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Learning Guide for Teachers For The Trouble with Howard

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Atlanta, Ga – Journeys in Film, a 501(c)(3), provides free resources for teachers to accompany films and special books. Recently released is The Trouble with Howard by racing veteran Lee Anne Patterson with illustration by Roger Warrick.

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The learning guide for K-5 presents themes of sportsmanship, kindness to animals  and women in racing. The Trouble with Howard is based on the real story of Howard and Anita Millican who rescued a skunk on the way to a racetrack. Howard named him Trouble. He continued to go with them to the racetrack for many years to come. With a skunk named Trouble trackside, what could possibly go wrong?

In 1980, Anita became the first women ever licensed as an IndyCar mechanic and the first to go over the wall as a part of the pit crew. (Learn more about that story below; or read the full article).

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43 years later, Caitlyn Brown won the Indy 500 doing the same with Team Penske on Josef Newgarden’s car. The teaching material includes a CBS Newsreel about Caitlyn Brown at The Indianapolis 500.

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“The Trouble with Howard,” A Children’s Book Based on a Real-Life Racing Story

What could possibly go wrong if a skunk was in the pits at an auto race?

“The Trouble with Howard,” a children’s book based on a real-life story about auto racers Howard and Anita Millican and their pet skunk, is available now through the website TheTroubleWithHoward.com and at select retail outlets.

The 48-page hardcover book is a collaboration between author and motorsports veteran Lee Anne Patterson, a native of Atlanta, and acclaimed racing illustrator Roger Warrick of Hamilton, Ohio.

The story is based on the experiences of driver and mechanic Howard Millican and his wife, Anita. The latter became the first woman licensed IndyCar mechanic in 1980. She was also the first woman to go over the pit wall during pit stops at IndyCar races as a pit crew member. She was the jack “man.”

The book promotes gender equality and encourages girls to tackle STEM careers. It also suggests how to handle bullies and ways to display good sportsmanship.

In addition, it inspires compassion towards animals. A portion of the proceeds will go to animal rescue operations.

Patterson wrote the book for children who are 5 to 8 years old. Each page carries Warrick’s colorful illustrations like a picture book. It is sure to resonate with auto racing fans of all ages as well as others with no knowledge of the sport.

The book chronicles the story of an injured wild skunk who was treated and adopted by Howard and Anita Millican before they were married. They named him “Trouble.” He travels with the couple from race to race, but never sprays anyone. Most of the racers learn to like Trouble with the exception of Jack, a driver who uses not-so-nice moves on and off the track.

One day Jack scares Trouble out of the tractor-trailer the Millicans use to transport their race car to events, and Trouble becomes lost. Scared and tired, he eventually finds a hiding place in the cockpit of Jack’s race car. He’s still hiding in it when a race starts.

On the last lap Jack gives Howard’s race car a shove in an effort to win. Terrified, Trouble runs up Jack’s chest. Jack loses control of the car and they crash.

Howard wins the race. Trouble and Jack are both unhurt, but Trouble sprays Jack.

Howard, Anita and Trouble celebrate in victory lane. Showing good sportsmanship, Howard gives Jack several cans of tomato juice to use to try to alleviate the odor from being sprayed.

Where to Buy?

Now Available Online and at Select Retail Outlets!

The book is available at The IMS Museum Gift Shop, at all Speedway Motors Inc. trackside giftshops, Sprint Car Hall of Fame, Indiana State Museum, American Museum of Speed, Amazon and the official website; TheTroubleWithHoward.com. ISBN 979-8-9902067 Hardcover, 44pg MSRP $18.50.

To learn more about Lee Anne, be sure to follow her on Instagram and Facebook @Lee Annepatterson.author, or you can follow her on LinkedIn, or reach out via email at Lee Anne@thegroundeffects.com.

 

Other Recommended Reads

Reading List

Don't miss out on great book like this one, or other titles we've read and covered as part of the GTM Bookclub on Break/Fix Podcast.
My Travels On Racer Road: Can-Am and Formula 1 in their golden age
DeLorean: The Rise, Fall and Second Acts of the DeLorean Motor Company
A French Kiss with Death
Driving to the Future: Living life following Formula One racing
Tales From the Garage
Geared for Life: Making the Shift Into Your Full Potential
Ultimate Garages
Fenders, Fins & Friends: Confessions of a Car Guy
Racing While Black: How an African-American Stock Car Team Made Its Mark on NASCAR
The Last Lap: The Mysterious Demise of Pete Kreis at The Indianapolis 500
James Dean: On The Road To Salinas
Performance Thinking: Mental Skills for the Competitive World...and for Life!
The Other Side of the Fence: Six Decades of Motorsport Photography
Racing with Rich Energy
Little Anton: A Historical Novel Complete Series
Lone Rider: The First British Woman to Motorcycle Around the World
Iacocca: An Autobiography
Colin Chapman: The Man and His Cars: The Authorized Biography by Gerard Crombac
Paved Paradise: How Parking Explains the World
Shipwrecked and Rescued: Cars and Crew: The


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Building the Future of Motorsports Management

Motorsports has always been more than a pastime — it’s a culture, a community, and for many, a calling. At Belmont Abbey College in North Carolina, that calling has evolved into one of the most unique academic programs in the country: a multidisciplinary Motorsport Management curriculum that now includes the nation’s first Master of Arts in Motorsport Management.

Guided by assistant professor Quinn Beekwilder — a Charlotte Motor Speedway veteran and one of the program’s earliest graduates — the Abbey has become a hub for students who want to turn their motorsports passion into a profession.

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The story begins with Humpy Wheeler, legendary promoter and longtime president/general manager of Charlotte Motor Speedway. Wheeler recognized a growing problem: talented newcomers entering motorsports without understanding the demanding lifestyle behind the glamour. Long days, grueling conditions, and relentless commitment were the norm — and turnover was high.

So in 2006, Wheeler approached Belmont Abbey with a bold idea: create a dedicated academic pipeline for motorsports careers. By 2007, the first classes launched, and by 2012, the Abbey offered a full Bachelor’s degree in Motorsport Management .

Bio

Quinn Beekwilder
Quinn Beekwilder is an assistant professor and coordinator of the Motorsports management degree at Belmont Abbey College. Having worked for a decade at Charlotte Motor Speedway, he wanted to give back to the Motorsport program at Belmont Abbey that got him there in the first place. He has a unique perspective of being one of the first graduates of the program and is able to address concerns and direct the program for the greater benefit of current students. Motorsports history has always been a passion of Mr. Beekwilder. The approaches he takes to the courses are crafted to focus on the historical development of NASCAR while incorporating experimental activities to support the curriculum. The students refer to Mr. Beekwilder as "the fast van driver."

Synopsis

This episode features Quinn Beekwilder, assistant professor and coordinator of Belmont Abbey College’s Motorsport Management program, who shares his path from a political science degree and real estate to graduating from the program, working a decade at Charlotte Motor Speedway, and returning to teach. He recaps the program’s origins with Belmont resident and Charlotte Motor Speedway leader Humpy Wheeler, created to reduce industry turnover by preparing students for motorsport’s demanding realities. Once NASCAR-centric, the curriculum now spans global disciplines, emphasizes motorsport history, and requires multiple internships and experiential trips (Rolex 24, IndyCar St. Petersburg, World of Outlaws, PRI). Belmont Abbey has grown to 60+ undergraduates, launched the nation’s first fully online M.A. in Motorsport Management with 20+ first-semester students, started the Accelerate Abbey high school summer camp, and received Colonel Donald Capps’ motorsport collection for its library.

Follow along using the Slide Deck from this Presentation

Transcript

[00:00:00] Break Fix’s History of Motorsports Series is brought to you in part by the International Motor Racing Research Center, as well as the Society of Automotive Historians, the Watkins Glen Area Chamber of Commerce, and the Argo Singer family.

At Belmont Abbey College, the Motorsport Management program has been quietly building something remarkable, a multi-year multidisciplinary approach to understanding the sport we love from its dirt track roots to its global stage. And what began with a focus on the origins of stock car racing has evolved into a curriculum that stretches across continents and categories.

Formula One sports cars, drag racing, dirt racing, and beyond. And this year marks a major milestone, the launch of the Nation’s first Masters of Arts in Motorsport Management, along with the Accelerate Abbey Summer program that introduces high school students to the sports rich, historical and professional landscape.

Presenting today’s log book episode is Quinn Beekwilder, assistant professor and coordinator of the Motorsport Management degree at [00:01:00] Belmont Abbey, a decade at Charlotte Motor Speedway gave him real world insight and being one of the program’s first graduates, gives him perspective and his passion for Motorsport history gives him purpose.

His students know him as the fast van driver, but today we get to know him as the educator shaping the next generation of Motorsport professionals. Quinn, welcome. Thank you very much. Thank you very much, Kip. Thank you.

So like the introduction said, my name is Quinn b Welder. I’m a professor over at Belmont Abbey College. I sort of found my way into this role. I guess quite strangely, I had a political science degree. I found myself in real estate around 2008, and then found out that, well, the market crashed, revamped my whole life and found this program actually in a small Catholic liberal arts college in North Carolina, and they had just launched.

And I moved my family out across country, did the program, graduated in 2010, and then went straight to work at Charlotte Motor Speedway, did tickets, and I did digital marketing. And after [00:02:00] about 10 years, was looking for a slightly different opportunity. You know, they said, well, you know what? Coordinator the program positions open, why don’t you apply?

And so I did. I find myself in the last six years teaching college students. Being able to help guide them on the passion project that is their life. Because motorsports isn’t just a job, it’s a passion. You have to have it. It doesn’t really make sense to get into something that you’re gonna lose money at.

But we all do. I mean, we have 130 plus years of history of motorsports. That shows that you lose money on this. It’s not a money making operation, but in the end, we’re all here for reasons of our own, but we all have a passion for it, a drive for it. We get really excited when people start talking about motorsports, talking about particular cars, particular drivers, particular tracks, series, and so on and so forth.

It’s really heartening to be around that every single day. I don’t teach English, I don’t teach philosophy, which are subjects that might be like pulling teeth for a lot of younger people. And so most of my students are all really excited about motor sports, and they were [00:03:00] really engaged in the class and the classes that I teach, and they genuinely have an interest in pursuing it.

So for me, it’s a dream, you know, a dream job. I kind of want to just give a little recap. When I first came to the symposium several years ago. Thanks to Paul Baxa who pointed out this program to us. We started who was Dan Ave. And as Catholic colleges we kind of talk with each other and he is like, oh, have you heard of the symposium?

No, I haven’t. What is that? You know, and so I’ve been coming ever since. So I’m gonna give you a brief history recap about this program and kind of go on from there. Our founding was really with Humpy Wheeler, so Humpy Wheeler kind of instrumental in the sport from a very young age. He was selling tickets to bicycle races, doing promotions for the early Charlotte Motor Speedway, which is originally outside where the airport is currently located before it moved to its new location in 1960 up in Concord.

But he was a lifelong resident of Belmont, which is the town where our college is. His father was an instrumental coach in our early days of sports at Belmont Abbey. And so the [00:04:00] Wheeler center’s the gymnasium name, and so he grew up around the campus. He went to the parochial school that was at the campus at the time too, and graduated from it as well.

And so he ends up, you know, with Firestone and after that he comes back to Charlotte in 1975. And basically from 1975 to around 2008, he’s the president, general manager of Charlotte Motor Speedway and basically kind of revolutionizes the idea of having a pre-show and a pre-game almost for, you know, NASCAR and you know, kind of making it the spectacle that it should be.

So when he is coming to the end of his career, he was realizing there are a lot of business savvy people that come into the industry. That don’t really have an appreciation or understanding of what they’re really getting into. They don’t realize the hours. They don’t realize the dedication. They don’t realize that you can be out there when it’s raining, when it’s cold, when it’s 110 degrees, you’re still in pants, you’re still in a tie.

It’s not comfortable. It’s long, long hours, long days, and the family and the people who are around you [00:05:00] almost become more of a family than your own family. At times. A lot of folks were coming into the industry and they’re having to find, they had to kind of educate ’em on this. And they were losing people.

The turnover was pretty high. And so he kind of approached Belmont Abbey, which had been closed to his heart and said, we should really offer a bachelor’s degree, open up the doors, invite those that are passionate about, uh, motorsports to come here to learn and to earn a degree, and to kind of go right into the industry itself.

That worked. 2006, he offered the idea. By 2007, we offer our first class. For the first several years, we offer a concentration in motor sports with our business degree. And then by 2012 we offer a full bachelor’s degree in Motorsport management. And when I came back to the school after my time away, we had about nine students in the program, like all four years.

So wasn’t doing the greatest. But over these last six years and through some great initiatives and support from the school, we are now up over 60 students who are across our four years. We’ve had record numbers of people coming in every August [00:06:00] and it’s just been a joy to watch. Unfortunately, we did lose Humpy earlier this year, late last year in September.

He was actually able to come out to the college and that’s the photo you see down there is actually of Humpy and his daughter Patty Wheeler, who came out to the college in all our student body who are just in the Motorsport program themselves. We are really happy that we can make that happen ’cause we did lose him not too long after that photo.

He still lives in our mind and kind of is our touchstone. Why we’re doing the things we do with the degree. The early intent was really kind of with a very NASCAR centric focus. 80% of all NASCAR teams are located in and around the Charlotte region. They all need people to, you know, work the businesses.

And so we thought we’d be a pipeline and to kind of go traditionally into that role and to kind of fill that niche, what we have found. Is that kind of brought in a lot more perspective to be more broader in scope. A lot of our students do end up starting out in nascar, but because of the size of the motorsport industry is what we also wanted to spread the gospel of [00:07:00] that as well.

You know, we have folks that are in parts and pieces from tires to shocks to kind of marketing programs where they’re supporting either a driver, a team, a track. So there are so many opportunities and we try to educate students on that as well and not just say. Don’t worry if Hendrick doesn’t pick up your resume on the first go.

There’s also the Xfinity Well O’Reilly series now and the Craftsman Truck series, and then there’s all sorts of dirt and IMSA and HRA and you know, just open up your eyes, folks. There’s a broad world out there. I touched upon it earlier. We also try to teach the students. That it’s not just showing up.

You show up for a day of work, starts at, could be six in the morning, goes till 10 o’clock at night, so they’re not average hours. You know, definitely can stretch you by that means. And our internships that we do require originally started with required three internships that try to broaden their horizons to be able to see what it’s like either with a team, a driver, a series, because those are all sorts of different lifestyles that you can have within motorsports.

So Motorsports [00:08:00] history. Is kind of a real big passion of mine. I was really fortunate that I kind of got to mold the program to kind of what I wanted to teach. You know, what I found interesting, what I wanted to kind of put out there. And yes, we do focus on NASCAR because, you know, we are surrounded by so much of NASCAR around us that it kind of speaks to us just historically speaking as well.

You know, ’cause we’re so into it. But we do try to broaden everyone’s horizon on what is out there as well, because with NASCAR we’re able to teach about, go down to Florida. And actually go see the streamlined hotel. It still stands to this day. You know, we’re able to go see the original Beach Road course area that is down there that so much history was made at, but we’re also able to kind of expand their horizons.

We talk about LA Mall, we talk about Monaco Milli Meier, from Sena to Schumacher to Fondo. But also garlics and Parks and Foyt and new Valari and more. We definitely try to expand their horizons and show that this is a tapestry. It’s not a silo. Motor sports is not just one thing. It covers the [00:09:00] entire globe.

It spans 130 plus years of history. And there are so many niche areas of it that you can get excited about. A lot of different things, and it really helps expand the minds of our students so that when they approach an NHRA team, they understand what they’re talking about there with, they approach a NASCAR team, they get it.

If they talk about F1, they talk about, you know, world of Outlaws team and IMSA team. They have an understanding and a background to kind of say, oh, okay, I know where you’re coming from. I know where you started. And it’s not just like an unappreciation of kind of what has come before you. You know, that’s what we believe in, you know, I really believe passionately and sharing that history with them.

And then what’s also really exciting is that we are able to launch the first in the Nation master’s degree in Motorsport management. Recently the school has been able to be accredited to teach master’s degree level courses. We did start with an MBA program with concentration in motorsport management, and just this fall we were able to [00:10:00] kind of convert that into a full Master’s of Arts program in Motorsport.

Management courses are a hundred percent online. It’s designed for a lot of different folks who are working professionals who may never had the chance to, you know, after their college degree they went straight into work with motor sports and would like to continue their education or who are changing careers.

And find themselves at a higher level and can’t just drop down to an intern and go sweep floor somewhere and kind of redo their whole career. That’s kind of what we’re finding are the folks that are approaching our program. We had a target goal in mind of how many students would show up for the first semester, for the first year of a brand new program, and we were pleasantly surprised that now we have over 20 master’s degree students in our first semester, so we were kind of shocked.

We’re definitely dealing with that, taking it on our shoulders, which is fantastic and a lot of responses were is it for real? You know, because there are a lot of programs out there you might find on LinkedIn or if you used to go searching might be a certificate or might be not really a fully accredited master’s degree that’s uh, you know, SACS approved.

We are definitely setting a new benchmark for [00:11:00] Motorsports education. You know, many of us who do have our master’s degree. Pass in the area. We have to have it in sports, so it’s not necessarily focused per se. Uh, we end up, you know, doing our thesis on motor sports and being like the most interesting conversation they’ve had in a long time because all they hear is stick and ball stuff.

So that’s kind of nice to hear. With that being said, we’re also, you know, we reach out to the little bit, slightly older generation. Yeah, and we were proud of this one. So that was, uh, chase, who was also able to, he was part of the MBA program, receives concentration, so we were able to give him his degree award ceremony at the Rolex this year, in January.

He was working with faf Motorsports, so it was kind of nice that we were able to give him his degree while he was on job. So it was one of our early success stories in our master’s program. And we also wanted to, to kind of reach a younger generation too. We know that, you know, high schoolers are, can be avid motor sports fanatics and there are not many high school guidance counselors that are saying, Hey, you like motor sports?

Guess what? There’s a motorsport degree program. [00:12:00] You know, that doesn’t happen too often. We’re about one of only three in the country. You know, we’re still pretty niche field that we’re the best in the country, but you know, still. And so our high school program called Accelerate Abby. It was a week long summer camp that we held this past July.

We were able to bring around about 10 students, kind of applied and kinda showed up for the first session that we ran. And we had a blast. We took, we kind of did a mini professional development class that we do. We met with a lot of alumni who opened up their doors that, uh, Steve, who works with actually Jeff Gordon incorporated.

So he was able to give us a tour around the Hendrick facility, went out to Millbridge Speedway, did the summer shootout, saw a lot of the garages with the legends cars. We went to RFK and we did Ford Performance Racing School with a couple other alum, uh, who were working out there. And it was just really gratifying to see all, a lot of alumni taking their time outta their summer and saying, yeah, sure.

Go ahead and bring 10 or 12 high school students here and we’ll talk ’em. It was nice to see that, you know, we could offer this opportunity to have ’em live on campus. [00:13:00] Experience what it’s like to kind of begin their motor sports journey, and then hopefully choose us as their college of choice moving forward.

We’re excited about, you know, the master’s program, our high school program that we’re now starting all within the last few years here. And what’s also really exciting and we’ll speak to more is the gifts that we have been receiving along the way. Dawn, this might look familiar to you. These used to all sit in your house and so, you know, through a very generous donation and through our meeting here at the Oregon Series Symposium, Colonel Donald Kas was able to donate his personal motor sports collection.

To our school, so our fantastic library and Alexis Lynn. Was able to take down a 20 foot box truck, spend a day or two packing up his collection, taking out the bookcases and hauling it all to our own library, which it’s now being cared for. It is, you know, made it out of the truck. It is, you know, up on shelves and waiting to be cataloged and processed into, you know, the Don Kas collection that we’ll be featuring at our [00:14:00] library.

So. Thank you, Don, for your generous offer. We appreciate that and that’s what we’re excited about. You know, we have now even more to offer students a chance to actually touch a lot of material that is out of print. May have only been printed once or twice, can be quite expensive to purchase on it on your own if you can find a copy of it.

And so to have this as our collection and to be able to kind of point students to toward it and say, Hey, you have a lot of first source material that you can now utilize to write papers and to explore with. And so, you know, looking forward to what comes outta that here in the future. Moving on was also a very pleasant surprise, is that since my time at the Abbey, I’ve kept in contact with some other fellow alumnus over the years who have had some great careers, uh, in motor sports themselves.

And so in talking with them and over the last six years, having students graduate, enter the industry and start working themselves, I’m able to actually reach out to ’em just this past semester. I was able to kind of take a day off teaching, and both classes I was teaching that day that our social media [00:15:00] class and also our Introduction to Motorsport class were taught by alumni.

They came back from their jobs and said, yeah, sure, you know, I’ll do it. Made their own presentations. They spoke, they were nervous, you know, they were like, did do all right. And I was like, you did just fine. They were able to interact, share stories, and it’s a real pivotal touch point to be able to show that.

It works if you stick with it, if you do the program, if you work hard, if you keep your nose to the grindstone, you know the opportunities are put out in front of you. I never promised a student a job. I always say, I’ll put every opportunity I can in front of you and it’s up to you to go ahead and make it happen.

But we’re probably your best shot at getting into motor sports. Yeah. Some students embrace that and others dont. So it really kind of touched on my heart when the alumnus come back and go ahead and offer their time and their knowledge and their experience and want to give to that next generation. And it also really kind of builds this network.

You know, we always talk about motor sports being a very small world, like once you get into it, you’re gonna be bumping into the same people year after year, after year, [00:16:00] maybe in different positions, different roles. But usually it’s the same group of folks that you’ll be spending time with over the next.

10 to 20 years. You know, we want to build, start that off early so that even when they’re a freshman or a junior, they’re talking to fresh, you know, newly graduated students a year or two out, and are able to kind of have that soft touch point to be able to say, Hey, you know, you were just in the program.

I’m in the program now. What’s it like? Can I talk to you? Can I take you out for coffee? What was your secret? How’d you succeed? We’re really fortunate in that, uh, regard. You know, that was a big shift in mentality too. I really want to bring more students back to the Abbey to kind of as alumnus to teach about their positions and what they do for a living.

Now, prior to my coming, the program had attended events sporadically. It wasn’t purposeful, it was opportunity occurred. Let’s bring students out to it. Let’s show ’em off and let’s you know, kind of ahead and do the program. And so I made it my goal to really take students [00:17:00] from the classroom and actually go into the world of motor sports through the trips that we do now.

You know, volunteering at events through internships and just purposefully taking ’em out for very long days and kind of giving mini working days so that they can get used to it. So they can see what it will take to actually be on your feet all day, walking multiple miles, just ’cause you’re at a racetrack and you have to go from one garage to another.

You know, it doesn’t sound like much, but when you have to go from parking lots to garages, to infields to outfields, and if you don’t have a shuttle, you have to have good shoe support. It’s a lot of miles. Uh, you know, you trek up and down a lot, you know, kind of expose ’em to that early on to say that this is what it’s gonna be like.

Do you still want to do this? You know, we give ’em every chance to kind of experience that. But it gives ’em a confidence, it gives ’em that sense of professionalism. It gives ’em an opportunity that they can go up to an individual who is working an event or working at a racetrack and introduce themselves and talk to themselves.

You know, learn more about their experiences in motor sports and take that back with them and hopefully gain some insight out of [00:18:00] that. This, uh, this is just a shot of some of the trips that we’ve taken, some of the places we’ve gone, some of the internships and opportunities that students have had over the last several years.

You know, we had a student participate in the Sparks Program down with the Motorsport Hall of Fame of America down in Daytona. He interviewed Ken Clap, and then Ken said, you did such a phenomenal job. Why don’t you come out to the Indy 500 with me? You know, that’s a hell of an offer. I wish I could, could’ve done that.

So, yeah, so Ken Clap, brought him out and showed ’em all around. So he got to experience that. And the nice part is kind of the middle left picture is also Severn who graduated and got a job with the world of Outlaws. And so just this past, earlier this November, he actually called me up and said, Hey, can I lead a group of students around the world of outlaws and kind of teach you about that and show the students, uh, around the paddock.

And so, you know, it’s, it’s great that he’s only a few months out from graduating or already kind of contributing back to the program. Like I said, you know, we go, we have a class that goes to the Rolex 24. We also do the St. Petersburg race and with Indy cars, and we do the four wide nationals up in Charlotte.

Um, we [00:19:00] expose ’em to all different types of motor sports and people and jobs that they can work in. And, you know, we’re really thankful that, you know, we’re able to do this on shoestring budget, but it works. And. The whole package with Motorsport history, it’s really the foundation. You know, they have this kind of understanding of where the sport has been, where it’s going currently, where it can go in the future, is still kind of the big question, but at least they have that.

They have that foundation. They have the understanding. The experiential learning that incorporate going out, volunteering, meeting these folks early on in their kind of motorsport careers is also definitely foundation moving. We also have to take a class out to PRI convention up in Indiana and involving alumni back with the program.

It’s creating this just whole ecosystem of kind of support from the day they get on campus throughout their four years on campus to the alumni support post, you know, through mentoring programs as well. That, you know, we just really try to set everyone up for the best chance in getting [00:20:00] into motorsports that they can.

Moving on. What is next for us? What would we like to do? Definitely digitizing and expanding our archives, taking what we have from the Don Kas collection, you know, trying to. Make it an open resource and you know, definitely be reaching out to the Revs Institute more and more to try to work on this same process as well.

Continue to invite alumni back, seek additional donations and partnerships, kind of what we were speaking to earlier. Doesn’t matter where it goes, as long as where it ends up. Kept safe and as used and kind of broadening the knowledge base for everyone moving forward. And you know, definitely seeking partnerships.

If you have a passion and you want to give back. Come talk to me and finally I’d just love to keep the conversation going. I show great gratitude and appreciation for the Argen Singer community that has, you know, inspired me over these last four years of attending. You know, the friends that I’ve made here and the conversations I’ve had and the support and the ability to kind of share back with my students and to [00:21:00] kind of build from this foundation and to keep moving forward is extremely exciting and I can’t wait for the future years to come.

Thank you.

This episode is brought to you in part by the International Motor Racing Research Center. Its charter is to collect, share, and preserve the history of motor sports spanning continents, eras, and race series. The Center’s collection embodies the speed, drama and camaraderie of amateur and professional motor racing throughout the world.

The Center welcomes serious researchers and casual fans alike to share stories of race drivers race series, and race cars captured on their shelves and walls, and brought to life through a regular calendar of public lectures and special events. To learn more about the [00:22:00] center, visit www.racing archives.org.

This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect of automotive history. The SAH actively supports the compilation and preservation of papers, organizational records, print ephemera, and images to safeguard, as well as to broaden and deepen the understanding.

Of motorized wheeled land transportation through the modern age and into the future. For more information about the SAH, visit www.auto history.org. We hope you enjoyed another awesome episode of Break Fix Podcasts, brought to you by Grand Tour Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media platforms at Grand Touring Motorsports.

And if you’d like to learn more about the [00:23:00] content of this episode, be sure to check out the follow on article@gtmotorsports.org. We remain a commercial free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, and friends through Patreon. For as little as $2 and 50 cents a month, you can get access to more behind the scenes action, additional pit stop, minisodes and other VIP goodies, as well as keeping our team of creators.

Fed on their strict diet of fig Newton’s, Gumby bears, and monster. So consider signing up for Patreon today at www.patreon.com/gt motorsports. And remember, without you, none of this would be possible.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Meet Quinn Beekwilder
  • 01:25 Quinn’s Career Path
  • 02:16 Why Motorsport Education?
  • 03:32 Program Origins with Humpy Wheeler
  • 05:26 Degree Growth and Expansion
  • 06:27 Broadening Beyond NASCAR
  • 07:58 Teaching History and Context
  • 09:40 First Masters of Arts in Motorsport Management
  • 11:47 “Accelerate Abbey” Summer Camp
  • 13:13 Don Capps Collection Donation
  • 14:31 Alumni Network in Action
  • 16:42 Experiential Trips and Internships
  • 19:10 Building the Full Ecosystem
  • 20:02 What’s Next and Thanks

Livestream


In case you missed it, please enjoy the original recording of: Lessons Learned, Roads Traveled by Quinn Beekwilder

This episode is sponsored in part by: The International Motor Racing Research Center (IMRRC), The Society of Automotive Historians (SAH), The Watkins Glen Area Chamber of Commerce, and the Argetsinger Family – and was recorded in front of a live studio audience.

Learn More

Michael R. Argetsinger Symposium on International Motor Racing History

The International Motor Racing Research Center (IMRRC), partnering with the Society of Automotive Historians (SAH), presents the annual Michael R. Argetsinger Symposium on International Motor Racing History. The Symposium established itself as a unique and respected scholarly forum and has gained a growing audience of students and enthusiasts. It provides an opportunity for scholars, researchers and writers to present their work related to the history of automotive competition and the cultural impact of motor racing. Papers are presented by faculty members, graduate students and independent researchers.The history of international automotive competition falls within several realms, all of which are welcomed as topics for presentations, including, but not limited to: sports history, cultural studies, public history, political history, the history of technology, sports geography and gender studies, as well as archival studies.

The symposium is named in honor of Michael R. Argetsinger (1944-2015), an award-winning motorsports author and longtime member of the Center's Governing Council. Michael's work on motorsports includes:
  • Walt Hansgen: His Life and the History of Post-war American Road Racing (2006)
  • Mark Donohue: Technical Excellence at Speed (2009)
  • Formula One at Watkins Glen: 20 Years of the United States Grand Prix, 1961-1980 (2011)
  • An American Racer: Bobby Marshman and the Indianapolis 500 (2019)

When Beekwilder returned to teach, the program had just nine students across all four years. Through intentional growth, industry partnerships, and hands‑on learning, enrollment has surged to over 60 students, with record incoming classes each fall. This growth isn’t accidental. The Abbey’s approach blends:

  • Motorsport history — from Daytona’s beach course to Monaco’s street circuit
  • Industry immersion — NASCAR, IMSA, NHRA, World of Outlaws, Formula One, and more
  • Experiential learning — volunteering, internships, paddock tours, and race‑day shadowing
  • Professional development — networking with alumni and motorsport leaders

Students don’t just learn motorsports — they live it. Beekwilder emphasizes that motorsports is not a silo. It’s a tapestry woven from:

  • Stock car roots
  • International open‑wheel racing
  • Sports cars and endurance racing
  • Drag racing
  • Dirt racing
  • Historic and modern racing cultures

This broad perspective prepares students to walk confidently into any paddock — whether NASCAR, NHRA, IMSA, or Formula One — and understand the lineage behind the machines and the people who run them.

Photo courtesy Quinn Beekwilder, Belmont Abbey College

One of the program’s biggest milestones arrived recently: the launch of the first accredited Master of Arts in Motorsport Management in the United States. Designed for working professionals, the program is fully online and already boasts over 20 students in its first semester, far exceeding expectations .

This graduate program fills a long‑standing gap. Many motorsports professionals hold general sports degrees, but few have access to motorsport‑specific advanced education. Belmont Abbey is changing that.


Accelerate Abbey: Inspiring the Next Generation

To reach younger enthusiasts, the college launched Accelerate Abbey, a week‑long summer program for high school students. Participants tour race shops, meet alumni, visit tracks, and get a taste of motorsports careers long before college begins. Highlights include:

  • Hendrick Motorsports facility tour
  • Millbridge Speedway
  • RFK Racing
  • Ford Performance Racing School

The goal: help students discover motorsports as a viable academic and professional path — something few guidance counselors even know exists.


A Growing Archive: The Don Capps Collection

One of the program’s newest treasures is the Don Capps motorsports collection, donated by Colonel Donald Kas. The Abbey transported and preserved the entire archive — including rare books, ephemera, and out‑of‑print materials — now housed in the college library for student research.

Photo courtesy Don Capps

This collection strengthens the program’s historical foundation and offers students access to primary sources that are nearly impossible to find elsewhere.


Where the Program Is Heading Next…

A hallmark of the Abbey’s culture is alumni involvement. Graduates frequently return to guest‑lecture, lead paddock tours, or mentor current students. Some even teach full class sessions, sharing real‑world insights from NASCAR, World of Outlaws, IMSA, and more.

This creates a powerful ecosystem: students learn from those who sat in their seats just a few years earlier. Belmont Abbey’s Motorsport Management program continues to expand its vision:

  • Digitizing archives and collaborating with institutions like the Revs Institute
  • Growing partnerships across racing series and industry organizations
  • Expanding alumni mentorship
  • Seeking new donations to preserve motorsports history
  • Building a sustainable motorsports education community

Beekwilder’s message is clear: motorsports thrives when its history is preserved, its professionals are supported, and its future leaders are inspired.

The Abbey’s Motorsport Management program stands as a testament to passion, perseverance, and purpose. From Humpy Wheeler’s original vision to Beekwilder’s modern leadership, the program continues to shape the next generation of motorsport professionals — one student, one race weekend, and one historic milestone at a time.


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Bugatti Royale discovered in a Back Yard

Ettore Bugatti was a showman. He had the biggest luxury car, which he had designed at the end of the 1920s. The Type 41 was intended to be the most magnificent car ever created, a car for Kings.

Oh sure, royalty had Rolls-Royces, Bentleys, Hispano-Suizas and Delahayes but park the Royale next to any of those and they looked small. Plus there were over 400 Duesenberg Model J’s so they were quite common by comparison. The popular rumor is that the car was created after Ettore took exception to the comments of an English lady who compared his cars unfavorably with those of Rolls-Royce. He would show them!

Adjusted for inflation, the Royale would have cost about $700,000 back then when a working man’s salary was $5,000 a year.

Accounts differ on if royalty ever partook of his car. One story is that he refused to sell one to poor King Zog of Albania stating, “The man’s table manners are beyond belief!” Another Romanian Royal had one, King Carol II who had the second car rebodied to more closely resemble the Coupe Napoleon bodied by Parisian Henri Binder.

Let’s look at the size of the beast. The wheelbase was 169 inches. It tipped the scales at 7,500 lbs. The drum brakes are 18 inches in diameter and the cast wheels predicted the tall wheel craze by more than half a century by being 24″. The engine was the biggest ever offered in any production car– a 12,763cc straight-8 later used in some French train locomotives. Another rumor is that the engine was originally designed as an aircraft engine but when the French Air Ministry didn’t want it, he decided to build a car around it.
It was a very modern engine in the details– SOHC and 3-valves per cylinder and rated at 300 hp. almost twice that of the Cadillac V16’s 165 hp.

Ettore’s timing was terrible. He brought the car out just when Europe was going to hell. Only six Royales were built between 1929 and 1933, with Ettore only able to sell three to external customers, but incredibly, eight decades later, all six still exist.
Each has unique bodywork. The first Royale, in fact, was rebodied five different times.

Photo courtesy Wallace Wyss

This particular car is particularly interesting because it represents the Ultimate Barn Find. Chassis #41 121, was ordered new in 1931 with a Weinberger body done in Munich by Dr. Josef Fuchs of Munich. an obstetrician, for the equivalent of what would have then been $43,000. But Dr. Fuchs became alarmed by the Nazi party and he and his family loaded up in the car and left, first for Italy and then, oddly, Shanghai (not a good idea considering the Japanese were coming there).

They ended up living in New York. The Doctor did not properly secure the car against the winter cold and the block cracked. This is not an engine you could just buy a new block for around the corner. So here the story takes two roads. One is that the car was found in a junkyard. The second is that it was found in Fuchs’ back yard and an enthusiast was tipped it was there. t It is amazing it wasn’t cut up because by when it was rediscovered it was WWII and there was pressure to melt down old cars for war material.

Fortunately in 1943 a man named Charles Chayne got a tip from a car loving buddy about a huge black car with yellow trim in a junkyard. Chayne got on the phone and bought #41 121 for $400 plus $12 tax. Now Mr. Chayne was not just an engineer but the head of Buick engineering at GM. He had thousands of engineers working for him so for them to cast a part from scratch, no problem. The biggest change he made was to have a new intake manifold made with four carburetors to make it more drivable.

He restored the car and eventually he and his wife Esther donated it to the Henry Ford Museum in Dearborn, MI, which has a magnificent car museum, and by the way, with not just Fords in it. It’s where it’s been on display for half a century. Ironically Chayne was also involved with the Pebble Beach Concours in its early years and could have donated it to that event, but it is safe to say that Pebble Beach back then was just some small car show, not the grandiose enterprise it is today, so he thought the Ford Museum a better recipient.

He modified the car somewhat but not as badly as another Bugatti he owned that got a Buick aluminum block V6. He was a Purist, to be sure, but a practical man and the fact a car had an updated engine wasn’t as important to him as getting the car out and about.
The moral of the story is: when some buddy calls you and reports he saw “a strange car abandoned in a back yard” then pay attention. It could be another Royale-type car. Oh, and the value today? I’d say $20-40 million would be reasonable for an opening bid…


EDITORS NOTE: Author Wallace Wyss, once a automotive historian, has now segued to being a fine art portrait artist, exclusively of classic cars. He invites galleries to write if they want to try out a sample of his automotive artwork on their walls Wyss can be reached at photojournalistpro2@gmail.com

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Celebrating the Legacy of the Moody Mile

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For more than a century, the New York State Fairgrounds hosted one of the most storied racing surfaces in America: the Moody Mile. It was a place where AAA Champ Cars thundered, where stock cars clawed for grip, where sprint cars ran wide‑open, and where generations of drivers forged legends at over 100 mph.

In 2015, the International Motor Racing Research Center gathered racers, historians, promoters, and fans for a final celebration — not a eulogy — of the track’s legacy. What unfolded was a vivid tapestry of memories, humor, heartbreak, and reverence for a mile of dirt that shaped motorsports history.

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The Moody Mile earned its name on Labor Day 1970, when driver Wes Moody stunned announcers with a lap so fast their stopwatches seemed wrong. As Joe Marotta recalled: “I had the old‑fashioned stopwatch… 36 seconds was 100 miles an hour. He went 35.9. I said, ‘That’s over 100 miles an hour.’”

From that moment, the Syracuse Mile wasn’t just fast — it was Moody. Sometimes smooth, sometimes treacherous, always unpredictable.

Moody himself remembered the day vividly: racing four or five nights a week, bolting on a pair of gifted Goodyears because “we were all broke,” and discovering the car was “just blowing them away.” He also remembered being pelted by ice cubes from friends perched on a camper in Turn 3 — a uniquely Syracuse moment.

If Moody gave the track its name, Glen Donnelly gave it its modern identity. Donnelly built the Super DIRT Week empire, modeled after the NFL’s Super Bowl concept. He turned Syracuse into the season‑ending crown jewel, even when weather, logistics, or finances fought him. “This guy never said never. He was never a quitter.” — Joe Marotta

Donnelly’s innovations included new track surfaces, polymer‑enhanced clay, and the introduction of sprint cars and World of Outlaws events. His vision pushed speeds to astonishing levels — 145 mph at Rolling Wheels, faster than Syracuse itself.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00:00 Moody Mile Tribute
  • 00:01:52 Welcome and Introductions, Meet the Panel
  • 00:06:15 Wes Moody 100 MPH Lap
  • 00:10:45 How Super Dirt Week Began
  • 00:15:05 Donnelly Vision and Grit
  • 00:17:18 Danny K First Time Magic
  • 00:21:35 Birosh Sprint vs Modified
  • 00:26:08 Tompkins Racing Memories
  • 00:35:21 Mel Lane Two Car Perspective
  • 00:37:42 Sprint vs Modified Times
  • 00:38:21 Knoxville vs Syracuse
  • 00:39:11 Alan Johnson Takes Stage
  • 00:40:05 Survival and Strategy, a Non-Qualifiers Comeback
  • 00:44:48 Early Driving Myth
  • 00:45:38 Turn One Crash Memory
  • 00:47:29 Offseason Shop Grind, and “Syracuse-Only” Cars
  • 00:52:04 Aero Tricks and Fords
  • 00:53:58 1900 Letter Origins
  • 00:54:55 Famous Cars
  • 00:58:22 Future Track Vision
  • 01:00:49 Unsung Heroes and Jackets
  • 01:03:07 Afternoon Session Setup, Joe Marotta Childhood Memories
  • 01:10:55 Dr. Gary George History Slides
  • 01:14:22 War Pauses Racing; Roaring Twenties Motorcars
  • 01:21:36 Postwar Return 1949
  • 01:22:12 Fifties IndyCar Glory
  • 01:24:05 Date Changes, the 1974 Crash and Stock Cars Take Over
  • 01:27:39 Women And Early NASCAR
  • 01:29:28 Innovation And Big Wrecks + First Night Racing
  • 01:35:41 Salt City And USAC Disaster
  • 01:37:29 Motorcycles, Trucks and Snowmobiles
  • 01:41:11 Supermodifieds & Outlaws
  • 01:44:58 4th of July Tragedy
  • 01:48:07 Break And Thanks
  • 01:48:38 Tom Thumb Autograph Story
  • 01:51:03 Gary Tompkins Takes Ride
  • 02:01:25 Ballou Car Shockwave
  • 02:05:51 Hochman Dirt Week Journey
  • 02:18:02 Legacy Farewell Sponsors

Transcript

Crew Chief Brad: [00:00:00] Brake Fix’s History of Motorsports series is brought to you in part by the International Motor Racing Research Center, as well as the Society of Automotive Historians, the Watkins Glen Area Chamber of Commerce, and the Argettsinger family.

Crew Chief Eric: On today’s episode of The Logbook, we’re taking you back to a 2015 celebration of the New York State Fairgrounds, a place where engines roared, legends were born, and a mile of dirt became a cathedral of speed.

The Moody Mile is at the heart of this IMRRC center conversation with a tribute to the racers, the storytellers, the innovators, and the dreamers who turned a simple oval of clay into one of the most iconic stages in American motorsport. From the early days of AAA champ cars to the thunder of Super Dirt Car Series, the Syracuse Mile has seen triumph, heartbreak, and a history written at over 100 miles an hour.

You’ll hear the voices of the men who lived it, Wes Moody, who gave the track its name with a lap so fast the announcers didn’t believe their own stopwatches. Glen Donnelly, [00:01:00] the visionary who refused to quit, even when the weather or the world said otherwise. Drivers like Alan Johnson and Gary Tompkins each carry their own stories of speed, fear, pride, and the unforgettable feeling of rolling out onto the Mile for the very first time.

You’ll hear about ice cubes thrown from campers, bodies built in horse barns, sprint cars run wide open for a full lap, and the quiet moments, the ones in the garage long after midnight where champions were made. You’ll hear the laughter, the scars, the memories, and the reverence for a place that meant more than just racing.

And as one speaker put it, it was the greatest spectacle on dirt. And now, with the grandstand silent and the track gone, the stories matter more than ever. So settle in, because this is not a eulogy, it’s a celebration. A celebration of men, the machines, and the Mile that shaped generations. Welcome, folks, to the Moody Mile, where history still echoes if you know how to listen.

JC Argetsinger: Good morning, ladies and gentlemen. Good morning. We’re delighted to see this nice audience here. I’m JC Argettsinger, president of the International Motor Racing [00:02:00] Research Center. This morning is the driver’s panel, and I’m going to have, uh, Kip introduce everyone. Kip, would you come on up? Kip, you really deserve a, a round of applause here for putting this together, working diligently to get this wonderful

Kip Zeiter: cast.

I refer to myself as kind of the token short track guy in this place. And when we brought the Gary Ballou car in yesterday, it was like, “Yes.” We have had some very, very stout cars on display. We are very blessed with that. But I think the Ballou car certainly, uh, is one of the best ones we’ve ever had. So I hope after the guys share thoughts and histories and memories, both good and bad, that you come back to the center because we’re gonna do a history of the place.

I’ve seen excerpts of it. It is killer. It is just fabulous. And, uh, I hope you all come back for the afternoon session. I’m gonna introduce Joe Morata and Gary Montgomery, and then I’m gonna get out of the way. Everybody who has attended a race in central New York over the [00:03:00] last 40-plus years knows the voice of Joe Morata.

Joe announced at all 44 Super Dirt Weeks. Joe announces weekly at, at Oswego and all over the place. And Gary Montgomery, longtime writer for Gator Racing News, Motor Racing Network commentator. Gary’s history doesn’t need recounting, in part because I don’t know all the history. So anyway, Gary and Joe are gonna introduce our illustrious panel of drivers.

As I say, I’m gonna get out of the way and just let these guys swap stories and tell memories.

Joe Marotta: Thank you, Kip.

Well, I’m gonna tell you, this is really an honor to be up here, and to remember the Moody Mile is just absolutely second to none. And we’ve got quite a group of drivers here. Gary Montgomery down there on the other end. You know, as I started out almost every race here for the past 30 years, I would say, as my good friend Jack Burgess always said, “You’ve gotta have a favorite out there.”

And here are some of my all-time favorites [00:04:00] sitting right to the left of me. Mel Lane alongside of me. Uh, Mel, of course, who has run at the Moody Mile on many occasions, not only in a small block modified, but also in a big block sprinter, a 410 sprinter. Also alongside of him, guy who, uh, had a, a great run at the Moody Mile, former Mr.

Dirt champion, ladies and gentlemen, Gary Tompkins.

Next in line. Now, this guy is known for, well, he’s known for asphalt racing. He’s known for dirt racing. He is known for running a super modified, a small block super modified, a super stock on the asphalt. And this year, he had his very first experience of running on the Mooney Mile. Danny K., Danny Kapuscinski.

A gentleman who needs no introduction at all to the Moody Mile, to dirt track racing, obviously a [00:05:00] future Hall of Famer. Ladies and gentlemen, AJ Slideways, Alan Johnson

Now here’s a guy next to him, we call it the Moody Mile. And because of this gentleman on that Labor Day in 1970, when he went, exceeded 100 miles an hour, ladies and gentlemen, Wes Moody.

There have been an awful lot of leaders in history, but the leader of the Moody Mile dirt car racing, the godfather of the sport, Glen Donnelly

Another local guy, Ryan out of Waterloo, New York, started his racing at the old Waterloo Speedway. We were talking about it a few minutes ago. Had many runs at the Moody Mile at Syracuse, a very noted chassis builder. Ladies and gentlemen, please welcome Johnny Bayroch.[00:06:00]

And a guy who I have shared the mic for many, many years over many different racetrack, both dirt and asphalt, ladies and gentlemen, Gary Montgomery

To get this program underway, we call it the Moody Mile. And I would think the first gentleman that we should call up here on our panel is the guy who we nicknamed the Moody Mile. Wes Moody, we’d like you up here. Do you recall that day on Labor Day afternoon at the then called Syracuse Mile?

Wes Moody: Yeah, I certainly do.

Joe Marotta: Can you recall some of the events that took place on that day?

Wes Moody: Yeah. Well, we were, we were racing about, uh, four or five nights a week at that time, and we, uh, got to Syracuse, and we’re trying to figure out what kind of tires to put on. And had a pair of Goodyear tires that, uh, somebody gave me. We were all broke, and, uh, you know the, the deal back in the day.

Anyway, we threw those, those tires on, and Alan just [00:07:00] talking about, uh, some tires. Uh, probably the same set of tires, uh, Alan. We went out and oh, my God, that thing was fast. We were just blowing them away, and could never beat Kagle at Wheatsport rolling wheels. And, uh, man, I smoked him that day, and that was the best feeling of my life.

Joe Marotta: Do you remember, though, when you turned that quick lap?

Wes Moody: Oh, I certainly do. I’ll never forget it. It’s, uh … I still, uh, feel it right now.

Joe Marotta: As you were running that day during the hot lap sessions and actually running your qualifying heat, I understand that your car was pelted by ice cubes down in turn number three.

Wes Moody: Good friends of mine, R- Richie Evans and, uh, Sonny Seaman, they backed their camper up to the, uh, third turn. And, um, and, and, and I was running real hard with, uh, Tobias, as I recall, going into third turn and it felt like bullets hitting my car. I said, “What the hell?” Come around again and like, bullets hitting it again.

What the heck? And I guess they were, uh, both drunk up on the top of their camper, and they were, uh, [00:08:00] throwing ice cubes at me

Joe Marotta: That was quite an eventful day.

Gary Montgomery: I got a question for Wes. Which car was that? I, I wasn’t at the, or if I was there that day, I’ve forgotten. But, uh, was that the stagecoach or a coupe?

Wes Moody: That particular time, that was a ’57 X car that those guys are hitting me with the ice cubes with.

Gary Montgomery: Yeah, but was it a coupe-bodied car or a sedan-bodied car?

Wes Moody: It’s at the track record- Yeah … but that was a coupe.

Gary Montgomery: That was a coupe, all right.

Wes Moody: Yeah.

Gary Montgomery: I must confess that, um, we’ve called this thing, Joe and I, and other announcers have called it the Moody Mile for years, and that’s the reason for it.

It c- and I think it was, uh, the fellow, uh, Dave Wright from, uh, Gator News that came up with that nomenclature for the track then. But I always continued to use it because I thought the track had a mood. It was, sometimes it was moody, sometimes it was good, and, but it was Moody Mile for a couple of reasons, in my opinion.

But the real, of course, the source of that, it was you.

Wes Moody: Well, actually, uh, Joe Marotta and my dad started that same day. My dad w- and Joe, I don’t know which picked up on it first, but that same day, uh, they say we were flying high. That was, [00:09:00] uh, tough to beat Cagle and Chamberlain and those guys. Oh, my God, they were tough to beat, those guys.

And we smoked them, man.

Joe Marotta: Well, you know, here’s how it all started. Uh, we were in a couple of hour rain delay. They finally got the cars out there, and people were a little maybe restless in the grandstand. I said, “Man, I gotta do something to kinda perk this crowd up.” So I had the old-fashioned stopwatch, and I knew 36 seconds was 100 miles an hour.

So all of a sudden, this little coupe comes flying by, and he went a 35.9. And I says, “That’s over 100 miles an hour. 35.8, that’s over 100 miles an hour.” So I announce it. Now, there was a gentleman there by the name of John Duvall who was official here at Watkins Glen Speedway, a right-hand man to promoter Ira Veil.

And he says, “Ira, I’m only getting 37-second laps.” And Ira said, “100 miles an hour sounds better. Let the kids say it.” So then, uh, we had a [00:10:00] little bit of a break, and I climbed down the stairs, ran into Dave Wright. And Dave Wright said, “Hey, Wes Moody went over 100 miles an hour.” I says, “Yep.” He said, “It’s now the Moody Mile.”

I says, “Really? All right.” And so when I got back upstairs, it became the Moody Mile. Does anyone have any questions for Wes Moody?

Wes Moody: Actually, the day we’re running really good on the asphalt and, and winning, that, that was the day I liked it the best. And the next time you’re on the dirt, and, uh, we’re going like hell, man, I love this dirt.

Joe Marotta: Good answer. He sounds like one of those guys that are now, uh, running for some kind of an office, right?

Yeah. Yes. You know, we wanna talk to the gentleman sitting to the left of Wes Moody. I call him the godfather of the Moody Mile or the one-mile track, Super Dirt series. Glen Donnelly, how did it all start? How did it all get together?

Glenn Donnelly: [00:11:00] Geez, I don’t know, Joe. I can just remember I needed an announcer.

Joe Marotta: Oh, boy.

Glenn Donnelly: And you know, there was this guy, he was probably in his late teens, early 20s, was at the burley show. Do you guys remember those days when they had the burlesque shows at the state fair?

Joe Marotta: Careful, my wife is here.

Glenn Donnelly: Joe, how did it go, you know, when you were trying to get him on the inside?

Joe Marotta: Why, just last week, Mr.

Walter Winchell described her as the best undressed woman in show business.

Glenn Donnelly: Do you guys remember that? I don’t see too many heads going, but that’s how I met Joe Morana. I said, “Geez, he’d make a great announcer.” But on a serious note, every organization, and again, I was in sports all my life, and in particular football, and I went through college on a football scholarship.

So I always looked at the NFL, and of course, the NFL just started running what they call the Super Bowl. That kind of triggered a lot what we had to do in [00:12:00] 1970 when I got into this racing game. So the Super Bowl was always the best track you could come up with around the area, and at the time it was Syracuse.

So I had Weedsport, a few years later took over Rolling Wheels, and then a few years later, Canandaigua, and in the early ’80s, Middletown. Syracuse was the perfect place to end the season, and that’s when we started in 1972 with Super Dirt Week. After that first year, it was terrible though. Friday night rain, Saturday rain, we did everything on Sunday.

Bottom line is I lost about 7,000 bucks, but I had a contract with Schaefer Beer for five grand, and it was for three years. The obligation was there, that’s why we went back and went the second year. It’s a good thing we did because from there on it was what we’d consider in sports a home run. But again, everything that we tried to do was do it after what they would do in the NFL or any major league sport.

Even [00:13:00] today, where we’re coming into, uh, the 21st century and a new era, we’re playing with a new surface that we think will be a future for dirt racing. We did it at Rolling Wheels this year, and after five events, we think we got it pretty well down. The World of Outlaws come in and set the world’s record.

Rolling Wheels today is the fastest track in the world, 145 mile an hour on a basically five-eighths mile track, and that’s big. Even Syracuse, they couldn’t run that speed, you know, on a mile track. But the surface really makes the difference It’s where it’s tacky, smooth. Some of the guys, Gary, Allen, have run on the surface this year.

This is one of the things that I’m, I’m kind of looking forward to, and it’s not like I come up with this idea myself. The NFL and Major League Baseball, and in particular Major League Baseball, is the people that I’m really copying on this. You know, if you watched a Major League game 10 years ago and it started raining, they’d have to cover the infield.

Last year, the Yankees played [00:14:00] 17 games right in the rain, and it’s the same basic surface we’re using, and theirs all comes out of Wisconsin. A lot of stuff starts in Wisconsin. But in particular, that’s where, that’s where their surface… The only trouble is it’s real expensive. When you’re talking polymers and waxes and the stuff you’ve got to use to mix in with your clay, it gets expensive.

Rolling wheels just on a trial basis here cost us over 400,000, and when we put this track together in Central Square, we’ll have well over a million in it. I think that that’s the way to go. I think the future of the sport, you know, you got to look at these 16 to 30 year olds and what they want. You drive along the side of the road and you see these kids glued to something.

Look, they’re looking right at it. Wes told me it’s cell phones. I don’t… That’s what it’s come to. Joe, I, I don’t think we wanna look in the rear mirror, so that’s why I’m starting to talk about what’s out front, ’cause we don’t allow rear view mirrors in stock cars. We haven’t anyway, have we, Alan? I [00:15:00] don’t know.

I don’t know.

Joe Marotta: Okay, Glen. Gary, any questions for him?

Gary Montgomery: Well, I would just add that you gave a great introduction, but, um, Glen is responsible for, as far as I’m concerned, establishing this sport as we know it today, and as we’ve known it for the last 20 years or whatever it’s been. His vision, his crazy ideas.

Mostly his vision, then he figured out people to get to work for him to make th- those visions reality. And there’s been a long list of folks that have been involved in that, and I’m delighted to have been part of it over the years. And, uh, you know, he’s created an industry. The cars, I think the, the way they look, I don’t like it, but that’s, uh

It’s the way it’s evolved. And the fact that he had this vision and stuck with it all these years, and continues to stick with it, is just great. I really respect him, like him. Used to be his partner. He got mad at me, I got mad at him, but we got over it. And I look forward to his success at the Central New York Raceway Park.

Joe Marotta: You know, one of the things I’d like to say about Glen in the conjunction with the Mooney Mile, this guy never said [00:16:00] never. He was never a quitter. I mean, we were faced on many, many occasions with the worst weather that you could ever, ever see on a radar screen, and one way or another, we would get the show in.

You know, I’m gonna recall one story. When Glen Donnelly took over, uh, Orange County Fair Speedway, he and I went down on one of the first nights and rode down together, and then rode back together. He said to me, he says, “Well, Joe, what do you think?” I said, “What do I think of what?” He says, “What do you think of all the help, and the scorers, and the people in the tower?”

I said, “Well, Glen, I … Honest to God,” I said, “I think you were a little tough on them. You were really a little rough on them.” Well, by the time we got onto Route 17, he was sleeping. We got about halfway up the interstate or Route 17, and he woke up, and he says, “Did you ever play football?” I said, “Yep.” He says, “You remember your coach?”

He says, “During the game, he was ragging on you all the time. He was just always on your tail, but after the game, he was your [00:17:00] best friend.” And that was Glen Donnelly. Glen was kind of tough. He was up there in the tower. He was, he was a pusher and a mover, but he got the game done, and then he became your best friend again.

And I think we owe an awful lot of credit of the Mooney Mile to Glen Donnelly, ladies and gentlemen.

We’re gonna switch around here a little bit The Moody Mile has been run for, what Gary, since? 1903. 1903. Glen wasn’t there, I wasn’t there. But I’m gonna tell you, there’s been so many experiences on the Moody Mile. Danny Kampesinski, who I introduced earlier, had quite a year this year. Now he is the PR guy and the social media person up at the Oswego Speedway, and he has run on the asphalt a lot.

But one of his goals in life was to run on the Moody Mile. I had him on my radio show the week after. He wrote a very interesting article, and I think because of that, Kip asked him to be here. Danny, can you relate some of the experiences as a first timer on the [00:18:00] Moody Mile?

Danny Kapuscinski: Well, honestly, I feel kind of goofy being up here sitting in between Alan Johnson and Gary Tompkins

I, I think I have 40 laps of experience on the Mile, but it may have been the most exciting 40 laps I’ve ever run in my entire life. I started racing at Oswego all the way back in 2001. I was 16 years old. At that time, there weren’t a lot of teenagers racing at Oswego. I was a sophomore in high school, but my father built 13 different cars that ran at Oswego, and it was in my blood to always want to go there.

He did not like dirt cars. And I think, I think he referred to them as farm implements. I think that’s what he called dirt modifieds. He was a super modified guy. But I grew up loving racing of all sorts. My mom went to Rolling Wheels for years with, uh, Jimmy and Debbie Winks, and she would take me to Rolling Wheels and watch guys like Alan and Gary and Bob McCready race.

And we lived in Columbus, Ohio for about 13 years at one point too, and I remember turning on, I think it was the TNN Sports Cavalcade, and Syracuse would be on watching Brett Hearn run and, and all those great races. And so I always knew of the Mile. Never went to Syracuse until probably 2001 [00:19:00] or 2002. It was for a Fourth of July race, I think, at the time, and never really envisioned myself doing any kind of dirt racing.

But after I got done with Oswego, we ran super modifieds and small blocks. I went off to college at St. John Fisher, got my degree in communications journalism. Actually ended up working for World Racing Group for a while with Jack Spino and, and all, and all those guys, Tom Skibinski and, and spent some time, moved to Charlotte, came back to work for Oswego.

And a, a gentleman that I raced with at Oswego for a long time, his name’s Jason Simmons, owned a bunch of asphalt cars, decided he wanted to go dirt modified racing. He tried it at Fulton once last year. It didn’t really treat him very well, so he offered me the car. He said, “Well, if you want to take the car, put it in your garage, maintain it, work on it, you can go run anytime you want.”

So in between running it, we, we do the Oswego Kart Way on Friday nights. I have to be there every Friday, Oswego every Saturday. So I’d go to Weedsport. We went to Canandaigua one night. We went up to Can Am and, and had some fun with it. And it was an old Bicknell car that apparently Matt Shepherd had ran at Syracuse at one point.

But I had no experience with these cars and I really, I never envisioned taking the car to Syracuse. It wasn’t [00:20:00] something that, you know, I just didn’t feel like we would go there with any kind of ability to run well and be safe. And then the word came down that it was the last race ever to happen at the fair.

And like, well, I guess we’re gonna have to do it. So, um, we put the car together very last minute, couple days in between. We ran the Outlaw Show at Fulton with the same car, put a body and some shocks on it, and went to Syracuse, and it was just An unreal feeling. It was the closest thing I could relate to being at, like, the Daytona International Speedway, just showing up for the tech line.

I mean, have you guys been there to see the tech at Syracuse? That was my most nerve-wracking part of the entire week. We had a four-wheeler and a piece of rope to pull the car, and I’m next to Tim McCready in line, and I’m not even sure if … I hung the body on the car for the first time myself, and they got these templates, and I’m like, “Oh, my God.

Uh, they’re not even gonna let me on the racetrack with this thing,” you know? But we made it through, and of 93 cars, we time trailed 14th fastest, and ended up finishing 12th in the race. Couldn’t believe it. I think my asphalt experience helped a little bit with that. I was talking with Gary earlier. Most of the qualifying and practice we did early in the week, the track was rubbered up pretty well, and it was pretty wide [00:21:00] open, which kinda suited me very well.

And then come Sunday it was like, it was slippery, a lot more slippery than I was used to dealing with racing Supermodifieds at Oswego, where you got all the bite and horsepower you could imagine. So, like I said, it w- I don’t wanna talk forever, but it, I could. It was the best 40 laps I’ve ever, uh, experienced, and I’m so elated to have been able to experience it, but so devastated at the same time that I’ll never get to do it again.

Joe Marotta: Gary?

Gary Montgomery: Yes. I have no question for Danny, but I would shift gears if you’re ready to shift gears and talk to- Sure. Okay. Uh, let’s talk to the mayor here next to me, Johnny Barage. Named him the mayor of Seneca Falls when he lived there a few years ago and raced and won a lot of races and so forth. John has some experience on the mile, and as you mentioned earlier, we’ve got, uh, two guys up here with us today that have driven both modifieds And, uh, sprint cars.

John, I believe, made four starts on the mile in a modified. I’m not sure how many … I don’t, I don’t believe that. I know that for a fact. Do you know that for a fact? Okay. I don’t know. For Super Dirt Week that is. I’m, [00:22:00] I’ve got stats up the go- zoo, uh, from, uh, Don and Joanne Davies, and some of you may recognize that, those names.

Anyway, they, they provide statistics for all of the, the race, Super Dirt ra- races. And so I’ve com- they’ve compiled it, and I’ve sub- subtracted from that, found out you had four runs there in, in Super Dirt Week. But you may have run Fourth of July races and Labor Day races as well. But the interesting thing, most interesting thing about all that, I think, is the fact that you’ve done it both in a modified, probably a small block as well, and a sprint car.

And so talk to us about the differences between sprint cars and modifieds on the Moody Mile.

Johnny Birosh: Well, there’s, there’s quite a bit of difference between them. Uh, sprint cars, uh, at Syracuse, you’re pretty much driving around there wide open. You don’t let off the gas, and it’s quite a ride. Takes you a while when you first go out there in a sprint car to figure out that that’s what you have to do.

You have to talk yourself into leaving it wide open. Once you do, then you, then you’re getting around there pretty good. Modifieds, yeah, we didn’t race there a lot, but we did, [00:23:00] uh, run there a few times and, uh, ran pretty good a couple times. Got wrecked a couple times. Our best race there was, uh, Fourth of July.

We ran a small block against the big blocks, and we won the heat. We started fifth in the feature and finished fifth, and that was our best finish that we had at Syracuse. Even in modifieds, uh, it’s quite a ride around that place when you’re used to running half-mile tracks and 3/8ths-mile tracks, and you go there, and it’s really different and quite an experience.

Ev- everybody that ever got to race at Syracuse, I’m sure they’re glad right now that they did, seeing that it’s gonna be going away here. It was a great experience.

Gary Montgomery: I call it the greatest spectacle on dirt. I think that is the case. Uh, quality of the racing isn’t always great, but it is a spectacle for sure.

I must confess that I don’t remember too much of your winning and having good runs on the mile, but I do remember a day very specifically. You and I were standing at the start/finish line when the red flag was out after a multi-car crash, and we were surveying the damage of … And it was a sprint car at that time.

And I think the answer was it [00:24:00] wasn’t damaged, and I think you fired up and kept going.

Johnny Birosh: Yeah. Yeah, we could have. One time we fired up and kept going. We were in two wrecks up there, uh, the last time I ran a sprint car there. On the original start, there was… I can’t remember how many cars they started in the feature, but we started 16th.

A, a lot. A lot. Yeah. And, uh, we started 16th, and they started wrecking in, like, third or fourth place. Boy, we really got tore up. That was the only time in my whole racing career, 28 years, that I went to the hospital. Other than that, yeah, that, that place was, it was fast. There’s no question about it. It

Gary Montgomery: was fast, exciting, and guys like you and Wes and the rest of the drivers down the line here that have had the experience of doing that, I just marvel at the fact that it can be done, that there’s a man alive that, or, or a woman, that will do that.

We must complete this resume on the mayor here though. He moved from Seneca Falls to Penn Yan, and he now builds hot rods and street rods and that sort of thing. And so we’re honored to have the mayor of, uh, Seneca Falls, now the mayor of Penn Yan, with us here today.

Joe Marotta: John, you were, uh, noted as a chassis [00:25:00] builder as well as a driver.

When you were putting together chassis and building chassis, did you do anything special for a Syracuse chassis? Were they designed in any different way?

Johnny Birosh: The only car that we ever built different for Syracuse is one for Lynn Huff that was quite a bit different. But other than that, usually just the sheet metal.

You know, the body work was different. Two of these guys sitting on the stage here used to work for me doing sheet metal. Actually, they had my cars at different times too, Gary and Alan both. Gary, when he first started working for me, he was just doing odds and ends around the shop. He was like 16, 17. We were building a car for Syracuse.

We had some ideas for the design of the front end and the hood. And it’s, you know, it’s easy to put it on paper. It’s hard to, to make it reality. And I, I handed Gary a picture and said, “You gotta build this front end for this car.” He wasn’t very old, and he never did much sheet metal work or anything, and he just whipped that thing out, and it was perfect.

He’s been doing it ever since. But the body work on the cars is really, uh, [00:26:00] as you can see on the 112 over here, uh, body work really makes a difference at Syracuse ’cause of the speeds.

Joe Marotta: Gary, would you like to continue?

Gary Montgomery: Sure. We’ve already talked to Gary, about Gary Tompkins here just a second ago, Johnny did.

Let’s go to Gary Tompkins. Gary is a very talented driver, as you all know. Earned the Hard Charger award, I believe, for his, uh, I think seventh place finish, uh, this last month or so I followed his racing career, I think from the beginning when he ran a, uh, s- what we called, I think we called them street stocks or I’m not sure what we called them actually back…

Amateur cars probably. Amateur cars at Canandaigua. He ran a, a Mopar Dodge Challenger, I think it was, or maybe a Plymouth Barracuda or something like that.

Joe Marotta: You know what he tore up?

Gary Montgomery: Yeah, well, you know, he and a lot of other guys tore up a lot of- Yeah … really valuable cars. But nonetheless, that’s where he started and, um, and he most recently raced last weekend down at Charlotte.

So with that, we’ll turn it over to Gary Tompkins and he can tell us about some of his racing experiences. Gary, start at the [00:27:00] beginning. We know you were a tin knocker, and you are a tin knocker, and that’s, that’s another chapter. So maybe you can talk about both, first as a driver, then as a tin knocker and worker around Troyer and Bay Rush and so forth.

Gary Tompkins: Yeah, I started working for John right after I graduated high school after going to, well, CCFL back then, now it’s FLCC, looking for a part-time job. Bill Chaud actually got me hooked up with Johnny. I, I mean, I knew Johnny ’cause Johnny put the roll cage in my mint 1970 Dodge Challenger R/T plum crazy car. I started doing odds and ends around there, and at that time Mike McLaughlin was working for Johnny building bodies.

That was right when Mike was really starting to move up through the ladder. I started helping out John on his cars. You know, of course, racing, you bend up some body panels. He always made me straighten them out. Started making patches and this and that. And I used to build little models when I was a kid and stuff and make bodies out of cardboard and stuff like that.

So I always wanted to do something like that, I just never thought I’d be a tin smith. Then he started to have me do more and more in, in the winter of 1986, we actually, John and I both went up to Troyers and worked for a while. Of course, he decided he didn’t wanna stay there, but [00:28:00] I did for 10 years. But I still worked for John, you know, build- It was fun ’cause I’d work at Troyers during the day and everything’s gotta be, you know, a certain way, and they gotta have the designs and stuff like that.

And I’d go out to Johnny’s and it’s, all his body’s work was just simple, straight, let’s get it on the car. It looked, it looked good, but it just wasn’t as exotic as what Troyers was. It was fun, you know, building stuff in a horse barn and going out there and beating the big boys, so. I also, uh, when I worked at Troyers, I think it was ’89, Alan, you started last and won?

Yeah. I built the body for that car. Part of the body was falling off, and all I could think of was, “That body’s gonna fall off, they’re gonna get black flagged, and they’re gonna blame me.” But fortunately, that didn’t happen. Uh, fortunately he won. Got a lot of bodies that went through, uh, won some races up there.

Actually, uh, if you go to the Dirt Museum over in Wheatsport, Phil Taylor number 1 car, the asphalt modified car, dirt asphalt modified car, I built the body for that. That was a pretty special thing, too. But I always wanted to be a driver, ever since I was a little kid. You know, my dad used to take me to all these racetracks.

I said, “Man, I, I can’t wait to be able to race cars someday.” You know, one of my favorite times of the year [00:29:00] was going to Syracuse, sitting up in the stands just watching those guys go around that track. It just … It was such an experience. It was such a exhilarating just watching them cars go around that track, the speeds they were going.

One of my favorite races that I wasn’t involved in was the year, the 1979, when Jack Johnson won, ’cause finally a New Yorker won that race. You know, ’cause all the PA and New Jersey guys were always winning that race. But I always wanted to drive there, and when we started racing sportsman, they actually had us have, like, an invitational go up there.

We got our car ready to go up there, and I couldn’t wait. We get on the track, and I end up having motor problems, and we make a lap. So that was, that was heartbreaking. But I don’t remember my very first time around the track. I know I was probably nervous I can’t say I was ever scared about that place, but you really had to give that place a lot of respect, ’cause if you messed up, you were gonna wreck and you’re gonna wreck hard.

I, I mean, I know Alan can attest to that, and John too. I was very fortunate. I’ve never wrecked hard there. I’ve, I’ve wrecked there, but not very hard. But the speed there, it does take a lap or two, even a modified, to get used to the speed. Now, we’re inside these cars and they, they make noise. We can hear them, but the [00:30:00] noise is always a little different at the end of the front stretch, especially going into turn one there compared to what you’re used to on a short track.

Just everything is vibrating a little different than the m- you know, the motor sound’s a little different. Just the fact that you’re going so fast and then you’re trying to race side by side with somebody or wheel to wheel. Now, obviously, over the years people will say, “Oh, you can’t pass there.” And for a while it was tough.

This past year though, we started 36 and, you know, we got seventh and passed the majority of the cars, ’cause that’s just the way the track was. But obviously, uh, I’ve got two seconds there. I’ve 100 feet away from two wins. Vic Coffey beat me there in 2002. That was the year they had … They got rain delayed, and then on lap 120 they had a red flag, and I was talking to my crew on a radio and they were making fuel calculations and said, “We’re not gonna make it.”

So we come in and put fuel in it. Well, we put a little too much fuel in it, ’cause Vic Coffey come in and put a little less in and he beat us out and couldn’t beat him. I followed him around, and I think Alan is even ahead of us that year too, and, and he ran outta gas along with about eight or 10 other guys and, and, uh, we ended up finishing second to Vic Coffey that year.

2004 is our other time we got second there. That was the year that we were going for [00:31:00] Mr. Dirt. I was driving for Jim Beachy that year. We had a fast car all week, probably the fastest car there, but I started outside pole in the feature because, uh, we had a very good first lap in time trials, and then the driver tried to be a hero the second lap and almost stuck it in the third turn wall.

We were runner up front all day, and we were fighting Brett Hearn for the Mr. Dirt. You know, we sort of had to be where he, you know, near him all day to make sure the points didn’t change much, and I still remember the vision of him getting pushed down the center track on the back stretch by a tow truck, and I said, “Well, he’s out of the race,” and the call coming over the radio, “You can’t race hard anymore.

You gotta relax and, and drive around and finish this race.” So they let me race the last five laps. I caught up to Tim Fuller, who was running second. Kenny Tremont was running f- first, running the lead. Kenny ran out of gas coming out of turn two. Tim went out around him. I went underneath him, and uh, I spun my tires a little bit.

Timmy beat me to turn three, and I followed him across the line. So the only thing too, and this isn’t well known, Glen used to have a, an award called the Maury Holbrook Award. I don’t know if Joe remembers Maury Holbrook. Yeah. He, he was- I sure

Mel Lane: do

Gary Tompkins: Yeah, he used to do the, the track surface there, the, the track prep, [00:32:00] and it was the fastest time of the week.

It’s funny, Wes is talking about going 36 seconds. Well, we won it in 2005, and, and we did it in practice, and I still remember the lap. We went 28.111. Obviously, it’s not a track record, ’cause it wasn’t an official lap in qualifying, but I just remember that lap because I was, uh, you know, 15 car lengths behind Billy Decker, who was 15 car lengths behind another guy, and it was sort of like a draft all around the track.

A car just… I’d never had a car feel like that around there. It just… I mean, we were fast that week, but we weren’t that fast. It was a special lap. It just, uh… One of them things, you think about it afterwards, it’s like, “Holy cow, the car was that fast?” Uh, you know, we raced this year, during Sunday, 35 second laps, and that year we were that fast, ’cause the track was that good, and the cars were that good.

But I always say Syracuse is one of those places where I love to drive around, but I, I hate to race around it, just because it can be so frustrating. You’re always on the edge, and you know if you mess up, you’re gonna pay for

CROWD Q&A: it. True that you always gotta go to the bottom, stay to the bottom coming out of two.

Gary Tompkins: Uh, not this year. Actually, the last few years. In 2012, they actually put clay on the track, and that did away with a lot of the cinders. [00:33:00] Actually, uh, Dan talked about this year, going there with the car he ran at Fulton. Well, we ran in 2012 with our car, and we got the bright idea right after Fulton, “Hey, let’s go to Syracuse.”

We, uh, put a new body on it, changed motors, went up to Syracuse, time trialed sixth fastest. Well, the reason why we time trialed sixth fastest is because you couldn’t step on the gas And you were hunting for bite. That was the year that Brett Hearn won. It actually got rained out just after halfway, but we were literally running up by the wall all the way around the track at times just trying to find bite.

This past year, on Sunday, the track had slicked up a lot. There was a hole in the bottom of turn one. You could drive through it, but it really messed your car up. And of course, you don’t want to break your car. But if you went around it, you had to either slow down, go to the bottom, or just let the car drift.

And, uh, like I was telling some guys earlier, by the end of the day, we were almost at the wall coming out of turn two. And we were actually at the wall going into turn three, too, just trying to find bite. So, and we were running 35 second laps, which when you’re going that slow, you know, you can drive different places on the track to try to find bite.

You’re not trying to drive the track like an asphalt track. You can drive it [00:34:00] more like a regular dirt track when it’s like that.

Gary Montgomery: I marvel at the fact that you can remember all that stuff and all those laps. I’d like to back you up, and I know we don’t look to, in the rear view mirror, but, uh, you talked about building model cars and always wanting to be a racer and going with your dad and mom to watch the races and so forth.

And then you did eventually get that Charger RT, I guess, or Challenger RT. A Challenger. Not, not, not even, not, not even a simple one, but an expensive one. No. But anyway, when did you decide you could become a race car driver and would stick with it? And I suspect you never imagined where you’d end up, but just continue racing.

Gary Tompkins: Um, I just, ever since, uh, you know, my dad is … He’s got the gift of gab, and he always talked to the guys that were from Canada. You know, Buffalo Way, uh, Cliff Norton, Terry Edwards, Lloyd Holt, Mi- Mikey Grant, and those guys. I’d wake up on Saturday and Sunday mornings with race cars in my driveway. They still were dirty, and they still had the

You could actually … Sometimes they were still warm. And just looking at them and saying, “Man, I wanna drive these things.” I have been very fortunate. You know, I’ve had to scratch and claw, you know. I, I, except for when I drove for Mr. Beachy, and a couple other times too, I’ve never really had a big sponsor.

We’ve had to scratch and claw for what we’ve got. [00:35:00] Ever since I can remember, I’ve been wanting to drive a race car, and, and particularly dirt modified. Now, back when I was racing street stocks, I had the notion that I really wanted to drive a sprint car, but one day my dad told me he wouldn’t walk across the street to see a sprint car race.

And he was a great influence on my racing career, so I knew where that was headed. It wasn’t gonna be a sprint car, so …

Gary Montgomery: Joe, you wanna keep going or-

Joe Marotta: Sure. Mel Lane has been sitting here very patiently. Mel has had quite a few experiences at Syracuse. Now, the unique thing about him, not only did he run a small block modified at Syracuse, but he also ran a sprinter.

Like to have you talk about the difference of competing on the Moody Mile with the two different cars.

Mel Lane: Well, there’s quite a difference with a sprint car being so much lighter and more power than the small block modifieds, but the modifieds were great back in the early ’80s. I went four times and with a low budget car, and we

I did, uh, win a heat one year and finished eighth in the final. That was my best, you know, with that car. And then when we went back, [00:36:00] entered with the World of Outlaws in ’90 or ’91, I ended up 11th in the A Main feature. Sammy Swindell won it, and I ended up 11th on the lead lap. It was really successful. I mean, it was, the car got more comfortable as the race went on, and it was very fast, but try to not do anything crazy.

Joe Marotta: Between running a modified on the racetrack, and I’m talking here again strictly to Moody Mile, different lanes, different grooves, different places you get into it, get off of it.

Mel Lane: Well, with a sprint car with a wing on it, uh, it was like Johnny Beyross mentioned, when you get the car right, you, you don’t have to lift off the throttle.

The wing will just hold you right down onto the track and-

Joe Marotta: So you would go full throttle around that mile?

Mel Lane: Yeah.

Joe Marotta: Really? Whoa.

Mel Lane: Yeah, and, uh, that’s a tremendous feeling. I mean, to be able to have the car work that good to do that is exciting.

Joe Marotta: And then running a small block modified, obviously different lanes that you would use, and you would get onto it at a different point, shut it off at a different point.

Mel Lane: Uh, [00:37:00] yeah, and, and with the modified, we, we never build a special car or had the money to spend to do it proper, so it, it was more of a field filler, you know? I mean, we did good on the short tracks and, but the mile was, was tough.

Joe Marotta: The experience of running the mile, and I’m sure every one of these fellows that are seated alongside of me here, is just phenomenal.

Danny Kay, uh, kind of summed it up. For him, it was like running at Daytona. You also feel that way?

Mel Lane: Yeah. I’ve, I raced on 42 different dirt tracks, and i- it certainly is the fastest and most unique feeling racing there.

Joe Marotta: Well, you sure did a great job. Thank you. Any questions for Mel Lane?

CROWD Q&A: I wonder how the times compare between the sprint car and the modified.

Mel Lane: Well, uh, sprint cars are, are a little quicker ’cause they’re lighter and, you know, they have similar horsepower. I think Billy Ponch holds the record there at 24 point something seconds on a mile. We did go back, I didn’t mention it, [00:38:00] but I went back as an owner and had Lance Young drive for me in a URCESS Challenge, and we ended up winning that race.

Uh, Lance was the same way. We, we b- had a car built special for that and, you know, it just worked very, very good, and he averaged, like, 127 mile an hour for the whole race and could run her absolutely wide open. That was a good experience, still.

Gary Montgomery: Syracuse, the mile, isn’t known as a sprint car track. Eldora is known as a sprint car track around these parts, around the world probably.

You’ve run a 410 sprinter at both tracks. Talk to us about the difference between Eldora and Syracuse.

Mel Lane: Well, I, I, h- I have not run at Eldora. I’ve run at Knoxville, Iowa, which is- I’m

Gary Montgomery: sorry. I meant Knoxville. That’s what I really

Mel Lane: meant … right, Knoxville. Yeah. That is an excellent track. It’s, you know, it’s a big half mile, so the speeds aren’t quite as great.

Same deal. I mean, the first year that we went there, there was 164 cars that took the time trial, so I mean, it, it’s a huge, big deal. It’s not quite that large anymore in car count, but that’s a great adventure to go to. But it’s different than [00:39:00] Syracuse. Syracuse is just, we’d slow the steering down to try to make the car, you know, not jerky at all compared to the sh- short tracks.

And so just quite a bit of difference, but both huge events.

Joe Marotta: Well, that leaves us with one driver. He’s a three-time winner at Syracuse, many time track champion at many, many different dirt speedways around the Northeast. I remember this guy winning his first modified feature in the Tom Ewing Corvair bodied car number 14J, and that was at Candadaigua Speedway.

Alan, it’s been one hell of a ride, hasn’t it?

Alan Johnson: Yeah, Joe, it’s been since

Joe Marotta: 1974. 1974. And of course, your success at Syracuse has been second to none. You’ve seemed to done well both on the short tracks, the medium sized tracks, but you’ve also done well at the mile at Syracuse. Can you relate some of the Syracuse stories?

Alan Johnson: Well, I’ve been there enough times, you know? I’ve been there since ’74, so what’s that, 40 times or so? So, you know, I’ve had some good runs, but [00:40:00] I’ve had some pretty bad ones, too. Um, mostly I remember the wrecks more than you remember the wins. The track’s gone through a lot of transitions since ’74. You know, it, it seems like every time you go there, it’s different.

Like Gary says, you’re there one time, it’s 28 seconds a lap. You’re there a couple of days later, and it’s 35 seconds a lap. It’s just a challenging place. You try to go up there with good equipment, but it’s kind of hard to find an owner that can spend that kind of money for one race. You know, I’ve been lucky.

I’ve been probably four or five times where I’ve been there and I, and I was probably in, if not the fastest, one of the fastest cars. You know, all the rest of the times I, I wasn’t. But, uh, it’s a, it’s kind of a race where just survival, having the right pit strategy, and not running out of gas, you know, you’re gonna be successful there.

And, and a lot of luck

Joe Marotta: Alan, can you recall the year that you had to run the non-qualifiers race on Sunday afternoon, and you had to qualify through the non-qualifiers race, and I think you started in the 55th starting position, if I’m not mistaken, and came up and won it?

Alan Johnson: Well, that’s going back to the luck factor.

No, but we were pretty good, uh, we were pretty good [00:41:00] going back to that week. We were okay. You know, we were a mid-pack car, maybe however many cars you used to get back then. I think it was 80 or 100, whatever you used to get. We were probably 35th fastest on the charts. But, uh, we had a problem with the car where it was popping out of gear all week long, and I had the transmission apart in my own trailer trying to fix it.

I didn’t know a transmission part from a rear end part. So, you know, we struggled with it all week trying to get it fixed, and never did get it fixed, so that put us in a non-qualifiers race. We were a little off on setup. Like I said, we were probably half as fast as anybody there, you know, about mid-pack.

We threw a setup at it. Saturday night, I borrowed some shocks from Kenny Tremont. Completely off the wall compared to, you know, like something Troyer would set you up with. Went out there, and we started pretty far back in the non-qualifiers race, too. The car was just awesome. I mean, like, I got out there, and, like, I just passed a car a lap, you know?

It was just great, but I thought I was gonna run out of time. Got up to the last lap, and I, I still remember Mark Clury following me around, and I knew I was better, but it’s so hard to pass there. I didn’t think I was gonna be able to do it, and, uh, just gave it everything I got coming out of four, got up alongside of him.

And, you know, it’s questionable if it [00:42:00] was a tire nap, but I figured, I figured Glen still had his provisional, so I wasn’t really worried about it. But anyways, uh, they called it a tie and we got in the race, and I ended up missing the drivers’ meeting ’cause they had the drivers’ meeting while the non-qualifiers race was on.

So I started last, like you said, and, you know, I, I was doing all right working up through. I, like I said, I had a really fast car. We threw a setup at it that it, it was just great. It was super fast. The race was going on, I got up to… People were pitting and not pitting, and I was up to fifth. I’m trying to get in my spot on the, on the yellow.

The guy’s not letting me there. He’s fighting with me, and he’s a lapped car, so he’s not letting me in there. So Glen’s getting tired of cars going around in continuous yellow. I didn’t know I was supposed to go to the outside, run a fifth. I thought I was supposed to start fifth. I, but I was actually supposed to be the fifth in line on the outside, but I didn’t know it.

Back then, I don’t think communication was that great on the radios. I don’t even think we had a radio, to tell you the truth. But Glen was getting tired of running the cars around the yel- on, under the yellow, I guess, so he put me last. Still got a bone to, still got a bone to pick with him about that. But anyways, uh, [00:43:00] I went last and like, I didn’t know what was going on and went where they told me to go.

So I worked my way back up. By the end of the race, I was third again. You know, that was the year my brother and, uh, Frank Kozie was kind of fighting for the same piece of real estate going into one. I’m the one that ended up with it. They both ended up in the wall. So, uh, you know, it was just a matter after that, I think there was five or six laps left or whatever, had a tire going down.

Gary’s body was falling off of it. No fault of him. He didn’t put it on. Yeah. You know, we had, you know, that’s pretty much the way the race went. We ended up winning it.

Joe Marotta: Alan, you drove for many different teams. One of the teams that you drove for that really impressed me was the Jim Beachy Pillsbury team.

I’ve seen many introductions and many, uh, different ways that drivers brought their cars out onto the speedway during the, um, big race, the 200 on Sunday. But I think second to none was the time that you guys brought the Pillsbury Doughboy car out onto the speedway. Every one of the crew was dressed up in a Pillsbury type [00:44:00] uniform, the big flat hats and the big puffy hands.

And as they pushed the car out onto the track, everybody waved at the audience, and I think that was one of the greatest introductions that anyone has ever done at the Moody Mile. And you were part of that, and thank you for that. I’ll always remember that.

Alan Johnson: Well, I don’t know if I was part of that. I, uh- Well, I was walking about 50 foot behind the car when they, they were pushing it on there.

I, I got into it after they all left. But I thought that was kind

Joe Marotta: of- I think I heard a yell from the tower … kind of comical. I think I heard Glen saying, “Where’s the driver?”

Alan Johnson: Beachy was wondering that too, but- Uh, I couldn’t quite work up the courage to put the hat on, so, uh, I kind of snuck in after that was all over with.

Gary Montgomery: Well, Bici was probably the most colorful car owner that you raced for, drove for. You’ve driven for, uh, many, but let’s go back to the beginning, Tom Ewing and the guys from Victor. The story that I have heard, and I believe it to be true, is that you were probably, I don’t know if you were 14, 15, whatever you were, but, [00:45:00] uh, but you had never driven a standard transmi- I don’t know if you had…

Didn’t have a driver’s license, so you hadn’t driven on the road at all. Never driven a standard transmission car around the fields or anything. So they had you out in the parking lot, I think, at Wheatsport or someplace or other, teaching you how to drive and shift a car. Is that about right?

Alan Johnson: That’s not quite a true story because-

uh, I don’t know where that story came from. My dad used to have Jeeps. He had 117 acres of property out in Middlesex and used to have, uh, Army Jeeps when we were kids. He had trails all over the place, and they had the standard transmission in them, and I, I learned to drive standard probably when I was 10, 12 years old.

Gary Montgomery: Okay, I’ll never share that story again then. I can at- I can attest to the 117 acres out

Alan Johnson: in Middlesex. What, what else, what else you got, Gary? I gotta straighten you out?

Gary Montgomery: Yeah, we’re gonna straighten a few things out here before this day is over between you and I. But I’ll go back to, uh, you talked about remembering a crash a- at Syracuse, and, uh, I remember one very well.

I don’t know what year it was, but Joe and I were in the tower, and you crashed in turn one into the wall. I think at full speed. I don’t know. I couldn’t believe that you wouldn’t be hurt. The word came over the radio that the driver was okay, and I went back over the radio, [00:46:00] “Are you sure you got the right driver?”

And they were sure, and you were okay. But that was a, as I recall, a, a wicked, vicious crash. And I don’t know what year it was, but it was turn one. You probably do remember.

Alan Johnson: Yeah. Yeah, I, I, uh, I actually broke a helmet in that crash. Looking at where the roll bar was, where my head was, I’m kind of thinking my neck had to stretch four or five inches to hit that roll bar.

It knocked me out. I remember, uh, Dick Larkin and I were trying to get into one, and I guess he had a wheel underneath me and I didn’t know it. Sent me right up into the wall. And yeah, that was one of the bad ones.

Gary Montgomery: That was a bad one. But we, we mentioned this briefly, but I have, as I mentioned earlier, I have statistics from Don and Joanne Davies and, uh, that show that Alan, and this is just again for the, uh, what we now know as the Syracuse 200, 36 starts, three wins.

’83, ’89, and ’03. So a 20 year spread between those two, and you won’t get to do it again, but it was a great run while it lasted. I mean, on the m- on the Syracuse Mile, that is.

Alan Johnson: Yeah. Yeah, it was, uh, it was a lot of fun. A lot of years, you know. It’s hard to believe, for 40 something years. I missed a few ’cause I didn’t have rides for them, but just a lot of work.

You know, [00:47:00] I can still remember burning the midnight oil to try to get the cars ready for that week. And, you know, at John’s I had one or two of his cars there before, and being in his garage till midnight just seemed like it come up and there wasn’t enough time to get the cars ready, you know? ‘Cause we’d race who knows how many races up till then.

You know, just one race at a time trying to keep the car going for the next night. And then Syracuse would come and about as unprepared as we could be, but, you know, we burned the midnight oil and we, we always made it. I’m kind of thinking maybe with Glen here we could start another, uh, 40 years. I don’t know how, how many years we’ll make, but we can always try.

Joe Marotta: Any questions for any of the group that is up here with us right now?

CROWD Q&A: I’d like to know how much time is spent in the garage in, you know, in the off season. How much time, like now when they start, like work, you know, it’s always interesting because actually the off season is short, but How much time will be being spent, you know, working directly with the cars?

Gary Tompkins: Gary? Uh, I was at Bicknell Racing Products yesterday, and they sent 11 cars out of there yesterday, and they’re supposed to send in another three or four on Friday. Parts probably will come up this [00:48:00] coming weekend. There are gonna be a lot of guys wanting their cars then. They started building the 2016s, I think, in September.

And right now, if you order a car from Bicknell, it won’t be until March you can pick it up. I don’t know how the other car builders are, but I know they’re that busy. You know, it’s pretty much a r- a year-round thing now. It’s just to stay on top of the game, you really gotta be going the whole time trying to get ready for, you know, whether it be a next race or the next season.

You cannot really slow down a whole lot. It just go, go, go all the time. You know, I have a question. You often heard of a regular Saturday night special, and then your Syracuse car. Did any of you ever have just a car put away for Syracuse? Um, when I drove for Honeycutt, 2002 we bought a Syracuse specific car.

The frame was basically the same. The difference, uh, Allen actually had one when he drove for BT too. The front sheet metal, the front of it was closed off a lot more, duct work to the radiator. The front wings went all the way down to the frame. The doors were different heights. A lot of different stuff to, to make the air not only go through the car straighter, but also put the downforce in a different area [00:49:00] ’cause, you know, you’re on a mile that’s almost like asphalt, so you can do a lot more of that stuff.

We’d get done with it. Now, back then, when we got it, they actually still raced Labor Day.

Joe Marotta: Was that a good testing-

Gary Tompkins: Yeah. It was, um- For,

Joe Marotta: for Super Dirt Week?

Gary Tompkins: Yeah, ’cause we, our first race was Labor Day with that car, and we got fourth with it. We didn’t have the motor that the guys in front of us had, but we were way better through the corners than any of those guys in front of us.

We just couldn’t pass them. And Labor Day, even Fourth of July, the track is really narrow, uh, the groove is. But we learned, you know, okay, we got something here, so we went through it again for, for Super Dirt Week. Super Dirt Week ended. We take all the running gear off the car, put the frame of the body over in the corner, put the running gear on another car, run the short tracks with that, buy all new running gear for that car for Syracuse again next year.

We did that. Well, I left Honeycutt in 2008 or 2009. They still had the car, and they’re still doing the same thing. Johnny Byrush, how about you? Did you have anything special for Syracuse?

Johnny Birosh: Yeah, we used to try to build a car, uh, special for Syracuse. We didn’t run there much ourselves, but For different customers, we’d try to build a car, uh, especially for [00:50:00] Syracuse.

And like I say, usually for the sheet metal work, usually it was at the last minute. One time we, uh, ran Syracuse, we, uh, we started a brand-new car 10 days before Syracuse. Meant that that was just straight tubing in the tubing rack. And then 10 days later, we, we went to Syracuse, and that car was really fast, and I- it was the best I ever…

I never qualified very good there. I never ran many races that they time trialed. And I qualified 10th, and I remember the, the day of the race, uh, we went out for final practice, and I drove right around Jack Johnson like he was parked, and we were, uh, starting right next to each other. And Jack told me, uh, before the race, he says, “If you don’t mess up, you’re gonna win this thing.”

We went, like, 12 laps and broke a oil pump in the motor, and that was the end of it. But that was a special car for Syracuse, and that was when Gary started working for me. He built the body for that car, the nose, and the hood, and everything. And that car was really, really good in the wind. I know these guys that drive those cars up there, you get a lot of buffeting.

[00:51:00] Helmet, your head, and everything moves around, especially when you’re passing cars. And that car, the way the sheet metal was on it, when you drove down the straightaways, it was just like sitting in your regular road car. The sheet metal was perfect on that car. The body work really does make a difference at that racetrack.

One other time we built a car, a special car, for Lynn Hough. That car was really good. That was the same way. We built it two nights before Syracuse. We were out back of the shop painting the frame with spray cans at 2:00 in the morning. And that car was really fast. He ended up having a water pump failure.

But then the following year, he had a small block in the car and, uh, won the small block race with that car.

Gary Tompkins: One more thing about John, the year before we built that car, that was the white car, right? That was the white car?

Johnny Birosh: That was the white car, yeah.

Gary Tompkins: We built the car called the Circus Wagon. That was the car that wrecked when, uh, Sammy Swindell tried to make a lane underneath Johnny coming out of four, and there was no lane, and it wrecked them both, and then poor buzzy come along and crushed them both.

Now, that car there was the Corn Husk car at Wedsport the following year when he had the race won, so. Oh,

Joe Marotta: yeah. That Johnny did some, uh,

Gary Tompkins: harvesting. Yeah, [00:52:00] did some farming. I remember that. Yeah, so that car was fast that year, too. I, I really felt good about that car. But yeah, the year that we built that car, I don’t remember who…

Rod Eisenberg was one guy.

Johnny Birosh: And then we had an engineer from, uh- Cornell … Bill Trout had a aerodynamicist from Cornell University- Yep … come up to the shop, and, and we went over a lot of little things on the car. Some of it was stretching the rules, but what he had us do was, he says, “Now, look.” This guy was really smart.

He says, “You gotta do some things- that are blatantly illegal so that they make you- Yep … change them when you go through tech.

Gary Tompkins: Make them feel good.

Johnny Birosh: He, he had us make the lips a little bit too long, and they’d measure it and go, “Well, you can’t have that like that. You gotta cut it off.” “Okay, we’ll cut that off.”

And he says, “Maybe some of the other stuff they won’t see. They won’t pay attention to that.” And so that, that’s what we did. We put a lot of work into those cars for Syracuse.

Joe Marotta: When you were in that one car that was pretty fast, that you went around Jack Johnson and so on, was that Ford powered?

Johnny Birosh: Yeah, that was Ford powered.

Yeah.

Joe Marotta: You always kind of stuck to the [00:53:00] Fords.

Johnny Birosh: Yeah, yeah. When I drove for Billy, we ran Fords.

Joe Marotta: Gary, did you ever run any of his Fords or…?

Gary Tompkins: No, but I ran, uh, when I ran Sportsmen, I ran Chrysler products.

Joe Marotta: Yeah, I know. You

Gary Tompkins: cut up that good Mopar. Well, they were… Yeah, they, but while even with Sportsmen, I had a, a Mopar.

Yeah. And, uh, the gentleman, Joe Lepine from Danbury Competition who built his Fords built my Chrysler.

Joe Marotta: John, did you ever feel that the Ford had an advantage or disadvantage at the Moody Mile?

Johnny Birosh: Well, that year with that white car, I felt we had an advantage. Actually, Will Cagle drove that car and had- The Classic or whatever it was called

a Winner’s Classic race at that time, where if you won one of the qualifying races- Yeah … and there were 16 guys in the race and, and Will wasn’t, he didn’t have a car there. But he said, “Well, let me take your car and run a lap, and I’ll split the money with you.” So he did. He come in and he says, “I never drove a car like that.”

He says, “Boy, I wish I was driving that car.” He says, “Man, that thing is really fast.” And it was. It’s just too bad it broke. That was kind of my luck up there.

Gary Montgomery: Yeah. At any rate, I’m gonna keep going. Okay. I’ll, I’ll just read this, this fella [00:54:00] has written here, talking about the beginning and the end of the, uh, racing on the mile at Syracuse, and this specifically is the beginning.

“The Onondaga Historical Association has a letter in its files dated June 12, 1900, in which Timothy Woodruff, lieutenant governor to Theodore Roosevelt, urges Frederick Stevens, the future state senator, to get up an automobile race for the state fair. It’s one of the biggest ever, and we could really make something out of this.”

That’s a little paraphrase on the end. So that’s what was going on in 1900. All of you know what went on in 2015, so the beginning and the end.

Joe Marotta: Well, I gotta tell you, I, I think, guys, you did a great job representing a lot of the history of the Moody Mile. I mean, uh, it’s 2015. The checkered flag is out. The memories are there, and sure great that all of you folks have, uh, competed.

We have another question?

Rick Hughey: Talking about so many unique cars, I was wondering what Glen’s thought was when he saw [00:55:00] the Blue car show up.

Glenn Donnelly: That’s a good question. This is before or after I had a long talk with our tech people. Well, the bottom line is we sent Don Bushbacker, who was our head tech people, he went out to, uh, St.

Louis, Missouri, where they were building the car. So he looked at it. The only thing, he come back and said, “Look, all the cars that are on the, the circuit right now are built to the minimum specifications. Blue’s car is gonna be at the maximum.” And it’s a Lincoln Continental, and believe me, I couldn’t find anything in the rule book that said you couldn’t do it.

And of course, the rest is history. They came, and after Merv Triegler, J- And Jeff Bodine … in fact, Jeff Bodine was, was… Yeah, remember, he won Daytona, like, six years later. But yeah, everyone, and if you were there on that Sunday, you saw a whole different field of cars. All of a sudden they went from minimum specs to maximums.

That was one [00:56:00] of the highlights of being at Syracuse. You know, probably, which we don’t talk about much, probably the, the spectacle at Syracuse that I probably look at and say, “I mean, this was a real wow,” 75 three and four when we had the USAC Champ cars there. And there’s where you saw the biggest names in motorsports.

You know, Al Unser, Mario Andretti, Vukovich, Bettenhausen, Pancho Carter. I mean, these guys were the biggest and the best in the world. And you talk about a show, that’s why even the track surface, it was prepared that we didn’t run it in, those Champ cars run it in. They were all Firestone tires at the time, and they were running inner/outer liners, just like Cup cars do today.

That’s how far advanced that USAC Champ division was back in, in the early ’70s. Bettenhausen got a flat going into turn one. I remember Merv Trickle and I were right there in turn one watching these guys, and it [00:57:00] was incredible. When the track was still heavy, it wasn’t packed in. I mean, our modifieds wouldn’t even go out on a track like this, you know, in today’s game.

These guys, you know, and the tires were huge. It wasn’t like … And Alan, you remember back in those days when they were, we would run the so-called drag rubber, and that’s what these guys had. And he come flying down through there, dirt flying in the air, and he went into turn one, never lifted. Put it right in one of those buildings.

And then three days later, Wes and I went up to see him in the hospital, and he’d been messed up ever since then as far as … But the night before, they were at Reading, Pennsylvania, running sprint cars, and hear Bettenhausen had a broken nose from a rock or something that hit him in the face down at Reading.

And he was running for Penske at the time, and Penske fired him because of the sprint car race instead. So I mean, you know, these are things that, you know, you don’t hear much about because they had a big fight between USAC and Champ [00:58:00] cars, and it all went away right after that. But believe me, the best division that USAC had was that dirt Champ division, when you saw all the top names in those cars and how that race

So I don’t know. To me, it was a, it was an unbelievable experience to see the biggest names in racing run on dirt in those, uh, Champ cars. Other than that, I’ll tell you, I hope to turn the chapter next year and hope you all come to our new, uh, facility. I, I’ll, I’ll guarantee it’s gonna be the wow factor when you come in and see what we’re gonna build up there.

And hopefully it’s a resurgent for Alan Johnson, who put on a hell of a lot of shows from that first show at Weedsport, and I’m not talking in a stock car. Right, Alan? It was Snowmobile racin’. His father and I were partners on an 800 cc. Remember Larry Berman drove it, ’cause Alan was too young at that time to get on an 800 sled.

I did. It’s always been about speed. Every [00:59:00] race that we went to at Syracuse, it was all about preparing the track to get the most speed out of it. And we didn’t care what it cost or what you had to do. If there was something new or something we had to use on that track to get it, you know, we would try and do it.

And like I say, to put the modifieds, it was a real satisfaction when you could see a sprint car go around there in 24 seconds, and in today the guys say it’s too fast. You don’t wanna run there. But yet they came to Rolling Wheels. Remember, their average speed there was 142 miles an hour. At Rolling Wheels this past October they were averaging 145 miles an hour.

That’s what racing’s about. It’s about sp- I don’t care how you cut it. Like when Wes set it with 36 seconds and then we were running in the 28-second bracket. I mean, these were satisfactions that you look for in motorsports. And I don’t care whether it’s Indianapolis, Syracuse, or the new track we’re building, we’re all looking to set the records.

And some of the stuff that we wanna do is considered 21st [01:00:00] century. And hey, let’s wait and see what we have in the future. Right, Wes?

Wes Moody: You

CROWD Q&A: got it.

Glenn Donnelly: And you know, you talk about what Wes does in it. I ought to let him tell you. You know, he, he’s gonna go out and work in the garage putting a car together. Yeah.

Yeah. But it’s not because he wants to do that.

Wes Moody: Well, you do it because you love it. You know, we’re putting together a, um, a number 22 Billy Rafter, uh, coupe, a ’36 Chevy coupe to go into the museum. I mean, I just doing it the old way, getting, uh, building parts, building brackets. And I mean, it’s just, it’s a labor of love.

I mean, we go racing because we love the speed and the thrill and the competition. You get in that garage, and it’s for the love, just for the love of racing.

Glenn Donnelly: But if Jackie was gonna tell you, it’s so that you get out of her hair and your wife’s there.

Wes Moody: Yeah, that’s it. They throw me out of the shop. They throw me out of the, uh…

Not allowed in the ev- in the Christmas shop.

Joe Marotta: You know, the one thing I’d like to say. During Glen’s regime for Super Dirt Week and building the empire that he did, there were some unsung heroes. Mark [01:01:00] Kosweski, one of the track maintenance people. Maury Holbrook, someone talked about him earlier. Track preparation was, was his thing.

And I’m gonna tell you, there were some secret ingredients used into the mile, right, Glen, that made that track work and, and come up really good. One of the guys is here, right here, Jack Spino, who was, uh- Always the man in victory circle and working the press booths and stuff like that. He was really good.

And another guy who was a dear friend of, uh, Glenn and myself and many, many others, his nickname was The Chief. And when he was, um, inducted into the Dirt Car Hall of Fame, I called him the Chief of Connections. You know, one of the things we did not bring up, during the running of the big race, the 200s, halfway leader always got a $10,000 bonus, and that was all done and procured by this guy named Aaron Freshman.

So it was a great team from the front to the back, s- left to right, and it really made Syracuse [01:02:00] what it is and what it was.

Gary Montgomery: Just before the 200, I had the distinct privilege of introducing all the former champions of the race. There, at that time, there were 44 races had been run. By the time the day was over, 45 had been run.

But there were 22 winners in those first 44, and after the yesterday’s or that race that day, there were still just 22 winners, but still 22 winners. 450 drivers have qualified for and raced in the 200. Now, it had different names over the years. It was 100 to start with, and it was even called a 300, I think, at one point.

But, but anyway, so we introduced all the drivers and gave them a jacket to be worn. So there were 22 jackets like this. There are now 23. For that, I have the distinct privilege of presenting it. He didn’t think he was ever gonna get this, and, uh, but nonetheless, we have the winner’s champion jacket for Alan for his three wins on the Moody Mile[01:03:00]

Joe Marotta: And I think that pretty much wraps it up. Of course, we’re gonna be doing our afternoon session. Kip, uh, you’d like to say something?

Kip Zeiter: First of all, I’d like to thank everybody on the panel. I, I sat down and I promptly realized that some of you may wonder, where is Brett Hearn? Well, Brett Hearn called me Thursday afternoon, had a personal problem he had to take care of.

But Brett suggested that I give Gary Tompkins a call. I am very glad I did, and I am very glad that Gary said he would participate in this, ’cause I thought Gary, in addition to everybody else here on the panel, was absolutely fabulous. I did not anticipate that we would have the Moody Mile guy here, and that is such a treat.

And Mr. Donley, I’m so glad you were able to come. Just wanna thank everybody that participated in the panel. I thought they were all fabulous. You need to give them a, a round of applause, if you would, please.[01:04:00]

My name is Kip Seider. If you weren’t here for the morning session, on behalf of the International Motor Racing Research Center, I wanna thank you for coming out today for our Syracuse Mile: A Look Back program. If you, uh, were not here for the morning driver session, shame on you, ’cause it was great. As far as I was concerned, we could’ve still had that going.

These, these gentlemen were just terrific. Before we get into the, uh, the meat of this program, there’s really a lot of people I need to thank, and because I can’t do this extemporaneously, ’cause I will forget someone, I wanna thank all the gentlemen that are participating in the afternoon session: Dr. Gary George, who will give you an absolutely amazing history of this [01:05:00] fabulous track; Jeff Hockman from the World Racing Group; Gary Thompkins again; and our kind of our moderators, co-moderators, Joe Marotta and Gary Montgomery, who worked seamlessly together this morning as they have for many, many years.

And I also got to thank everybody that works, the staff of the IMRRC for dealing with me for the last couple weeks, ’cause it’s been stressful. Anyway, I’m gonna turn this over to, uh, Joe Marotta. I am so thankful for being able to be given the opportunity to do this program. I lobbied for a couple years to do this, thinking that Syracuse was such a historic track.

At the time we actually put this on our schedule, we have to do these things about a year in advance almost, the jury was still out as to whether Syracuse would be running more races or whether this was gonna be the final year. Obviously, as we all know, this was the final year, ending a tradition that goes back to 1903.

Several people said to me, “You should make this a political statement.” The politics are done. Syracuse is done. So it doesn’t make sense to make it a political statement. What I preferred to think of it [01:06:00] as was a celebration of the great men and women who drove this track, a lot of people that lost their lives at this track.

It is such a historical part of the motorsports landscape. I was there, along with I’m sure many of you, for this year’s final dirt race, and it just seems, uh, impossible to me that it won’t be around anymore. Now, Glen Donnelly, along with Wes Moody, Glen started saying, “Well, I don’t like to look in the rear view mirror, I like to look ahead.”

I wanted to stop him and saying, “But Glen, we are here to look in the rear view mirror” actually. He did a lot of that in addition to, uh, talking a lot about this new facility that he’s developing, and it promises to be a showpiece, and Super Dirt Week will go on courtesy of State of New York funding and Jeff Hockman and his World Racing Group, and it promises to be a real showpiece, so, uh, we’ll probably all gather there next year.

But for this afternoon, we’re here to celebrate the history of the Syracuse Mile. And at this point I’m gonna turn the mic over to Joe Marotta. Sit back and relax and have fun.

Joe Marotta: Kip, thank you for all your hard work in putting this together. It’s really kind of neat[01:07:00]

The Syracuse Mile. I grew up probably a mile away from it. Grew up in the village of Salve. I used to be able to go up into my backyard and look down into the State Fairgrounds. In 1949, just after Labor Day, my dad said to me, “We’re going to the races.” Wasn’t called the Moody Mile back then. It was just called the Syracuse Mile.

I said, “The races?” He says, “Yep, we’re gonna see the Triple-A Champ Car races.” “Wow. Okay, let’s go.” So we go down, my father and a couple of my uncles, and here was all these people sitting in this grandstand. And then all these cars were pitted on the racetrack, and all of a sudden they start firing up. And I heard this noise that I’ll never forget.

It was an Offy. And boy, I gotta tell you, it rattled the State Fairgrounds, it rattled Salve And it certainly impressed seven-year-old me. [01:08:00] Anyways, I sat there and watched the race. I remember the dust flying. I remember the cars cranking sideways as they came down the front straightaway. And another thing that I remembered on that given day was a guy in the tower by the name of Chris Economaki.

Man, he really impressed me. I remembered the lines that he used. That following couple days, couple weeks, couple months, I impersonated this guy by the name of Chris Economaki. The offies really impressed me, and I did try my hand at race car driving, but I was much better as an announcer. So anyways, this Chris Economaki really, really impressed me, and I could not wait until the next year, the Saturday after Labor Day, until my dad took me to the State Fairgrounds again to see the AAA champ cars.

There were drivers like Tony Bettenhausen there, Bobby Sweikert, Jack McGrath. They just totally, totally impressed me. And again, I heard [01:09:00] that voice of Chris Economaki. Many years later, I was announcing a race down at the Charlotte Motor Speedway at the dirt track, walking through the pit area, and I run across this guy by the name of Chris Economaki.

I walked up to him and I says, “Chris, my name is Joe Morato. I’m the announcer at Syracuse.” He said, “I know who you are.” I says, “Chris,” I says, “I remember in 1949, the first race my dad took me to.” He says, “Really?” I said, “At New York State Fairground, Syracuse, New York.” He looked at me and he said, “Hey, is Pizzo’s Restaurant still behind turn number two?”

I says, “Yes, it is.” He says, “Boy, I tipped many a brew there.” One of the things I said to Chris Economaki, I said, “I remember those first couple years that I went, you used some terminology like the throttle jockey.” “Oh, the throttle jockey out of Tinley Park, Illinois, Tony Bettenhausen.” I said, “I also remember you using the speed merchant.”

“Oh, the speed merchant. [01:10:00] That was Bobby Sweikert.” He really impressed me, and so did racing, and so did the New York State Fairgrounds. Later it became named the Moody Mile. We threw the final checkered flag just l- a little over a month ago. I’ll never, never forget the memories, and I think today is gonna be a day, I don’t wanna call it a eulogy, I wanna call it a tribute to the Moody Mile.

Dr. Gary George is here. Tuesday we had a meeting up at Wheatsport. I had pages and pages of notes, and I still have some of the notes that I wanna talk about. But after I saw Dr. Gary’s presentation, and I says, “Man, this is history. This is it.” Ladies and gentlemen, as my good friend Jack Burgess always said, “You’ve gotta have a favorite out there.”

Syracuse was my favorite, and here is Dr. Gary George

Dr. Gary George: Well, thank you, Joe, and thanks everybody for coming out today. I got, uh, quite a story to [01:11:00] tell today. Being a retired college professor, I will be asking questions, and yes, there will be a test after And probably some of my students out here are smarter than I am. They always were when I taught. I don’t expect, you know, you’re gonna get me probably on a few things.

Anyways, let’s move on to this first slide. I could not have done this, and I think, uh, we’ve already mentioned that Jeff Ackerman and Mike Maney, they’re motorsports historians also, really worked hard to put this together, so it’s not just me. Some facts about the fairgrounds. I’m not gonna go through every one of these in detail.

I think the important thing to realize about the State Fair is it’s the oldest state fair in the United States, and it was really started by a bunch of farm folk and some legislatures and, you know, some politicians, unfortunately, at times, w- especially w- in light of what ha- has happened to Syracuse, to promote a larger than a local fair.

So it was originally held in Syracuse, and they had quite a crowd the first year, and they did big things like plowing contests, [01:12:00] which was a big deal back then, ’cause everybody was in farming. They were starting to look at manufacturing goods that were being done. The second fair was in Albany, which a lot of people don’t know, and then it changed.

It traveled all over the state to 11 different cities. Now, you can imagine that every city was vying for the State Fair, so it became a tremendous political football to try to figure out what town was gonna wedge its way in to get the State Fair because eventually the, they knew the state would be involved with money.

And that politics continued, if you look at the history of the fair itself, right through to the end, for us at least, with the State Fair, uh, the racetrack, the Moody Mile as we know it now. So Mr. Geddes, and you know when you pull in by the track, you see the town of Geddes, he donated most of the land for the original fairgrounds, which was quite small compared to what we have there now.

And in 1890, [01:13:00] 1892, I believe, they decided to let the state in, and the state took over the facility with an 11-member fair commission appointed by the governor. Let’s look at what we’re really after today. This was the track, the mile track, when it was first built. Now, I want you to notice, you see the railroad tracks here, the West Shore Railroad?

The track now, the front straightaway is right against that. So originally the track was built at a skewed angle that ran from the railroad track all the way up to State Fair Boulevard, which is that road you see there. And the fairgrounds facility was pretty small. There’s a dotted line there that you see, and that was the grounds.

This map here is 1917. Before that, in 1890, they built a half-mile track inside that ha- the mile track. The mile track came at a later date. And they ran horses there. But Mr. Geddes wanted the biggest harness race in the world to come to Syracuse. That was the Hamiltonian. So in the early 1900s, they started [01:14:00] bidding for a license to run the Hamiltonian at the Syracuse Fairgrounds, and it was a mile.

They built a mile track. This is the proposed new track that we knew it a few weeks ago with the dotted lines. The old track was over there. The old track had a giant wooden grandstand, not as big as the one that would be built on the proposed track. Now, there’s something interesting to notice here. This was pro- proposed in 1912.

Nothing really happened until the early ’20s. Anybody know what happened between 1912 and the early 1920s? World War I, very good. Guess what they did with the fairgrounds? They used it for a army training base, so there was no racing there. It took a while for the army to move out and for the fair to get back going again.

So the ’20s, the roaring ’20s, as a lot of people know them, a lot of kind of stuff happened, and a lot of racing. I’m gonna show you some pictures. I wanna talk to you before I show you the pictures, though. There was something [01:15:00] very fundamentally different happening in America. The track building for horses coincided with something very new.

It was called the motor car, and the fairgrounds provided a perfect place for people to see these new contraptions. You gotta remember, in the early 1900s, very few people had cars. It was a novelty to see a car coming down the road. Wow, the fairgrounds was the perfect place to showcase them, so let’s go race them and make some money for the fair board.

They were always looking for that cash, weren’t they? And the first race was won by Jules Gounaud at an astonishing, the crowd went berserk, and they had about 40,000 people there for that first race, 60 mile an hour average. Wes Moody, 100 mile an hour in 1970. So this was pretty darn fast for cars that were literally like that.

You can see the guy’s got a seat, he’s got a radiator, and he’s got a gas tank, and he’s dressed in a suit and tie, and he’s off to the races. Here’s, uh, [01:16:00] down the front straightaway. They had the judges stand there. This is the crowd. You can see the grandstand, a big covered grandstand, large crowd. Well, the first overall big winner was Ralph DePalma, seven victories.

He liked Syracuse and he ran very well there. Another picture, uh, this picture, don’t think the track is that wavy. Sometimes we think it is here at Syracuse, I think, but it isn’t. It’s the picture itself. But I do want you to notice one thing. How many of you are familiar with that building that is just past the grandstand?

The police station. Yeah, I know it. I’ve been in there before. It wasn’t pretty. I don’t wanna go in there again. That was there. This picture is about 1924. So the track has been turned around, and take a look at the guardrail they got. Picket fence. And these are six cars, I think there’s six there. By the way, they only started six cars in a main event, a 100-mile race.

Any idea why only six cars? How many [01:17:00] race cars were there around the United States to run at the national level? About six. And secondly, the dust was so bad if you tried to run any more, it turned into a very dangerous situation. Here’s a line-up here for one of the races. You can see the cow barns back there in the third and fourth turn.

Here’s a picture of a car getting fueled up at the fueling area. This was the start of a race. Now you can see the picket fence a lot better. In the ’20s, uh, how many, how many of you have heard of barnstorming? Well, barnstorming was basically air shows with race cars and motorcycle racing, and they would run triple shows at the fairgrounds.

The top picture there is the motorcycles, and they got a large amount of people just come out to see the motorcycles. And then you had the air show, and this is a great picture in the ’20s of an airplane flying in front of the grandstand at one of the air shows. So it was the barnstorming era. Well, why don’t you take a look at this prize list.

Take a look at what they paid to win for a 100-mile national [01:18:00] championship event. $5,000. That was a lot of money in 1923. Lots of money. I want you to look at something too down here. Here’s your flags. Look what they’ve got for a red flag Course is clear. Now, why in the dickens would you have a red flag go and the green flag you’re starting your last lap?

Any ideas? Color traffic. Traffic lights. Absolutely. There weren’t any traffic lights. How did we learn red means stop, green means go? Traffic lights. So to them, this made sense. Well, there was some tragedy, and I know Joe has got a few comments on this. Jimmy Murphy, 1924 French Grand Prix winner, was killed in turn two in, uh, 1924.

It was a month, he got on a boat, came over here and raced at Syracuse and died. Jimmy Gleason in 1931, a terrible crash on the front straightaway. Now you see the cars are starting to look like kind of sprint car type [01:19:00] things. Jimmy Murphy was probably, I think, the only active Grand Prix driver to ever drive on the Syracuse Mile, and I believe that to be a fact.

Mario Andretti ran there, but he wasn’t an active Grand Prix driver at that time. He went on to win the world championship. Seven before he was. Okay. Well, we, we were debating that fact the other day up at Weedsport, so that’s an interesting fact, okay. But it’s pretty significant this guy won the French Grand Prix the week be- or the month before and then died at Syracuse.

Joe, you got some comments you want to say on that? I’ll give you the mic here.

Joe Marotta: Well, Jimmy Murphy had wrapped up the championship, but he came to Syracuse to race anyway. And of course, there were open races around the United States at that time, and there was a big race one week later in Sacramento, California.

A car owner came up to him and said, “I’d like you to drive my car in Sacramento, California.” There were no planes, there were trains, and you certainly weren’t going to be able to drive across the country in a week back then. So he committed to drive in Sacramento, [01:20:00] California, and he also said, “I don’t like to do this, but I’m gonna, I’ll do, I will take the train.”

Just prior to the race, the owner of that race car gave him tickets for the train. He put it in his inside lapel pocket. Back then, as you could tell, they didn’t wear fire suits. They wore, uh, suit and ties He had the tickets inside his lapel pocket. When he was killed, he was speared with one of the fence posts that we saw there, and it went right through those tickets through his heart.

And that’s a true story.

Dr. Gary George: A terrible accident. Probably the worst racing accident in motorsports history happened in 1911. Lee Oldfield, who had been battling for DePalma with, for the lead at Syracuse with a few laps to go … Well, actually, 10 laps to go, started to have a tire going down on him. The tire was burning up, flapping, and he did not pull in.

He ended up blowing a tire near the second turn and went through the fence. If you look at the [01:21:00] pictures, look at how close up there in that right picture the people are to the stands, to the racetrack. They’re all over the place, so it was easy if a car went through. It’s amazing they didn’t kill more in this.

Anyways, uh, Lee Oldfield, no relation to Barney, by the way, who won some races at Syracuse. They had a police guard outside his door at the hospital. He did get injured in this wreck. And they were gonna arrest him for manslaughter. Ralph DePalma came back from the next race, took the train back to Syracuse to testify to the grand jury in defense of his fellow driver that he had been racing against, and got him out of Syracuse, literally.

I don’t have enough time to go through every race winner through the ’20s and ’30s. They didn’t race during the war. They restarted in ’49. You know, the war was over in ’45. Why did it take them four years to get started racing again? Any idea? It was absolutely. It was an Army air base where they used the middle of the mile track for an airstrip, and the government didn’t…

well, the Army [01:22:00] didn’t wanna move out of there. Made a nice camp. They liked it. It was by the lake. It was cool. They liked it. Didn’t like the winters, I guess. Anyways, this was a program from the 1949 race that Joe talked about that Tony Bentenhausen won. Then we move up to ’54. 1954, Bob Sweikert and Don Freeland put on an unbelievable race there.

Fought it out for the whole way. Again, take a look at the crowd, how close they are. They’re right there by that concrete wall, and these cars are going over 100 mile an hour easily. Sweikert won that race at 90 mile an hour average, which was a first. Well, Sweikert gets number two, and boy, that picture shows it all.

That Syracuse Mile is tough. And there’s George Amick on the side. Shows him up there racing George Amick, and he went on to win that one. You gotta remember, these were on l- the Labor Day type weekend, during the day, and it was hot. Tony Bentenhausen wins number three at Syracuse. There he is. Now, who’s that guy right there?

Chris Economaki. There’s Chris [01:23:00] Economaki that, uh, Joe was talking about, and he did love Syracuse. If you read his articles and his column back in the ’50s, he always talked about going to visit Harley Marsh and his buddies in Syracuse. Well, they wrecked them pretty good. This is quite a picture of McGill up on top Jack McGrath.

You can see his helmet there. He got a couple black eyes, they said, out of the whole thing. Uh, I don’t think I’d wanna do it again. Take a look at the crowd, how close they are. Got some kid waving there or something it looks like. Jimmy Thompson put on some great shows, especially in ’58. There’s a good picture of the back straightaway, the start coming off turn two, I believe, and the midway, and all the people standing there.

Thompson wins it. Thompson leads the pack. Look at the crowd. The big cars in that timeframe were extremely popular. The people loved them, ’cause it was a big IndyCar drivers came to Syracuse, and that’s when I was looking up in the air at them. This is a lineup on the back straightaway [01:24:00] further down for that day.

Take a look at Jimmy Thompson coming off the turn. That’s racing. Let’s move on. Al Unser made his appearance here, and boy did he ever, with that double ed Ford camshaft car. Teammate with Mario Andretti, which I have a picture right there. Well, the city of Syracuse kind of brought central New York into the realm of USAC and the tradition of AAA, with the city of Syracuse special.

They had a championship car as well as a sprint car. They did run sprint cars in the ’60s. There was a lapse with the big cars due to some change of date problems. They changed the date from the fair weekend to the next weekend, and people just didn’t come out. They went to the fair, but they went to see the races when they were at the fair.

Gary Bettenhausen was their driver, Tony’s son. Now, the 1974 crash was a terrible crash that ended Gary Bettenhausen’s IndyCar career for all intents and purposes. He did go through the top of the building in the first turn. It was an absolutely terrifying wreck. I was there. I saw it. Roger Penske [01:25:00] visited him in the hospital and said, “Please, please do not race those midget sprint cars or championship cars on the dirt.

They’re dangerous.” And according to what Speed Sport News said, “They’re good enough for my old man.” Roger fired him on the spot. He went on to have a good career though, still. ’75, Bruce Walkup and Sheldon Kinser at the fairgrounds. If I had to do all of the Indianapolis car stars that really raced at the fairgrounds, we’d be here for a long time, and I wouldn’t have enough slides to put all the pictures.

I picked some of the ones that were kind of my favorites most likely. I was probably biased. Definitely A.J. Foyt. Roger Ward won, too, in the early ’60s. Parnelli Jones was always a top runner here and did like Syracuse. Roger Ward, quite honestly, from what I’ve read, did not like Syracuse. He ran good here, obviously.

Lloyd Ruby, the famous Bobby Marshman, uh, from down in Pennsylvania, Don Branson, Len Sutton, Jim McElreath, and of course the [01:26:00] famous Troy Ruttman, and many, many others that you’ve already kind of seen. So there was something new. We’re about ready to do another social change here. After World War II, the IndyCars and the big cars and midgets were still extremely popular, but man, they were killing drivers right and left Everybody that came back from the war thought they were a race driver, and they were getting in these champ cars, big cars, and they were getting hurt, killed.

Guess what? Everybody could get a stock car. There were a lot of pre-World War II coupes and sedans that were available to every backyard hopeful. Hot rods and roadsters had been raging in the West right after the war, and actually before the w- war. Some of your big Indianapolis car drivers, like Johnny Parsons, drove hot rods out there.

Kind of think stock cars developed in North Carolina. Really, stock cars started in 1903 at Syracuse with stripped down regular cars with the fenders taken off, the seat left, the radiator, like the car you [01:27:00] saw on the second slide. In the West after the war, this w- this type of racing was really raging.

They were running seven days a week. So I reveal, he raced there for many, many years in the big cars and the champ cars. He, uh, was a promoter. Joe has already talked a little bit about him. He took the opportunity to stage a stock car race. This was something new for the Northeast. Hadn’t seen these stock cars.

They’re just starting to hear about Bill France and NASCAR. So why don’t we have a state fairgrounds race to supplement the champ cars in 1945? They did, and did they come out. They came from all over the United States to race at Syracuse on the Mile. This was a very interesting race. This was unheard of in the champ cars.

Women in a race car? They can’t do that. They’re not strong enough to get around those turns and slide the cars. Who was the first woman to ever win a race at the State Fairgrounds? Anybody know?

Gary Tompkins: Okay, I got ya. [01:28:00]

Dr. Gary George: In reality, there were two women in it. Sarah Christian won her first heat, finished fourth in the feature, contending with the men for the win.

Dorothy Baldwin was in the event from Baldwinsville. I don’t know if there’s a relationship there, but I suspect so with the naming of the town, and she turned out to be Ira Vail’s right hand person for many, many years as a head scorer for all the races they had under Ira Vail. Ray Hill won that first race.

He was from Connecticut. Sarah Christian, by the way, came all the way from Atlanta, Georgia. She was a NASCAR driver down there. And you can see the car, the door’s open. They chained them shut or taped them shut or whatever they could shut them with. Many entrants. There’s a picture down looking through the pit area, front straightaway.

Lots of cars, but many found the wall. Many found the wall. We heard some about this, that this morning. Well, take a look. Here’s what we got. These are kind of a collage of the races. Three abreast. They started them three abreast. And boy, they’re just looking for trouble at [01:29:00] Syracuse, aren’t they? And they did.

They wrecked a lot of cars. These are the flatheads. I just want to bring up something here real quick about the stock cars. The rules were in flux. It was like trying to hit a moving target. They were changing year by year. It was very hard to figure out what the rules were. They mainly ran flatheads up there till the early s- till ’68.

Then they went to the overheads, ’cause all the other tracks, the flatheads had pretty much faded away with the exception of Waterloo and a, a couple specials different places. In this timeframe, I, I’m gonna talk to you about some of the really famous drivers that drove there. And at this point, I would like to have one driver and a son of a driver that were racers at Syracuse.

One in particular, Roy Coterie, is here. He’s got a lot of stories about his dad to tell. I’m gonna show you some good pictures that I think are his pictures. And I’d also like to have a driver that raced Syracuse a couple times, a guy by the name of Bucky Dew. He’s from Trumansburg, New York, just inducted into the Hall of Fame up at [01:30:00] Morris.

Many time track champion at Glen Aubrey, Syracuse favorite.

Believe it or not, a lot of the champ car guys said, “Well, those stock cars are a bunch of junkers.” There was some really neat innovation going on, some good, some bad. Here’s a guy by the name of Suicide Al Sanders. He drilled holes through his car for two things, to let air out that got in, but also to put the radiator in the trunk to give it downforce from the weight.

Now, that car was kind of totally destroyed at Syracuse in the ’50s. Fortunately, he walked away. I want you to take a look at something. Cliff Cotterie was really trying to come up with neat technical ideas. Take a look at the side of the car on the bottom, the ’60. What does it look like it’s got? It’s got a plexiglass window.

It’s hinged. You can pull the hinge down to get in and out of the car. But he was using that, and Joe talked a little bit about that, about using drafting and coming up against [01:31:00] the wall to conserve the airflow so it didn’t get disrupted into turbulence. He had all these little tricks that added up into amazing one, two, three, four, five, six State Fair championships in three various cars.

And there’s a picture of Cliff down on the bottom left there. Well, how could I forget one of my favorite Super Modified drivers, Nolan Swift. And there he is racing with Cliff Cotteri at the fairgrounds. And there he wins a tough Labor Day hot afternoon race. They gave a plate away to the winner. Well, boy, there were some brutal crashes, and I told you that already.

This one up here on the left, Jeff Ackerman, I asked him, I said, “What’s a state trooper doing there?” He was asking for a sobriety test and his license. And you can see 29. That’s Sam Carista, a Super Modified driver for many years. He took a bad tumble there. And this one down here on the left is, uh, Kenny Mill, where the top was completely tore off the car.

It’s darn lucky he did not get killed in that. There, I [01:32:00] believe on the back, is the beginning of about a 40 car pileup. And you can see the S33. That is the original Bill Wimble car. There were a number of different drivers in it, so I’m not sure exactly who might’ve been driving that. All right, well, I, I know the S33 had a lot of different drivers in it, but that was, eventually would be the Bill Wimble car that w- a lot of us would be more familiar with.

Well, here’s quite a story right here. Larry Nye. I kind of let the cat out of the bag. I was gonna ask you a question. Who was the first driver to ever win at Syracuse that had a fire suit on in the stock cars? Well, you got the answer. I, I let you cheat a little bit on this, so… But he’s got a fire suit on.

This is the end of the race, the last lap going into the first turn. That is Cotteri on the inside who’d blown a motor. Mike Miller got in the oil and ended up touching the wall and cutting a tire down. Larry Nye is back in third spot, you know, watching all this happening, and all of a sudden he’s got the checkered flag.

He was about as surprised, he said, as anybody in the whole place. According to the stories I have heard, he did not tell me it was not true [01:33:00] when I interviewed him, he was so nervous with that trophy, and it’s a heavy trophy, too. He has it, and I’ve held it. He dropped the trophy on the trophy’s girl toe and broke her toe So, and how can I forget my good friend Dutch Hogue?

He came in when the overheads were starting to dominate, and they were running the overheads. And with his famous Turner Brother cars, he won too. Another dear friend of mine, Don Diffendorfer. I interviewed Charlie before he passed away. Two-time champion in the old Bentley-Warren car, and they were playing with aerodynamics.

Take a look at how they’ve bent the roof down and played with little wings in the back and all kind of stuff. Diff was a great guy. Irish Jack Murphy, he was very popular. He was kind of the one that would have a lot of crashes, but he was a good runner, and a top Super Modified driver by the way too.

Well, I got a question for you. First night of night racing at Syracuse. It wasn’t in the ’70s like a lot of people think. Any ideas? It was an Ed Otto promoted show, 100 miles.

CROWD Q&A: [01:34:00] 1962

Dr. Gary George: Well, you’re starting to get there, but you’re a little early. I’ll tell you. How about Tim Flock’s 1955 win in the Keir car, those famous 300, 301, 302 cars.

He won that first night race. And by the way, an interesting story that Mike, uh, Manay and I … Well, he actually found it buried in the National Speed Sport News in a small article. Two weeks later, Ed Otto said, “Well, I got the lights in there,” the temporary lights, and he probably leased them for a month. He said, “Let’s run a stock car, midget,” and by all things you would ever think about, a sports car race on the mile.

And they ran a … Jim Luke won the modified. Vern Harriman won the midgets, and the, the sports car race was … I did not keep up with Skoda back then, or wasn’t very familiar with them. But they did run. And they actually, another thing, they had planned to build a road course at the fairgrounds and run a true road race there, using part of the mile track and the roads that we drive on there to get into our camping areas, which would’ve been quite an interesting

I think I’ve been on some road [01:35:00] races back there during Super Dirt Weeks, and they weren’t pretty either. But anyways, they canceled that show. Uh, these are the Grand National NASCAR. Ed Otto did almost all these promotions, if you’re familiar with him. Famous NASCAR promoter. You had Buck Baker, I think somebody was talking about that, over Speedy Thompson in ’56.

They brought the convertibles in, and, uh, Curtis, uh, Turner won in ’56. ’57, the convertibles came back, and a guy by the name of Possum Jones won it. These races had quite a few of the local guys in it. Dutch Hogue would usually enter. Uh, you’d get True Love out of New England would come out and run. He was a NASCAR driver, and there were some other guys.

You had Chuck Mahoney. I mean, I can name quite a few you see in the finish. There were some Salt City races that they had there in various forms, and they ran the first one in ’58, and a guy by the name of Ned Jarrett, who was trying to make a name for himself, he was racing for points for the National Sportsman Championship, which he won.

He won that race. ’59, ’60, ’62, and [01:36:00] ’64, if you remember those races, Bill Rafter was dominant. I don’t know what he had in it for horsepower, but it was quick, ’cause that was the most of those races. Kenny Mills snuck in in ’63. Talk a little bit about the disaster of the ’70 USAC race. Well anyways, the Salt City race was normally associated with the modifieds, and they ran that usually three weeks after the fair.

One of the worst wrecks ever was Bill Wimble in the 33, turned two, the terrible fire. Uh, he was pulled out of the car by Ernie Gaham. Good friend of his. What be, would be ironic is that before that year was over at Daytona, Marvin Panch out of a burning car, both those drivers, among other people, Tiny Lund was one of them, and ended up with a ride that won the 500 in 1963, I think.

1970s, Rich Harmon won a USAC stock car race. That was a disaster. It really was. They had a terrible wreck on the back, just at the beginning of the back, uh, straightaway, uh, coming off turn two again. Turn two kind of turned into Calamity Turn, if [01:37:00] you’re familiar with Daytona or Charlotte. You know, Calamity Turn is turn four.

Turn two is Syracuse Calamity Turn. There was a big wreck on the back. Jim Champine, driving Roger McCluskey’s backup car, was involved in it and ended up briefly in the hospital. He made it to Oswego to race that night. But anyways, a driver did get hurt very seriously, and he died about three or four weeks later, which there wasn’t a lot of publicity on, which didn’t need to be.

It is a point of history. That was the end of the USAC, uh, stock cars. Hey, anybody ever go see the motorcycles run on the mile, the big mile in that? Boy, some kind of racing, huh? And I’m not a two-wheel type guy really, but I did keep going to those races and really enjoyed them. They raced there for a number of years, and then they just didn’t do them anymore.

Maybe Joe can give us some idea of why that might have been. How about the trucks? Anybody go to the truck races? They were kind of neat. Uh, Shawna Robinson, I got told, tore down the half the back straightaway one time. She was a upcoming star with NASCAR and, [01:38:00] uh, still, I think is still involved in racing.

And hey, snowmobiles. We talked a little bit about snowmobiles today. They were fast, and I think Joe’s got some stories to tell about both those things. So I’m gonna put him back on. Then we got one more slide, and we’re gonna take a break and, uh, come back for the afternoon session. You’re gonna see a quick video right to start with.

Really good one.

Joe Marotta: Gary, you’ve done a wonderful job. Fantastic. How about a big hand for him?

Well, the thing I’m gonna comment about, a couple of stories, uh, kind of funny stories in a way. One of them is the snowmobile racing. Can anybody tell me what champion from another sport ran snowmobiles? From another sport. Boxer. A boxer. Smokin’ Joe Frazier. Smokin’ Joe Frazier was quite a snowmobiler at heart.

Glen Donnelly was promoting the races, and they decided to have a pro-am race. So Smokin’ Joe [01:39:00] Frazier was there with his entire family and a fleet of Arctic Cat snowmobiles. And we’re announcing from the old tower then, from the infield looking out. It was colder than heck cold. Other than the snowmobile racing, some of the big rigs that, uh, he showed up there, the big rig racing that took place, and there was some really exciting racing that went on during that.

Charlie Baker was one of the drivers. Randy Slack was one of the drivers. Shawna Robinson had been a racer, and I believe she’s married, Gary, to a racer as well. Married to Elton Sawyer. Elton Sawyer. Could be, yes. She come off at turn number two at one time, got a little bit wide, and took the back wall down and totally down.

We had to stop the race and rebuild that wall back there at that time. Other drivers, uh, Dick Murtagh, he was kind of the big runner back then. And then there was another guy that made appearances in the big rig, a guy by the name of Kenny Schrader. So it got to be very popular. And when you saw that slide, that grandstand [01:40:00] was totally filled.

Yeah, go on back to it. Look at that grandstand. It was totally filled. The unbelievable thing, there was hardly any race fans that we knew that were in that grandstand. It catered to a totally different audience, the truckers. And not only did they run at Syracuse on the mile, but they ran at other given tracks, including Cayuga, Canada, which they drew some very, very big audiences and very, very big crowds on that.

Was mentioned also that there was motorcycle races there, and I happened to be the announcer of the motorcycle events. The promoter of that event was a guy by the name of Jack Brandt. Jack contacted me one day up at Fulton Speedway, and he says, “Joe, I’d like you to do the, uh, motorcycle races for me.” I says, “Motorcycle races?”

He say, “Yeah. What do you know about a motorcycle?” “It’s got two wheels.” “Good, you’re hired.” So that got me into the snowmobile business. But boy, there was some outstanding riders, and you don’t call them drivers, I found out that day. They’re riders. Kenny Roberts from Laguna Hills, California, was one of the [01:41:00] top runners back then.

Jay Springsteen. They put on some fantastic shows. Here again, the audience was fantastic. A- and here again, it drew right from another crowd. During the era of the godfather, Glen Donnelly, and his promotions at the mile, obviously he catered to the modifieds, obviously to the small block modifieds, and then of course brought the sprinters in and brought the World of Outlaw Sprinters in.

But one of the things he always tried to do is draw attractions from the outside. And some of the attractions he drew from the outside were from other speedways and specialty cars. One of them being Super Modified cars from the Oswego Speedway. Whoever saw Super Modifieds, as we know them, on the dirt, on the mile at Syracuse.

Everybody said it isn’t gonna work, but I think we had 30-some cars down there the first year. They were turning some fantastic speeds. The guy that set fast time was a guy by the name of Bobby Stelter. He drove [01:42:00] car number 04, the Salve Automotive car. He was fast. He set on the poles. Matter of fact, when we time trialed, uh, and I think on a Thursday night, Gary, I think you were there.

Thursday, Wednesday night, or Friday night. It was in the dark. Purely in the dark with no lights. Bobby Stelter turned fast time. The race went on, and Bobby was leading them back to second, back to third, back up to the number one spot, and all of a sudden come out of turn number four, and he pulled the car to the outside, and the car quit.

So caution came out, tow trucks came out, the safety crew came out, and a radio call came to the tower. “Glen, we got the car, but the driver isn’t here.” Now, Dick O’Brien, who was the manager of, um, the Oswego Speedway, and he was also a newspaper writer, he would be up in the tower with us and kind of seated to our right.

And Bobby Stelter had been known over the years to tip a few. So when we got the call that the car was there and not Bobby Stelter, Dick [01:43:00] O’Brien quickly said, “He jumped the wall. He’s up at Bridge Street Tavern.” And the race continued

By the way, winners of the Super Modified race were folks like Joe Gosek, Gene Lee Gibson, and also a guy by the name of Bentley Warren. And one time they mixed the sprinters with the Super Modifieds. The Lloyd Sprinters were the hot ticket back then. Jimmy Champigne was racing in his Super Modified. He was doing pretty good, probably running seventh or eighth position, and when the Lloyd Sprinter went by him in the back straightaway to take his position, and went by him so fast, Jimmy looked over and says, “I am buying one of those cars,” and ended up buying a Lloyd Sprinter.

As a matter of fact, you mentioned Andy Fusco, or we talked about Andy Fusco earlier. Andy Fusco wrote a book about Jim Champigne, and there’s a complete chapter in there about his dirt car, sprint car racing, and he talks about the [01:44:00] Lloyd Sprinter. Other things that have happened down at the State Fairgrounds, auto thrill shows.

Back in the day, back in, uh, starting after World War II and through the ’50s, there were some auto thrill shows, guys like Joey Chitwood Irish Horan, Jack Kochman, just to name a few. That brought in some big, big crowds, and it certainly was a big attraction for the Moody Mile. We talked about sprint cars, and Glen Donnelly got together with a guy by the name of Ted Johnson.

Ted, of course, was the owner promoter of a outfit called The World of Outlaws, and they brought the Outlaws to the Mile at Syracuse. And probably the biggest word that I could say is fast, F-A-S-T. Extremely fast. As a matter of fact, we’re talking about 100 mile an hour laps. How about a 26-second lap by Billy Paluch, which stood right up, uh, well, it’s still the track record even, uh, when we put the checkered flag out, uh, a couple of weeks ago.

There has been some terrible [01:45:00] tragedies at the Moody Mile. One of them that I can recall happened on a Fourth of July night. We were running the sportsman cars. Coming out of turn two was a young fellow from up in the North Country, up in the Watertown, New York area, by the name of Kevin Fleming. His car came down out of turn number two.

About halfway down the back straightaway, got mixed up. Car was turned sideways. Kevin was okay, but another car coming out of turn number two from Canada, apparently the caution he did not see, and he T-boned the car at full speed. Glen Donnelly came over next to me and he said, “I just had Doug Milton on the phone.

He was in charge of the safety group. He says we got one dead and possibly another death.” I mean, what do you say? What do you do? Glen Donnelly being the promoter that he was, never quit. I said this earlier today, the show must go on. He says, “We’re gonna clear the wreckage in the back straightaway. We’re gonna lower the lights,” being that it was a Fourth of July night, “and then we are going to shoot the fireworks [01:46:00] off.”

We completed the entire fireworks show, which was probably about a half-hour show, cleaned up the racetrack. All of the safety people took care of their duties and what they had to do, and then the race continued. We all knew what happened, but you just didn’t say it, and we always remember Kevin Fleming.

Now, one of the other things that happened at Syracuse that was kind of a tragic situation, the only time, and I believe it was the year 1976 going into ’77. In 1976, we tried to get Super Dirt Weekend two times, I believe, and was canceled, so we brought the race back in April of ’77. Coming out of turn number two, there was a terrible accident.

Guys who were involved, Wayne Rodeman, his complete roll cage was ripped right off, but they probably destroyed six or eight race cars in the back straightaway. Gary, I think you were working with me at that time. Okay. One of the fellows, he had [01:47:00] the little Scottie dogs on the side of the car. Ty Scott. Okay, that was an easy one.

He was involved in the situation as well. As they were cleaning up the accident back there, an Air Force jet came over and broke the sound barrier. Ba-boom. Now let me tell you, you saw the pictures of that tower at Syracuse, that grandstand and where we were suspended underneath the roof of the thing. At different times, during windstorms, during crashes, during fireworks, that baby shook, and it rocked and it rolled.

Gary, you can remember some of those days up there. Well, when that jet broke the sound barrier, it rocked the living hell out of that tower. Lindy Vicari was standing behind me. I says, “Holy mackerel, if this grandstand goes down, if this tower comes down, there’s no ambulances. They’ve all left for the hospital.”

And Lindy, in his wisdom behind me, says, “Hey, this tower come a-down, [01:48:00] don’t worry. That’s all you need is undertakers.”

How about if we take that break? Yeah. Okay.

Dr. Gary George: Okay, I guess we’re gonna take a break right now. I just wanna acknowledge two people, Mike Manet and Jeff Ackerman, who really helped me put this together. Give them a hand

Gary Montgomery: I went to a lot of races there, but not nearly as many as you did, and I never did any motorcycle stuff or truck races or snowmobiles or any of that stuff. But one story that I’ll, the only story that I’ll share with you relative to early experiences at Syracuse. Well, I was there the day of the, the Wimblefire that they showed.

I forgot what year that was. I better remember. ’63. So I remember that because of the fire. In 1956, [01:49:00] showed on the screen here earlier, there was a NASCAR Grand National race, and I was, uh, 13 years old, I guess, in ’56, summer of ’56, and knew about these guys, Lee Petty and Herb Thomas and the Flocks and so forth.

And I don’t know how I managed this, but my brother, who’s a few years younger than I am, and I, we got in the pits early before the races started, and we had a program or something. I wish I knew what that was and where it wa- is now. But I was getting autographs, and I’m not an autograph collector, but at the time I thought that was a neat thing to do.

And Lee Petty and Herb Thomas were sitting in the back of probably a race car that they’d actually run, run a race there that day, but they were in the backseat of a vehicle of some sort. And I handed this document in for their signatures, and they both signed it, and we walked away. And later on that day or the next day, we were going through this, I believe it was a program, and there were the signatures that I thought I had, but there was another one there, and it was Tom Thumb.

Well, by process of elimination, we discovered that that Tom Thumb was actually Lee Petty. And so from that day forward for a few years, I didn’t have anything good to think about or to [01:50:00] talk about Lee Petty because he had signed my, didn’t sign my autograph book appropriately. Several years later, I encountered him at Daytona.

All this is a very long time ago, but, uh, I shared this story with him then. And he chuckled and let on that at least he remembered having done that, and of course not for me, but… And so he may have done it for a lot of people, I’m not certain. And I shared with him how I really didn’t like that, and he said, “Well, if I’d have signed it Lee Petty, we wouldn’t be having this discussion today, and we wouldn’t know each other, and, uh, so that was the good thing.”

And from that day forward, for a number of years, I would see Lee and Richard and so forth. We always exchanged this Tom Thumb story, and he always acted like he remembered it, so not certain of that. But, uh, but I remember it very well, and, uh, after that exchange in Daytona, he became my favorite, and then his son my favorite, and his grandson and all the rest of those Pettys as well, including Adam, which didn’t last very long.

But Joy, I just marvel at your stories, your memory. Again, we worked a lot of these things together. I don’t remember them, and you do. I can’t even remember what year or century, uh, century I got, but the, the rest of it. [01:51:00] But all of this is just outstanding. We had a great presentation this morning. I think at this point there’s more to do here with Gary.

Joe Marotta: Gary Tompkins. Jeff, I’d like you to come up here as well. Gary Well, you spoke quite a bit in the morning session here. You were kind of a fixture at Syracuse for quite a number of years. One of the things I remember in particular about you, you had a great, great year. You’re a former Mr. Dirt champion, and you drove for a guy back then by the name of Jim Beachy.

Gary Tompkins: Yeah, he was, uh, he was a different individual. All class, though. You know, it… Everything was first class with him. Like we talked about before, um, you know, he had three, uh, corporate sponsors on the car and, you know, everything had to be done right. And not that he was a jerk about it, I’m just saying, you know, we did everything right.

The team prepared the car right. Unfortunately, they showed that video of Tim Fuller winning and I’m second, so thanks a lot whoever put that up there. But it just, it was probably the best couple of times, two years of my life really, that I could drive, uh, equipment that everybody else had. The same equipment.

And, uh, and we proved that we can be competitive with everybody else, uh, when we did [01:52:00] that.

Joe Marotta: Just to back up the story a little bit if you weren’t here this morning. Jim Beachy, uh, had a driver prior to you by the name of Alan Johnson, who was here this morning, drove the Pillsbury Doughboy car. Won the Mr.

Dirt Championship. On, I believe, Christmas Eve of that year, Alan Johnson resigned from the li- uh, from the ride. Beachy called me practically crying on Christmas morning. He says, “I can’t believe it. He resigned f- from the ride.” And he says, “I, I, I just don’t know. I don’t know if I’m gonna pull out. I don’t know what I’m gonna do.”

I says, “Come on, Jim, you gotta stay in there.” Couple times after Christmas we talked, and he says, “Who are some of the drivers you would think about to put into the car?” I named about four or five drivers, and when I got to, like, driver number three that I mentioned, it was a guy by the name of Gary Tompkins.

He said, “Do you like him?” I says, “Yeah, he’s a pretty good shoe,” even though he tore up a Mopar in his young day, okay? He says, “Keep it under your hat. I kinda like him.” And you were given the ride, and that had to be quite a phone call, quite a conversation. Yeah, and you know

Gary Tompkins: [01:53:00] what? He called me, I didn’t call him, so that even makes it even better.

Joe Marotta: Well, you were one of the names on the hat, let me tell you.

Gary Tompkins: But I knew there was a lot of guys that called him looking for a ride. I, there, when we were meeting, actually, there was a couple times where people were calling up looking for that ride, and named drivers, very good drivers. But, uh, I was very fortunate he picked me, and like I said, uh, we had two awesome years.

I, I mean, we finished third in points in, in 2005, but there was a lot of other issues, the reason why we didn’t do that. The performance was there. Other than that, you know, we had some issues, uh, reliability, but it wasn’t because of what the crew did. It was parts reliability that really hurt us. We were, or else we might’ve been, you know, won a championship again.

Uh, one quick note about Alan Johnson. Uh, first off, Alan Johnson is one of my favorite drivers of all time. I’ve followed him since I was a little kid. I always wanted to drive like him, but then I found out once I was driving I can’t drive like him. You know, he drove for Bill Trout. They parted their ways.

I got that ride. And then he drove for Jim Beachy. He, they parted ways. I got that ride. One day at Rolling Wheels, uh, we parked next to Jeffrey Rubelavich, and Alan was driving for him. And actually, he parked in the spot where we usually park up by the fence, where, uh, Paige Trucking car parks now. I said, “Hey, Jeff, you’re in my spot,” but no big [01:54:00] deal.

Next year I’ll be in his spot, ’cause I’ll be in the other ride. And, uh, and Jeff didn’t think that was funny, but all the crew did. But, uh, alluding to what Alan went through last … You know what? Those guys, for whatever reason, they do what they do. You know, obviously everybody knows that Alan can drive anything you put him in, as long as it’s pretty close to quality.

I don’t know why he quit. I never really asked. I don’t really care, ’cause I got the ride. And look, we’re all here for racing. You know, that’s why I do this. But for me, too, I wanna be friends. I wanna make it fun to go to the racetrack, and, uh, it was fun those years. Even, you know, obviously we had success, but we had fun, too.

Um, my wife got along with all the wives. We’re all still very good friends to this day. It was just a, two magical years.

Joe Marotta: Well, one of the things I wanna talk about, Jim Beachy was probably one of the classiest guys that ever owned a dirt modified, without a doubt. His, his presentations, everything he did was with class.

And that first year that you drove for him, you win the Mr. Dirt championship. We talked about this earlier today. Tell us about the banquet and the uniforms. Or I should say the tuxedos. The year before when Aylon won, they wore tuxes,

Gary Tompkins: [01:55:00] typical tuxes, black and white. So we went Mr. Dirt. We, all right, this is, we’re gonna go, all gonna go, we’re gonna get fitted for tuxes.

Okay, so we all go get fitted. He wouldn’t let us see what they were. We didn’t know what they were until we showed up to the banquet, and we go into his room, and he’s got the tuxes there. They’re all white with, I believe the vest was blue, red cummerbund, red tie. So needless to say, uh, it was a class act, but still, of course, racers being racers, uh, I, I got about nine or 10 drink orders, people trying to order drinks from me, but, but, uh Yeah, but you kept the tips.

Yeah, well, you know, that’s, you gotta do what you gotta do to make a buck. But, uh, you know what? But he wanted to make a statement and make it memorable, and he did. Of course, we got out on Bad Boys as soon as we could, as soon as all our presentations was over. But, and then when you listen to him when he went up on stage, and they, and they asked him, you know, how it came about, you know, and he went through the list of people to thank, and it’s just every little person.

Nobody was too small to get thank if they helped in some little way. Uh, it was just amazing. Now, actually, when I drove for him, I still drove the Honeoye Auto Parts car. Yeah. So I drove that on [01:56:00] Saturday nights. He welcomed Doug with open arms, welcomed that whole team with open arms. We actually became almost like a three-car team because Randy Kasakie kept the series car at his house, Jamie kept the short track car at his house, and then we kept the Honeoye car for Saturday nights at, uh, in Honeoye.

So it was, uh, it was something else. Now, I get the ride. They just picked up a new car. Jim owned the Torro store on Erie Boulevard in Syracuse. Yes. It was a cold, roads were slippery night. They had put the new car there, our new series car, in a, in one of them cube vans. All four tires are bald. He goes, “Take this down to Randy Kisacki’s house.”

Okay, no big deal. You know, I wanna please my new owner. We get in that thing and we’re, me and, uh, a friend of mine were … We were probably sideways as much as we were straight going down 81 down-

Joe Marotta: Dirt track can help.

Gary Tompkins: Oh, yeah. And, uh, going up the hills, uh, in Johnson City, uh, down by Binghamton, you know, you think a team like that would have some big, huge shop.

We pull in the driveway, there’s a three-car garage. One bay is for the race car, and then s- come racing season, two bays are for the race car, but there’s always one bay for the wife’s car. And that’s where they worked on the car. They had a three-car garage attached [01:57:00] to the house, and, you know, like, a truck body out back that had some parts and stuff in it, and that’s where three championships were won from.

And three in a row, too, with two different drivers, which is pretty impressive. But that’s how they did it. They didn’t care about being fancy. They got done what had to be done. To this day, it still resonates with me because I think there’s times I still get rides because I was a f- former dirt champion, you know?

And, uh, but yeah, it was definitely a, definitely a fun time.

Joe Marotta: Thinking of the mile, you came so close. And to win at the mile, that is like winning a World Series championship, winning a Super Bowl championship, winning a free dinner from Jeff Hochman. You know, all of those three things, uh, combined together.

Tell us about your experiences on the mile.

Gary Tompkins: For some reason, I don’t remember the first time I was there. I’d, uh, in a Bla- Big Block. I remember there as in a Sportsman, and I remember that because I spent a lot of time getting the car ready to go up there. And since I’m a tin smith, I made a lot of special body panels a lot of other guys didn’t have.

And, uh, we’d go up there and immediately have motor problems and I didn’t even make a lap. Talk about heartbroken. I don’t remember the first laps, per se, [01:58:00] of going around there. I just remember seeing that huge grandstand, seeing the people lining the racetrack. When you’re making laps around that place, for me anyway, I can sense the people watching, ’cause you can see the people standing up by the fence.

Go through turn two, there’s always campfires in turn two, and the smoke always drifts across the track, and you can always smell the campfires. Go down the backstretch, you can see that huge scaffolding at the end of turn three where everybody’s standing up there. Of course, you come out of turn four and that huge grandstand’s just staring right at you.

And just the humanity. It’s not a race, and it’s, it’s an event. I mean, even when we went there for 4th of July, Labor Day, stuff like that, it was still a special place. There was no place like it, obviously. Yeah. You know, it’s a mile track. I mean, I’m sure there’s USAC fans here, but, you know, I, I read a book once when I was in school about the mile tracks.

I really s- so wish I had it. It just, like it just raised them up on a pedestal, and this, this is one of them. This is one of the mile tracks, and it’s unfortunate it’s gone. You know, I, I’ve, fortunately I never crashed hard there. I’d, I’ve gotten close. Uh, actually, probably my worst crash there was, uh, 2012.

They’d put clay on the track actually that year. I know Glen was talking earlier about, you know, he always wanted to make that track fast, always drew him [01:59:00] to make it fast. Well, all I could think of was dollar signs for tires, ’cause it just killed tires. But the last few years it really hasn’t hurt tires.

2012, uh, we went there with our short track car, time trial it sixth. Was leading the heat pretty comfortably, really. I just started cruising. I caught lap traffic. The guy that I was getting ready to lap, some Frenchman, I have no idea who he was, but he had one heck of a motor, but he could not turn the car, ’cause he would stop getting into the corner.

And, uh, I caught him at a bad time getting into turn three. And people don’t realize what turn three is, but there’s a concrete abutment on the inside of the track. And there’s jersey barriers up to it and jersey barrier behind it, but it sticks out a little bit. And if you hit… Actually, there’s a lot of guys that hit it this year and peeled their left fronts off.

Well, I hit it and pulled the left front right off the car, and I just limped into the pits. I couldn’t believe it. That’s actually probably the worst I’ve ever wrecked there, m- um, leading, you know, when I was leading a heat race. But the fact that, you know, it’s a big production, and I love the fact that you’re camping there, you wake up in the morning, go to the pits, and you start racing.

That’s a racer’s dream. You know, you don’t have to drive down the road or nothing like that. You just walk across the track and there you are in a race car. It’s unfortunate it’s gone. I really do hope that Glen’s race will become something big, but it will [02:00:00] never, ever replace what that is. You can’t replace that.

Yeah, you can’t replace that. Yeah. And I, and I wish people would stop trying to say that they’re gonna replace it. You can’t. There’s no place you’re gonna go, there’s no track that we’re gonna race is ever gonna equal what that place meant to us as racers. You know, I know going to Glen’s track next year, I can take my Seriate car and I can be competitive.

You really can’t do that at that place. Uh, there’s just so much more going into it that, uh, you have to be prepared for. It’s not only mentally tough, ’cause you have to think of all scenarios while you’re driving. Your crew has to think of all scenarios, uh, tire wear, fuel mileage. When do I pit? Who’s everybody else pitting?

Who’s broken? What lap speeds are we, you know, we’re trying to keep up to do all this? How is the car? And you’re doing that for 200… Not 200 laps, 200 miles. Uh, there’s no track that we’re in the car longer. The next day you’re just mentally shot. And like I said, I, I don’t, I don’t see how there’s ever will be any race that will compare to that.

Joe Marotta: Well, Gary, I gotta tell you, you were a great competitor at DeMile, and, uh, you’re doing a great job here too today. Would you like to be an announcer sometime?

Gary Tompkins: Believe it or not, I have stage fright.

Joe Marotta: Can you believe that, folks? Can you believe that?

Gary Tompkins: That, that’s why I’m not [02:01:00] really looking out into the audience.

I’m sort of looking down at that podium there. But, you know, I, I’ve gotten over it a little, over. It’s been a challenge to do that.

Joe Marotta: Well, you know, a lot of times when I do banquets, when I first did banquets, I’d get very nervous because everybody was staring at me, and I go, “You know, I announce in front of,” well, wait a minute, “behind tens of thousands of people.”

So I would ask everyone in the banquet to turn around and face the back so I could see the back of their heads, and it worked out a whole lot better. You know, I got to relate a little story. Earlier today, we talked about the Gary Blue car, and of course, the Gary Blue car is on display over there at the research center.

Glenn talked about it a little bit. I remember the exact days and times. It was on Thursday afternoon when this hauler came into the New York State Fairgrounds and, uh, it went over to the farm machinery building, which is now all destroyed. It, it, it burnt down. And they waited until just about everybody had done their inspections, and then they finally brought it in.

And Gary Ballou’s crew did have some [02:02:00] guys maybe called muscle men to keep people away from the car. Well, I had the right badge, and I muscled my way in, and they unloaded this car, and I went, “Holy cow. Look at this thing. It’s unbelievable. Wow.” Now, you didn’t have cell phone cameras to take pictures of it back then.

So I immediately leave the building, and I hightail it all the way up to the tower, and I said to Glenn, “Glenn, have you seen that Gary Ballou car?” “Yeah, it probably isn’t gonna do a damn thing.” “Wow, it sure looks fast to me.” “Yeah, well, we’ll see tomorrow.” So the next day, which I believe was Friday, beautiful day.

In the pit area, there was a section all roped off with se- Blue security guards around it. They had the car totally covered, and finally, the big moment came when they uncovered the car, and they fired it up, and they brought it out onto the speedway racing surface. It took about two slow, maybe [02:03:00] three slow laps.

The fast cars were turning probably thirty-fours, maybe a couple of them in a thirty-three nine lap, and all of a sudden, Gary Ballou gets into it. Now, I got my trusty stopwatch. I carried that stopwatch with me all the time. It’s the one that I gave to Wes Moody. And I click off, and I look down, and I go, “Wow, thirty-three two.”

Glenn looks at me, and he says, “You ought to throw that damn thing away. It’s no good. That ain’t the right time.” I hit it again. Next time around, it’s a thirty-one. Now, there were two or three other guys standing up alongside of me, and they all got their watches out, and they’re down into the thirty-ones.

Glenn looks over, walks over to the corner of the tower, picks up the phone and calls his compadre, Howie Commander, who was in the press house. “Howie, I think we’re in trouble.” And that’s how the week kicked off. We saw a lot of innovations that week. [02:04:00] A lot of guys took their roofs and made them larger, made a wing out of them.

But no one, no one ever compared to the Gary Ballou car, and that’s the one that’s on display. Couple things I remember of it during the race, probably the only time he didn’t lead is when he came in to make his pit stop. He made his pit stop, came back out, quickly made his way back up to the number one spot.

The show was being recorded that week by, um, ESPN. Gary knew exactly where the cameras were, and if you ever see a replay of it, he waves at the cameras once he gets into the lead. That’s how dominating that car was. I asked Gary on many occasions, “Did you ever show all your cards?” He’d look at me and give you that quirky smile and said, “No.”

So the car had a whole lot more potential in it. If you take a look at the car in there, take a look at some good things. The roof design, that roof, I understand, weighs about 400 pounds. It is a wing. And like we said today earlier, all the rules [02:05:00] back then were minimum rules. They looked at the rule book and says, “Well, there’s no maximum rules.”

So they went wide and high and won the race. Jeff Hockman, come on over I think you got some videos that you would like to show us.

Jeff Hochman: I got some videos coming up, but before we get into the videos, the one we played earlier, uh, Gary, I had a little something to do with that. That was a pre-video though, pre to the event.

I didn’t even know you were gonna be here. Something cool in that video, I think you saw Gary Ballou say, “Thank you to all the fans that are booing me.” This year, I, uh, one of the cool things, uh, I get to do is welcome the drivers up to stage at pre-race and wish them luck. And Brad Hearn walked up, and he’s the new Gary Ballou, and everybody booed him, and he looked at me and he says, “Well, I guess I still matter.”

So I think that’s pretty cool. The guys that get booed are the ones that you gotta watch out for. Before we get into the video, I, you know, my, uh, my experience with Super Dirt Week hits all kinds of levels. I started out as a fan. [02:06:00] I worked for a sponsor. Now I’m, uh, part of the group, World Racing Group, that’s a current promoter of the event.

You know, started going to the races with my father, who sold pit passes for Glen. My first race, 1978, Gary Ballou won that year in a normal looking car. Got to enjoy that, and, uh, I remember getting a program in 19… I, I don’t know what year it was, ’cause Gary and I were talking about it earlier. The first race I remember is ’78, but the first program I remember had Toby Tobias on it.

And I think he won in ’74? ’75. There you go. You guys know more than me. But, uh, so I r- I remember that. But Super Dirt Week to me at that time was going to watch fast cars, doing what my dad does. You know, that was going to the diner in the morning and having breakfast. Sorry, a little choked up. Dad’s no longer with me.

Then I got to work for the SKOLA Racing Super Dirt Car Series, and, uh, got to promote, promote these drivers, Gary Tompkins, Brad Hearn, Murf Trickler back in the day, [02:07:00] Kenny Brenn, and, uh, got to promote the Super Dirt Car Series. I, if you go to the Dirt Hall of Fame, you’ll see me holding a banner behind the winner of a race.

And, uh, now went on from there to work in, uh, NASCAR for 15 years. Got this opportunity to come back and, uh, get back what I love with dirt car racing, and now a part of a group that puts on not just Super Dirt Week, but we got the World of Outlaw Sprint Cars, Late Models, including the Super Dirt Car Series, doing events throughout the country.

So, uh, it’s pretty exciting. This was a, uh, special year for us. First year was ’78, then I was a Will Cagle fan. Will Cagle in, uh, Wedsport and all excited, and next thing you know, Will Cagle’s thinking about retiring. I’m not gonna tell you the year yet. We’re gonna roll into a video. But this year and this event kinda took me over the edge and really put me into the motor sports for the rest of my life.

RECORDING: These cars doing the same thing, not handling as well as it was. [02:08:00] Here we go onto the last lap, headed down into turn number one.

Yeah, the crew just praying, just hoping that that car’s gonna make it work. They know he’s running on fumes. He told them on the radio that he’s concerned. McCreadie, of course, driving hard. He’s got plenty of fuel as they head down into turn number three. It is still Earnhardt right behind him. Johnson and McCreadie making one final bid as they come out of the final straightaway.

Jack Johnson goes for one final shot. It is not enough. Brad Hearn, number 20, the youngster from New Jersey has won the Shaver 200. And in this part of the country, Brock Gage, that makes you an instant legend. Right, Steve, and it’s just about like winning the lottery as well, as he’ll take home over $50,000.

Back with the winner. Incredible scene down here. Everybody done.

Brad- Unbelievable … [02:09:00] you run out… Did you just run out of gas? We, we just ran out of gas coming down off of turn four. You were, you were worried about fuel, the crew said, for quite a while. With 10 laps to go, I couldn’t tell if it was we run out of fuel or if we had carburetor trouble, but it started sputtering with 10 to go.

I- A fantastic effort. Beautiful. I, I can’t believe it. All right. What a show by Brad Hearn. A victory here. Okay, let’s go to Steve. All right. Thank you, Jack. You know, I said earlier Brad Hearn was popular. Look at this. Up on top of his race car at the finish line. What a celebration. Okay, let’s

Jeff Hochman: go to Brock with the- So here I was, a guy, a young kid without a driver.

Will Cagle’s retiring, and this young, cool guy with a really cool-looking car goes out and wins, to me, was the Super Bowl or the World Series or the Daytona 500, and that really kinda put me over the edge. At that point, I was gonna be in motorsports forever. So like I said, I, I went away for a while and got this opportunity to come back.

Uh, Super Dirt Week, I was there for its glory days. Glen Donnelly was, uh, surely a visionary and somebody I still look up to. Super Dirt [02:10:00] Week kinda took, not a turn, but it was kinda on its down for a little bit. And, uh, about 10 years ago, I came back on board. About six years ago, saw this opportunity to not only work in modified racing, which I loved, but to be the, one of the key promoters in putting on this event that I called the Super Bowl as a kid.

You know, was able to, uh, get hooked up with World Racing Group, and, uh, they gave me the opportunity to, uh, lead the charge. You know, this year everybody’s gonna say, or, that this year’s crowd was because it was the last one. That’s true, but there’s a lot of last ones. There’s a lot of last ones of big events that don’t have big crowds.

I like to believe that the last five years, not just because of the drivers, not just because of the competition, but also because of the event, has developed what you saw in the last Super Dirt Week at the Moody Mile. You know, it’s tough for me to say up here, but Super Dirt Week still lives. [02:11:00] The Moody Mile may be gone, but Super Dirt Week will live, and it’s my job to make it 75% 80% of, as Gary said, and I agree 100%, there will never be another Super Dirt Week like at the New York State Fairgrounds.

But it’s my job and World Racing Group, it’s not all me, to make sure that it’s 80%, 90%, whatever we can do to maximize that event, and I’m looking forward to it. Looking forward to the challenge. I’m excited that Glen’s putting together a state-of-the-art facility. He knows what the event needs. So, um, I, I think I got the right man right by my side to get ready for next year’s event.

Joe Marotta: How about a big hand, ladies and gentlemen? Jeff Hochman. Thank you

Recalling some of the memories, boy, I got quite a few of them. One of the things we used to do back in the day when it was a 200 lap event or even a 188 lap event, and they would call it the Miller [02:12:00] 300, and that was 300 kilometers, but it equaled out to 188 miles. The halfway point paid $10,000, and this became a race within a race.

A lot of guys figured, “I don’t have a chance for that big $50,000 win at the end of the 200 or 300,” whatever you wanted to call it. But man, $10,000 is a big, big payday. Now, keep in mind, the cars did not get the mileage that they get now. To go 88 laps, to go 100 laps, it was tough. And like I said, it was a race within a race.

And some of them, what they tried to do, if there’d be an early caution coming out, let’s say lap 10, lap number 10 or 20, 15, whatever, they would dive into the pits, just take on fuel, come back out, and hopefully get good track position. Then maybe when they got up around lap number [02:13:00] 65, 75, another caution come out.

The leaders would come in because they were looking for the big payday at the end of the race, and these other guys would position themselves up. And so many of them, so many of them would get up there. Now, let’s say it was a 200 miler and there was 100, and when they got up to the 100 lap, doggone it, lap number 98, they’d run out of gas.

Lap number 99, they’d run out of gas. Joe Plazek from Canada so many times almost made that halfway point, but ran out of gas. And then you had the guys like a Pat Ward or a Vinnie Vitale come along, and they would be right there to take that halfway point. And that was a big, big part of Super Dirt Week and the big race.

And the guy that you really owed a lot of credit to that was one of the guys behind the scenes. His nickname was The Chief. His name was Aaron Freshman. He passed away in 2008. He was inducted into the Dirt Car Hall of Fame in 2008. And I did his [02:14:00] induction, and I said his nickname was The Chief, and it was the Chief of Connections.

And this guy just absolutely had all the connections, and he would procure that sponsor for that halfway thing. And most of the times it was PNC Food Markets. Some of the other people that I would like to acknowledge that was a big, big help in producing Super Dirt Week, we mentioned him earlier, I think it was also on a video, Andy Fusco.

Andy Fusco passed away this past March. He was a good friend of mine. He was a good friend of everybody in the racing industry. Andy Fusco was an attorney. Andy, uh, his first position was with Glen Dolly, and then he built his law practice in Auburn, New York, married, two children. And he was just- Just an absolutely fantastic behind the scenes guy.

You know, you’ve seen in movies like The Godfather where they always worked with their concierge, well, he was the concierge. He was the guy, the go-to guy. He [02:15:00] was a big, big help. Earlier today, Jack Spino was here. Jack has probably been at every Super Dirt Week doing Victory Lane and doing a doggone good job on it.

Then there was a guy by the name of Maury Holbrook. His name probably never came out in the headlines. He had an assistant by the name of Mark Kosiski. They were the guys that took care of the track. They were the track groomers, the preparers. And I gotta tell you, Gary Montgomery can attest to this, Glen Donnelly never said no, never said quit, never finished a race unless it was finished.

Those guys were always prepared to take their equipment out on the racetrack. Now, one year we ran into a saga of rain. Rain, rain, rain. We got into Sunday, it rained, and it continued to rain. Glen was constantly looking at the monitor, turned around and says, “Boy, we’re screwed.” And I says, “Well, what are we gonna do?

Come back tomorrow?” “Nope.” And all of a sudden Glen turned around and said to me, “Joe, [02:16:00] your parking lot packers.” It stopped raining. Now, the parking lot packers were people with passenger cars out in the parking lot. As a matter of fact, Gary Montgomery took a rented car out there. And on that one given Sunday, we had 248 cars on the Moody Mile.

We also had one guy mooning the entire grandstand. But that just put in a little bit of humor Now we got the race in, but we started the race under a green caution for about 20 laps. I being the announcer, I believe you were there with me that year, Gary. We never said we are canceled. Never said that we were canceled.

So the race goes on. We started under a green caution. We brought them in after 20 laps of precautionary yellow, stayed out so they could clean the side of the cars so we could score the cars from the tower, and the race went on. Jimmy Horton won the [02:17:00] race. Pat Patterson did his live TV show from the fairgrounds.

There were race fans at the Marriott, at the Holiday Inn, at the Hampton Inn, at the Quality Inn, that said, “The announcer said it was canceled.” We never said it was canceled. Never. We were on a hold, but never said it was canceled. They took Jimmy Horton into the little booth. They interviewed him right at the conclusion of the race, even prior to the trackside ceremonies, and then we got phone calls from the Holiday Inn, from the Marriott, and I happened to have a phone next to me.

I pick it up, “Hello, this is so and so. I’m calling from the Marriott here in Syracuse. The announcer said that you canceled.” I said, “Nope, never said it. The race is on, the race is done, and it was won by Jimmy Horton. Goodbye.” And those are the type of things you run into when you put on a production like Super Dirt Week and like Syracuse.

It seems though, if there was one little cloud in the sky, boom, it would drop down onto Syracuse. [02:18:00] I’ve talked enough. Dr. Gary George. I got a couple more stories, but I want you to- Well,

Dr. Gary George: I hope everybody had a good appreciation of the history of the Syracuse Mile and the Moody Mile. I tried to cover 100 years in a very short time.

If I missed some of your favorite drivers, and there were a lot of them that won races, especially the fair races, some great champions from tracks, uh, all over the northeast, I am sorry about that. Otherwise, we would never get out of here tonight, and Joe and I have both run out of steam talking, if that’s possible.

Anyways, uh, the important thing is, and I did not bring this out, and I want you to take this home with you, is that of all the mile tracks, and I think Gary Tompkins talked a little bit about that book, and by the way, that book is in the archives over here if you wanna come down someday and read it. It’s, it’s there.

I know the one you’re talking about. Anyways, the Syracuse Mile is the, was, well, will be the old, third oldest mile dirt track in the United States. Indianapolis, uh, at one time was [02:19:00] partially dirt, whatever it was, and of course, you had the Indiana State Fairgrounds, which is a big competitor to the New York State Fairgrounds even today as far as grandeur and all that.

Syracuse is third. One race, only one race I had of the fabulous Milwaukee Mile, and I think that’s very, very significant. We now lose that legacy. Although today we’ve celebrated that history, and I hope that I was able to give you some insight into some of the great drivers that raced here up until 1972.

Joe was pretty much, and some of the drivers that were here, filled in that portion of it. We decided to do a format like this to get the drivers. And I’ve never been in a race car. I’ve worked on a lot of them on pit crews, lettered them, and all kind of other stuff, promoted race car shows and things like that, but never sat in a race car, but have been going to the races all my life.

We thought it was important for the show that we have that type of [02:20:00] insight, and of course, Jeff’s insight from the promotional angle about those races that he’s so graciously given us some great video on. We’ve got a dedication, a grand finale, very short. It’s gonna bring tears to your eyes. That’s the grand finale.

Joe Marotta: We will always, always cherish the memories here at Syracuse. From the days of AJ Foyt, from the days of Tony Bettenhauser and Maury Rossi, all the way up to the Big Block Modifieds, to the big wrecks that ran here, the snowmobiles that ran here, I’ll never forget it. Thank you.

Dr. Gary George: Thanks for the memories. I believe that concludes our program today.

I hope everybody enjoyed it.

Kip Zeiter: I’m sorry, what a mistake for New York State to close this place. This has just been a tremendous day. I am so thankful for everybody who has participated. I don’t know about you, but I couldn’t watch that without getting a little bit [02:21:00] teared up. That is a piece of history that we are never gonna have back again, and I think it’s a shame.

But I am immensely thankful for all of you who showed up, and thank everybody who appeared this afternoon as well as this morning. Thanks a lot.

IMRRC/SAH PROMO: This episode is brought to you in part by the International Motor Racing Research Center. Its charter is to collect, share, and preserve the history of motorsports spanning continents, eras, and race series. The center’s collection embodies the speed, drama, and camaraderie of amateur and professional motor racing throughout the world.

The center welcomes serious researchers and casual fans alike to share stories of race drivers, race series, and race cars captured on their shelves and walls and brought to life through a regular calendar of public lectures and special events. To [02:22:00] learn more about the center, visit www.racingarchives.org.

This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect of automotive history. The SAH actively supports the compilation and preservation of papers, organizational records, print ephemera, and images to safeguard as well as to broaden and deepen the understanding of motorized wheeled land transportation through the modern age and into the future.

For more information about the SAH, visit www.autohistory.org.

Crew Chief Eric: We hope you enjoyed another awesome episode of Brake Fix Podcast, brought to you by Grand Touring Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media platforms at GrandTouringMotorsports.

And if you’d like to [02:23:00] learn more about the content of this episode, be sure to check out the follow-on article at gtmotorsports.org. We remain a commercial-free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, and friends through Patreon. For as little as $2.50 a month, you can get access to more behind-the-scenes action, additional Pit Stop minisodes, and other VIP goodies, as well as keeping our team of creators fed on their strict diet of Fig Newtons, gummi bears, and Monster.

So consider signing up for Patreon today at www.patreon.com/gtmotorsports. And remember, without you, none of this would be possible.

Learn More

The videos featured in this article are sponsored in part by: The International Motor Racing Research Center (IMRRC) and was recorded in front of a live studio audience. To learn more about upcoming Center Conversations, be sure to check out the IMRRC’s Website for details. Original Recording date: November 14, 2015. Remastered with Permission 2026, The Motoring Podcast Network.


Michael R. Argetsinger Symposium on International Motor Racing History

The International Motor Racing Research Center (IMRRC), partnering with the Society of Automotive Historians (SAH), presents the annual Michael R. Argetsinger Symposium on International Motor Racing History. The Symposium established itself as a unique and respected scholarly forum and has gained a growing audience of students and enthusiasts. It provides an opportunity for scholars, researchers and writers to present their work related to the history of automotive competition and the cultural impact of motor racing. Papers are presented by faculty members, graduate students and independent researchers.The history of international automotive competition falls within several realms, all of which are welcomed as topics for presentations, including, but not limited to: sports history, cultural studies, public history, political history, the history of technology, sports geography and gender studies, as well as archival studies.

The symposium is named in honor of Michael R. Argetsinger (1944-2015), an award-winning motorsports author and longtime member of the Center's Governing Council. Michael's work on motorsports includes:
  • Walt Hansgen: His Life and the History of Post-war American Road Racing (2006)
  • Mark Donohue: Technical Excellence at Speed (2009)
  • Formula One at Watkins Glen: 20 Years of the United States Grand Prix, 1961-1980 (2011)
  • An American Racer: Bobby Marshman and the Indianapolis 500 (2019)

The panel featured a remarkable lineup of racers whose careers intertwined with the Mile:

  • Wes Moody — the man who broke 100 mph and gave the track its name
  • Alan Johnson — three‑time Syracuse winner with 36 starts
  • Gary Tompkins — Mr. DIRT champion and perennial contender
  • Johnny Birosh — chassis builder and multi‑discipline racer
  • Mel Lane — modified and sprint car driver who ran the Mile wide‑open
  • Danny Kapuscinski — first‑timer who compared Syracuse to Daytona
  • Glen Donnelly — architect of Super DIRT Week
  • Gary Montgomery & Joe Marotta — voices of Central New York racing

Each told stories that captured the track’s character: terrifying speed, unpredictable surfaces, sleepless nights in the garage, and the surreal feeling of rolling out under the massive grandstand.


Moments That Defined a Century

  • The Ice Cube Incident – Moody’s friends Richie Evans and Sonny Seamon — “both drunk on top of their camper” — hurled ice cubes at his car during hot laps. He thought he was being shot at.
  • The Birth of Super DIRT Week – Donnelly’s first attempt in 1972 lost money, but a Schaefer Beer contract kept him going. The next year was a “home run,” launching a tradition that lasted 43 years.
  • The 1974 Champ Car Crash – Gary Bettenhausen’s violent wreck in Turn 1 ended his IndyCar career and marked the end of USAC Champ Cars at Syracuse.
  • The Gary Balough “Batmobile” – The infamous Lincoln‑bodied modified arrived in 1980 and obliterated the field. Donnelly’s tech crew found nothing illegal — the rules had minimums, not maximums. Balough dominated, waving at ESPN cameras as he led.
  • The Tragedies – The panel honored drivers lost over the decades, including Kevin Fleming, killed in a July 4th sportsman race. Glen Donnelly insisted the show continue — a testament to racing’s hard realities.

The Last Laps: A Mile That Still Echoes

By 2015, the grandstand was aging, politics were shifting, and the fairgrounds were slated for redevelopment. The final Super DIRT Week at Syracuse was emotional, packed with fans who knew they were witnessing the end of an era.

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As historian Dr. Gary George noted: “The Syracuse Mile was the third‑oldest mile dirt track in the United States… We now lose that legacy.”

The closing video brought many to tears. The panel ended not with mourning, but gratitude — for the speed, the danger, the innovation, and the memories that will never fade. The Moody Mile may be gone, but its stories live on: in museums, in archives, in the voices of the men who raced it, and in the fans who filled the grandstand year after year.

It wasn’t just a racetrack. It was a proving ground. A spectacle. A cathedral of speed. 


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50 Years On: The Untold Story of Gilles Villeneuve comes to the Big Screen!

The remarkable early life of one of Formula One’s most charismatic icons is coming to the big screen. Villeneuve: Rise of a Legend charts Gilles Villeneuve’s extraordinary journey from snow-covered Canadian tracks to the threshold of Formula One greatness.

**This International movie Trailer is courtesy Sidhu & Simon Press Office

The biopic has its World Premiere on 19th September 2026, closing the prestigious Toronto International Film Festival (TIFF). A theatrical release in Quebec will follow in November, ahead of a global launch in early 2027 – marking exactly fifty years since Gilles made his legendary Formula One debut at the 1977 British Grand Prix.

Long before he became a Ferrari icon, whose exuberance at the wheel stood in stark contrast to his quiet, unassuming manner outside the cockpit, Villeneuve was a young man driven by an obsessive passion for speed. The film exposes the young, untamed racer of the 1970s who developed a spectacular driving style and flatly refused to accept conventional limits or the laws of physics.


The Villeneuve Legacy

Villeneuve: Rise of a Legend features an uncannily accurate portrayal by Québécois actor Rémi Goulet in the title role. The film explores his defining formative years: the triumphs and setbacks, the risks and sacrifices, the unbreakable family bonds and relentless pursuit of speed that defined Gilles Villeneuve.

Photo courtesy Sidhu & Simon Press Office

For Gilles’ son, 1997 Formula One World Champion Jacques Villeneuve, seeing those formative years brought to life proved intensely personal: “Watching the trailer, it was difficult to hold back the tears. And I love that it focuses on the early years, the years no one but our family knows about. Most biopics focus on when someone’s in their prime. They give the audience what they already know, whereas this film shows the building blocks.

Most memories I have of my father are of either racing or doing something else where he was pushing to the limit; whether it was on skis, or driving his pick-up truck, or flying the chopper. But my earliest memories go back to when we lived in a trailer on blocks across the road from my grandparents’ house in Berthierville. If I think about it now, I wouldn’t want to live there. But back then, it felt fun. My father’s main motivation and focus was racing.

I always knew I was going to be a racing driver. It was just a matter of when. It didn’t cross my mind that there was even a chance of it not happening. For some reason I just knew it was my destiny. Was there an element of wanting to step into his shoes? Never. His shoes were very different, anyway.” – JV.

  • Photo courtesy Sidhu & Simon Press Office
  • Photo courtesy Sidhu & Simon Press Office
  • Photo courtesy Sidhu & Simon Press Office
  • Photo courtesy Sidhu & Simon Press Office

The project itself began with a leap of faith. Gilles’ daughter, Melanie Villeneuve, took a chance on a vision to honour her father, a journey that ultimately brought her into the heart of the film as Executive Producer.

“When I started on this journey, I wanted to understand my father’s public legacy and reclaim our family heritage,” says Melanie Villeneuve. “I wanted to ensure his memory was preserved by those who loved him most. The film charts the incredible rise of a working-class man from rural Quebec who became Enzo Ferrari’s favorite driver. He lived with vision and purpose, taking one step forward every day. This is a story of profound passion and perseverance.” – MV.


From Rural Quebec to the World Stage

Set against the breathtaking Canadian landscapes and the racing culture of the 1960s and ‘70s, the film brings to life the atmosphere of an era when racing was visceral and dangerous.

The film captures Gilles’ early obsession with speed, from steering on his father’s lap to teenage joyrides that left the family car in pieces. He cut his competitive teeth in snowmobile racing, winning multiple championships while also revealing little-known abilities as an engineer and innovator, revolutionising snowmobile design.

A Formula Atlantic champion in Canada and the USA, Gilles’ breakthrough came in 1976 at Quebec’s Trois-Rivières circuit, where he took on and beat several Formula One stars of the day, including James Hunt, who would claim the Formula One World Championship a month later. Hunt reported back to McLaren that they should give the Canadian kid a shot at F1.

To recreate his historic Ferrari tests and iconic races, production took over Parc Jean-Drapeau’s iconic Circuit Gilles-Villeneuve in Montreal, using meticulous replicas built by Race Car Replicas – the Hollywood firm behind Ford v Ferrari. Amazingly, no replica was needed for the Ford Mustang Boss 351: it is the actual car Gilles bought and enhanced. The vehicle has remained in the Villeneuve family ever since.


The Man Behind the Legend

While his tragic 1982 death is well documented, much of Gilles’ family life is an untold story. The film highlights how important his wife and children were to him – bringing them along for the ride and making a trackside motorhome their home so the family could stay together. Gilles even sold the family home to fund a race seat without informing his wife, Joann, until it was time to pack.

Photo courtesy Sidhu & Simon Press Office

To this day, Villeneuve’s memory remains very much alive. Imola and Zolder both have corners named after him, a bronze bust stands at the entrance to Ferrari’s Fiorano circuit and, in Canada, the Montreal circuit bears his name. Earlier this year, the government of Quebec officially designated Gilles Villeneuve a Personnage Historique (an historic figure) as part of the province’s Cultural Heritage programme.

For Québécois director Yan Lanouette Turgeon, the ten-year development process was a profound duty. “I remember May 8th, 1982, the day Gilles died. I remember my parents, where I was, the feeling in the house when we heard the news. When I came onboard a couple of years ago to direct this film, the day I shook producer Christian Larouche’s hand to commit was May 8th. When I told him the significance of this date, his hair stood on end. We were like, okay, maybe it’s a sign. This is a movie that’s been in the making for a long time. It has been in development for ten years. My feeling from the get-go, as soon as I was involved in the project, was that Gilles Villeneuve’s story needs to be told. He was such an interesting character. He remains a monumental figure in Quebec and in Formula One, and a movie had never been made about him. I felt I needed to be the one to make this movie, and the timing is perfect as interest in Formula One has never been greater.”

Photo courtesy Sidhu & Simon Press Office

At its heart, Villeneuve: Rise of a Legend is a story about an ordinary person who became extraordinary. It is a portrait of a driver who believed in his ability long before the rest of the world did.

With its combination of high-octane racing action, family drama and the period detail of a pivotal era in motorsport, the film aims to introduce a new generation to Gilles Villeneuve while offering those who remember him a fresh perspective on the man behind the legend.


Editor’s Notes

Villeneuve: Rise of a Legend has its World Premiere on September 19, 2026, as the Closing Night Gala of the Toronto International Film Festival (TIFF). The film will later be celebrated at the Canadian International AutoShow (CIAS) as part of a wider cinema showcase at the February 12–21, 2027 AutoShow in Toronto, in a new feature celebrating the enduring connection between cars, motorsport and cinema.

Parc Jean-Drapeau, Circuit Gilles-Villeneuve & Tourisme Montréal: The film was developed in collaboration with the Société du parc Jean-Drapeau, which manages Parc Jean-Drapeau, home to the iconic Circuit Gilles-Villeneuve, the Montreal racing circuit renamed in Gilles’ honour after his death. Several scenes were shot at the Circuit.

The film also counts Tourisme Montréal among its official partners, supporting the project and contributing to Montreal’s international profile as a world-class tourism destination.

To coincide with the film’s highly anticipated debut, visitors to Montreal can also discover the Salut Gilles Exhibition at Parc Jean-Drapeau. Made possible through the collaboration of the Société du parc Jean-Drapeau, the exhibition features a remarkable collection of artefacts and vehicles used in the making of the film, offering visitors an immersive journey through the life, legacy and enduring spirit of one of motor racing’s most celebrated figures.


Media Contacts

 

A Tour of Prancing Horse of Nashville: Inside One of America’s Most Ambitious Ferrari Destinations

Ferrari dealerships aren’t all created equal — and Prancing Horse of Nashville proves it. Built from the ground up to serve Tennessee and the broader Southeast, the 45,000‑square‑foot facility has quickly become one of the most comprehensive Ferrari environments in the United States. It blends modern retail, heritage preservation, concierge ownership services, and factory‑level restoration capability under one roof.

Photo courtesy Gran Touring Motorsports

Before we step inside, it’s worth knowing the man guiding the experience: Chris Miele, whose lifelong Ferrari obsession began in northern New Jersey and followed him through military service in Hawaii and nearly 30 years in high‑end automotive retail. Chris remembers “…being taken to Ferrari Club of America Nationals as a boy… devouring car magazines while stationed in Hawaii with the Marines…”

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That early immersion shaped the expertise he now brings to Nashville — but the real story is the dealership itself.

Prancing Horse of Nashville wasn’t an expansion — it was a strategic placement. Ferrari’s dealer development team identified a geographic gap in the Southeast and green‑lit a flagship facility designed to serve Tennessee, Kentucky, Alabama, and surrounding states. “Prancing Horse of Nashville… was created to fill a regional gap in the Southeast and to offer a full‑service Ferrari experience: a large, 45,000‑square‑foot facility…” Chris explains.

Photo courtesy Gran Touring Motorsports

The ownership group — Joe Agresti, Steve Cannon, and Nick Saban — backed a vision for a dealership that would feel like an extension of Maranello itself.


The Atelier: Ferrari Configuration as a Tactile Experience

One of the crown jewels of the Nashville facility is the atelier room, a space designed for hands‑on configuration. Instead of relying solely on screens, clients can touch leathers, compare carbon finishes, examine paint samples, and visualize their build in three dimensions. Miele “pushed for design elements that mirror the factory experience, such as the atelier where clients can see and touch materials and options…”

Photo courtesy Gran Touring Motorsports

This tactile approach is especially important as Ferrari’s Tailor Made and Atelier programs become more complex — and more central to valuation.


A Deep and Diverse Inventory: From Modern Icons to Halo Legends

Photo courtesy Gran Touring Motorsports

“The 45,000‑square‑foot facility… houses an unusually broad inventory—ranging from modern limited series and Icona cars to multiple F40s, F50s and GTOs…” Chris reminded us. Unlike many Ferrari dealerships that focus primarily on new‑car allocation, Prancing Horse of Nashville maintains an unusually broad inventory:

  • Modern limited‑series cars
  • Icona models
  • Multiple F40s, F50s, 288 GTOs and other classic Enzo-era cars.
  • Rare color and Tailor Made builds
  • Collector‑grade classics
Photo courtesy Gran Touring Motorsports

It’s a showroom that doubles as a museum — and a living one, because these cars aren’t static. They’re exercised, maintained, and prepared for events worldwide.

Photo courtesy Gran Touring Motorsports

Ferrari ownership isn’t just about buying a car — it’s about maintaining a relationship with it. “…climate‑controlled storage and concierge services for owners who want their cars exercised and ready to drive.” Prancing Horse of Nashville’s facility offers:

  • Climate‑controlled storage
  • Battery management
  • Regular exercise programs
  • Concierge readiness (cars prepped and waiting for the owner)

This is especially valuable for collectors with multiple cars or those who travel frequently.


Restoration & Classiche: A Full Heritage Preservation Program

One of the most distinctive aspects of Prancing Horse of Nashville is its restoration and Classiche practice, which operates in close collaboration with Ferrari Classiche and European specialists like Michelotto. “Current projects include an F40 LM at Michelotto and a 308 GTB Group 4 rally car, with plans for track shakedowns at Fiorano…” says Chris.

Photo courtesy Gran Touring Motorsports

This isn’t just mechanical restoration — it’s provenance management. Documentation, certification, and historical accuracy are treated with the same seriousness as the mechanical work itself.


A One‑Roof Ferrari Ecosystem

What makes Prancing Horse of Nashville truly special is the integration of all Ferrari services in one place:

  • New‑car sales
  • Tailor Made & Atelier configuration
  • Classiche restoration
  • Heritage documentation
  • Collector‑grade inventory
  • Storage & concierge
  • Event preparation
  • Lifestyle programming

For owners, this means continuity. For collectors, it means trust. For Ferrari, it means a dealership that reflects the brand’s modern identity: luxury, heritage, and technical excellence. Chris stresses “…the importance of keeping new and classic Ferrari services under one roof so clients need not send cars elsewhere.”

Photo courtesy Gran Touring Motorsports

Miele sees Nashville’s growth — in population, wealth, and cultural influence — as a major advantage. The dealership is positioned not just as a retail center but as a regional Ferrari hub. He believes “…the dealership should continue to grow as a destination for new cars, classic restorations and owner services…”

With the U.S. collector market strong and Ferrari’s lifestyle programs expanding, Prancing Horse of Nashville is poised to become one of the most important Ferrari destinations in the country.

Photo courtesy Gran Touring Motorsports

Prancing Horse of Nashville isn’t just a dealership — it’s a curated Ferrari ecosystem. From the atelier to the restoration shop, from halo cars to heritage projects, from concierge services to collector support, it offers a depth of experience rarely found outside Maranello. And with Chris Miele — a leader whose passion began decades before his career — along with GM Tom Roach at the helm, the facility reflects the emotional core of Ferrari ownership: heritage, craftsmanship, and the thrill of the Prancing Horse!

Car Photographer? Not as easy as it sounds….

As the decades went by (I started in the ’60s with a Brownie camera so that gives you an idea of how long it’s been…) my goal in going to car shows has changed, I now go with several objectives.

For art: trying to find one angle on one car that captures the zeitgeist (ambiance) of the event or of that group of owners, like a low rider Cadillac convertible being driven by a middle aged man that you know always wanted that ’40s car SINCE the ’40s and finally got it. If I found the one car where one picture tells the story, I am satisfied.

For factual reference: This is a tough one, if I am writing a historical story about a particular car I need the car to be 100% stock so it doesn’t throw readers new to that car on what the car should look like. For instance there’s one guy that owns probably the best DeTomaso Mangusta existent, but his car has no rear 3/4 window trim, like all the others had. So pictures of his car can’t be used for a historical story or else I have a lot of ‘splainin’ to do..

To recognize new Trends: Sometimes there will be a group of owners who decided, say, their 356 Porsche looks good lowered, and then a whole group of them will lower their cars. I’m not saying I like a new trend or not but if a trend is coming, I hope I notice.

To capture the angle that defines the Form. I want my photo to show the shape of the car, maybe augmented by a contrasting background that doesn’t distract from the shape. Some cars, alas, have no form, no defining shape, they are just a hopeless hodge-podge. I wouldn’t even bother on some cars like a ’59 Chevrolet sedan. Not a form worth remembering. Lately my best example is the Ferrari SP-1, a single seater, because I shot one on a rainy gloomy day, a white car, and I captured a shape that stands out mostly because of the pure form dominates the painting. Sure it was a rainy day but dammit, that body sings!

Get the car shot even if background sucks. Unfortunately sometimes I find the right car, the right angle, and the right lighting but the background is distracting, irrelevant, or would spoil this photo’s chances of becoming a subject for my oil painting. I say shoot the car anyway because, in the art world’s there is a legitimate category called “mixed media” (combining art from more than one source) so you can legitimately re-portray a person, a car or other main subject against a background that more suits your needs, as I do in some paintings. Which is why some of my car paintings are not representative of the event they were shot at because I hated the background I caught the car in, shot it anyway, and decided it would look better in a painting against a background which more suits the car’s raison d’etre.

Capitsch?

At most car shows, I shoot at least fifty pictures, hoping that one, just one, please Lord, will be interesting enough to make a painting of. In oil, on canvas.

Back in the days of film, I had Hasselblads with 500 mm lenses, but got kind of tired schlepping those big heavy cameras and lenses around. Then I went to Leica, smaller but more expensive.

Now flash forward 50 years. I use a pawn shop-bought Nikon B500. It’s a weird camera in that it has a telephoto as its only lens. You can’t remove it. But that one lens goes from wide angle to an intermediate long lens. It even has a video function I haven’t tried yet. It cost me $100 but I don’t trust it entirely to function through a whole show so my backup is a used and abused Canon that cost as little as $50 at a swap meet. The Nikon surprisingly uses old fashioned batteries , but at least you can find them at any drug store. The Canons require a flat battery made to fit that camera, not so easy to find in a hurry on location. And you have to charge the battery, not so easy if there’s no place outside to plug it in.

The painting equipment is a bag of tubed acrylic paint and the surface I paint on a rough hewn heavyweight paper, usually 11″ x 17″. If I like the result or have a customer wanting it, I upsize to a giclee canvas print. Sometimes I feel the finished print still needs something so I lay on new paint, altering the original painting, so some might mistake it for an original painting.

The Time of Day is ALL IMPORTANT!

This is probably the most important bit of advice because at most car shows, the cars come and sit. As their owners come and sit. But if you are early, you might get the cars still moving, and those might be the most dramatic shots. At Pebble Beach, they even have a tour of many of the cars that will be in the concours the day before, so you get to see the cars underway, pretty exciting when it’s a rare race car that you never never thought you would see on the road like say a Mercedes 300SLR.

I hate the mid-day light, say from 11 am to 4 pm. Too harsh a light, but sunset shots can be very exciting – golden light of the sun defining the curves of the car, yet parts in dark shadow.

Ideal is to get in a show before it opens to the public. Now some shows are dead set against that but if it’s a show you go to often, what I would do is immediately send them pictures after your last attendance and say “these pictures free for media” and they will use them and next time remember you are a supplier and maybe grant you a press pass to come in at sparrow’s fart.

IN SUM: All this time, a half century at least, I’m admittedly still learning. Photography has changed mightily (do you even remember film, or color slides?) And there’s loads of ways to doctor pictures with a computer (I’m a babe in the woods there…) I am not trying to be known as The Great Photographer. Everybody with a cell phone is potentially that now.

But a painter of classic cars… much rarer occupation. Sign me up.


EDITORS NOTE: Author Wallace Wyss, once a automotive historian, has now segued to being a fine art portrait artist, exclusively of classic cars. He invites galleries to write if they want to try out a sample of his automotive artwork on their walls Wyss can be reached at photojournalistpro2@gmail.com

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Leipert Motorsport Claims Podium at Home Race

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Leipert Motorsport entered the fourth race weekend of the Lamborghini Super Trofeo Europe at the Nürburgring from 28 to 30 August with four cars. Changeable weather conditions, ranging from rain and strong winds to sunshine, presented drivers and team with a constant challenge throughout the weekend. With consistent performances and impressive overtaking manoeuvres, the #44 of Månz Thalin and Axel Bengtsson rounded off the home event with an excellent podium finish.

In free practice, the #75 of Hairie Zairel Oh and Chris van der Drift in particular demonstrated strong pace, finishing second in both sessions. All four Leipert Lamborghinis also showed competitive performance in qualifying and secured solid starting positions for the two races.

#44 PRO – Månz Thalin (SWE) & Axel Bengtsson (SWE). Photo courtesy Liepert Motorsport; photo by SCIARRA GIANLUCA FOTOSPEEDY

A puncture caused by contact dropped the #44 down the order early in the first race and forced the duo to make an additional pit stop, putting a deserved podium finish out of reach. Sunday proved to be a different story. Bengtsson made a strong start and worked his way up to P5 before the pit stop. Following a quick stop, Thalin took over the car in a promising position and fought his way up to an excellent third place, which he safely brought home. The Swedish duo were rewarded with a well-deserved podium at Leipert Motorsport’s home race.

#70 PRO – João Diaz (BRA) & Barrett Wolfe (USA). Photo courtesy Liepert Motorsport; photo by SCIARRA GIANLUCA FOTOSPEEDY

Both drivers made their first appearance at the Nürburgring and also celebrated their GT racing debut after making the transition from singleseaters. Diaz and Wolfe showed a steep learning curve throughout the weekend and, with eighth and seventh place in the Pro class, made a solid start to their Lamborghini Super Trofeo Europe campaign.

#75 PRO-AM – Hairie Zairel Oh (MAS) & Chris van der Drift (NZL). Photo courtesy Liepert Motorsport; photo by SCIARRA GIANLUCA FOTOSPEEDY

After convincing performances in free practice and narrowly missing out on pole position for Race 1 due to a track-limits infringement, the #75 confirmed its pace in the opening race with fifth place in the Pro-Am class. The #75 was once again running strongly on Sunday. Zairel Oh delivered a convincing opening stint before handing the car over to van der Drift, who gained further positions with a series of overtaking moves. However, the charge came to an abrupt end at the restart following a Safety Car period, when contact left the car unable to continue.

#88 PRO – Henri Tuomaala (FIN) & Matias Salonen (FIN). Photo courtesy Liepert Motorsport; photo by SCIARRA GIANLUCA FOTOSPEEDY

Despite the changeable weather conditions, Henri Tuomaala and Matias Salonen safely brought the #88 home in sixth place in the Pro class in the opening race. In Race 2, Tuomaala laid the foundations with a faultless opening stint before handing over to his teammate. Salonen then gained several positions with a series of impressive overtaking moves, before a Safety Car period followed by a red flag prevented any further progress. The Finnish duo ultimately finished fifth in the Pro class.

“The changeable conditions made the entire weekend a particular challenge, which our team handled very well. We are therefore delighted to have concluded our home race with a well-deserved podium finish. A big thank you to the entire team and our drivers for their commitment throughout the weekend. We are already looking forward to the upcoming races in Barcelona and Monza.” said Managing Directors Marc Poos and Marcel Leipert


About Liepert Motorsport

Leipert Motorsport was founded in 2002 and became one of Europe’s top GT-Teams in Sprint- and Endurance-Racing. Spreading its GT-Engagement even wider across the continental borders, this step is the logical consequence for the German team after being a front runner and championship winning team in multiple competitions.

How Revs Institute Is Reimagining the Future of Automotive History

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The future of automotive history isn’t just about preserving old photographs, rare documents, and iconic race cars — it’s about transforming how we discover them. In a recent episode of Break/Fix’s History of Motorsports Series, Arthur Carlson, Director of Archives and Research Operations at the Revs Institute in Naples, Florida, revealed how cutting‑edge technology is reshaping the world of automotive scholarship.

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From AI‑powered metadata to hurricane‑proof archival vaults, Carlson’s team is building one of the most ambitious automotive research ecosystems in the world.

Bio

Arthur Carlson
Arthur Carlson is the Director of Archives and Research Center Operations at Revs Institute, in Naples, Florida. He is committed to utilizing emerging technologies to enhance access and discovery of archival resources. He recently presented on digital archival repositories at the 2024 International Dickens Symposium in Birmingham, UK.

Synopsis

This episode of The Logbook, our History of Motorsports Series features Arthur Carlson, Director of Archives and Research Operations at the Revs Institute, outlining a major expansion in automotive archival preservation and access. He describes Revs’ new, highly secure Archives and Research Center in Naples, Florida; the scale of its holdings (including the Revs Digital Library’s ~724,000 photos, plus extensive books, periodicals, film, audio, art, and automobilia); and plans for a high-end digitization lab and modular researcher workspace. Carlson explains partnerships using AI and machine learning for car and facial recognition to generate richer metadata across hundreds of thousands of images, plus an oral history initiative with the University of Kentucky leveraging transcription, translation, and linked data. He also details renewed digitization uploads, new acquisitions, returning internships, and a proposed consortium (“G.A.R.A.G.E.”) to create shared discovery and digitization standards across institutions.

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Transcript

Crew Chief Brad: [00:00:00] Break Fix’s History of Motorsports Series is brought to you in part by the International Motor Racing Research Center, as well as the Society of Automotive Historians, the Watkins Glen Area Chamber of Commerce, and the Arge Singer family.

Crew Chief Eric: On today’s episode of The Logbook, our History of Motorsports series, we’re diving into the future of automotive history and the man leading one of the most ambitious archival transformations in the field. Arthur Carlson, director of Archives and Research operations at the renowned Revs Institute in Naples, Florida joins us to share how innovation is reshaping the way we preserve and explore the story of the automobile.

Arthur will take us behind the scenes of Revs new archives and research center and reveal how emerging technologies from artificial intelligence to machine learning are unlocking richer metadata, smarter discovery tools, and more meaningful access to the culture and history of cars and motor sports.

With a career rooted in expanding access to archival resources [00:01:00] and fresh off, presenting his work on digital repositories at the International Dickens Symposium in Birmingham, England. Arthur brings a unique perspective on how the past and future meets in the stacks. So buckle up. We’re about to explore how cutting edge tech is driving innovation in automotive archives.

Arthur Carlson: Good morning everybody. Thank you for, uh, having me here today. My name is Arthur Carlson and I oversee the operations of the new Archives and Research Center at Revs Institute. So I’m here to share some of the exciting news, talk about what the center represents and the opportunities we hope it can provide for those here in attendance joining us online.

And anyone else that may be interested in furthering the field of scholarship in his historic and significant automobiles. So I guess to really back up and understand momentous achievement, let’s start talking initially about the library program at Revs, which many of you are likely familiar with owing to our Revs digital library, which has approximately 724,000 photographs online.

So originally the library room started as a, a supporting [00:02:00] element of the Miles Collier automobile collection. So most of the material was related to supporting the maintenance care and curation of the collection, or understanding the historical significance of the automobiles that he had collected.

Eventually as they added other things like the Briggs Cunningham archives, the archival collections of several photographers, and then other printed material, including now more than 28,000 Monographic books and over 100,000 magazines and journals. We have created what we think is one of the most extensive research resources for this field.

We’ve also added art and automobilia and film and audio. Eventually we filled our space and as demand for other offerings, including the new gallery that Lauren will be overseeing at Res Institute. They kicked us out, so they took me and all the archivists and they packed us up and they shipped us 20 miles north of Fort Myers.

And they stuck us in the archives and research center. So it’s actually a, a brand new facility and two facilities technically, because it is actually a building inside of another building. So we built a archival storage [00:03:00] facility to Amazon data center specifications. So it’s got zero vertical penetrations, a full Siemens latex.

It is category five, hurricane rated. It’s a fluoro K fire suppression system, which is a state-of-art fire suppression system, and we were so happy with that. We just slapped another building over the top of that, built to the same specifications. So it is probably the most environmentally secure building in southwest Florida because our major threat is sea level rise and water.

Uh, we tower above the local population at approximately 30 feet above sea level. So, uh, we, we, we will be the last place to flood. So when the hurricane, the next hurricane hit. Uh, you can see where I’ll be hanging out with, with the dogs. So it’s a full compact storage system, 14 feet high in both the standard stacks and the cold storage room, which is where we’ll keep nitrate film and other materials.

That are at risk for vinegar syndrome and things like that, we’re gonna implement a full digitization lab that can support up to FAUJI four standards. So for those of you familiar with sort of digitization standards, that is essentially the highest level of [00:04:00] professional digitization. So it would allow our materials and resources to be utilized in any sort of new media.

Virtual augmented reality purposes, 4K, eight k, high, definite, whatever you want. So we’re really looking at that, trying to be conscious of future planning for our presentations and things like that. Creating a visiting researcher area, we’re about 25 minutes from RSW, which is the region’s largest airport.

Between Miami and Orlando. So convenient for those of you coming down. Now we understand the expectation of 21st century researcher behavior is initially digital born. So that is actually what we’re working to do, is that we’re working to create access pathways so that we can really open up to a global audience.

So we’ll talk a little bit more about that. And also, if you’ll notice, the bottom shot there is actually our, our workspace. So it’s a fully modular workspace. Every single thing in that room can be moved, customized, put together, spread apart, broken together. So it allows us to handle a variety of things, oversized materials, print art.

As a matter of fact, Lauren has commandeered a few of our tables. She’s got the, uh, print of noted photographer and [00:05:00] fine arts, Jesse Alexander spread out all over the place. So that’ll be a exhibit debuting in 2026. So we’re very excited for those opportunities it represents, but it, it, it is a really wonderful space.

So, uh, we encourage you, if, if you’re ever down southwest Florida, please reach out. Come down, visit us or check us out online. One of the exciting things that we talk about the center representing is it really is a foundational platform in which we can scaffold up our resources. One of the ones that we’re most excited about is our AI and machine learning metadata generation tool.

So we partnered with the consortium of Metro ai, which is a service of the New York Public Library. And what we are doing is we’re implementing a car recognition model, facial recognition model that uses insight face, which is the same technology that powers Apple iOS sort of face unlocked. So how the system works, so if we start with the machine learning for the cars, is that essentially we take cars, we upload them with our known metadata, and then we create clusters around them.

So for instance, we’ll use the example of Porsche, so we can upload Porsches and then we [00:06:00] can upload every single model they make. And then we can make a giant cluster that’s Porsche, and then we can take the individual models, 9 11, 9 17, 5 fifties, whatever we want. We can make those individual models and we can make them to that, and then we can do ’em through generations.

Phase one, phase two specific races. You can make the clusters as broad or as tightly granular as you want. Once you do that, we feed them into our machine learning system, which goes and it begins to identify those clusters and create relational patterns through the metadata. So if it recognizes that every car in the cluster, a Porsche, it starts to create these relational polygons.

So it creates polygons that overlays over the images to create scaled relationships. What’s the measure of the tire? What’s the angles of the headlights? What’s the angles of the cars and things like that. So it’s a pretty interesting thing. And then what it does is it generates a confidence score that these are the images based on similar relational polygons.

So we’re using four different AI models. We’re actually using three. One we run in a grayscale and a monochrome ’cause we’ve actually found that the machine learning gets tricked by certain [00:07:00] things. The association with red and the marked Ferrari is so strong that any red car gets tagged as a Ferrari. So there, there are little quirks.

So that’s why we ran the grayscale programs to see if by eliminating that RGB element, could we kind of reduce that bias in the AI and machine learning tool. So it’s a pretty interesting thing to understand. The other thing that we’re finding is that we have a limited sample source. So as we know with automobile photography and advertising, they take it from what, three angles.

You see the front, you might see the side, you may see the back, depending, right? Same thing with motorsport. The photographers stand in certain areas of the track. The cars are depicted from the same angles, and of course it’s motor sports. The cars tend to be heavily modified, so they, they kind of make bad samples.

But as I mentioned earlier, as I keep stressing, we use relational polygons. Relational polygons scale. We happen to have over a hundred thousand scale model cars. So one of the interesting things that we’re now doing is we’re starting to 3D image, all of our scale model cars. To [00:08:00] use them as a controlled variable group to better train the AI machine learning element.

What we will do is once the machine learning reaches a confident score of 90% on images, we deploy it to retroactively apply enhanced metadata to the more than 725,000 images we have on our public display and the 1.6 million awaiting full scale digitization. So what that will do is enhance access and discovery, and increase use of our materials and create a better resource.

For our entire industry and field, similar to the car recognition model, we’re actually employing the, uh, same technology that I mentioned, apple uses to better recognize faces, humans, characters, and things like that depicted in the images. Sharing the example last night that we have an image in our collection and it says Laguna Seka.

All

Don Capps: right,

Arthur Carlson: cool. Says Laguna. It’s got a year. It’s not a car in the, it’s picture. Paul Newman, you know, but nowhere does his name. Nowhere does that metadata index. So unless you stumbled across that picture of Paul Newman, you’d never find it. But the AI found [00:09:00] it for me because we ran Paul Newman’s face through the insight thing.

I sent it into the sample store and I said, find me anyone that looks like him. And it brought back a lot. So this is actually actually an example of how it works. So it overlays a box over the search. So that’s when we did a Ricardo Rodriguez. I said, find me everything you can of him. And you’ll see over on the right hand side that this is actually, I, I cropped out a little bit of it.

You actually notice it’s got two relevance confidence scores. The top one is the face thinks with about approximately 85% confident score that that image is Ricardo Rodriguez. You’ll notice the relevant score that’s related to other metadata. The relevant score is lower than the confidence score because we had a lack of relevant metadata.

So because we didn’t apply a lot of metadata to the field, it can’t ascertain it if that’s actually him. Funny enough, that things so good, it picks up his brother Pedro. Sometimes we’re actually farther ahead with training the image learning model. Then the car recognition model, mostly owing to the limitations I mentioned, plus it, it’s a sample size issue, [00:10:00] is that, you know, if you think of every car made, every car that’s raced over the last 140 years, it, it’s really just a scale issue.

So what we’re finding is that reducing the sample size, limiting the scope of the project is achieving deeper results. So we look forward to working more with that. One of our other things that we’re working on is an oral history program. So we’ve partnered with the non-oral history center at the University of Kentucky, this nation’s premier oral history academic outfit.

And what we’re doing with them is we’re employing two new technologies they created. Aviary and Whisper. Those are both AI related tools that enhance access through live language translation, full text, transcription, and linked data. The live language translation is pretty interesting. What it can do is take the interviews that are recorded in the interviewee’s native language.

In our case, primarily English, but it can convert it to most of the major languages supported by Google AI’s translation app. So it makes it rarely accessible. The other thing it does is it runs a full scale transcription. That is [00:11:00] timestamped and that it also creates, if it identifies a link data agent.

So link data is a concept that really is championed by the Library of Congress. And it’s this idea that certain elements and fields have a controlled vocabulary list, controlled elements. If we can add those controlled elements in, it can talk to other organizations, institutions, or records within our own collections that have that same agent or name authority and tie them together.

So for instance, this is actually, um, ours are uploaded jets. So this is one that I stole from the University of Kentucky. That’s Steve Za talking about bourbon. Interestingly enough. But in using that example, so when he mentions like bourbon and you stop the transcription, you pause the tape and you pull up the text, anything that has a link data will be hyperlinked.

So then you can click on that and it’ll basically tie to all of our other resources. So if you’re doing something with Ricardo Rodriguez and you click on that history where somebody talks about. His death, it’ll pull up anything related to that element. It’ll pull up his biography, it’ll pull up news stories, it’ll pull up images, it’ll pull up anything we have, not only in our [00:12:00] collections, but anybody tied to our discovery system.

So what we hope to do with the, uh, oral history collection is to really go out over the next year and to kind of try to identify folks, partners that can help us identify, as we were mentioned, that tacit knowledge, that at risk data, that at risk material. Yesterday, uh, they let me ride around Bill Green, which was so interesting and we, we were stopping just, you know, all through the old road course pathway and he was just saying things like, oh, you see that green ball up in the tree there?

You know, in 19, and it’s just, who else but him is really gonna know that? Who else but him is gonna understand that, that knowledge up things, those things that really talk about the history, the culture of those strong experiences that tie us together. What we hope to do by announcing basically the program here at this to this audience today, is to have each of you kind of engage, help send in suggestions, and please understand that it is not simply about most important or well-recognized names.

It’s at risk knowledge, so particularly people that represent regional events, local shows, local [00:13:00] races, even failed attempts at implementing car culture, supporting it. So please reach out, share your things, and these can be as formal as academic soft conversations. We really just want to create a resource.

That shares and preserves that knowledge. So I hope that you all can help us with that. Finally, talking about some other, uh, exciting things. We’re actually resuming our digitization program. Some of you that are frequent users are RDL and probably noticed that sometime during the, the pandemic that we kind of stopped uploading new images.

So we’re actually reviving that. So we just sent out the Andre Von Beaver Collection, who is the noted Belgian photographer to have over a hundred thousand new images coming online. Soon. Following that we’ll send out Jesse Alexander and some of the other collections and things like that. So we’re very excited about that.

Begun the migration to integrated online collection guides. So for those of you that have been using some of our archival collections, those old PDFs, I got rid of ’em all. So now we have archive space implemented online collection guides. So what you would normally find at a traditional academic institution, that same resource, that same [00:14:00] value, and again, opening up to the public.

That is the great thing, is we’re trying to remove any barriers to access to use our materials that we can identify. And eliminate. Another thing is we just required a couple of new collections, so we’re working to get those online. The most recent collection that we obtained was the Stru McMinn collection, so we picked that up at auction.

Stru McMinn is widely regarded as the most influential and important American automotive designer. It’s a really interesting collection as we’ve kind of gone through it. There’s concept cars, there’s correspondence, and more than anything it reveals the vast alumni network of his students that have become major executives, major influencers and entrepreneurs in the field of automotives.

So it, it’s a pretty interesting collection. As I mentioned, the Jesse Alexander collection, fine art print will go on display. We’ll also add the other collections up to our materials as well. Jack Bullard, which is a really interesting collection for more than 40 years, Jack Bullard responded to car accidents.

He was a a tow truck operator, so it’s a really interesting thing. We think material scientists, [00:15:00] vehicle safety studies, really just trying to open up new and exciting things. We’re actually expanding our, uh, digital library. So right now the Revs digital library is primarily photographs, so we’re looking to add manuscript collections, digitized material that has out of copyright.

So some of those early journals, some of those things like that. Like I said, just trying to enhance access to our resources. And then finally, and this is probably most exciting, we’re actually working to create a, basically a consortium of anyone that is interested in kind of helping create standards of discovery, standards of digitization.

Link data resources and things like that, so that’s very exciting. The articles incorporation were just drawn up by our lawyer, so it’ll actually be a 5 0 1 C six incorporated in the state of Florida, which is essentially a chamber of commerce. What we hope to do is create a shared discovery catalog and a shared digital repository.

So the idea being that each individual institution that joins the consortium. Can keep their individual identities, can keep all their processes, but upload their materials into a shared discovery layer. As we mentioned earlier, the [00:16:00] 21st century researcher behavior does not want to go to 30 places to look for information.

They wanna go to one source. It’s the ification of American Discovery. All right? It’s that one source concept, and it’s something that you find increasing in academia. It’s one source, wonderful. You know, even if you look at, you know, databases now, databases don’t get searched individually. They get searched through crawlers.

We really want to implement that same idea, is that if you can go to a consortium website, that you can search the collections of every one of our members. So we hope for those of you that might be interested right now, there’s no obligations, expressions of interest. We’ve got about 25 organizations across the United States and two now in Western Europe, which is really exciting.

That are interested in following along, you know, if that’s something that you or your organization might be interested in, at least following along with, please see me or Lauren and we’ll make sure we get added to the listserv. So it’s really exciting. As I mentioned, we’re incorporating the state of Florida as the group for archival research and global exchange.

Which spells out garage. I thought of that all myself. So you’re, you’re welcome [00:17:00] for my contributions to automotive history already. So that’s a really exciting thing, but that’s something that we really want to talk to folks about and to really share and, and, and elevate the field so that, that’s something I think that’s really exciting and something that I hope that we can work with each of you.

And as I mentioned, this is something that we see as building a resource so it’s something open to conversation. In no way do I want to drive what happens with this thing. What I really want to do is understand what are the research needs of our audience? What are the research needs? You know, what can we do to expand our offerings?

You know, so many of you here have already said. What can we do to increase support for scholarship in this field? And so I thought this would be the perfect opportunity to sort of soft launch that program. I’m really excited to talk about that, to share that, to build networked interest and things like that.

So very, very exciting stuff. As I mentioned, I, I thought that this would be more opportunities for free exchange, so I left a little extra time for q and a because I’m sure you have a lot of questions and I thought that seeing as we couldn’t give a live demo, that I might have the opportunity to explain in more [00:18:00] detail for any questions that you might have.

Yeah. Thank you so much.

Lauren Goodman: Yes. Thank you everybody. Thank you. What, what I’m really hearing is that you’re making my life easier. That’s what I’m hearing and that’s what I, I’m looking forward to.

Arthur Carlson: That’s exactly what we’re here to do. I am not an expert in this field, but if I understand what is the information needs that the field requires, we can build those systems in conjunction with our partners, collaborators, friends and and supporters across the world.

Lauren Goodman: So I think now we’re open up for, um, a q and a.

Audience Q&A: If, uh, someone has historical documents to, uh, you know, donate, how would you decide where to send it? You have the A a CA, the SAH, and the Res Institute. Are you looking for specific types of documents?

Arthur Carlson: I think a lot of that depends on the donor and a lot of cases, donors really have a, a wish.

You know, there’s usually a place that either is their home track, their home region, maybe a, an association that they have a stronger affiliation with than others. You know, they may have a natural place in [00:19:00] mind. Now, what we aim to do with that consortium is to make sure that if you come to any one of us.

That we understand what are the collecting specialties? What are sort of the talent support of each of the organizations in our field to help donors find the best home. We don’t view this as a competition amongst organizations in any way. What we see this as, as a way to really build in that collegiality.

That you see in like academic consortiums, academic conferences and things like that, where they help you understand, this is super great, this definitely needs to preserve, but hey, maybe you should go see my friend Joe at Watkins Glen, because they have all the SECA stuff and this is more closely aligned with that.

And, and it really, it depends on the capacity, you know, if they’re out of room, what, what do we find? So I think it’s, it’s really just trying to foster better communication amongst our institutions and organizations. And then the other advantage I see, and, and this is probably leaning a little over my.

Skis is one of the reasons that they plucked me down to Revs is I used to sit on the Eastern Academic Scholars Trust Consortium that is a, um, an organization of academic institutions from the University of Maine down to the University of Florida and all up and [00:20:00] down the Mid-Atlantic. And what it was, was they were the first ones to get into the idea of special collections and archival research sharing.

So how can you share these things that traditionally have been so guarded and so maintained that you had to ask permission, then get access to look at ’em, and then while you’re looking at ’em, somebody was looking at you, looking at ’em. So really how can we dispel those barriers and create, like I said, better agreement, better thing.

But that’s a great question and one that I’m glad that somebody asked because I think that’s an important point to make is that it’s all about building collaboration.

Paul Baxa: Thank you for, for that. Um, I’m very fortunate that I live close to the Revs and I’ve used it many times and it’s been really important to.

So just a couple of very quick questions. Number one, are you now open for research? Is the facility open?

Arthur Carlson: Yes. So we are by appointment only, but if you wanna reach out to, as I mentioned, library@reinstitute.org, we can support research and things like that. We moved during three weeks in the middle of hurricane season in Florida and didn’t get rained on once.

We were just smart and avoided the daily 2:33 PM 15 minute, yeah. Deluge.

Paul Baxa: And so [00:21:00] secondly, uh, my institution, we used to have, uh, interns working there before the pandemic. Yeah. So are you gonna start that up again, or,

Arthur Carlson: I’m glad that you asked that as well. So, uh, one of the main tasks I was engaged with by Mr.

Collier was re-engaging the academy. So I’ve actually been in consultation with Florida Gulf Coast University in Florida, Southwest College. So we’ll actually have service learning students from Florida Gulf Coast University that’ll begin working with us in the spring. So they’ll be us with about 80 hours each working on basically their pickup projects, Florida Southwest College.

We’re also hoping to implement the same thing. They have a more formal internship program, so I’ll have a few of those interns and excitingly, we’re also hosting a library fellow, so we’ll have one of the, uh, archivists in training from Florida Southwest College that’ll be embedded with us for 20 hours a week for about eight weeks to kind of help learn digital preservation and things like that.

At my prior institutions, I used to host library science information graduate students from the University of Rhode Island, Simmons University, Florida State. We’re actually, uh, in talks with those individuals. We actually have a graduate student for Simmons that’s an intern now. We had a student intern from, um, McPherson [00:22:00] College in Kansas over the summer.

And I’m trying to convince him to move back to Florida when he graduates and work for us. So that’s actually engaging. The academy is actually one of the, literally it says that on Mr. Collier’s vision board. That is something that we are, um, tasked with doing specifically,

Lauren Goodman: I think, I think Paul wants to know if his people at Alpha Maria could come down Yes.

And maybe do a little.

Arthur Carlson: Absolutely, we’d love to have ’em. Our founder sees it as important that re institute is not something that supports just the automotive community, but raises educational opportunities for Southwest Florida.

Paul Baxa: And one last question. Uh, are you gonna open the full Joel Finn archive? I know you have a lot

Arthur Carlson: that’s actually on the list for 26 processing.

So I mentioned we have a graduate student from Simmons University, which is a major library and information science. School in Boston, so we’re actually moving her to full time as soon as she gets done on the Pete Biro collection. Joel Fins up next.

Don Capps: Alright, Arthur, I’m probably one of the few people who actually understood what you talked about.

I’m a models and simulation person. That’s been my background story of technology. I’m really excited about this. I think a lot of people here, this is [00:23:00] quite right over their heads, but this is where those who behind us, those old folks. This is what’s gonna make what we have strived for. I know Mark and I can go around the room.

Paul, all of us who’ve been laboring in the vineyards to make motor sports history relevant, this colostrum, which will I think it developed. Allison’s another one I’m looking at. This is called open doors. I really think so. God. George said something to me years and years ago that he had all kinds of plans and got, you know, things going on.

And I’ve talked with a number of people that I love revs just like I like the research center, but this is a step forward. And anything that I think those of us in the room can do something to support, think we’re on board.

Arthur Carlson: That that’s, that’s exactly what we hope to hear. As everyone has made a point, this has not been a traditional academic field, so it’s been one that’s been [00:24:00] cared for by fans, collectors, enthusiasts, hobbyists, people that have a real love for it.

And that’s probably what I’ve noticed more than anything making the transition from academia over into this field is the enthusiasm I feel. Just how. Sighted. Everyone gets about this stuff and you know, and I think that that’s that passion. If we can harness that passion and really just implement these tools and resources that already exist in other fields and put them onto ours, you know, I think we can just open up so many opportunities to really elevate everything.

Kip Zeiter: Lauren Arthur, thank you very much. Even though the, uh, the research center in Revs is separated physically by, I don’t know, 12, 1500 miles, I’ve always thought we had a bit of a spiritual connection with you folks, and I think with Margaret’s recent visit down there, I’m hoping it becomes more than that, but you folks are at the forefront of all of this, and as you can tell, we’re all very excited about it.

So thank you very much for coming up here and doing the presentation. We appreciate

Arthur Carlson: it. Thank you so much. We really appreciate it.[00:25:00]

IMRRC/SAH PROMO: This episode is brought to you in part by the International Motor Racing Research Center. Its charter is to collect, share, and preserve the history of motor sports spanning continents, eras, and race series. The Center’s collection embodies the speed, drama and camaraderie of amateur and professional motor racing throughout the world.

The Center welcomes serious researchers and casual fans alike to share stories of race drivers race series, and race cars captured on their shelves and walls, and brought to life through a regular calendar of public lectures. And special events. To learn more about the center, visit www.racing archives.org.

This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect of automotive history. [00:26:00] The SAH actively supports the compilation and preservation of papers, organizational records. Print ephemera and images to safeguard as well as to broaden and deepen the understanding of motorized wheeled land transportation through the modern age and into the future.

For more information about the SAH, visit www.auto history.org.

Crew Chief Eric: We hope you enjoyed another awesome episode of Break Fix Podcasts, brought to you by Grand Tour Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media platforms at Grand Touring Motorsports.

And if you’d like to learn more about the content of this episode, be sure to check out the follow on article@gtmotorsports.org. We remain a commercial free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, [00:27:00] and friends through Patreon. For as little as $2 and 50 cents a month, you can get access to more behind the scenes action, additional pit stop, minisodes and other VIP goodies, as well as keeping our team of creators.

Fed on their strict diet of fig Newton’s, Gumby bears, and monster. So consider signing up for Patreon today at www.patreon.com/gt motorsports. And remember, without you, none of this would be possible.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Arthur Carlson, Introduction
  • 01:43 Revs Library Origins
  • 02:49 New Archives Facility
  • 04:24 Digitization and Access
  • 05:23 AI Car Recognition
  • 08:26 Face Recognition Finds
  • 10:15 Oral History Initiative
  • 13:17 New Collections
  • 15:19 “G.A.R.A.G.E.” Consortium Vision
  • 18:07 Audience Q&A
  • 25:02 Closing Thanks and Sponsors

Livestream

In case you missed it, please enjoy the original recording of: Driving Innovation in Automotive Archives by Arthur Carlson

This episode is sponsored in part by: The International Motor Racing Research Center (IMRRC), The Society of Automotive Historians (SAH), The Watkins Glen Area Chamber of Commerce, and the Argetsinger Family – and was recorded in front of a live studio audience.

Learn More

Michael R. Argetsinger Symposium on International Motor Racing History

The International Motor Racing Research Center (IMRRC), partnering with the Society of Automotive Historians (SAH), presents the annual Michael R. Argetsinger Symposium on International Motor Racing History. The Symposium established itself as a unique and respected scholarly forum and has gained a growing audience of students and enthusiasts. It provides an opportunity for scholars, researchers and writers to present their work related to the history of automotive competition and the cultural impact of motor racing. Papers are presented by faculty members, graduate students and independent researchers.The history of international automotive competition falls within several realms, all of which are welcomed as topics for presentations, including, but not limited to: sports history, cultural studies, public history, political history, the history of technology, sports geography and gender studies, as well as archival studies.

The symposium is named in honor of Michael R. Argetsinger (1944-2015), an award-winning motorsports author and longtime member of the Center's Governing Council. Michael's work on motorsports includes:
  • Walt Hansgen: His Life and the History of Post-war American Road Racing (2006)
  • Mark Donohue: Technical Excellence at Speed (2009)
  • Formula One at Watkins Glen: 20 Years of the United States Grand Prix, 1961-1980 (2011)
  • An American Racer: Bobby Marshman and the Indianapolis 500 (2019)

Revs Institute’s new Archives and Research Center is more than a storage facility — it’s a purpose‑built fortress for automotive culture.

  • Constructed to Amazon data‑center specifications
  • Category‑5 hurricane‑rated
  • Zero vertical penetrations
  • Fluoro‑K fire suppression
  • 14‑foot‑high compact storage systems
  • Dedicated cold‑storage for nitrate film and fragile media

Inside this secure shell sits a fully modular workspace, a visiting researcher area, and a digitization lab capable of FADGI‑4 standards — meaning Revs can produce archival‑quality digital assets suitable for VR, AR, and ultra‑high‑resolution media. “We built a building inside another building,” Carlson joked, emphasizing the center’s environmental resilience.

One of the most groundbreaking initiatives at Revs is its partnership with Metro AI, a service of the New York Public Library. Together, Revs is training AI to identify cars across generations, models, and racing variants using “relational polygons” — geometric overlays that measure angles, proportions, and shapes. This allows the system to:

  • Identify cars even when heavily modified
  • Distinguish between similar models
  • Reduce color‑based bias (e.g., “every red car is a Ferrari”)
  • Retroactively tag 725,000+ public images and 1.6 million awaiting digitization

To improve accuracy, Revs is even 3D‑imaging its 100,000+ scale model cars to create controlled training samples.

Photo courtesy Revs Institute

Using the same technology behind Apple’s Face ID, Revs can now identify drivers, crew members, and personalities across its photo archive. Carlson shared a striking example: “A photo labeled only “Laguna Seca” was automatically flagged as containing Paul Newman — a detail missing from the original metadata.”

This opens the door to rediscovering forgotten faces and moments buried in decades of motorsports photography.


Oral Histories: Capturing At‑Risk Knowledge

Revs is also partnering with the Louie B. Nunn Center for Oral History at the University of Kentucky to preserve stories that exist only in memory — the kind of “tacit knowledge” that disappears when a generation of enthusiasts passes on. Using AI tools Aviary and Whisper, Revs can:

  • Provide live language translation
  • Generate full transcripts
  • Link interview content to related archival materials
  • Create a web of connected historical data

Carlson emphasized the urgency of capturing local, regional, and personal stories — not just those of famous drivers

Photo courtesy Revs Institute

After a pandemic‑era pause, Revs is restarting large‑scale digitization:

  • 100,000+ images from Belgian photographer André Van Bever
  • Fine‑art prints from Jesse Alexander
  • The Stru McMinn Collection (concept cars, correspondence, design archives)
  • The Jack Bullard Collection (40 years of accident‑response photography)

They’re also migrating to ArchiveSpace, replacing outdated PDFs with modern, searchable online collection guides. But, perhaps the most ambitious initiative is the creation of a new consortium: Group for Archival Research and Global Exchange — cleverly abbreviated as GARAGE.

This 501(c)(6) organization aims to unite museums, archives, clubs, and institutions into a shared discovery platform. Each member keeps its identity and collections, but researchers gain a single search interface — the “Spotify of automotive archives.”

More than 25 organizations across the U.S. and Europe have already expressed interest. Carlson’s presentation made one thing clear: automotive history is entering a new era.

  • AI will uncover forgotten stories
  • Digitization will democratize access
  • Oral histories will preserve human experience
  • Shared discovery will unify a fragmented field

Revs Institute isn’t just preserving automotive history — it’s reinventing how we interact with it.


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Book Review: Developing Chevrolet Pony Car Camaro Concept Cars

True, this book is six years old. But since Camaros are suddenly becoming more  collectable (having been dropped by Chevrolet, a boo-boo of epic proportions), The result? More and more enthusiasts want to read about what they missed. Or what could have been.

In a way it’s like a category of magazines at Barnes & Noble about WWII, JFK, etc. under the grouping “WHAT COULD HAVE BEEN” or alternate realities. Only in this case the alternates are the tempting concept cars.

Books on concept cars are the new new thing. True, in the past, car histories, including many of my own, there’s a couple references to a concept car that led up to a production car but this writer, Scott Kolecki, is diving deep into Chevy’s pony car, generation by generation, relating which concepts led to which production cars.

Title: Developing Chevrolet Pony Car Camaro Concept Cars

Author: Scott Kolecki

Publisher: Car Tech

Pages: 176

Binding: Soft cover

Available on Amazon.com

 

And it’s very entertaining. It reminds me of those books on movie stars where you see, for instance, Marilyn Monroe, still with brown hair. You wonder, if she hadn’t gone blonde, would there even have been Marilyn Monroe the movie star?

But I digress. The beauty of this book is it shows how creative the American car industry can be; and it’s almost sad that some of the Camaro prototypes are breathtakingly beautiful,; and yet they got rejected because it would have cost $12 more a car to make the roof angle this way instead of that way.

One of the undercurrents in the book is the zeal to get better mileage was stalking the Camaro from its first inception. Chevy wanted a performance car to counter the Mustang, which was a hit from Day 1, but there were times in its history when it got a V6 instead of a second V8 offering because they knew that the great Oil Embargo was coming. There were even times when they debated putting the Camaro body on a smaller lighter chassis and not even offering a V8.

Same argument on front wheel drive. Some saw the success of the European and Japanese front drive threatening the heavier American cars with an engine up front, a long heavy driveshaft and differential in the rear. Yet there was a “muscle car” contingent always in the Camaro’s corner fighting to keep it rear wheel drive and V8 powered no matter what happened with fuel supplies.

Photo courtesy Wallace Wyss

What is really mind blowing in the book is the creativity afforded the designers in the early stages of each new generation—some of the best designs in the book are done in those conceptual stages. Then, as the clays march on, you see them lose this clever touch—say a plexiglass hood scoop with carbs showing a la ‘50s Ferrari Testa Rossa—and that one because it would have added a few dollars to each car and we are talking volume of over 100,000 units a year at times.

The author is pretty straightforward, recounting chronologically what happened as each design progressed, and giving credit where credit is due. But there’s little hints of internecine warfare among the design groups, like sometimes an Advanced Design group would set up a design studio across the street from the GM Design Center and work on a design on their lunch hour and after hours.

Bill Mitchell, the Styling boss at GM at the time the Camaro was born, with a career going back before WWII, emerges as the stalwart warrior who wanted performance, and throughout the book you see his own “concept cars” built just for him, and there’s stories of his epic battles with management. He told me once during one of our lunches together as I worked in Detroit,  he liked to hire designers “with gasoline running in their veins.”

One thing that received no mention at all (and perhaps this book’s  author not being from Detroit, he didn’t know of it) was the personal cars owned by some of these designers, sort of an ”underground” of connection to European designers. Naturally at that time even if you could own a Ferrari you didn’t drive it to work because GM stalwarts would conclude your heart was with the Ferrari prancing horse not with Chevrolet’s bow tie. I knew about their private cars because I grew up in Detroit, went to parties where people like Hank Haga would show their gullwing or there was an AMC engineer who among his Ferraris owned a fabled Ferrari 250GTO.

Photo courtesy Wallace Wyss

In fact nowhere in the book does he say “And this taillight was clearly inspired by the Maserati Ghibli which came out two years before, etc.” as if all these European inspired designs came out of nowhere.

GM was very loose on nailing down some hard and fast rules what happens to concept cars after their show career is over. Repeatedly you find that it went into storage; were crushed or, whatd’ya know was auctioned off, despite the fact many did not have the proper safety equipment or engine emissions, because after all they were built for showing (internally as part of the design process) or at auto shows.

The last chapter shows when GM realized it could make limited editions of show cars and the author just slam bangs one description after the other, and I consider those worth mentioning, but at conflict with the main theme of the book which is to show where the ideas came from and how they evolved into a production car.

Photo courtesy Wallace Wyss

One particular car called the Camaro Europa Hurst, I didn’t think belonged in the book, but hey it had a Camaro chassis so I shouldn’t complain. It was such a bland car that I wasn’t surprised when it did reach an auction, it sold poorly, and kind of knocks the comment “They should have gone to a European designer” out the window because the American concepts are so much better (but then that particular car was done at the end of a European designer’s career when he was perhaps out of touch with current trends).

Really titillating for me was the hints here and there of conflict, like when Chuck Jordan (who openly violated that rule of what you drove to work by driving Ferraris to work starting with his 250GT Lusso) coming in and telling another designer to start over on the rear of the car or start from scratch. The political battles are hinted at and now, all these decades later, I am sad that when I met these people (even going to Mitchell and Jordan’s homes) I didn’t ask more about the battles for a certain design.

So in sum, this book is most of what I was hoping for—GM (and some of the other automakers) are finally releasing the old photos of clay models and some original drawings so we can see where a car we love came from. And it’s sad because of the low price of the car compared to European exotics, so much that could have made the car better was rejected because of a $10 additional cost here or a $12 additional cost there.

Photo courtesy Wallace Wyss

I go back to the Marilyn Monroe example—so many of the cars in this book are stunning—but your realize how ephemeral the whole design process is—one exec doesn’t like blondes so she stays on the factory assembly line (that’s where Marilyn was supposedly discovered, when a photographer picked her out to portray as a representative Rosie the Riveter type). If she hadn’t been picked, a whole section of movie history wouldn’t have happened. I think this book shows we as Americans had the talent to compete with European designers, but alas, that talent just didn’t surface in the production models as much as it does in these largely forgotten concepts…


EDITORS NOTE: Author Wallace Wyss, once a automotive historian, has now segued to being a fine art portrait artist, exclusively of classic cars. He invites galleries to write if they want to try out a sample of his automotive artwork on their walls Wyss can be reached at photojournalistpro2@gmail.com

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