By the end of this month, NASCAR finds itself squarely in the middle of a closely watched, competitive, and entirely next gen race to the moon.

And with that, I’ll take whatever questions folks might have. What happened to the vehicles? Are they still on the moon? And are they workable, or? There are three still on the moon, Apollo 15, 16, and 17. They left those vehicles behind. Conditions on [00:25:00] the moon are very difficult. What people say is that the American flags that were left behind probably don’t exist.

If they are there, they’re bleached to almost transparent because of the solar radiation. These vehicles might still be runnable. I mean, they were battery powered. They didn’t exhaust the batteries at all. They only ran them limited miles. So, there’s a possibility if you got there, they would still run.

But they are located at different points where the astronauts left them. There was a fourth vehicle built that was essentially used for sort of archival purposes. And for testing on Earth. GM and Boeing built what they called a 1G version. It was essentially a Earth bound version. It had Goodyear tires on it.

It was the exact same vehicle, ran on batteries, had the front and rear steering that the astronauts would use for training purposes on Earth. So they could learn how to negotiate rugged terrain and hills and things like that. A couple of those test vehicles are still around. But the [00:26:00] originals are still on the lunar surface.

Mark, I thought the video was fascinating. Really slick, a kind of techno patriotism with a good old boy spin. Who’s the intended audience? Is this a tool to influence the decision making that you mentioned, or is there some larger audience? I think that’s twofold in and of itself. The key here that Leidos isn’t really playing up is the corporate sponsorship connection.

One of their main reasons for signing on with NASCAR was, yeah, NASCAR’s got technology and it’s got innovation and all that kind of stuff, but it also has that strong corporate connection. It’s what we’ve seen in NASCAR forever. NASCAR sells products. Lytos sees NASCAR as being sort of a money magnet and getting that kind of commercial input.

Especially, as I said, the space program now is becoming much more commercialized and privatized. If you’re going to compete against the Jeff Bezos’s and the Elon Musks. You’re going to have to have a sugar [00:27:00] daddy who’s paying some of the bills and the federal government’s not going to be able to do it.

So there’s that idea. But yeah, the video is very interesting. And this is actually the second one they produced. They produced one right about the time of the debut. I actually tried to find that one because that one was laden with historical footage. You know, they showed pictures of Neil Armstrong and they showed pictures of the Saturn five, but then it was juxtaposed.

with the next gen car. There was really no historical quotient. It was just the next gen car and Apollo footage. Now they’ve kind of backed off and they’re doing that whole sort of nostalgic thing. The shade tree mechanic, the race car that’s built in a shed out behind the house. And then tying it in to all of that sort of cold war.

And notice that you don’t see anything about NASA other than the moon program. Because that’s the key here. This vehicle is all about getting the contract to go to the moon. Very, very highly sort of socio political, technical kind of. [00:28:00] Mark, you talk about the commercialization business. General Motors provided Corvettes to the first astronauts, correct?

Yep. And as a PR stunt, and some of the astronauts became race drivers. I think of Pete Conrad, he raced here in the Toyota Celebrity Race once. I remember Pete came here to try to qualify for the six hour race. Just fell short. He didn’t make it. His time was too slow. But yeah, I mean, there is this GM connection.

And GM was a principal player in the original Lunar Roving Vehicle. It’s interesting that GM is now working with Lockheed Martin. So they’ve separated themselves. It’s kind of like Ben there done that. Lydos really jumped in here when they said that they partnered with NASCAR. I mean, I could see a company like Lydos partnering with, let’s say, a Formula One team.

Because if you’re talking technology and cutting edge sort of development, yeah, there you go. But to be sort of saying, well, because of the next gen car, and this [00:29:00] whole idea of quick maintenance and durability, I can guarantee you if something breaks on this new lunar roving vehicle, The astronauts, they’re not gonna put it on the crash clock and try to repair the thing.

If it stops working, if they can’t get it going again, they’re just gonna ditch it. The Apollo 15 mission almost did that. Dave Scott and Jim Irwin unloaded the lunar rover. They unfolded it, got it together. They hooked the batteries up and they couldn’t get voltage. They couldn’t get a reading that there was any power in the batteries.

It took them sort of talking with engineers in Houston. To make adjustments and, you know, switch wires and do this kind of thing. And they eventually got it working. But again, it’s that whole sort of mythic notion. You know, well, NASCAR is all about bare bond and duct tape and chewing gum. And that’s what gets cars back out there.

And you can still win races. Dale Earnhardt just about totaled a car. They brought it in. And he went back out and was competitive. And we’ll see how this contract goes. [00:30:00] Because they may not even get the contract. It’s quite possible that this will fall through. But it’s an interesting campaign. Thank you, Mark.

I don’t know how you do it, but you keep copying your previous one. That, that’s amazing. Thank you. Thank you, Mark.

This episode is brought to you in part by the International Motor Racing Research Center. Its charter is to collect, share, and preserve the history of motorsports, spanning continents, eras, and race series. The center’s collection embodies the speed, drama, and camaraderie of amateur and professional motor racing throughout the world.

The Center welcomes serious researchers and casual fans alike to share stories of race drivers, race series, and race cars captured on their shelves and walls and brought to life through a regular calendar of public lectures and special events. To learn more about the Center, visit www. racingarchives.

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But the Leidos-NASCAR partnership isn’t just about engineering. It’s also about storytelling. Howell highlighted how Leidos is leveraging NASCAR’s mythic status in American culture – its grassroots ingenuity, its rugged individualism, its sponsor-savvy showmanship – to position itself as a worthy steward of NASA’s lunar ambitions.

A slick promotional video released by Leidos blends Kennedy’s moonshot rhetoric with NASCAR’s high-octane visuals, evoking a kind of “techno-patriotism with a good ol’ boy spin,” as one audience member put it. It’s a calculated move, aimed not just at NASA decision-makers but at a broader public increasingly invested in the commercialization of space.


Diversity, Inclusion, and the Artemis Era

The Artemis program itself is emblematic of a new era in space exploration – one that prioritizes diversity and inclusion. The first crewed lunar mission will include both a woman and a person of color, and Leidos has aligned its branding accordingly. Their sponsorship of Bubba Wallace, NASCAR’s only Black full-time Cup driver, underscores this commitment.

Still, Howell couldn’t resist an editorial aside: if Leidos really wanted to highlight women in motorsports and aerospace, why not feature Janet Guthrie – an aerospace engineer and pioneering racer – instead of Danica Patrick?


A Race with Real Stakes

As of late 2023, Leidos and NASCAR are one of several contenders vying for NASA’s LTV contract. Rivals include Lockheed Martin with GM, Teledyne with Toyota and Bridgestone, and Northrop Grumman with Michelin. It’s a high-stakes, next-gen race to the moon – one where engineering prowess, cultural cachet, and commercial viability all matter.

Whether or not Leidos wins the contract, Howell’s presentation makes one thing clear: the boundary between motorsports and spaceflight is more porous – and more poetic – than we might think. From duct-taped fenders on the moon to regenerative braking in stock cars, the spirit of racing continues to shape how we explore the final frontier.

This episode is sponsored in part by: The International Motor Racing Research Center (IMRRC), The Society of Automotive Historians (SAH), The Watkins Glen Area Chamber of Commerce, and the Argetsinger Family – and was recorded in front of a live studio audience.


Other episodes you might enjoy

Michael R. Argetsinger Symposium on International Motor Racing History

The International Motor Racing Research Center (IMRRC), partnering with the Society of Automotive Historians (SAH), presents the annual Michael R. Argetsinger Symposium on International Motor Racing History. The Symposium established itself as a unique and respected scholarly forum and has gained a growing audience of students and enthusiasts. It provides an opportunity for scholars, researchers and writers to present their work related to the history of automotive competition and the cultural impact of motor racing. Papers are presented by faculty members, graduate students and independent researchers.The history of international automotive competition falls within several realms, all of which are welcomed as topics for presentations, including, but not limited to: sports history, cultural studies, public history, political history, the history of technology, sports geography and gender studies, as well as archival studies.

The symposium is named in honor of Michael R. Argetsinger (1944-2015), an award-winning motorsports author and longtime member of the Center's Governing Council. Michael's work on motorsports includes:
  • Walt Hansgen: His Life and the History of Post-war American Road Racing (2006)
  • Mark Donohue: Technical Excellence at Speed (2009)
  • Formula One at Watkins Glen: 20 Years of the United States Grand Prix, 1961-1980 (2011)
  • An American Racer: Bobby Marshman and the Indianapolis 500 (2019)

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Historiography in NASCAR

Historiography sounds very ivory tower academics, but really it isn’t. The Oxford English Dictionary defines historiography as “The study of the writing of history and of written histories”.

So, it is about how the story is told: not just who won the race, but whether we watched it live, saw it on TV, or had the story told to us by a drunk man in a pub.

The big point is that critical analysis of news sources is crucial in contemporary society (Fake News). The smaller point is that no one seems to have done this for motor racing history. Just casual reading of a few old racing stories immediately gets you thinking “but that’s not how I heard that story before”, i.e. straight into historiography.

This paper was recently presented at the International Motor Racing Research Center conference at Watkins Glen.

Differentiating Between Richard “The King” Petty and Pixar’s “Mr The King”: Historiography in NASCAR, and Why it Matters

Disney/Pixar’s “Cars” franchise is currently the biggest brand for American boys under ten. Children recognize “Mr The King”, the screen alter ego of Richard “The King” Petty, while the man himself provides the voice. As historians, our ability to interpret and publicize stories of King Richard has been hijacked by Pixar!

This paper surveys the way NASCAR history is currently received and understood by examining existing written sources, the remarkable color film archive which has survived and is freely available on youtube, and physical sources such as cars and tracks. It then makes a case as to the value of historiography applied in a motorsports setting. Fundamentally, we stand a better chance of preserving the history we motor sports enthusiasts love if we are able to improve some of our practices to allow us to stand as recognized academic history.

Hijacked by Pixar? Yes, some Hollywood hyperbola but, thinking more, we can see our sport has always been this way. The event now considered the world’s first race, the Paris-Rouen of 1894, was conceived by a newspaper. The notion of motor sport as international competition was also that of a newspaper man, James Gordon Bennett. Seen from this perspective, Bill France’s vision was to monetize the sport beyond selling papers and cars, to selling tickets for the show itself. Others had failed to monetize a beach race at Daytona; as with most successful entrepreneurs, execution on his vision was what set Bill France apart. The PR theatrics which accompanied the finish of the first Daytona 500, where the decision on the race win was strung out over three days seems sophisticated manipulation of the media for 1959, until one remembers that Bill France was always considering the publicity angle. And look at the photo. It takes less that three seconds to judge who won, not three days.

Motor racing history, particularly NASCAR, is likely to come to people both now and in future first by TV pastiche; for this generation it is Pixar’s Cars, for my generation it was a primetime show such as Dukes of Hazzard, or The Rockford Files, or perhaps a movie like The Last American Hero, a dramatized account of the life of Junior Johnson. In this TV-land context we first see a J- turn, bars in the doors, and learn about bootleggers, stock cars which are anything but stock and good guys outsmarting the misguided law enforcement officers and corrupt politicians. Approached in this way, a ‘ripping yarn’ with Hollywood sheen and sanitization, it is easy to miss that this is Nascar’s truth, and real American history.

When covering a contemporary race it is natural for the production team to raid the archives and find flashbacks of old races which give a flavor and context to events today; that is to say David Pearson is present in the minds of Nascar fans who never saw him race because they have seen many grainy, bleached clips of the #17 or #21 in victory lane while they were waiting for the day’s racing to start.

Today, the ubiquity and quality of information on the internet encourages research: when watching Cars, one wonders “Why were the Hudsons good?” and “Who is that Pixar character based upon?” and can surf and find the answer on your smartphone without moving from the couch.

Many NASCAR races can be found complete on youtube. It is hard to underestimate just how compelling a resource this is. We can judge for ourselves, by watching the actual races, which driver was the most skilled. Documentaries made in the nineties feature interviews with those from the fifties who have since passed, so we have Buck Baker and Cotton Owens in their own words. Moving from the eighties into the seventies, rather than full races, we are more likely to find highlights – perhaps a 500 mile race in twenty minutes – but still very high quality color film with period commentary. As far back as the mid-sixties, we see a similar quality of color film, especially of Daytona. As far back as the fifties, and the film tends to be black and white, and there is much less of it. Tropes of these early films include lurid crash footage with exaggerated skidding noises, tires howling on grass.

Turning to the historians traditional resources – books and journals – these exist in Nascar with a character and a richness which is truly reflective of the sport. Many of the books published in the last two or three decades resemble Formula 1 style Christmas stocking stuffers – the “definitive biography” of the latest champion, despite his being under the age of 25, badly ghost written by a journalist who normally covers a stick and ball sport and delivering an uninformed lack of depth. However, some excellent histories are available, perhaps most notably Greg Fielden’s work documenting each Nascar sanctioned race, and many Nascar figures have self published their work: what we have is the writer in conversation, often a seemingly unedited polemical. Smokey Yunick’s thousand page opus is a well-known example of this, although I have half a dozen self published titles such as Buddy Mewbourne’s memoir. Some Nascar content is available as electronic-only books: the one book I can find on Marshall Teague is available as a kindle ebook only, and admits to being a no more than collected newspaper articles.

Mainstream published Nascar histories are also different from those about other kinds of motor sports. Often the same stories will be repeated in a slightly different form in numerous books. This tends to give the whole thing the quality of a myth. One example is when Curtis Turner landed a plane on the main street of a small town, in order to buy more whiskey. While the fundamentals of the story does not change, some versions of the story have bikini clad ladies getting out of the plane to go in the store, and some have the plane escaping scott free while others have it getting tangled in power lines or traffic lights.

Turning to regional newspapers, with their detailed race reports, my sense is that more even than youtube, these are a vast and a largely untapped source which if studied will reveal surprising insight – my work has been almost exclusively at the book/youtube level.

Disappointingly, most non-video online sources tend to repeat basic information and anecdotes. Some do have fresh material aggregated and these exceptions can offer remarkable insight- eg. littlejoeweatherly.com explaining how he got his distinctive facial scar.

Thinking now about physical sources, the Nascar Hall of Fame in downtown Charlotte North Carolina provides an entertaining visitor experience for a broad range of ages, knowledge and interests. Older and more inaccessible is the Joe Weatherly Museum at Darlington. Static displays are also found in local history museums, such as a Junior Johnson ‘40 Ford in the Wilkes Heritage Museum. Varying in the glitz which they apply to telling the story, all display exhibits which stand testament to Nascars remarkable history, albeit with the paradox that museums are about worthy preservation, while Nascar itself has always been about running wide open and using the car up by the end of the afternoon.

Visiting Nascar’s physical sites offers considerable variety. The rough Jacksonville neighborhood where LeeRoy Yarborough was born, first raced and lived with his mother later in life seems similar in 2017 to how it was 40 years earlier when LeeRoy was alive. His local track, the site of his maiden victory is has all but gone, the modern housing development aping the shape of the circuit. Across the country, Nascar’s first road course, Riverside, is now also a housing estate. The story of the track on the outside of town falling victim to urban sprawl and rising property values is as much a cliche as that of the future Nascar champion sneaking through the fence as a young boy to watch his first race, and vowing then and there this would be his path in life. The decay at North Wilksboro is particularly palpable, and a visit there resulted in my being escorted away from the track, and out of the county, the hostility towards me open.

Daytona Beach is equally astonishing. My visit was in January 2017. The Streamline Hotel, well known as the site of the meeting where Nascar was formed, was closed for a remodel. Bill France’s Gas station has nothing to mark it at such. With Herb Thomas, Marshall Teague was the most successful Hudson racer, and thus forms the basis for the critical, Paul Newman-voiced mentor character “Doc Hudson” in Pixar’s movie. Today, on the site of Teague’s garage is a business which lifts and puts oversize chrome wheels on golf carts. Arguably Nascar’s greatest car builder was Smokey Yunick. His “Best Damn Garage In Town” has completely disappeared, even the foundation has grass grown over it.

Many of the tracks which have survived have changed radically, with tracks like Bristol and Martinsville being first dirt, then paved, and thus utterly different in character.

We must surely accept that the rapid disappearance on physical reference points described here must likely continue; examination across other areas of automobile history show the Cooper Factory near London recently sold for renovation and the first Shelby factory in Venice, Los Angeles an office building, with nothing noting its significance. Indeed Ford’s modernist masterpiece, Highland Park, where the miracle of the moving assembly line was perfected, is now a rather grotty mall in urban Detroit with an atmosphere which rivals North Wilksboro for its hostility.

Racing cars have hard lives, often needing full rebuilds after each event, even if no break down or crash took place. This attrition rate means that “original condition” and “historic racing car” are generally oxymorons. Most are sold to lower budget teams, sometimes competing in a different, lower racing series, and are thus raced into oblivion. More, the interesting engineering innovations which differentiated period European racing cars are often examined and discussed today; that same engineering ingenuity applied in Nascar, with it’s “strictly stock” rulebook, was probably cheating, and by definition something to be hidden, even decades on. So, while there are historic Grand National racing cars, they do not constitute the definitive historical sources we might expect.
The cars may not be original, but nonetheless they remain compelling. What remains is the “I could go out and buy one just like that” element. Joe Weatherly’s ‘63 Pontiac Grand Prix looks like the one l have in my garage, the ones my son and I see at Pontiac meets. The thought of my Pontiac high on the banking at 150mph is pretty attention getting, and the thought of racing guys like Lil Joe, Fireball or Turner terrifying. Even though we know Joe’s Pontiac was built by Bud Moore, and is not just any old Pontiac 55 years from the end of the assembly line, the visual similarity will be an important touch point for future generations asking themselves ‘why drive round in circles ever faster?’

Regardless of the actual authenticity of the cars, as tangible manifestations of the past, striking and impressive in their noise, smell, and dangerousness, the cars which survive are amazing counterpoints to the color footage and stories.

Historiographical method seems to have particular traction in Nascar due firstly to the fact that there are so many contrasting versions of the same remarkable stories. Curtis Turner’s landing a plane on a high street to buy more whiskey, mentioned above, is one example of this. Often the protagonist himself tells the story differently in different sources; when the story is retold by others, another level of obfuscation and embellishment is added!

More than detail clarification, historiography can correct oversight in the accepted cannon: H.A. Branham’s 2015 official Nascar biography of Nascars founder and leader, Bill France contains a remarkable misrepresentation of Carrera Panamericana event. For Branham “Thankfully, there was little material resulting from the France Turner effort” However, the Official Story of the Mexican Road Race publicity book of the event features an amusing two thirds of a page image of France and Turner “hitching” a ride home, in front of a cactus, wearing sombreros. In his 1993 book “Carrera Panamerica, the History of the Mexican Road Race” Daryl Murphy has a great deal “of material resulting from the France Turner effort”. Having shown well early in the going, Bill France had, as Branham points out, ignominiously wrecked their Nash. Well down the field but ever enterprising, they simply bought the sixth placed Nash from Roy Pat Conner, who had fallen ill. On the following day’s stage, while descending a mountain pass, Turner came upon the Italian ace Piero Taruffi in his Alfa Romeo. To pass and win the stage, Turner bumped Taruffi a little, “Nascar style” to ensure he moved aside. Following a flat tire drama, Turner and France still won the stage, only to be disqualified for the buying of Conner’s car. These two impressions seem at odds: for Branham, it was a non-event and illustration of why Bill chose to focus Nascar in the south. For Murphy, it introduced California car builders and racers like Bill Stroppe and Johnny Mantz and Italians like Taruffi and his team mate Felice Bonetto to Bill France, and Nascar itself. Banham has failed to show what Turner and France’s relationship was once – the ultimate leadfoot driver alongside the ultimate creative thinking fixer/manager co-driver. Banham also leaves out the most dramatic image of the whole story, of somewhere high up in a Mexican mountain pass Big Bill and Curtis in someone else’s bathtub Nash ramming Taruffi’s beautiful Alfa until he yielded. To wreck, buy another car, and then ram your way into Victory Lane, a Nascar, not a road racing story, that. The memorableness of stories is important – it’s what makes legend, and Branham missed it. By eliminating fundamental oversight such as this we will go a long way to establishing improved credibility with academic historians.

The other crucial element in making our history accessible for academics is curating, interpreting and presenting stories in a manner which is accessible for readers lacking motoring vocabulary – people who think about a housing development when they hear “small block” and part of someone’s body when they hear “flat head”.
However, historiographical method seems to offer the most interesting rewards around stories which have remained untold: specifically the Pandoras Box of cheating.

Through the university I teach at met a leading car collector. A student, a chemist, was considering setting up a business around confirming the authenticity of collector cars. The car collector’s comment on this was that no-one wanted the service, since no-one stood to gain from it. As a seller, obviously, you want the car to be authentic and original, it’s worth more. As a buyer, you want that too – you just have to be sure of the cars authenticity before making the deal. Even the insurance company want the car to be genuine, otherwise they have less value to insure. So, it is in nobody’s interest to develop improved tests for authenticity, since the only result could be disappointment.

Applying this thought to Nascar, at Daytona in 1962 Fireball Roberts was absolutely untouchable. For Buddy Mewbourne “Fireball was the greatest driver to ever turn a wheel, including Petty, Earnhardt and all the rest. A tiny few argue, to no avail, that Curtis Turner was better.” Writing in his memoirs, Fireball’s car builder and owner, Smokey Yunick, says the car was supercharged. Were this true, no wonder Fireball was so much faster than the others. Moreover, just how great is Fireball as a driver now, if we believe that his super speedway success was simply due to having far more power than everyone else? Certainly, his reputation can only be compromised by research. Given his outstanding performances in the Sportsman series and in a Ferrari GTO sports car, any tarnishing of Fireball’s reputation as a driver might be seen as unfair. Does it matter? To Buddy Mewbourne, I bet it does.

Historiography can help us answer the question, here, however, like the wealthy car collector, I am reluctant to explore this kind of history because it tears down our heroes, while delivering little tangible benefit. Having said this, it is vitally important to consider, because rule bending is so much a part of NASCAR ’s identity: many early racing cars were moonshine haulers, by definition stock appearing cars designed to conceal their speed parts and modifications.

Perhaps what is required is a fresh definition, a word to describe the grey area in the rule book. Speaking at the 1998 Stock Car Legends Reunion “Little” Bud Moore proposes this, since he sees this creativity as part of what defines the sport.

Until we are somehow able remove the stigma from cheating by doing this, we will never learn the secrets – what was done to deliver the winning edge. The more winning the driver, the more they have to lose in terms of status, and hence the less willing they are to share. On the Stock Car Legends Reunion, when asked directly about cheating, Bobby Allison and Junior Johnson both skillfully deflect the question , Junior even raising a laugh (“Nascar caught it all”). David Pearson seems unwilling to own even a fairly innocuous story of his hiding in some bushes on the inside of a turn and leaping out in order to spoil one of Bobby Isaacs’ qualifying laps.

In conclusion, historiography matters because it shows us how, sadly, the notion of “one truth” is a fallacy. Frustratingly, reality is more nuanced – even when Fireball won, the quality of his victory can be tainted decades later by Yunick’s scurrilous and, it has to be said, rather unlikely supercharger claim. (Where would the plumbing go? Who’s reputation grows by this story?)

Historiography matters because it leads us to discover more amazing stories, as opposed to simply retelling the ones we already know – this is an internet trope, and pernicious, because exciting, dramatic American history becomes buried in once-exciting-but-now-dull-with-repetition stories.

Historiography matters because without it mainstream historians will never take us seriously. Having academic recognition matters: when the Road & Track archive needed a home, and was at risk of being discarded as trash, Stanford University library stepped in to save it. This could never have happened without academic recognition of the value of the archive. More, academic historians will help us curate and interpret the history and artifacts we are passionate about.

Big Bill France once said he felt NASCAR was “the best show in racing” and indeed that is precisely what Pixar saw. But between their pastiche, and old men with thick accents telling racing stories there is so much room for american history to be written. Pixar shows us how NASCAR’s place in American history is still open to debate: in our era of “fake news” it never seemed more relevant to look at a modern American institution with the discerning eye of the historian. The Road & Track Archive officially arrives at Stanford


This content was originally featured on JonSummers.net, reposted with permission. 


A new host on the block!

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FOR IMMEDIATE RELEASE

Be part of the Legend, L’Automobile Club de l’Ouest (ACO) USA

David Lowe, US Ambassador for the ACO

Email: d.lowe@aco-lemans.org


EVENING WITH A LEGEND SERIES – NEW HOST!

February 9, 2024, Washington, DC ꟷ The ACO USA team is pleased to announce that “Crew Chief Eric” of Gran Touring Motorsports, and founder of The Motoring Podcast Network, as well as an active ACO USA Member, has graciously accepted our invitation to volunteer and serve as our MC/Host for the “Evening With A Legend” (EWAL) series.

As part of your ACO USA membership you’re invited to join Evening With A Legend, a series of presentations exclusive to ACO USA Members where a Legend of the famous 24 Hours of LeMans race will share stories and highlights of the big event.

If you’re not familiar with Eric, he is an avid Motorsports Enthusiast, Racer, and Coach. He hosts the wildly successful Break/Fix Podcast with over 300 episodes in its catalog. Break/Fix is all about capturing the living history of people from all over the autosphere. From wrench turners, to artists, authors, racers, designers and everything in between. Their goal is to inspire a new generation of petrol-heads that wonder ”How did they get that job? or Become that person?”

The Motoring Podcast Network serves as a platform for creators with a similar charter to Break/Fix interviewing and share stories about the Vehicle Enthusiast and Motorsport world through programs like: The Motoring Historian, The Ferrari Marketplace, IMRRC/SAH’s History of Motorsports Series and many others.

Eric will be making his debut on February 28th at 7:00 PM (EST), when he welcomes Rick Knoop and “Doc” Bundy together for another exciting session of “Evening With A Legend” (EWAL). Registration for this members only event can be found here: https://motoringpodcast.net/contact/evening-with-a-legend/ – please reserve your spot today, and be sure to send Eric your questions so they can be answered on air by our Legends! 

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About L’Automobile Club de l’Ouest (ACO)

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Union vs. Empire: Curtis Turner, the Teamsters, and NASCAR’s Forgotten Labor Battle

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In the summer of 1961, NASCAR wasn’t just a racing series – it was a tightly controlled empire ruled by one man: Bill France Sr. Behind the roar of engines and the glamour of the Grand National circuit, a quiet rebellion brewed. At its heart was Curtis Turner, a driver with a dream, a debt, and a daring plan to unionize NASCAR.

Photo courtesy Mackenzie Kirkey

From its earliest days, NASCAR operated under France’s iron grip. He owned the rulebook, the purse strings, and the power to disqualify drivers at will. In 1949, Glenn Dunaway was stripped of a win for a suspension tweak. When his team sued, the courts sided with France, cementing his authority. Drivers who dared race elsewhere – like Lee Petty or Red Byron – were punished. France’s monopoly extended beyond the track; it defined the very identity of stock car racing.

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Curtis Turner wanted more than wins – he wanted legacy. In 1959, he began building Charlotte Motor Speedway, envisioning a crown jewel for Southern racing. But granite soil, torrential rains, and ballooning costs turned the project into a financial sinkhole. By mid-1961, the track was $800,000 in debt. Turner was ousted from leadership, desperate to reclaim control.

Enter the Teamsters…

Spotlight

Mackenzie Kirkey received his MA in History from Brock University and his undergraduate degree in history from Bishops University.

Synopsis

This episode of The Logbook, our History of Motorsports series, is presented by Mackenzie Kirkey, delves into the efforts to unionize NASCAR drivers in 1961, focusing on Curtis Turner and the involvement of the International Brotherhood of Teamsters. The presentation covers pivotal events including Bill France Sr.’s role in maintaining control over NASCAR, the challenges faced by the Charlotte Motor Speedway, and the eventual failure of the unionization effort due to legal precedents and strategic actions by France. The episode also touches on the broader historical context and the reasons behind the lack of documentation on this period in Teamsters’ history.

Follow along using the video version of the Slide Deck from this Presentation

Transcript

[00:00:00] Break/Fix’s History of Motorsports series is brought to you in part by the International Motor Racing Research Center, as well as the Society of Automotive Historians, the Watkins Glen Area Chamber of Commerce, and the Argettsinger family.

Organized Labor and NASCAR, the Teamsters and the Federation of Professional Athletes, by Mackenzie Kierke. McKenzie Kirkey received his master’s in arts in history from Brock University and his undergraduate degree in history from Bishop’s University. McKenzie’s presentation focuses on NASCAR driver Curtis Turner and the efforts of the International Brotherhood of Teamsters to unionize NASCAR drivers in 1961, and the tactics used by NASCAR’s founder and president Bill France Sr.

to try and thwart their attempts. Our next presentation kind of ties into some of the, uh, things we’ve talked about over the years, like with Buzz and some of the others who’ve talked about NASCAR. Well, good afternoon, everyone. My name is McKenzie, and today we’ll be talking [00:01:00] about organized labor and NASCAR, the Teamsters, and the Federation of Professional Athletes.

And as Buzz McKim had already went a little bit this morning, France privately owned the company that was a management control system. Basically, France had say in everything that NASCAR had to do, whether it was guarding purses, driver points, schedule, etc. But one thing that he did was disqualify any driver that did not specify his rules book and only his rule book, which he had sole control over.

And this happened in 1949 with the first Grand National Race, which we know today as the NASCAR Cup Series. When driver Glenn Dunaway was disqualified by France for having an illegal piece of wedge in his springs that helped the car turn better in the corners. Now back then, there was no appeals board for NASCAR, so whatever France said was final.

Except, Dunaway’s owner, Hubert Westmore, decided to sue NASCAR for 10, 000 to have Glenn Dunaway reinstated as the race winner. The first true case of someone going up against Bill France and testing his authority. In early 1950, Judge Johnson J. Hayes sided with [00:02:00] NASCAR saying that France had the right to disqualify the race car drivers that did not fit specifications according to the technical specifications of the rules book.

A major victory for France in the sense that not only was his rule book legal precedent, but also his decision making as well. Bill France Senior, if he caught you racing in any other series besides his own, he would strip you of your driver points during the season. Happened to Curtis Turner, the aforementioned Lee Petty.

In 1950, happened to Red Byron twice of the year, had been the previous champion. But there’s also one key legal case. In 1951, That would be key not only for the start of the FPA, but ultimately its end. And this was the legal case of the Outdoor Sports Corporation. So in a 6 1 rule, the New Jersey Supreme Court had said that the drivers participating in the series We’re not employees of this series, but rather contestants or independent contractors.

In short, the court establishes there’s no employer employee relationship in any racing series. Come 1961, the founding of the [00:03:00] FPA and the latter stages of it. So skipping a little bit ahead to 1959, Curtis Turner decides he wants to build the Charlemotor Speedway, a dream of his to own and operate. He even got Bill France Sr.

to sanction a bunch of NASCAR races starting in 1960, the most prominent being the World 600, on Memorial Day weekend, which today is known as the Coca Cola 600. Well, unfortunately for Turner, construction problems hampered the track from the very beginning. First and foremost, the land that was being constructed on was under solid granite.

Construction costs went for the roof overnight. It also did not help efforts that over three feet of precipitation fell in the fall and winter of 1959 1960 alone. Despite enacting 12 hour workdays for the construction workers, The track could not have the race ready for May of 1960, it got pushed back three weeks, in large part because half the track wasn’t even fully paved yet, and they only got it done, the paving job, within about a day or two of the race actually ready to go.

So how did the World 600 turn out in 1960? [00:04:00] It was a complete disaster. The fact is, if you don’t let the pavement harden, it’s going to create the potholes, and the problem was that… Chunks of asphalt were going so bad that they threatened to go through the windshields of the drivers themselves and even the grills of the cars that would pretty much kill the motor.

Out of the 60 drivers that started the race, only 18 finished. It did not help things that Bill Francine disqualified Lee Petty, Richard Petty, and Junior Johnson for what he called illegal pit entry and stripped all their prize money. Things could not have turned out worse for Curtis Turner. And the track floundered with attendance and upkeep costs like the unforeseen repaving the track and even payable costs.

So by the time we get to June of 1961, the Charlemore Speedway is at a crossroads. It’s facing over 800, 000 in debt. And the track board is given an ultimatum, remove Curtis Turner immediately from all positions, whether it’s the board, the presidency, or the track will be foreclosed on. So, that’s exactly what happens.

And now Turner, in his mind, after being forced to resign as [00:05:00] president and bloated off the board directors has one goal in mind, regain control of the track in any way he could. And he only saw one way to do so, get the debts paid off that the track owed. And this is where the Teamsters Union comes in.

Ironically, before Turner was even ousted, his chief financial officer, William Rabin, had offered him a meeting with the vice president of the Teamsters Union, Harold Gibbons, to talk about the problems of the track, to see if he’d be interested in getting a loan in exchange for unionizing himself and his fellow drivers.

Turner was just too proud of a guy to do so. So he rejected it thinking that he and he alone could solve the track debts problems. What ended up happening was Turner at this point realized I need to go see the Teamsters again See if the offer still stands and it did. So Kurtis Turner along with his fellow driver Glenn Farlbaugh Roberts One of the most respected drivers of the early NASCAR days Decided to go to Chicago to meet with the Teamsters in an early August hampered out the agreement for an 850, 000 loan for unionizing as many NASCAR drivers as possible [00:06:00] and with the understanding that this would have to be formally in public recognized by NASCAR Once the meeting is done, Turner quickly goes to Bowman Gray Stadium on August 5th to talk to his drivers to see if they’d be interested.

And surprisingly, there were quite a few. Now, why did the drivers be so interested in the FPA? Well, they saw a few reasons. One, pay scale wasn’t right. They thought that the pay themselves that they were getting in the rice purses were more like the late 40s, early 50s standards. By the time you get to 1961, NASCAR has a longer schedule, more diverse races, higher paying races.

And they would get fans not only for the races themselves, but for practicing and qualifying as well. So the tracks would make more money, and the drivers didn’t see that trickling down to themselves. Also, once you retire from NASCAR, there was no retirement system, you had no pension, you had no benefits.

But above all, the drivers saw one thing. They saw Bill Francis having all decision making in any NASCAR decisions, and they had no say. And they saw this union as a potential for them to finally get in voice of NASCAR’s decision making. [00:07:00] So, Once they’re doing that right under Bill France Senior, do you think he’s going to just let it go?

Of course not, he doesn’t. First thing he does on August 6th through the 7th is call his fellow track owners and promoters to see if not only are they behind him, but behind him for one particular reason. A ban. France wanted to ban any FPA driver competing in any of his races at any of the tracks and wanted to make sure the tracks themselves…

When in force is spanned by escorting any drivers from the property and seizing the last car licenses if it came to that. But you also want to do one other thing. Go to Washington DC. In early 1961, who’s the one guy you want to see in Washington DC if you have a teamsters Jimmy Hoffa problem?

Specifically someone who’s confronted Hoffa maybe in the televised, not so much debates, but grillings. That’s right, Attorney General Robert F. Kennedy. And does France have an appointment to go see him? Of course he doesn’t. It’s Bill France. So he goes right to his office and, well, France can’t see him at the moment.

So he sends him to one of the special assistants to the Attorney General, John Cassidy. But before [00:08:00] he does, France calls Cassidy and lets him know what’s going on. Tells him who France is, what his organization is, and tells him Jimmy Hoffa and the team should try and take it over. We cannot let that happen.

Do what you need to do to help him. But also, before France left Washington, he wanted to check one important thing. The 1951 Supreme Court case by the state of New Jersey was still legal precedent. That the drivers themselves were not employees of racing series, but rather contestants or independent contractors.

And he got that reassurance. With all that said, on August 9th, Bill France leaves Washington, D. C. and goes right to Bowman Gracie in the next race on the schedule. Well, on the way down, it did not help things that the Teamsters had publicly proclaimed in the Charlotte Observer. They had taken over NASCAR by signing up the majority of drivers.

That did not help Bill France feel any better. Bill France, before the race, quickly meets with the drivers and lets it know. Any driver after tonight’s race that’s an FBA member will be banned from NASCAR for life. Yes, he had a gun. Yes, he showed it and threatened them. But he also reminded them a few things.[00:09:00]

Any support you would get from Detroit will be taken away if you stay with the union. If you have any, say like any workers, like a mechanic, now you’re gonna have to pay them overtime. Time and a half on Saturday, double time on Sunday. And he offered the drivers to sign these cards, renounce your union membership, pledge your loyalty to NASCAR.

No worries, I’ll even do something that’s gonna really make you happy. I’m gonna offer you a committee. Ned Jarrett, you can lead it and we’re going to seek to improvements in NASCAR. If you have any grievances against me or any questions, any concerns, go to this committee. After all that’s done, did it convince the drivers to change their mind?

Well, it did. And why did the drivers abandon this union so quickly? France had offered to address their main grievance, have a grievance committee listen to all the complaints or whatnot, and maybe have a say in NASCAR decision making. But by the time you get to early 1961, NASCAR was no longer a hobby.

NASCAR at this point, with their extended schedule of high paying races, drivers did not work in the mills Monday through Friday and go race on the weekends. NASCAR was their livelihood. A [00:10:00] way that they made a living for their families. That’s the way the NASCAR was to them. And also, we have to remember, Bill France had a monopoly on 7 star car racing.

You just couldn’t go to any other series, make the same amount of money, make a living for your family. France had control, whether you owned the racetracks or sanctioned races with other track promoters who were behind them. Remember, the reason track promoters were behind him too is, these are the big races they get every year.

This is where the most money is made, for the tenants, for gate receipts. The drivers had nowhere else to race. And, we cannot forget about the perception of the Teamsters Union itself. Not just between Jimmy Hoff and Robert Kennedy. Or as Bill France liked to call them, gangsters. Or thugs. Or corrupt. The good news for Kurt Turner is he still has Fireball Roberts, who is the FPA president.

But, two days after France met with the drivers, Roberts surprises everyone and renounces his union membership. He resigns as president. Of course, Bill France welcomes him back right away. Now, Roberts was asked, why did you abruptly resign your membership? And it goes back to the very last point, the [00:11:00] perception of the Teamsters.

He sees the Teamsters Union doing more harm than good when it came to NASCAR racing. What does Curves Turner think the next move is? Well, I got myself, I still got Tim Flock. Let’s see if France really is gonna enforce this ban. You know, he’s just all talk. He’s not gonna do anything. Let’s go to like a modified race, one of the lower divisions in NASCAR in Roanoke, Virginia.

Is he really gonna do anything? Track officials are waiting for him. As soon as Turner and Flock get there, they’re confronted, they have their NASCAR licenses seized, they are banned from the track. Just a couple days later, on the 13th of August, the next Grand National Race, or Cup Race, is held in Nashville, with not a single FPA driver racing.

Just what Bill France said would happen. So at this point, Turner only sees, he only has one car left in his deck. And that is to sue Bill France and NASCAR to be reinstated. And this happens in September 1961. NASCAR simply brings up the legal precedent of the 1951 case. Before you know it, early 1962, Circuit Court Judge Robert Winfield agrees and tosses the lawsuit [00:12:00] out of court.

And Turner’s Turner and Tim Flock are banned, at least for the time being. Why didn’t the team try harder to save the union or get more involved? They had a lot of other problems going on with them. First and foremost, In Cincinnati, in late August of 1961, they have four of their own branches trying to defect to the AFL CIO.

And not just there, but in St. Louis, and San Francisco, and elsewhere found in the country. Jimmy Hoffa did not want to let that happen. He personally flew to these places to make sure that he would convince them to stay, or maybe in his words, remind them who’s boss. But also the Teamsters realized the union itself was not worth saving.

You had gone from maybe about 10 to 12 drivers on the August 5th to down to two drivers. At the end, the Teamsters realized they had violated one of the very simple rules of the Hart Taftley Act, Section 302. You cannot offer a person or a group of people, in this case Turner and Roberts, alone in exchange for forming a union that you [00:13:00] would be affiliated with.

It’s against the law. So they realized after they had sued NASCAR that this was not going to work. And that’s why the Teamsters themselves did not get more involved between having problems with their own union members and the fact they realized this lawsuit was not going to work. FPA failing, Kurtz Turner never regained control of Shubhamer Speedway.

An ironic twist of fate? Bill France maintained full control and power of NASCAR because the committee he had set up. He didn’t really set it up to, you know, like, actually do anything. He made sure that he picked Ned Jarrett. Someone who was, as they say, his nickname, Gentleman Ned. Someone who is respected, but wouldn’t be like Kurtz Turner.

He wouldn’t form his own driver’s union or raise a fuss. He would just be told what to do, and simple as that. So, as Ned Jarrett said, the committee met for a couple of years and then quietly dissolved. France had quashed the union. And had gained full control and say of NASCAR decision making. And the Teamsters themselves.

Unfortunately, for their decision not [00:14:00] to fully support the union, focus on more important things, which might have been the good point at the time, led to its demise. In fact, the Teamsters are so embarrassed by this, that when I did my research at the Teamsters archives in Washington, D. C., I could not find anything on this.

And I asked the person who was the archivist, why is this the case? Why is there no documentation? He said, well, since this was such a failure, and a bit of a small black guy on the teamsters, any documentation they had at the time was destroyed. They wanted this erased from memory. That’s how bad it was for them.

That was a very good explanation. One of the better ones I’ve heard. Nothing against you Buzz, but that was really good to the point. We’re going to take some questions right now. I was on the board of International Speedway Corporation from 1982 to about 10 years. John Cassidy was their go to Washington attorney, even in those days.

So he had a long tenure working with the France family [00:15:00] after he left and went into private practice. Did you ever look at 1977? Jeff Bodine and Jack Housby and their efforts to get Teamsters as a sponsor. Yeah, you ought to look into that one, too. It’s pretty interesting. Any news about what ever happened to Jimmy Hoffa?

I was hoping you’d ask. I was a Mark Scorsese fan with the movie The Irishman. I have to believe that you cannot find the body of Jimmy Hoffa. If the movie is correct, I believe it is, there is no body. He was whacked, and then they pretty much incinerated him. Turned him into ashes, so I don’t think you’re gonna find a body.

Thank you everyone.

This episode is brought to you in part by the International Motor Racing Research Center. Its charter is to collect, share, and preserve the history of motor sports spanning continents, eras, and race series. The Center’s collection embodies the speed, drama and [00:16:00] camaraderie of amateur and professional motor racing throughout the world.

The Center welcomes serious researchers and casual fans alike to share stories of race drivers, race series, and race cars captured on their shelves and walls and brought to life through a regular calendar of public lectures and special events. To learn more about the Center, visit www. racingarchives.

org. This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect of automotive history. The SAH actively supports the compilation and preservation of papers. Organizational records, print ephemera and images to safeguard, as well as to broaden and deepen the understanding of motorized wheeled land transportation through the modern age and into the future.

For more information about the SAH, visit www. autohistory. org.

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Turner, once too proud to accept help, now saw salvation in organized labor. Alongside Fireball Roberts, he brokered a deal with the Teamsters: an $850,000 loan in exchange for unionizing NASCAR drivers under the Federation of Professional Athletes (FPA). Drivers were intrigued. They wanted fair pay, pensions, and a voice in decision-making – things France had long denied.

But France struck back.

Within days, France mobilized track owners to ban FPA members. He stormed into Washington, D.C., uninvited, demanding help from Attorney General Robert F. Kennedy’s office. France reminded officials of a 1951 court ruling: drivers were independent contractors, not employees – making unionization legally shaky.

Then came the ultimatum: at Bowman Gray Stadium, France threatened drivers with lifetime bans, financial ruin, and even showed a gun. He offered a compromise—renounce the union, pledge loyalty to NASCAR, and join a grievance committee led by the ever-gentlemanly Ned Jarrett.

Most drivers folded.

Roberts resigned from the FPA. Turner and Tim Flock tested the ban at a minor race in Virginia – only to have their licenses seized. The union crumbled. A lawsuit followed, but courts upheld France’s authority. The Teamsters, facing internal strife and legal violations under the Hart–Scott–Rodino Act, quietly abandoned the effort. Turner never regained Charlotte Motor Speedway. The grievance committee dissolved. France’s empire remained intact.


Erased from Memory; Legacy of a Lost Cause

The Teamsters were so embarrassed by the failed unionization that they purged all records. Even the archives in Washington, D.C. held no trace. As one archivist told researcher MacKenzie Kirkey, “It was a small black eye… they wanted it erased.”

Curtis Turner’s union push wasn’t just a footnote – it was a flashpoint in NASCAR’s evolution. It revealed the tension between individual ambition and institutional control, between labor rights and racing tradition. And though the FPA failed, it sparked conversations that still echo today.

This episode is sponsored in part by: The International Motor Racing Research Center (IMRRC), The Society of Automotive Historians (SAH), The Watkins Glen Area Chamber of Commerce, and the Argetsinger Family – and was recorded in front of a live studio audience.


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The International Motor Racing Research Center (IMRRC), partnering with the Society of Automotive Historians (SAH), presents the annual Michael R. Argetsinger Symposium on International Motor Racing History. The Symposium established itself as a unique and respected scholarly forum and has gained a growing audience of students and enthusiasts. It provides an opportunity for scholars, researchers and writers to present their work related to the history of automotive competition and the cultural impact of motor racing. Papers are presented by faculty members, graduate students and independent researchers.The history of international automotive competition falls within several realms, all of which are welcomed as topics for presentations, including, but not limited to: sports history, cultural studies, public history, political history, the history of technology, sports geography and gender studies, as well as archival studies.

The symposium is named in honor of Michael R. Argetsinger (1944-2015), an award-winning motorsports author and longtime member of the Center's Governing Council. Michael's work on motorsports includes:
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How good was “Lil” Joe Weatherly?

Joe Weatherly was NASCAR Grand National Champion two years in a row, and was leading the Championship when he was killed during a race in early 1964. His image today is shaped by his untimely death: there is color film in the public domain, and it is emotive, shocking, and seems at once senseless and mysterious to contemporary eyes because Joe was not wearing a seatbelt at the time of his accident.

This paper seeks to re-evaluate Weatherly’s career, in the light of his unique achievement: in 1963, he retained his championship driving ten different makes of car, despite often arriving at the track on race day without a car to drive. [NB Upon reflection and further research, it seems likely that Joe phoned round in the run up to races, that is to say when he arrived on race day he likely knew which car he would be driving, but wouldn’t have had a chance to practice or improve it. Once the checkered flag flew, he would be back to asking for a drive ahead of the next event]

Comment will also be made on the compelling sources available.

NASCAR and motorsports in general were exploding in terms of technical developments and performance gains at the time of Weatherly’s career. Featuring cars supposedly showroom stock, similar perhaps to the one sitting on your driveway, yet lapping giant banked superspeedways at speeds above 160mph in a symphonic cacophony of American made V8 roar, it was a sufficiently impressive spectacle for clips of races to get on to the news, and ABC’s Wide World Of Sports, just as color TV became the norm. Car makers were involved, often fielding multiple brands (Chrysler: Dodge, Plymouth; Ford: Ford, Mercury; GM: Chevrolet; Pontiac) and the sport itself was transitioning from its short – ¼ or ½ mile – dirt track roots to paved super speedways more than two miles in circumference. 1964 proved a difficult year for NASCAR. On the heels of the assassination of JFK, Weatherly, the back to back defending Champion and current point leader died in January. A pile up at Indianapolis and the loss of two other NASCAR drivers including super-speedway maestro Fireball Roberts, for Ned Jarrett “the first superstar of our sport” made many, Jarrett included, reconsider the nature of his involvement with the sport.

Joe’s passing was an unusual event in a number of ways. NASCAR is oval racing, yet this event was on a road course, with both left and right turns. NASCAR at the time was almost exclusively based in the south east, yet this event was at Riverside, in California. Weatherly’s Mercury Marauder S-55, built and owned by Bud Moore, ran wide on a fairly slow right hander, and struck the outside retaining wall. Joe was not wearing seatbelt and thus his head came out of the window and struck the wall. Contrary to contemporary sensibilities, Joe not wearing seatbelt is hardly surprising: his biggest fear was fire, specifically being trapped in the car while it was on fire. It must be said that this fear was far from unfounded – since, with bitter irony, that was to be Fireball Roberts’ experience later in the year. At this time and distance, it is hard to add much to the theories about what caused the accident. Engine failure is one possibility. Bud Moore has said that new parts within the brakes failed. The film in the public domain of the incident tends to support this, as the commentator draws attention to the smoke coming from one of Weatherly’s wheels as he enters his final corner. Another version looks at what took place in the race – Moore and his crew changed the gearbox, and Joe was hustling to catch up – and perhaps over-driving the car. Deeper yet, an eyewitness claimed he heard Weatherly struggling with the transmission, unable to get the car into a lower gear to slow it for the corner. The Marauder is a huge car, weighing 4000lbs, and the brakes were drums, so Weatherly would certainly have been relying on engine braking to get properly slowed. Unable to find a gear, it is easy to see how he ran wide at Turn 6,  a sharp uphill right at the end of a series of fast swerves. Remembering that the transmission was fitted in a hurry during the race, while the engine and back axle were still at racing temperatures, and it is easy to envisage an improperly fitted gearbox giving Joe the issues the eyewitness described. Due to the film of the incident in the public domain, it is easy to see why contemporary coverage can seem to focus on how Joe died rather than how he lived.

In 1962 Weatherly became champion racing for Bud Moore, using Pontiacs; Fireball had dominated the superspeedway events in Smokey Yunick’s Pontiacs, and as this was clearly the car to have, it was sensible for Joe to remain with Moore. However at the beginning of 1963, political developments – perhaps a Federal Anti-trust case taking shape against General Motors – meant that the factories pulled out of racing – they no longer supplied cars and modified parts to racers such as Bud Moore. Moore told Weatherly he was not going to be able to afford to enter many of the races that season, leaving Joe without a car. It should be said that at this time few drivers competed in all NASCAR point scoring races during the season. Some – in later years, notably David Pearson – would only compete in big money races. Hence it was that although Weatherly was champion in 1963, the story of that year was Fred Lorenzen’s record breaking $100,000+ winnings. Weatherly, like the Pettys, contested all events, including the smaller, lower paying meetings, and, judging from the evidence available, came up with a cunning way to ensure he had cars to drive, and could thus accumulate the points he needed to retain his championship. At that time, NASCAR paid $300 starting money to the current Champion if he started a given event, since having the Champion at the race drew a bigger gate. Kyle Petty says “My grandfather raced for the money” – and indeed so did many other drivers. Looking at the records of winnings through 1963[JS1] , it is clear Joe offered to share his $300 with them if they let him race their car. Indeed, by the end of the season Weatherly had a falling out with Moore, because Moore felt he was driving to finish, to get the points to retain his championship, rather than to win.

Weatherly’s main rival in the championship for 1963 was Richard Petty. Petty built his own cars, with his ex-moonshine running Champion driver father Lee, and his brother Maurice in a small farm workshop overlooked by the bedroom in which he was born. Richard was about to earn the nickname “the King” during a dominant 1964, and he would go on to be the most winning driver in NASCAR history, with 200 wins in a four decade career, almost twice as many as his nearest rival. Let there be no doubt, Joe’s achievement in 1963 is measured against a very high – perhaps the highest – yardstick, since Joe beat “the King” when he was still young and hungry.

Weatherly proved his driving talent in the late forties, as a leading American Motorcyclists Association (AMA) racer. During a five-year professional motorcycle racing career Weatherly won three AMA nationals, including the prestigious Laconia Classic 100-Mile road race in 1948 and 1949[JS2] . It was unusual for a NASCAR driver to transition from bikes, yet it seems clear bikes represented an ideal proving ground for car racing, at least in the middle of the last century, since almost all Grand Prix drivers [JS3] of the interwar period began racing bikes.

Weatherly came to prominence as a car racer in the early-fifties, first as a dominant force in modified racing, and later driving for a team known as the “Purple Hogs”. Weatherly was partnered with Curtis Turner, using Fords, and Turner had the better of the results: in the short-lived NASCAR convertible series, Turner won 38 times against Weatherly’s 12. Often, Weatherly ran second to Turner. The pair were great friends, known for drinking, womanizing and on track showmanship. Another soubriquet they earned at this time was “the Gold Dust Twins”, the gold dust being the rooster tails of earth thrown up into the air by their sliding Fords. Turner was a truly larger than life figure who bought and sold more than half of North Carolina during his time as a timber baron and was, according to veteran NASCAR promoter Humpy Wheeler “the only man I ever knew who threw away the top when he opened a bottle of whiskey”.

Direct comparison between Turner and Weatherly is difficult however, since Turner never raced close to a full schedule, and for much of his prime was banned from NASCAR following an ill-advised attempt to borrow money from Jimmy Hoffa to unionize NASCAR. Certainly, during the era of the Purple Hogs and NASCAR Convertible series, Weatherly seems to have been Robin to Turner’s Batman. Physically, Turner was tall, dark, handsome and fearless far beyond the point of recklessness; Weatherly was short and scar-faced from a teenage on-road car crash, with a penchant for practical jokes, and a peculiar scrambled dialect[JS4] . He wore brown and white loafers which became something of a trademark – indeed, in photographs it is rare to see him wearing any other shoes. Clearly, both understood what today might be called branding, but in period was known as showmanship. Turner and Weatherly called each other “Pops”, the origin of the term being the sound when one car struck another. For Turner and Weatherly that contact might have been on track, to the consternation of the Ford company men, or indeed it might have been rental cars at a stop light or cruising down the freeway.

HILLSBORO, NC – 1956: NASCAR superstars Joe Weatherly (L) and Curtis Turner (R) at Orange Speedway. (Photo by ISC Images & Archives via Getty Images)

Rarely is reference made to Weatherly without his nickname “The Clown Prince of Racing” being mentioned. Weatherly’s pranks included riding donkeys in race car parades, fooling the unwary with rubber snakes and stealing the ignition keys from all the cars on the grid right before the “Gentlemen Start Your Engines…” command. Like Glen Roberts’ hated “Fireball” moniker, or “King” Richard Petty, the memorable name is part of the journalist or commentator’s story-telling toolkit, even as it cast Joe as a jester next to Turner’s rugged hero. Joe’s estranged wife might also have struggled with seeing the funny side of Joe’s behavior; she married him despite breaking both her legs in the accident which gave him his distinctive facial scar.

In examining a racing driver’s skills it is important to recognize the only meaningful yardstick is other drivers of that period. It is also important to recognize that statistics only tell part of the story, because greatness lies in how accomplishments were realized, not the volume of race wins/championships. That Joe had outstanding natural talent is certainly clear – he did well on two wheels and four, on loose surfaces and pavement. Anyone racing at these speeds with the safety and medical facilities available in the early sixties was clearly brave to the point of foolhardiness to twenty first century eyes: simply to run with Turner, Weatherly had to be fearless behind the wheel. Fireball and Fred Lorenzen were outstanding on superspeedways, yet Joe won and retained his championship by consistent point scoring on the shorter, dirt tracks. In the fifties, it is clear Joe was overshadowed by Turner, yet by the early sixties, a back to back champion, Weatherly had fully emerged from Turner’s shadow. Rather than a lead-footed joker, he took a pragmatic approach to winning, and should be remembered that way. Away from the track, with his sheer hooliganism Weatherly has perhaps a deeper cultural resonance: to drive a car into a swimming pool is a Hollywood movie cliché, however Joe did it first, racing from a track back to the motel with Turner in a couple of rental cars, for the prize of a bottle of Canadian Club whiskey….

Looking then to sources available to tell Joe Weatherly’s story, NASCAR is particularly rich, since this is recent, geographically localized history is matched with thorough print and TV media coverage, a growing body of literature and a large number of museums, archives and Halls of Fame.

Detailed race by race results and analysis is available, with special attention drawn to Tom Higgins, the sports writer at the Charlotte Observer for over four decades, and Greg Fielden, who has published an encyclopedic four volume history of NASCAR offering a thumbnail of each race, and results including positions and money won. Primary sources – interviews with racing drivers and car builders, both in period and after the fact, and many hours of color film of races from the fifties and sixties is available on YouTube, with more being posted each month. Other online resources, such as forums and the fan page littlejoeweatherly.com proved very useful when learning about Joe, carrying compelling material not found elsewhere.

The traditional canon of motorsports literature – Christmas gift stocking stuffer biographies of the most recent champion written by a sports journalist – has been reinforced by the self-publishing revolution: notable amongst these efforts is Smokey Yunick’s thousand page, highly libelous autobiography/philosophy/racing memoir, “The Best Damn Garage In Town”. Content in both types of literature is often verbatim conversation or polemical rather than a politically correct dull recitation of race results found in many European motor racing biographies, and as such differing and even contradictory accounts of many incidents can be noted.

Although this is recent history, many of the physical sites have changed beyond recognition since Joe’s time. Tracks have been resurfaced, or have disappeared completely: Riverside is now another SoCal shopping mall, David Pearson’s home town of Whitney is now a suburb of Spartanburg, and the original Hollman-Moody base was pulled down to make way for the new runway at Charlotte airport. Standing out amongst the many abandoned tracks, North Wilkesboro is slowly collapsing like a fading Appalachian Colosseum. One place which has not changed is the Petty’s farm, in Level Cross, North Carolina, where even the local fire station is #43, “King” Richard’s racing number.

The Joe Weatherly museum offers a cabinet with a picture of Joe, some of his famous shoes and trophies. Alongside is a rare and fascinating exhibit of components constructed with the specific purpose of cheating, i.e. making the cars better than stock. Included is a special Smokey Yunick Pontiac hood, which appears to be steel, but in fact is a clever amalgam of papier mache and aluminum – making it far lighter, and hence the car faster, and an extra gas tank, fitted under the dashboard, thereby giving Lorenzen’s Hollman-Moody Ford an extra two laps of fuel. How much did these things – and other cheats surely missed by NASCAR inspectors – contribute to Fireball and Lorenzen’s success on the superspeedways?

The NASCAR Hall of Fame recalls Joe in a balanced way, the Clown Prince and Purple Hog stories set against Weatherly’s AMA and NASCAR modified Championships and his stock car successes of the early sixties. Inducted a year before Turner in the Class of 2015, Weatherly is one of the first thirty inductees, reflecting his double champion status and that remarkable 1963 season.

Finally, it should be said that the cars which have survived arguably represent the most accurate physical document of early NASCAR and hence Joe Weatherly’s career.

[JS1] Forty Years of Stock Car Racing Vol 2, by Greg Fielden

[JS2] Per the AMA Hall of Fame

[JS3] For example, Nuvolari, Varzi, Taruffi, Rosemeyer, von Brauchitsch

[JS4]“In ’62 ‘Balls won everything but Miss Congeniality in Smokey’s big Indian” Joe Weatherly discussing Fireball Roberts performance at Daytona in 1962. Smokey is Smokey Yunick; Pontiac was a rebellious native american leader, who entered the popular consciousness as the subject of a popular novel just as the GM board were considering how to make-over their Oakland brand: like Hummer a decade ago, GMs leadership felt “Pontiac” properly captured the zeitgeist of the age.


This was prepared for the 2016 Drive History Conference, organized by the HVA at the NB Center in Allentown, Pennsylvania. It was also presented at the 2016 International Motor Racing Research Center conference in Watkins Glen, read by Don Capps. It was the first in a series looking at historiography, that is to say HOW the story is told. NASCAR seemed like the natural place to start, because so many of the stories feel like legend: for outsiders, this looks like implausable deeds performed for impenetrable reasons, like the first time we hear Greek Mythology (a dude with a bull for a head? Gods regularly having sex with mortals? A quest for a sheep fleece?) My premise was simple: subjected to the scrutiny of historical judgement, how good a driver was Joe Weatherly? The evening before I was due to present, I met someone who knew Joe his surviving relatives. Presenting to him was intimidating; I wanted to shed light on Joe, but realized that risked tearing down a hero. He sat in the front row, and much to my relief, shook my hand afterwards, thanking me for what I had said.


This content was originally featured on JonSummers.net, reposted with permission. 


Big Bill France and the Birth of NASCAR: A Legacy Forged in Grit, Vision, and Loyalty

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In the annals of American motorsports, few figures loom as large as William Henry Getty France – better known as Big Bill. Standing six-foot-five with a booming voice and a relentless drive, France didn’t just help shape NASCAR – he built it from the ground up. In this episode of the Break/Fix Podcast, motorsports historian Buz McKim takes us on a riveting journey through France’s life, tracing the roots of NASCAR from its humble beginnings to its rise as a national institution.

Born in 1909 in Washington, D.C., France came from a lineage of bank clerks and Scottish nobility. His eighth great-grandfather was James Graham, the Great Montrose – a nobleman whose body was famously quartered by Cromwell’s forces and later reburied with honor. That legacy of boldness seemed to echo in France’s own life.

As a teenager, Bill defied convention, sneaking his father’s car onto the high-banked board tracks of Laurel, Maryland. By 1934, he’d relocated to Daytona Beach – not because his car broke down en route to Miami, as legend suggests, but because Daytona’s racing heritage called to him.

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France’s early years in Daytona were marked by grit. Working at a gas station during the Depression, he often required customers to front money for parts. Stories of hiding from tire salesmen in the ladies’ room paint a vivid picture of a man scraping by – but always with an eye on the future.

In 1936, Daytona hosted its first stock car race. France entered and finished fifth, but the city lost $22,000. By 1938, France had partnered with local financier Charlie Reese to promote the race himself. They split a $100 profit, and France was hooked. By 1939, profits soared to $2,000, and France began to see the potential of organized stock car racing.

Spotlight

Buz McKim, formerly historian at the NASCAR Hall of Fame in Charlotte, NC, is a distinguished figure in the motor sports world and a much sought-after speaker at motorsports gatherings. Mr. McKim served as director of archives for International Speedway Corporation and as coordinator of statistical services for NASCAR. He is the author of The NASCAR Vault: An Official History Featuring Rare Collectibles from Motorsports Images and Archives.

McKim’s Legends of Racing Radio Show is a hugely popular forum for enthusiasts of the sport. Buz McKim was our Keynote Speaker for two prior Argetsinger symposia.

Synopsis

This episode of The Logbook, our History of Motorsports series, is a detailed exploration of NASCAR’s origins led by Bill France, as delivered by motorsports historian Buz McKim. The presentation highlights France’s early life, his love for racing, and his move from Maryland to Daytona Beach. France’s challenges during the Great Depression, his initial stock car race experiences, and his eventual decision to form NASCAR in 1948 are discussed. The script also touches on key historical moments, including France’s recognition of the need for credibility in racing, his philanthropic contributions, and his strong influence and relationships within the motorsports community. The content captures France’s journey from a mechanic and racer to a visionary leader who shaped NASCAR into a nationally recognized sport.

Transcript

[00:00:00] Break/Fix’s History of Motorsports series is brought to you in part by the International Motor Racing Research Center, as well as the Society of Automotive Historians, the Watkins Glen Area Chamber of Commerce, and the Argettsinger family. Bill France and the Origins of NASCAR by Buz McKinn. Buz McKim, formerly historian at the NASCAR Hall of Fame in Charlotte, North Carolina, is a distinguished figure in the motorsports world and a much sought after speaker at motorsports gatherings.

Buz served as director of archives for the International Speedway Corporation and as coordinator of statistical services for NASCAR. He is the author of The NASCAR Vault, an official history featuring rare collectibles from motorsports images and archives. Buz’s Legend of Racing radio show is a hugely popular forum for enthusiasts of the sport.

Buz was also our keynote speaker for two prior Argettsinger Symposiums. Buz’s presentation explores the racing career of NASCAR’s iconic founder, Bill France, and the origins [00:01:00] of NASCAR in the late 1940s and early 1950s. Big Bill’s exploits are legendary and his captivating and sometimes overwhelming style belay his extraordinary contribution to the evolution of professional motor racing in America.

Buz’s presentation is a deeply informed and sympathetic portrayal of the man and his accomplishments. Our next presenter really doesn’t need any introduction, particularly here at Watkins Glen. Welcome back, Buz McKim, who had a great effect on NASCAR history, been the historian at the NASCAR Hall of Fame museum.

I’ve been involved in more books and more productions than I can even think of, and it even paints race cars. That’s how I got started. And also it was a very important role in the archives of NASCAR. We’re going to be talking about an interesting topic, one that always is a little… Interesting to hear about from different perspectives.

And that is Bill France and the origins of NASCAR. Buz, it’s yours. Take it away. [00:02:00] Yeah, I, uh, headed up the Archive Department at Daytona for a number of years and then went over to the NASCAR side and was the Director of Statistical Services for a while. And then I was able to go to Charlotte and become the historian for the NASCAR Hall of Fame when they were just breaking ground, basically.

So it was my job to go out and find all the items that… We’re in the hall. That was like three years of nonstop treasure hunting. And, uh, that was really, really cool. But today we’re going to be talking about Bill France and the founding of NASCAR. It’s hard to imagine how one person can have such an effect when you think about how big NASCAR is and what they started out with William Henry Getty.

France was born in 1909 in Washington, DC. He came from a line of bank clerks. His dad liked the name Getty because it meant strength and power. And ironically, Bill turned out to be six foot five. He loved motorcycles, he loved racecars, he wanted to drive in the Indy 500, and he was kind of a black sheep of the family because of that, and that he wasn’t following the family line.

He decided he was going to do it his own way. H. A. [00:03:00] Branham, in his book, Big Bill, The Life and Times of NASCAR founder Bill France Sr., wrote about heritage of the France family, and it says here, Big Bill seemed appropriate, indeed, when viewed within the context of his ancestry on his mother’s side. His eighth great grandfather lived life large, to say the least.

That was James Graham, the fifth Earl and first Marquise of Montrose, known in Scottish history as the Great Montrose. So Bill was directly related to the Great Montrose. So people were expecting great things out of him. Now Graham, in the 1600s, he was a Scottish nobleman and a soldier who fought for Charles I.

As the English Civil War developed from 1644 to 1646, and again in 1650, he was renowned for his spectacular victories. Taking foes by surprise via superior battle tactics. Now he must have really pissed off Oliver Cromwell that he was fighting with. Because he was known for being beheaded by military dictator Cromwell’s troops in [00:04:00] 1650.

And not only was he beheaded, but his body was cut into four parts and sent to four major towns in Scotland. So he really got under some people’s skin. Ten years later when the monarchy was restored following Cromwell’s death. King Charles II took the throne, and James Graham’s body parts were actually collected and buried with great ceremony at St.

Giles Cathedral in Edinburgh. That burial area is known as the Montrose Isle, where the Dukes of Montrose are interred, and that was part of Bill’s family. Like I said, all he wanted to do was drive. He wanted to race. When he was 16, he took his father’s car to the Laurel, Maryland racetrack. This was a mile and a quarter track.

It was a board speedway. It was made out of 2x6s laid up on edge. The board tracks were all the rage back in that part of the century. And the motorcycles and the IndyCars of the era raced on those boards. They had 48 degree banks on that turn. Now Daytona’s only 31 degrees. But 48 degrees and Bill got to know the people at the track and they would let him take his dad’s car around the track and his dad got all P.

[00:05:00] O’d and went over to the Ford dealer and wanted to know why his tires were wearing out so quick. Bill never bothered to tell him he was out there playing hot laps. Bill drove in the uh, Maryland area. He had a little sprint car that he raced. And then in 1934, he decided that if he was going to work on cars, he might as well do it where it was warm.

So he decided to move to Daytona Beach. Now the story goes that he was on his way to Miami, and that the car broke down, and that they stayed in Daytona. And Bill always said that that was a bunch of baloney, because he was a mechanic, and he said, I could have fixed the car, and we could have gone to Miami.

But we came to Daytona because of the racing background, and they had family in the area. So they went ahead and they stayed in Daytona, and that’s where he found his fortune. And he went to work for a, uh, Buick dealership as a front end specialist, and then later got his own gas station. And this was during the Depression, when things were really, really tight.

And you talk to some of the old timers in Daytona, and they’ll tell you that when Bill had his station, if you wanted to get your car work done, you would have to front him the money for the parts. And then pay him for the labor when the job was done, because Bill did not have the money to get the parts.

And there was another time when there was a [00:06:00] tire that was sitting on a, uh, display out on the island out in front of the gas station. And it was on consignment, and Bill had sold the tire. One day the tire salesman rode by and saw the tire was missing. Sammy Packard, who worked in the gas station at the time, told me the story.

He said, Bill went and hid in the ladies room because he didn’t have the money to pay for the tire. So the next day, the tire guy came by and Bill had the money and he went ahead and paid him. But, I mean, that’s how tight things were. In 1936, the city of Daytona put on its first stock car race. Through 1935, from 1903, they had the last speed record runs through the measured mile.

There was no stock car racing at all up until 36. Malcolm Campbell was doing close to 300 miles an hour in people’s backyards in 1935, and the city of Daytona decided that it was time that they had to find another place to play. So they went to Bonneville Salt Flats. The rest is history there. But in 1936, a guy named Sig Hogdahl, who was a land speed record run guy, first guy to run 180 miles an hour, he went ahead and came up with an idea for a stock car track on the beach, using half the beach and [00:07:00] half State Road A1A.

So Bill went ahead and entered the race and came in fifth, but the city lost 22, 000 on that race in the middle of the depression. So they were immediately out of the stock car business. So for 1937, the local Elks Club put on the race and they lost their butt. The winner made like 50 bucks. So for 1938, they didn’t have a promoter and Bill France being a race driver and coming in fifth in that first race really got him fired up about racing on the beach.

There’s a guy named Ralph Hankinson, who was a promoter, he was the greatest promoter in the country. And he wintered in Orange City, which is about a half hour from Daytona. So Bill thought he’d go ahead and call Collect. He did not have, this quarter right here, could have bought NASCAR in 1938. He didn’t have the quarter to make the phone call, so he called Collect.

And Hankinson didn’t know who this Bill France guy was, so he refused a phone call. So Bill was considering doing it himself. He didn’t have the money, and he was complaining to a guy he knew named Charlie Reese, who was kind of a gangster, really, he had a lot of money. But he talked to Charlie about the race, and what are we gonna [00:08:00] do, so…

Charlie Reese said, well, you know people and you know the sport and if you do the legwork, I’ll put the money up. So they ended up putting on the 1938 race and they split a 100 profit. And Bill thought, that’s a pretty darn good deal. They charged 50 cents. So, uh, for the next year, they went ahead and they charged a dollar and they split a 2, 000 profit.

Bill said, this is getting a lot better. Bill continued to race and he became the 1940 unofficial stock car champion. There were no official champions back in those days because of the sport. It was just scattered. There was no uniform rules. There was just no organization to it. There’s no credibility to it.

Bill raced one time in Maryland. They had a big race advertising 500 to win. So Bill drove his heart out that day and finished third and he got 10. So he asked the promoter, he said, well, what about this money? What about this 500 bucks? So the winner got 50 bucks. And the promoter said, oh, I just said 500 dollars to make things interesting.

Yeah, there was no credibility. So that always stuck in his craw. And Bill was a very honest guy and he didn’t care for being screwed like that. During the war, he went to work at the [00:09:00] local boatyard, building sub chasers. He had a couple of little kids at home, so he got a job at the boatyard, didn’t have to go out into the service.

That worked out pretty good for him. Bill went ahead and continued to race until 1946. Then he quit driving, and he went into promoting full time. And he got an idea for a race up in Lonsdale, Rhode Island, in October of 1947. There was a guy named Bill Tuthill, who was a great promoter in the Northeast, and they came up with an idea for kind of a North versus South.

Tuthill’s guys against Bill France’s guys. This was a third of a mile high banked asphalt track, and nobody thought that it would ever work, because stock cars had never been run on asphalt. They figured there’d be no passing, and you know, maybe you might get 500 people to show up if you’re lucky. They went ahead and charged 1.

20, and they got nine. people to show up for this race. So Tuthill and France decided that if this thing became organized, it could be something really special. They had an idea to bring some credibility to the sport. And in December of 47, just six weeks later, they [00:10:00] had a four day series of meetings at the Streamline Hotel.

In Daytona, they banged out the rules and they selected the heads of different committees and all that sort of thing. And they came up with NASCAR. For that deal there, Bill gave a stirring speech. In fact, it’s so stirring that it covers one whole wall in the Research and Development Center there in Charlotte.

The way he worded this is pretty amazing. He says, Stock car racing has got distinct possibilities for Sunday shows and we do not know how big it can be if it’s handled properly. We can go the same way as big car racing, Indianapolis. And I believe stock car racing can become a nationally recognized sport by having a national points system.

Stock car racing as we’ve been running it is not, in my opinion, the answer. We must try to get track owners and promoters interested in building stock car racing up. We’re all interested in one thing, and that is improving the present conditions. And the answer lies in our group right here today to do it.

With that, he was awarded the position of President of NASCAR. Tudhill became the Executive Secretary. Interesting [00:11:00] that NASCAR was not the first name. It was an acronym that they wanted to call the organization. And then after the first vote, somebody realized that there was a group in Georgia that had the same name.

So they had to go back and come up with a different name. So, Red Vogt, who was the first superstar mechanic, he built all the moonshine cars and all that stuff. He came up with the name NASCAR, National Association for Stock Car Auto Racing. A lot of people didn’t like it because they said it sounded like NASCAR.

But then on the second reading, they went ahead and they adopted the name NASCAR. And that was in December of 47. And it was incorporated in February of 48. Right from the beginning, it was great. They came up with a uniform set of rules. They came up with a point fund. They came up with a national champion.

I have an entry blank from High Point, North Carolina from 1941. And on one of the lines, it says, Just call yourself whatever you want. We’re just looking for good stories for the newspaper. You know, you could say anything you wanted to back in those days. And it really didn’t make any difference to anybody.

Bill went ahead and they did away with that sort of thing. And he brought credibility to the sport. And it’s funny how he talked about [00:12:00] Indianapolis and the big car racing. And uh, so here are these guys, they’re a bunch of hillbillies, a lot of them. Didn’t have two nickels to rub together. They’re talking about being as successful as Indianapolis.

And that’s just about how it is now. In 1965, Bill said that NASCAR would be as big as the stick in ball sports by the turn of the 21st century. And he didn’t miss it by much, and he was a visionary, very much a visionary. Well, I’d say he was 6’5 very booming voice. He knew who to schmooze and how to schmooze them.

And he was the major, major guy in that regard. He got an awful lot of friends that way. He was very honest, very charming. He could talk you into anything. There’s a lady that is working in the ticket office at Daytona Speedway, Lightning Epton. She’s 103 years old. And she still goes to work every day. And she’s been working for NASCAR since the 1950s.

And that’s the kind of loyalty that Bill instilled in people. It’s pretty amazing to see how things grew up over the years, and what NASCAR has become. And now they’re even talking about the space deal, too. So there’s no telling how far NASCAR is going to go. They had that car go [00:13:00] to Le Mans this year.

That’s quite an operation there. Let me tell you, in closing, what kind of guy Bill was. In 1972, they had the race at Talladega, the Talladega 500. Bill talked to a fella named Lynn Hendershot that worked for NASCAR. He gave Bill the entry blanks and said, Divide the prize money up into 60 spots. And Lynn said, Why 60?

He said, We’re going to run 60 cars at Talladega this year. And he said, Well, I think you’re making a big mistake. And Bill got P. O. ‘d. He didn’t like being told he was wrong. Lynn said, we’ve had a lot of problems with Talladega with only 50 cars. I think you’re making a big mistake here. He said, well, if you don’t like my opinion, you can just hit the trail.

So Lynn went ahead and divided it up into 60 spots. And during the race, they had a huge pileup on the backstretch. And it destroyed about half the field. And Bill needed those cars to make his next race. And everybody was racing on a shoestring back in the 70s. There was only a couple of cars that really had a big budget and big sponsors and that sort of thing.

Everybody was running kind of foot to mouth. Lynn said, I’m sitting up in the press box and all of a sudden I get a tap on the shoulder and it’s the tall man. That’s what they [00:14:00] called Bill around the track, the tall man. And then he said, the tall man said, we need to go for a ride. So they got down to Bill’s station wagon and they went down into the pits.

And Bill went ahead and wrote a check for every one of those wrecked race cars. Because he knew it was his fault. Those guys got tied up, got all tore up. So it cost him, but he did the right thing. And he had a full field for the next race. But he told Lynn, he says, Do me a favor, don’t ever tell me I told you so.

Ha, ha, ha, ha, ha. But that’s the kind of guy he was. He was extremely benevolent. Very much a civic minded guy. And he certainly has made things interesting. He’s made my life interesting, that’s for sure. And, uh, does anybody have any questions? Yes, ma’am. We are not NASCAR people, but slowly sort of getting indoctrinated through this.

We’re going to get you. Don’t worry about that. We’ll get you. You mentioned that, you know, people could sort of make whatever statements they wanted to make. How, as a researcher, do you then handle that looking back, sort of as an unreliable narrator? Yeah, it’s pretty tough before the war, you know, and up through 1946.

Pretty [00:15:00] much the thing, you know, I mean, there were people that were recognized as national champions, but it’s always in quotes, unofficial, the philanthropic side of the France family. Can you talk a little bit about that hospital? There is massive. I know there’s a lot of family involvement. Oh, yeah, yeah.

They have the France wing of the hospital there, the Halifax Hospital in Daytona and the Betty France Tower. And they have speedy attributes, which is a special fund for kids. And then they have the NASCAR Foundation, which is another child foundation. Most of the drivers have their own foundations. Some of them are for animals, some of them are for abused wives, some of them are for kids, some of them are for this and that.

Giving back is a big, big part of the sport now. Junior Johnson and Richard Childress had given millions to the hospital in Winston Salem, North Carolina for kids. It’s just a big part of the sport. I just want some clarification. Legend has it that Big Bill showed up at the driver’s meeting at Bowman Gray with a pistol.[00:16:00]

The drivers were trying to essentially unionize and get better working conditions. And he stood up in the driver’s meeting and brandished a handgun and said, I’m not afraid to use this if you continue down this path of wanting to negotiate. Is that true? Yes, it is. Okay. That’s all I wanted to know. Ned Jarrett was there and he said it was true.

He had the pistol and he knew how to use it. He wasn’t going to have anybody mess with his baby. In fact, McKenzie did a heck of an interesting book on that subject that he’ll be talking about a little bit later on. Yeah, old Curtis. Curtis Turner was trying to get financing for his Chariot Motor Speedway, and Jimmy Hoffa came along and said, If you unionize the drivers, I’ll give you whatever you need.

So boy, that’s the last thing Bill Franch needed, and it got to be a real civil war, and Curtis was thrown out of NASCAR for about five years. And he was eventually let back in, showed he could still win. Another group got their money together and finished Charlotte Motor Speedway, and Hoffa was never involved.

And it [00:17:00] never got anywhere. Cameron Argettsinger and France were collaborators. Can you talk about that? Oh, yeah! In fact, Bill always thought an awful lot of what the Argettsingers did here. I’m not sure, on an inside track, what it was like, but I know that they had a great respect for each other. Yeah, of course, NASCAR first ran the Glen here in 1957.

So that’s how much that Bill thought of the race. Road racing was extremely rare back in those days. There was only one or two other road races that had ever been run before. Buck Baker went ahead and came here in a 57 Chevy and won. And they ran in the opposite direction. That must have been kind of interesting back in those days.

I was told that France was an official or an organized, uh, community office. Oh, yes. Yeah, I didn’t hear about that, but he was involved with George Wallace back in one of his presidential campaigns because they had built Talladega and Wallace was a big help. So one hand washed the other in that regard.

And Bill was really good about that sort of thing. He got a lot done just by being charming [00:18:00] and giving back and making deals and all that. Bill Rexford was the second NASCAR champion, and he was a northerner. Somehow he gets lost in the shuffle, I think. Yeah, well I heard the story, and I heard this from his co driver, Lloyd Moore, who was from Jamestown, New York.

He said that a year or two after Bill had won the championship, he ran off with his neighbor’s wife. He moved to California to get the heat off. So that was where that happened. But yeah, Rexford still is the youngest NASCAR champion. And Lee Petty, if he had run one more race, he would have been the champion.

I think Petty had some points taken away too, during the year, but Rexford turned out to be the champion and that’s pretty good. Supposedly a Southern sport. And then here’s a Yankee winning the championship only one year in. Thank you Buz, always. We appreciate that. I wore my lucky underwear today. [00:19:00] This episode is brought to you in part by the International Motor Racing Research Center.

Its charter is to collect, share, and preserve the history of motorsports, spanning continents, eras, and race series. The center’s collection embodies the speed, drama, and camaraderie of amateur and professional motor racing throughout the world. The Center welcomes serious researchers and casual fans alike to share stories of race drivers, race series, and race cars captured on their shelves and walls and brought to life through a regular calendar of public lectures and special events.

To learn more about the Center, visit www. racingarchives. org. This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect of automotive history. The SAH actively supports the compilation and preservation of papers. Organizational records, print ephemera and images to safeguard as well as to broaden and deepen the understanding of motorized wheeled land transportation through the modern age and into the future.

For more information about the SAH, visit [00:20:00] www. autohistory. org.

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Frustrated by the lack of rules and credibility in the sport – where promoters advertised $500 purses and paid out $50 – France envisioned a unified organization. In October 1947, he and promoter Bill Tuthill staged a North vs. South race in Rhode Island that drew 9,000 spectators. Just weeks later, they convened a four-day meeting at Daytona’s Streamline Hotel.

Out of those meetings came NASCAR – the National Association for Stock Car Auto Racing. The name was coined by Red Vogt, a moonshine mechanic and early racing legend. France was elected president, and the organization was incorporated in February 1948.


Building a National Sport

France’s leadership brought structure: uniform rules, a national points system, and credibility. He famously predicted in 1965 that NASCAR would rival stick-and-ball sports by the 21st century – a vision that proved remarkably accurate.

His charisma and integrity earned loyalty. Lightning Epton, who began working for NASCAR in the 1950s, still worked in the Daytona ticket office at age 103. France’s benevolence was legendary – after a massive wreck at the 1972 Talladega 500, he personally wrote checks to every affected team to ensure a full field at the next race.


Controversy and Control

France’s fierce protection of NASCAR extended to dramatic moments – like the infamous Bowman Gray driver’s meeting where he brandished a pistol to quash unionization efforts. The standoff with Curtis Turner and Jimmy Hoffa nearly split the sport, but France prevailed, keeping NASCAR independent and unified.

France’s respect for Cameron Argetsinger and Watkins Glen was mutual. NASCAR first raced there in 1957, a rare road race in a sport dominated by ovals. France also engaged in political alliances, including support from George Wallace during the development of Talladega.

His civic contributions were vast: the France Wing at Halifax Hospital, the Betty France Tower, and numerous charitable foundations supporting children, animals, and families. Giving back became a cornerstone of NASCAR culture, with drivers like Junior Johnson and Richard Childress donating millions.


Remembering the Man Behind the Machine

Buz McKim’s portrait of Big Bill France is one of complexity, vision, and heart. From hiding in a gas station bathroom to founding one of America’s most iconic sports organizations, France’s journey is a testament to perseverance, loyalty, and the power of a singular dream.

As Buz closed his talk, he reminded us: “Bill France made my life interesting, that’s for sure.” And for anyone who’s ever felt the rumble of a stock car or the thrill of a checkered flag, Big Bill’s legacy lives on.

This episode is sponsored in part by: The International Motor Racing Research Center (IMRRC), The Society of Automotive Historians (SAH), The Watkins Glen Area Chamber of Commerce, and the Argetsinger Family – and was recorded in front of a live studio audience.


Other episodes you might enjoy

Michael R. Argetsinger Symposium on International Motor Racing History

The International Motor Racing Research Center (IMRRC), partnering with the Society of Automotive Historians (SAH), presents the annual Michael R. Argetsinger Symposium on International Motor Racing History. The Symposium established itself as a unique and respected scholarly forum and has gained a growing audience of students and enthusiasts. It provides an opportunity for scholars, researchers and writers to present their work related to the history of automotive competition and the cultural impact of motor racing. Papers are presented by faculty members, graduate students and independent researchers.The history of international automotive competition falls within several realms, all of which are welcomed as topics for presentations, including, but not limited to: sports history, cultural studies, public history, political history, the history of technology, sports geography and gender studies, as well as archival studies.

The symposium is named in honor of Michael R. Argetsinger (1944-2015), an award-winning motorsports author and longtime member of the Center's Governing Council. Michael's work on motorsports includes:
  • Walt Hansgen: His Life and the History of Post-war American Road Racing (2006)
  • Mark Donohue: Technical Excellence at Speed (2009)
  • Formula One at Watkins Glen: 20 Years of the United States Grand Prix, 1961-1980 (2011)
  • An American Racer: Bobby Marshman and the Indianapolis 500 (2019)

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REVS Institute Acquires Treasures of Van Bever Photography Archive

The Historic André Van Bever Photography Archive has been acquired by Revs Institute®, the esteemed institution dedicated to the study and celebration of the automobile’s rich history and cultural significance. Home to over 120 archival collections from the history of the automobile and automotive culture, this includes the remarkable André Van Bever Photograph Collection.

“Throughout his career, André Van Bever chronicled motor racing history, from Juan Manuel Fangio in 1949 to Niki Lauda in 1975, making him one of the most renowned visual witnesses of post-war motorsport,” said Scott George, Curator of Collections, Revs Institute, Inc. The archive, comprising nearly 29,000 photographs, now finds its home at Revs Institute, marking a significant milestone in its mission to preserve and celebrate the heritage of the automobile. The images will be indexed and digitized, making Van Bever’s work even more accessible to researchers, scholars, and the motorsport community through the Revs Digital Library.

Born in 1922 in Brussels, diverse interests marked André’s early life, from trains to mountaineering and horseback riding. His family’s background in jewelry did not resonate with him, and photography became his true calling—a medium that allowed him to explore his love for action, discovery, and artistry. André Van Bever’s photographic journey commenced in 1946 when, at the early age of 18, he covered a motorcycle race at the Bois de la Cambre in Brussels as a favor for a friend. This event set the stage for a career that spanned over four decades, capturing the essence of motorsport and its iconic figures.

Together with his wife and collaborator, Nicole Englebert-Van Bever, André covered the great European races of the 1950s and 1960s. As a freelancer, he continued to cover racing until 1975. His portfolio includes images from his 28-year tenure as the official photographer for the Belgian newspaper Les Sports. His work graced the pages of publications such as Royal AutoLe Moniteur de l’AutomobileSport MoteurVirageAutosportAuto Motor und SportCar and Driver, and more. Notably, he contributed photographs to books authored by racing driver and journalist Paul Frère, solidifying their enduring partnership.

Beyond motorsport, André Van Bever had an innate passion for photography that extended into his personal life. He documented friends, strangers, and the world around him, always seeking to capture the natural, living aspect of his subjects. His commitment to preserving the history of motorsport and his artistic approach to photography made him an iconic figure in the industry. As he also was an excellent gentleman-rider, he would eventually return to racing horses at the age of 53.

“As a custodian of automotive history, I am delighted to see André Van Bever’s iconic photography find its home at Revs Institute,” says Miles Collier, founder of Revs Institute. “Through his lens, Van Bever’s work has immortalized the rich history of motorsport, and its inclusion in the Revs Digital Library ensures that it will continue to inspire and inform generations of automotive researchers, enthusiasts, and historians.”

Revs Institute wishes to recognize the efforts of Nicole Englebert-Van Bever, whose tireless efforts to preserve André Van Bever’s legacy have made this acquisition possible.

About Revs Institute

Widely regarded as one of the top automotive museums in the world, Revs Institute, in Naples, Florida, USA, is dedicated to the study and celebration of the automobile. It exists to foster a new level of understanding of the automobile, not only as a technological device, but as an agent for social and economic change worthy to be considered among the masterpieces of human creativity. Housed in the museum is a collection of over 100 influential automobiles that meet rigorous standards for historical importance, rarity and technical, aesthetic, or social significance. Revs Institute also has an extensive archive and library of books, periodicals, photos, ephemera, brochures, advertisements, and multilingual technical publications. We welcome journalist inquiries. The library is available as a resource for those interested in automotive history. Revs Institute is a not-for-profit 501(c)3 organization, housed in an 80,000 square foot, purpose-built facility. For more information, including hours, tour times, and ticket prices, visit revsinstitute.org or call +1 (239) 687-7287. Regrettably, walk-up visitors cannot be accommodated.

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