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B/F: The Drive Thru #59

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In this monthly news episode of ‘The Drive-Thru,’ sponsored by various automotive organizations, the hosts take listeners on an extensive journey through their recent adventures in France and Italy. The trip includes attending the Le Mans Classic, exploring renowned automotive museums like Ferrari and Dallara, and recounting the driving experiences with rental cars through the mountainous terrains of Europe. There are discussions about legendary motorsports icons like Ayrton Senna, thrilling hot laps around the Le Mans circuit, and a sneak peek into private car collections in Miami, Florida. The hosts wrap up with insights on the current and future state of Formula 1 racing, including a review of the latest F1-themed movie and Apple’s potential venture into F1 broadcasting. The episode commemorates the 5th anniversary of the Break Fix podcast and reflects on the growth and milestones of their motoring network.

Tune in everywhere you stream, download or listen!

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Showcase: Summer Vacations

Hanging' with "The Professor"

We join MPN creator Jon Summers "The Motoring Historian" at the Hillsborough Concours ... [READ MORE]

All roads lead to Le Mans Classic!

William and Eric head off to France to check out the 2025 edition of the Le Mans Classic ... [READ MORE]

All the VIPs!

How much access is too much access? There's never enough wrist bands at Le Mans Classic. Become an ACO USA member and learn how. ... [READ MORE]

Rental Cars in Europe & Our top picks to bring stateside!

Remember when we talked about how all Nissan's are related to the Legendary Skyline R32?  ... [READ MORE]

Stories from William "Big Money" Ross

William our "roaving reporter" is always on the scene; check out his stories from Europe and beyond! ... [READ MORE]

New 24H of MOTOS Exhibit at Le Mans Museum

The Le Mans museum is undergoing renovations, and now includes a 24H of MOTOS (motorcycles) Exhibit. ... [READ MORE]

A Pilgrimage to Maranello: Inside the Ferrari Museum

The Ferrari Museum in Maranello isn’t just a showcase of cars—it’s a celebration of passion, precision, and performance. Whether you’re a lifelong tifoso or a curious traveler, the museum invites you to feel the pulse of Ferrari and understand why it’s more than a brand—it’s a legend. ... [READ MORE]

Visiting Senna's Crash site at Tamburello corner, at Imola

Lemme tell ya… its hard not to start get to emotional when you visit Tamburello. Weird feeling in the air; lots of momentos and the plaque looks directly at the “the point of impact” ... [READ MORE]

Visiting Dallara Automobiles Academy

Too bad it was closed; but our Executive Producer has been there so we can still tell you all about it! ... [READ MORE]

Wishing you were here!

Shoutout to David Middleton from MIE racing who was going to join us for a reunion with friends from our 2023 Le Mans 100th Anniversary Trip. Maybe next time Dave!  ... [READ MORE]

**All photos and articles are dynamically aggregated from the source; click on the image or link to be taken to the original article. GTM makes no claims to this material and is not responsible for any claims made by the original authors, publishers or their sponsoring organizations. All rights to original content remain with authors/publishers.


Show notes & Supporting Stories

For a list of all the articles and events referenced on this episode check out the show notes below.

Lowered Expectations

Bring home all the Carbon Fiber. Alpine A110-R ULTIME

Motorsports

Gently Used Audi for Sale

Stellantis

The Hottest Hot Hatch! Alfa 147 GTA

TRANSCRIPT

Executive Producer Tania: [00:00:00] The drive-through is our monthly news episode and is sponsored in part by organizations like Collector Car guide.net Project, motoring Garage Style Magazine, the Exotic Car Marketplace, and many others. If you’re interested in becoming a sponsor of the drive-thru, look no further than www.motoringpodcast.net, click about, and then advertising.

Thank you again to everyone that supports the Motoring Podcast Network, grand Touring Motorsport, our podcast Break Fix, and all the other services we provide.

Crew Chief Eric: All right, let’s rock in Revs.

William Ross: There we go. Welcome to Drive through episode number 59. This is our monthly recap. Put together a menu of automotive motorsport and entertaining car adjacent news. Now, let’s pull up to the window number one for

Crew Chief Eric: some automotive news. You notice, Tanya, he puts the gun there just like Brad does.

French Anthem: Mm-hmm.

Crew Chief Eric: It’s something about the human mind. We just add that the, the window number one. Well, William, we are picking up where we left off. Welcome back to the studio. [00:01:00] Thanks for joining us tonight. Lots to talk about, but it starts with these really stupid hats. You don’t look good in that hat. You don’t like my hat Not worn.

That way it looks worse when I put it all the way on my head. Wait, wait. I’ll show you what it looks like.

Executive Producer Tania: It is better that way. It’s better. No,

Crew Chief Eric: it’s totally worse. This, no,

Executive Producer Tania: it’s better. It is better. That way.

Crew Chief Eric: I can’t get

Executive Producer Tania: my

Crew Chief Eric: headphones on. Oh, there you go. What the hell did you do to that thing? You sit on it.

It was my suitcase that took care of the hat. It does look like the lone ranger thing here. It’s all sorts of bent up and whatnot.

William Ross: Oh my God. My band already broke. I mean, it broke when I set it down on my stand over here. Just fell right off. I’m like, yeah, I’m not even bothering. Doesn’t fit my head anyway, so this is perfect.

I have no idea how they could get away. I, I should have stood there for about 10 minutes to see what sucker paid. $60 for one of those, right? I wouldn’t pay ’em six

Crew Chief Eric: bucks

William Ross: for this hat. No, I saw that price. Like that was sad.

Crew Chief Eric: So the audience is looking at this behind the scenes on Patreon going, [00:02:00] what the hell is up with this stupid hat?

So this is the infamous. Docents straw hat that you’re supposed to wear at events like Pebble and other concourses and, and so we have not the Professor John Summers to thank for the acquisition of these wonderful hats. As we were talking about on our last drive through, we were getting ready to embark upon this massive guy’s vacation.

You know, all this car stuff. And so it starts. In San Francisco at the Hillsborough Concourse

William Ross: basically for 30 days. A little break for a day here or two here then. But yeah, getting out there, I’d never been to San Francisco too. That was a first for me. I’ve always been Southern California, everything like that.

So that was awesome about that. But you know, it was well worked it because friend of mine hooked us up with a little shop visit. So we go to the old Riley, what is it? Restoration shop or, which was phenomenal. Can’t remember. What was the name of that shop we went to? Wasn’t it Bob Riley’s place? But then Brian, uh, what’s Brian’s last name?

More, whatever. But he took it over. But he moved it from where it was, it was, and this is a cool thing ’cause if you drive by, you think [00:03:00] it’s an abandoned building, a hundred percent. You, you not know what’s in, like there’s an old refrigerator sitting outside the building. This an old chicken farm or something.

The hatchery, I don’t know, something like that. But you go inside, it’s one of those. Old cool ass buildings, all brick. It’s got the big wood hand, Hoon, dormer, drafters. Awesome. And then, I mean, just BRM, dhe, what you saw in there was just incredible and respecting owners’ privacy and whatnot. You know, we really didn’t, we took some pictures, but we didn’t share because we just, you know, hey, you didn’t want, it was like, which is fine, which is cool, but I mean.

It was unbelievable the cars that were in there. And it was cool to see because you got stuff that was just starting. You had stuff that was basically just getting touched up or you know, a little fine tuned for some concourse and stuff like that.

Crew Chief Eric: Well, millions of dollars worth of cars. And you’d drive by it going, Jed Clampett lives there.

And you’d never pay attention to it ever again. You know?

William Ross: No, you wouldn’t at all. And it’s not like it’s got any shape or anything to it. Think Okay, there’s a bunch of carless or, I mean, just, it’s crazy. ’cause I mean, all the metal working equipment seeing, I mean it just, it’s got all the [00:04:00] stuff and they need to do the proper restoration of cars of that magnitude.

Basically, though it’s only three of ’em in essence doing it. And actually only two of ’em really are actually doing any of the work. Yeah. Brian Kind is almost, I would say retired, but basically retired. Just runs the shop. He’s got a married couple, which one of the individuals, that’d be an interesting conversation to have.

Crew Chief Eric: That’s an episode unto itself. Yeah.

William Ross: Yeah, because like, wait, what? Wait.

Crew Chief Eric: Oh,

William Ross: okay.

Crew Chief Eric: But her metalworking is just unbelievable. Especially that wanderer and redoing all that pieces that are missing from that car and all that stuff that was in the back was super cool. Yeah. But you wanna talk about a small world, Tanya.

We walk into this place and Brian walks out, older gentleman, these big glasses, and he’s wearing a T-shirt and it’s a blue t-shirt and all it says is Mirage. I just have this smile on my face, do the, you know, the whole Kojack point my finger like a gun. And I’m like, man, you’re wearing the right T-shirt.

He said, well, what do you mean? And I said, I just interviewed Harley k Clarkson like a week ago. And he goes, you won’t believe it. I used to work for Harley. And so suddenly this whole conversation, he worked at [00:05:00] Mirage, all these cars and how Harley got started and this and that, and so we got a really interesting backstory, which led us into the legend of Lamborghini and Bob Wallace.

And brought us back to camaraderie and the Corvette and it was like, who is this guy? What have we stumbled into? We’re in the nexus now. Right. You know, I, I, all

William Ross: those conversations were great because one, Eric was conversing with all these great stories and people he talked to and then he went into his stories and it just kind of kept going because when he would bring something up, it basically just got, oh yeah, I interviewed or I talk, you know, so it all just kind of, all of a sudden little web we weave, so to speak.

And he really opened up. ’cause he’s the kind of guy that throughout his years, you can tell he’s been like all these awesome places involved stuff. But you know, he’s the guy just kind of quiet, kept to himself, just did his work and stuff like that. But he was involved in all this stuff. So he, he has all the connections.

So we’re getting ready to leave. We’re outside. I know he had mentioned before over at Sonoma at the racetrack, they had another storage facility and the gentleman with Mark Addison, God bless him ’cause he’s the one that got this all set up for [00:06:00] us. Brian goes, well, hey, here, you guys wanna go? Here’s the key.

I mean, I’m like, I just look just like WTFI don’t know you from

Crew Chief Eric: Adam. I met you an

William Ross: hour ago, right? Yeah, exactly. Well here’s the key, you know, go. Yeah, just go over there and this unit, da da da. ’cause that was a whole nother thing, trying to find the unit once we got there and we look like Keystone cops running around.

Crew Chief Eric: Yeah. Trying to find the shop. It was so bad. They

William Ross: had on track stuff going on too. So getting in, you had to do all this stuff. Well, mark just pulls right past the gate. These guys are, him and John, they’re in the rental car we had and they get stopped for like 20 minutes, get debriefed like by the Gestapo or something, trying to get in.

We just blew right through ’em and just went, and I’m like, all right. And trying to find the unit. ’cause the way it was explained to us and oh, it’s this one. It’s, I mean, just made no sense. But we’re like, it’s gotta be this one. Try the key. Try the key. It opens the door. You open the door and what do you find?

Another slice of heaven. Oh my God. And we got free roam. I mean, just free run of it. It was me. Eric, John and Mark

Crew Chief Eric: and whatever was living in that wall. ’cause there was something and [00:07:00] was

William Ross: in that wall. Yeah, there was something else overseeing, I think keeping an eye on everything. ’cause I mean it would make itself known every now and then you kinda just like, all right it it is what it is.

Oh god. Oh, the cars

Crew Chief Eric: let, let me list off some of the cars. Yes. As soon as you walked in, there’s two shadow formula one cars. When was the last time you saw a shadow in picture, let alone in person. So you got those two right up front and then you walk in and there was that Ferrari 1 66 under the covers.

Yeah. Then there was that Aston Martin

William Ross: bandage.

Crew Chief Eric: That Chevron, which looks like a McLaren P four, whatever it is. Behind that was not just any McLaren formula one car, James Hunt’s, McLaren Formula one car up on the rack. And then there was a bunch of other stuff. And the car that got me when we got to the back corner of the shop, you know we had been talking to Brian about the camaraderie, Corvette and Bob Wallace and all this stuff, and sitting there in its original livery, fully restored, whatever is the camaraderie, bird Cage, Maserati, that was at LAMA with the Corvette.

And I’m like. You gotta be kidding me. Like [00:08:00] what? Just the sheer chance of being in the presence of, you know, all these cars and all this stuff. Absolutely incredible.

William Ross: I mean, scene one,

Crew Chief Eric: if

William Ross: we walked into that shop and one of those would’ve been in there, it would’ve been God is great. Yeah. But just the magnitude of everything that was in there was just.

Insane. I still argue I would’ve taken that alpine home with me. That was like perfect. Yeah, that was a great little car. And that thing was ready to go. That thing was sweet. You know, not only just the cars though, ’cause then you start looking at all the stuff that’s kind of laying around and stacked up or whatever.

Oh yeah. Because it’s just shop parts everywhere. Yeah. It’s not like it’s some place you’re going into where they’re on display and it’s like, no, these are cars are running on the track. And so they got just all this stuff stacked up everywhere and posters on the wall that are. Probably not very appropriate.

You know, in this day and age in the eighties they were okay. In the eighties they were great, but not this day and age. Like, no, I might not wanna this. But I mean, just seeing the old trinkets and stuff was unbelievable too. ’cause it’s just like stuff you collect over the years, God, this is from this and you know, and you, it’s not like it’s repo.

I miss the legit stuff. It’s original. Yeah. And plus, you know, the cars on the track in the background, so you got this whole little vibe going [00:09:00] on. Yeah, that was crazy. We’ve been blessed how we’ve started our trips from that one to the next one, to the next one, all just kind of steamroll. It’s like, man, the a precedent was set right out of the gate.

You’re like, wow.

Crew Chief Eric: And we do have to apologize to Sonoma Raceway. You will sign the waiver the next time you come through there. Yes,

William Ross: yes. My apologies. My bad. Didn’t know. And I hope we weren’t supposed to do anything when we left either. ’cause he just went right through on the

Crew Chief Eric: way out too. Mark’s like, what, what?

And then we spent some time with John Summers, the motoring historian, and we got to see his motorcycle collection, which is extensive. Yeah. He’s got a problem. And he keeps acquiring more. And then it was like, how many cars does he have? Like, I can’t believe he fits that Pontiac down there. I don’t either.

With everything. It’s like, holy smokes.

William Ross: Yeah. I, I have no idea. I mean, I’m amazed he doesn’t have a shed out in his backyard with more stuff in it. I, that’s probably coming, but, well, he’s

Crew Chief Eric: got his other cars in the warehouse, so of course it’s not like

William Ross: he’s buying these beat up junk. He’s buying bikes, getting a great deal on him that either needing just maybe a little TLC or, you know, they’re a little scratched here or there.

But they [00:10:00] all run. He rides ’em all. And you know, he has his little post-it note on it. Last time it was starting, I mean everything. But I mean, I’m a big bike nuts. What he had in there was just, I mean, GS six R at the Ninja ZX six is all this stuff. Crazy, crazy stuff. Just all crammed in there. And I, I will say this, when you see John’s videos of where he is sitting, it gives it a whole new context of his little hovel that he has where he is sitting a hundred percent.

Changes your perspective completely.

Crew Chief Eric: You, you’re like, please turn the camera around so I can see all the bikes. There with you in that he just sit the other way and he says on his show all the time, he’s like, oh, I got all these bikes I gotta fix, you know, blah, blah, blah in the garage. And I’m like, they’re three feet from you, dude.

They’re like right behind you. It’s crazy. Yeah.

William Ross: It’s like just goes like this and touching ’em all. Yeah. He needs to spin it around because then not to mention all the stuff he’s got on the one wall, which the ta, I mean he just needs to do an episode. Just touring that thing, just

Crew Chief Eric: like everything else we’ve talked about.

Like Don talks about on garage tile, you drive past some of these houses, you have no idea what’s inside them, what people have been hoarding or storing or collecting or otherwise. And like his [00:11:00] neighbor, which leads us into the concord. Yeah.

William Ross: As we were point, what was it, 7:00 AM seven 30? Yeah. On the day we were going out to see this garage and stuff like that, we catched a gentleman’s garage was open and he had his two, three oh eights sitting there and we’re like, oh.

So we stopped as we get outta the car, walk towards the garage, the garage cut and I’m like, oh, maybe he thought we were gonna go rob him, but it turns out awesome guy. It’s John’s dear friend. John’s actually driven his cars and stuff like that. We met him following day at the Concor and had lengthy chats.

Him, great guy. Lots of photos and stuff like that. It’s interesting to the point, especially in San Francisco, ’cause I mean, yeah, you got basically a single car garage door. I mean if you got a double wide garage, you’re living large. I mean, ’cause they’re deep. They’re all like two car lengths deep at a

Crew Chief Eric: minimum.

Two cars as in like a 57 Thunderbird, two cars deep. They’re huge. Like you put three modern cars in those garages easily.

William Ross: Exactly. I mean, he’s got his four door Catalina, his Mustang 2002 Mustang bullet, one of the first series of bullets, and then 20 motorcycles. If not more. They’re deep. I mean, you’re fitting a lot of stuff in there and it’s just [00:12:00] basically garage space unless you redid it.

But yeah, they’re huge. It’s very surprising, you know? And then obviously on the hills and stuff like that. So yes, it started out that first day set precedent and was like, fantastic. Now we gotta talk about concor and the silly hats. Exactly the weather, you know, it was wasn’t too bad. But that’s a concern.

’cause not only you gotta wear the hat, you gotta wear the blue blazer. Oh my god. White collared shirt and khaki pants. Poor Eric had to go to, I don’t Did you go to Kohl’s? I bought everything. I bought everything. I had none of it. But

Executive Producer Tania: didn’t you know the wardrobe before? You didn’t bring the proper stuff or you did and it was wrong?

Crew Chief Eric: No, no, no. It was correct and I had to buy it ahead of time so we knew what the dress code was gonna be, but it’s worse when you put it all on my stuff. Still had the tags on it. Like if we don’t go through with this, I could return it. That’s where I was even the morning of. I was like, oh shit, I still got a tag on my, you know, my jacket kind of thing.

William Ross: Those of you who listen or watch the channels and stuff like that? No, I have an issue and a addiction to Diet Mountain Deuce. Oh my god, that was so funny. 7:00 AM I found a Walmart. No, I’m sorry, target. That was [00:13:00] about 10 minutes from the hotel I went. I bought a cooler so that way I could take my own beverages and I bought Diet Mountain.

Did it? ’cause you know I have a very serious problem.

Crew Chief Eric: It got worse when we got to France, but we’ll get to that point.

William Ross: Yeah, that was hor. Wow. Yeah, we’ll get to that. I was all right for two days ’cause I kind of strung some things out.

Crew Chief Eric: These Jones in after that. Yeah. So anyway, we get to the Concord. I didn’t know what to expect.

I don’t think you knew what to expect. No, I have no idea. The only thing we had gotten, and it was literally the night before, was this 200 car spreadsheet that we needed to somehow digest, memorize, understand what was on the field, and then link these random abbreviations to the groups and try to figure out where the cars were on the field.

And then I get there and I’m like, well the field’s not that big because he made it sound like it’s gonna take an hour and a half to get to one end of the field and then you’re not gonna be able to cover the other half. And like all this, I was like, what? The

William Ross: way it was presented, it was very daunting and it was like, oh crap.

Because then you get nervous. ’cause the position you’re being put into. Yeah. And how people are perceiving you. You don’t wanna look like an idiot. [00:14:00] But also to John. And you know, the concourse individuals themselves have put on the event because they put the trust in John to John, find the people and da da da.

So we come up. So it’s like, you know, it’s a big responsibility. But then to your point, we get there and it’s okay. This is very manageable, you know? Which is great. ’cause that was the one thing about it. It wasn’t like they had 500 cars or something like that, you know? Yeah. You could technically stopping to look at some and this and that.

Probably 45 minutes, an hour if you’re really kind of stopping some of the cars and scrutinize them. It wasn’t that overwhelming once we kind of got the lay of the land.

Crew Chief Eric: Well, your slice of the cake was a lot easier than mine too, because Yes, it was all the Ferraris were together. Yeah.

William Ross: That made it, I was, yeah, that did make it very, very simple.

They were all just in this one spot. Perfect. And basically almost in chronological order too, which was great.

Crew Chief Eric: I was like, which manic? A DD person put all the German cars where they did, they were all over the place. I was like, it felt like a bee buzzing around trying to like weave a story. And so you and I strategized quite a bit on how we wanted approach the field, but in the end.

What was it? [00:15:00] We had a couple financial groups, US Bank, there were a bunch of different groups that had gone out and these tours and all this kinda stuff. So one of the docents took the US Bank guys and kind of went off with them by themselves. And then we were with John. I never saw this side of John before.

I mean, he doesn’t like it when we call him the professor, but I called him the professor in an affectionate way, like Gilligan’s Island. Right. As

William Ross: a side note, in regards to. Mr. Professor, we kinda were told that he, we wished that we wouldn’t call him that or put that out there anymore due to some circumstances.

So, yeah. Yeah. We only can do that in private, I guess, from

Crew Chief Eric: now on. So we’re gonna continue to say it throughout this episode, right? Yeah.

William Ross: We’re gonna continue to say it. So to drive it home because you a request was made, but we’re like, sure. That’s like the worst thing to do is to ask that. ’cause then you’re just gonna double down.

Right? Right.

Crew Chief Eric: So he starts lecturing and he starts with like these cheaty chitty bang, bang, open top cars from like the 1920s and stuff. And I’m like, okay, where is this going? And then eventually he’s like, [00:16:00] all right, Eric, William, you take over. And we’re like, uh, excuse me.

William Ross: Yeah. Again then. And he wandered off too.

Yeah. Stayed there and kinda like oversaw him. Just be sure you know. Nope, I gotta go like, all right. Thank God we were together and we tag teamed it. Yeah, I think that was very helpful. Instead of just getting thrown into the very deep end, that helped a lot too, because then he played off each other and as you’re talking, someone can fill in a gap or what have you.

So that, that worked out very well. ’cause the other fact was the group we were taking around showing cars, you know, they’re not car, I mean they like cars. A couple guys had a Porsche snap, but it’s not like they’re hardcore, right? Like us. But it was interesting, you know, you pick up on the cues of things that are gonna interest them ’cause you wanna keep ’em, uh, attention, captivate ’em and get ’em.

So it’s kinda like you had to see what perked people up and stuff like that. And being money and stuff like that. I started touching on about avoiding taxes and Montana license plates and all this kind of stuff. And you

Crew Chief Eric: went into this whole investment thing and

William Ross: I

Crew Chief Eric: was like,

William Ross: that

Crew Chief Eric: gives me a break. I can collect my thought.

They seem to kind of grasp bond of that. I’m like, I thought you [00:17:00] guys’d be something they’d be interested in. Well, and they were, they were into the super fun facts. Right. And I think, yeah, we started off well talking about, you know, Porsche and 20% of the market for Porsche comes from California.

Everybody’s like, Ooh, ah, that’s really cool. And then, you know, we led into other things, you know, and there was a lot we talked, ’cause I think we had them for 45 minutes maybe to an hour, just to ourselves. It was nice to know that by the end, granted they’re there. It’s part of like a corporate outing for this investment group.

And you know, somebody paid for their lunch and all the thing, you know, to kind of wine and dine them. But we didn’t lose anybody. No. When we got to the end. And I think that’s a indication that we did an okay job.

William Ross: No, I agree. No one wandered off the herd, didn’t thin out or anything like that. And I think that’s a, hey that we’re, I guess we’re doing it right I guess, you know, so

Crew Chief Eric: I like the whole docent thing.

I think it’s cool. Would I do it again? Yes. Obviously this is the thing that leads to the next thing. So we’ll see when we get the call to go do pebble and all that. This was all part of building up to that. So your takeaway from being a concourse docent and, and I know your feelings on being a concourse [00:18:00] judge ’cause you did an entire episode about that leading

William Ross: up to this event.

I mean, no, I’d love to be a docent again. I mean, ’cause this weight’s not getting put on you in regards to objectifying something and putting points to it. I would do it again, a heartbeat. And I thought that the idea presented was like, hey. Go to Pebble this year and shadow some people and stuff like that.

I thought that was a great way to go about doing it. Then next year in 2026, then hey, you step in. Yeah. Instead of just like, okay, 2026, you step in. Okay, here you go. You’ve done a few more events or something like that. And I don’t know if, hey, maybe we gotta do a few more. I don’t know. But if we get asked, I mean, I’d do it in a second to be another docent again, because I thought that was great.

Crew Chief Eric: Yeah, absolutely.

William Ross: You know, you get in for free, which is great, but hey, you know, you meet some nice people and stuff like that, you know, and it was a lot of fun. Definitely. It was a lot of fun.

Crew Chief Eric: So big thank you to John for inviting us. Yes. And making

William Ross: us

Crew Chief Eric: part of that. So yeah, for sure. Yeah. A huge thank Before we transition away from California and talk about Europe.

Gotta talk about our rental car for just a second.

William Ross: So fast. So fast.

Crew Chief Eric: We were chatting about this thing on Discord the other day [00:19:00] and you know, new Volkswagens and all this kinda stuff. So you, you ended up with a 2025 Jetta with a 1.5 turbo slush box automatic. Oh.

French Anthem: If

Crew Chief Eric: you remember on the, I think it was the trip back or two Sonoma John started without sort of starting.

He got under my. Skin because he’s talking about how nice it is, and I’m like, you obviously have not owned Volkswagens in your lifetime because this is, oh, I got on my soapbox and I was going off about, oh, how much I disliked it, and then I got a chance to drive it, disliked it even more. And you sat there quietly, sort of just smiling and not saying anything.

So I wanted to get your final opinion on our Jetta rental car because we’re gonna talk about rental cars more as we go along.

William Ross: You think to yourself, God, this is probably the worst rental car there is on the planet. But then you get to Europe into the 2008, it gets beat. You’re like, holy crap. It is possible to find something that’s even a bigger pile of shit.

Crew Chief Eric: To say that that Jetta was gutless is a [00:20:00] compliment to that car. Oh my god. It was bad. Yeah.

William Ross: If you’re a 16-year-old girl getting her first car, it’s perfect.

Crew Chief Eric: The Jetta’s always had that reputation, so it’s fantastic for that. No offense, Tanya.

William Ross: I don’t think that thing had more than 90 horsepower. I don’t know.

It was, it was awful. And everything was plastic inside. I mean, you can just tell It’s a mess. I mean, it’s built to be a rental car. Yeah. Now basically that’s all it is. Built and sell to all the rental car issues. That’s all that thing is for Yeah, you might have one here, two or there on a lot or something.

But I mean,

Crew Chief Eric: I’ve said it before. I’ll say it again. No one aspires to own a rental car. Hands down, right? No. So again, as we wrap out the California part of the trip, I wanna give another shout out to John Summers, the motoring historian. He’s got an episode that’s gonna air right behind this one, and he too talks about his rental car experience in Cape Cod.

And I gotta tell you, editing it, I was laughing my ass off like it was that Seinfeld moment. It’s gold, Jerry. It’s gold. [00:21:00] It’s really good. You gotta listen to it and it really goes with the whole theme of the rental car thing. So check out the motoring historian after this airs on Friday,

France. Do we start with your flight like you had

William Ross: some bad flights? Oh my God. Yeah. I mean, I was getting screwed by United Left, right and Center. Everything’s set. Everything’s good. Then get to the airport. Now mind you, I had bought extra leg room, all that stuff and everything because like I’m not gonna spend extra money, but I kept following the prices.

I checked every couple days to see what it is, and all of a sudden, bam, it was $950 to upgrade the first class. But I was like, done. So upgrade the first class. I’m like, great. Hey, eight hours I can sleep. Then that way when I get there, hey, we’re resting you. Get to the airport flight’s. Delayed weather in Dulles.

’cause that’s where I was supposed to fly in from Cleveland to Dulles. Dulles over, it’s delayed like six hours. So it’s [00:22:00] like, well I ain’t making that connection. That ain’t happening. I had like a two and a half hour later or so. It was like, okay, making it

Comedian Laura Ramoso: the flight to Paris. Paris. No, this is not the flight to Paris.

Okay, the flight to Paris. You need to go to terminal two. Ladies and gentlemen, welcome to Flight 3 0 9. Service to Paris. Paris.

William Ross: So, you know, my phone starts blowing up, trying to get things switched, whatnot. And I’m like going, I don’t know what I’m gonna do. And their first choice and response was, well, we can get you out tomorrow.

Ah,

Comedian Laura Ramoso: I can offer upgrade. I upgrade you to the flight tomorrow.

William Ross: I’m like, no. What would you do if you go into Europe and all you lose a whole day and everything like that. Oh, it’s just, oh, let’s go tomorrow. I go, there’s gotta be something better. I’m like, serious. It’s like, you know, and they think it’s the greatest thing since sliced bread.

Like, oh, we solved this problem, we’re the greatest. I’m like, you gotta be kidding me. I’m not the only one. ’cause all these other people too are, you know, in the same boat that we’re on this flight,

Comedian Laura Ramoso: we’re looking for passenger Marcos. Third for brown hold and iron glance.

William Ross: So then finally [00:23:00] after about 45 minutes, I didn’t get a phone call or nothing like that.

All I get is another text with the thing saying, oh, okay, now you’re flying to Chicago. Then Chicago, of course I might get in the person, but then I look at my seat, I’m like, all right, you

Comedian Laura Ramoso: are in the window seat. Okay, no problem. I changed the middle.

William Ross: It’s premium plus I ain’t gonna complain. It’s still, you got the nice seat, everything like that, but you know it’s not your own little cubicle, whatever.

So it is a downgrade. Yes. So I get to Chicago, which you fly enough, you get to learn to airports. They have Diet Mountain Dew Hopkins. There’s only two of the food places up Soon as you go through TSA that, so you gotta like buy ’em and walk all the way down. But anyways, it’s a different story.

Crew Chief Eric: He builds all his travel around where he can acquire Diet Mountain Dew.

Exactly.

William Ross: And it’s critical. It’s like, I’m gonna do a travel guide on it. They had it, so I you like, I bought a couple, so I’m waiting ’cause it was like two hours, whatever before the flight was going over. So I call United said, Hey, uh, you got me there, which is great. I go, but what are you gonna do about the downgrade?

Can you do something right? What are you gonna do? Nothing. And I just gave up. I mean I didn’t even bother after I got home to bother with any of that. I’m like, it’s just a waste of time. And

Crew Chief Eric: the best part is, [00:24:00] while this is all happening, you’re texting with me, I’m talking with David Middleton, I’m talking with David Lowe from the A CO, all this stuff.

And my flight had changed ’cause I was supposed to go to Boston and go over. Yeah. And I got redirected to Detroit and then went over and we were trying to figure out when are we gonna land? When are we gonna be there? Oh my God, you’re gonna have to wait for me. And then it turned out I was waiting for you and like it

William Ross: was a whole circus and no, almost basically it was a flip flop.

’cause it would’ve been, originally I was gonna get there 40 minutes for you and then now it just flipped. And you got there four minutes for me and I worked out big things just getting over there. But you get nervous ’cause you’re like, okay, is this kinda gonna set the tone and whatnot? It’s going over there.

It’s like. You know what got there. It was great. Now, of course, the one thing I will say is my partner for the trip stated that he’s at the enterprise, but there’s five different hubs and terminals over there at Charles de Golf, and each one has their own rental car thing. So I’m down in this parking garage, wandering around looking for, alright, where the frick is he?

And he is like, oh, I’m standing right in front of the thing. I’m like, no you’re not. He goes, no, there’s only the one. I’m over at [00:25:00] two. Like, well I’m in five so I’ll be there in a half hour ’cause I gotta take a train. Eventually found him. It only took an hour. I mean, you know, and walking forever, five

Crew Chief Eric: miles I think it was.

I, I was amazed ’cause the last time I went, I went with Dave Middleton, you know, I was texting him and all this kinda stuff. He was on his way back to Germany anyway, and I’m like, Hey, remember, and this and that. And it took him like two hours to get through customs. I blazed through customs in like two minutes.

I did too. Yeah. It was amazing. Yeah. So I go to the rental counter and I’m talking to the guy and he’s like, wait, wait,

William Ross: wait, wait, wait, wait. Tell him what you thought you were getting.

Crew Chief Eric: Well that’s, that’s what I’m getting at, right? So I’m talking to the rental guy. I said, please make sure I’m in France. I would like a French car.

The last time I was here I got an Italian car, doesn’t make any sense to me. Like I would like to rent a French car. And he’s like, oh, not a problem. I already have you booked in one. I have a EO 2 0 8. I said, oh, okay. 2 0 8. That’s awesome. I was like, is it a GTI? And he goes, oh yeah, GT series. Oh cool. ’cause I’m thinking Hot hatch 2 0 8, this is gonna be awesome.

There’s only the two of us. We can go bombing down some B roads with this thing. [00:26:00] ’cause I think the two eight is really good looking car. GTI sized it’s appropriate hot little engine and all this kind of thing. Even if it had a downgraded version of the motor, I still would’ve been happy with it. So I tell William, I’m all excited.

We’re getting to 2 0 8, this is gonna be great. This is gonna be fantastic. Hopefully it’s not that metallic mustard color that they come in. So they send us not to the normal parking lot that I’m used to where the cars are right there. ’cause I kept looking at it. Some really cool stuff in the lot, the brand new Ipson, some Audis, like other stuff was in the, I was like, okay, well I don’t see a 2 0 8 anywhere in the lot.

I’m like, oh no, no, no, no. You gotta go to the bowels of de gall. Yeah. Three levels down into this parking garage where they hide all the cars under the airport. It’s like subterranean, right? And we get down there and it looks like something out of black mirror and we’re just walking and walking and walking.

And there’s just row after tunnel after row after tunnel of just cars and cars And cars are like, where the hell are we? And we finally get, it’s like 24 out of 26 or something like that. And we get all the way down, the far end [00:27:00] end, we’re walking down the aisle and I’m like, I don’t see any two oh eights anywhere.

The key, when you blink the key, it wouldn’t make any noise. So it was like, where is it? So we found this one guy, he was this random guy sitting in a chair. I guess he’s the attendant.

William Ross: No booth, no nothing. Just in a chair.

Crew Chief Eric: Yeah. He’s just sitting there in the garage underground all day long. That’s what he gets paid to do.

And I’m like, I’m looking for this car and I can’t find it. So he looks at the little tag and he walks us over and he goes, boop. And he blinks the lights and he goes, this is your car. I’ll look at William. And then I run to the back of the car and I’m like, 2008. What is this? I forgot to add a zero. Oh on that little description.

It was a manual, which is exactly what I wanted. But here’s the deal. And Tanya, you can sympathize. ’cause when we get to the Italy part of this, you could talk about your rental car. 2008 is the size of a Tiguan. The older Tiguan, about that size. C-U-V-S-U-V, whatever. Do you know the specs of a 2008 peo? How many cylinders?

How many

Executive Producer Tania: hears pers on a scale of [00:28:00] dog? Shit. Slow to

Crew Chief Eric: Pretty much. Yes.

William Ross: Yeah,

Crew Chief Eric: it’s a turbo. I’ll give you that. It is a turbo. It’s

William Ross: a, it’s an odd number of cylinders. We’ll tell you that. Is it really a three cylinder Yes. Three cylinder of turbo? Yes.

Crew Chief Eric: How many Hearst pers 115. 115. That’s generous. Oh man, that Jetta made 115 horsepower.

You kidding me? We looked it up. I don’t remember what the torque numbers were. ’cause it did feel torque. Year 75 horsepower for something that weighs 3,200 pounds with two adult. And their luggage in it. So you can imagine how fast it was. Well, he thought it was a diesel. When we were leaving. It sounded like a diesel.

I was like, oh, they gave us a diesel. We’re screwed.

Executive Producer Tania: So I would’ve scorched it off the line in my 40-year-old.

Crew Chief Eric: Yes, a thousand percent Audi. A thousand percent. It did have that diesel sound to it. It hummed kinda like a motorcycle at high RPM. It revved up pretty quick. It just didn’t do anything when it revved up.

No. [00:29:00] So it didn’t, it got horrible fuel economy too. We’re gonna talk about that. Yeah. So no, the fuel economy was amazing actually. Just enough. Just enough. Just enough. So it was toy, I think what saved it was the gearing was so tight and so short that it must have been like a four 11 final drive because it would spin up pretty quick.

That’s all it was, saving that car. ’cause otherwise it wouldn’t get out of its own way. So it took us an hour and a half to get out of Paris.

William Ross: Yeah. But yeah,

Crew Chief Eric: you have to cut through it. So it took forever. And then the two and a half hours to Lama, three hours after that on the highway to get to the middle of nowhere.

Driving through Indiana. That’s what he told me. He’s like, I flew all the way here to drive through Indiana. That part of France is like flat and just farmland and boring. And if you’ve driven on Route 70 going east or west in the middle of the country, it’s almost exactly the same. It’s like, all right, whatever.

So we show up finally in downtown Lamont. I had never been there because the last time I went I stayed at the track. So that’s what we did. [00:30:00] So we’re in downtown Lamont and I turned to you and I go, so we drove through Indiana to end up in Baltimore. Yeah, because that’s what it looks like, the trams and everything.

Oh yeah. All of it. Turns out Williams like, oh, my Airbnb is across the street from you. Well, across the street was under a bridge. Through a tunnel, but realistically, on the other side, on the other side of the block, I was directly out the front door of the downtown Lamont train station. So that was like right there.

And we’re like, oh, okay. This is cool. And it wasn’t far from the track. It was what, three, four miles? Yeah,

William Ross: it wasn’t that far. I mean, a little traffic in there, but yeah. Well, it depends on which route we went that day.

Crew Chief Eric: That was just it. So the GPS never took us the same way twice. No. And it would take like a half an hour to go three miles.

It was absolutely insane that one time we came back, we went down these roads. Where it’s like, if you’ve seen those episodes of Top Gear where they’re in Italy and they’re trying to fit the car between the walls, it was really tight. Cars just parked as tight as they could be. And I’m like, are these one way streets?

What if a car comes the other way? I mean, it was nuts. It wasn’t as stressful as it is to drive [00:31:00] in Paris, but it was really just kind of a obnoxious, the way Lama is laid out, it’s very industrial, it’s very tight, it’s very old. It’s cute, I guess you could say. Yeah, it’s a lot of

William Ross: one way stuff. ’cause of those trams, that’s what kinda screwed everything up.

’cause all of a sudden it’ll be one way. So you gotta go through these little enclaves or whatever and that’s the route. And they love a traffic circle. Geez, we But your hotel was remodeled, which was nice. I had a fiat in the lobby. It was awesome. Closet you had was a little tiny.

Crew Chief Eric: Oh my God. Oh yeah. I had initially booked the room thinking David Middleton was coming with us.

And I booked a room with two beds. And the pictures, everything looks bigger ’cause he’s a fish eye lens and whatever. William comes, I checked out his Airbnb, which was super nice. He had a ton of space. I go up to my room, which was the coldest place in all of Europe. Yeah. Below zero all the time in that room.

It was ridiculous. But I walk in and I’m like, oh my God. And he just looks at me, starts laughing. It’s not two king beds or two queen beds. No, no. Two twins that are basically next to each other. And I’m like, oh my God. That would’ve

William Ross: been hilarious [00:32:00] if Middleton did end up coming because you, I’m like, oh Lord, one of you would’ve been sleeping on my couch.

He wouldn’t have cared. He’ll tell you the story. We shared a room in fer. But we’ll leave that where it is. Yeah. But my r and b was nice. I had one bedroom. I mean it was ground for full kid. I mean it was nice to had this courtyard. The young couple above me, the kid worked at uh, he’s A BMW salesman, the dealership there and they just adopted this cute little spaniel puppy and Oh

Crew Chief Eric: yeah, it was great.

He was having a good old time. Oh yeah. Meanwhile, the first day there was nothing going on at the track. So we went to the museum and figured, knock that out, get that outta the way, go to the official boutique, which is the official merchandise store and all that kinda stuff. So William, your impressions on the museum seeing it now, outside of the pictures that I had showed you when I went the first time, it’s very

William Ross: car centric.

You can see where they’re getting to. But I mean, no, you go to some places, the settings all there, they really sell it on the ambiance, stuff like that. And obviously, you know, they’re doing a huge expansion. Probably two years it’d be done, but it’d be cool to see what they end up finishing with. It’s great because it’s about the cars, it’s [00:33:00] about to race, stuff like that.

And again, it’s not some massive thing where you can get lost in it and it’s like, well why do they have this here? You know, it’s Lamont Cars. Cars that race at Lamont. It was a great way to start the trip for sure. Membership has the privileges, an A CO. So if you ever go, be sure you are an A CO member ’cause you get ’em for free.

Yeah, that was awesome. And

Crew Chief Eric: the other thing I love about that museum is. It’s in chronological order. Yes. So you start with the earliest cars and you wind up with the newest winners and then they had their McLaren display and then they expanded and added the 24 hours of Motos display, which is pretty cool.

I’m hoping when they expand the museum in the next couple of years, maybe they’ll have some of the big trucks in there and some of the other stuff that they run. That would be really, really cool to see.

William Ross: You know, I didn’t ask and I don’t know if you had seen it but you know, ’cause you go to some of those ones kind of like when you go to an art museum, you get the headphones and you’re like, you just do your own walking tour.

I dunno if they had that, that’d be kind of cool if they did that. Yeah. But it was awesome to start from the beginning and you get all the way to wasn’t last year’s winning car was two years ago winning car, wasn’t it? Still all dirtied up, everything like that, which is cool like how they kinda do for Daytona and [00:34:00] stuff like that here.

But it’s really neat ’cause you can just see how things progress and were, and how things changed technologically, everything like that. And how went from street cars to full on race cars, kind of back to street cars, back to full on race car. I mean. So it’s really neat to see that progressive and seeing the jump in certain areas where you can see like what it was like a

huge

William Ross: jump in regards to aerodynamics and just the engineering thought that went into going something a totally different route in regards to just following the same old shit.

It’s really great. I mean it’s definitely something you need to go see when you’re there and

Crew Chief Eric: it’s right at the front gate. You can’t miss it right at the front. Yeah,

William Ross: it’s right there.

Crew Chief Eric: Did we go shopping after that or was that the next.

William Ross: Yeah, no, we went in because, yeah, ’cause we were looking at buying, I bought some books and I bought the remote control 4 9 9.

Yeah, yeah. Got it. And the guy was there at the classic autograph and I was like, oh crap, I could’ve brought it, had him sign ’em. But he does those really cool comic book type storybook that were really, yeah. And they’re cheat. There’s only like 10, 12 bucks thing know, it was like I bought a couple of them again is that scenario you can kind of go through and you could spend a crap load of money if you really wanted to.

But then you get into, which we [00:35:00] kind of had this discussion is we’ll get into the third day or second day we were at the track to, okay now space in my suitcase. Yeah, we mentioned at the museum too, it’s like, well let’s see if maybe it’s somewhere else you can find a better price on it. If not, you can come back in the museum and buy it.

But you know, I had a lot of cool stuff. I mean I could have went to town buying a lot of the books they had there. I bought the one. But like, just historical, everything like that. I mean just fantastic stuff there. It’s nice ’cause it’s, again, you can actually put your hands on everything like that. Yeah.

So, but it’s always gotta keep in mind if European sizes. To American sites. Oh boy. Because that is the dilemma you can run into. That can be a big problem.

Crew Chief Eric: So day two, a Lama classic, the track is still not hot, they’re still teching, they’re getting cars ready. So we end up doing some shopping at all the different pagodas that are there in the villages.

And then we do the paddock tour.

William Ross: Exactly. And I didn’t know this, you know, I’m thinking, oh this is great how they have this set up. No on tracks, just all tech and stuff like that. All the cars are in the paddock. Once you can try and figure out which paddock is which and where they’re all at, then you can go walking through ’em all.

But then obviously go through all the merchandise day and stuff like that. You can take [00:36:00] that time to do it. It’s not like you got a day where there’s all this on track stuff going on. Like, well I gotta watch what’s going on in the track. Well, but I wanna go see this. You know? So yeah, you can spend that time and get the lay of the land and it’s awesome to see.

I know how they everything set up, but I didn’t know previous tions of that. They didn’t have that on Thursday. They jumped right in on a Friday and went, oh wow. So you didn’t have that opportunity to do it. So I was like, oh this is great. It’s just really cool to see. ’cause everything’s there. You can get right up on the cars.

A couple of ’em here and there had kind of roped off and so they should have, because they were rather expensive vehicles. But 99% of ’em just walk right along the side, go talk to the crews, everything like that. So you can really get. Into it and looking at what they were doing and what the car was. And that was really cool.

And they had some very unique cars there too. Yeah, that was awesome. You know, I mean it’s, ’cause you, you had that access to get right up on ’em. I mean it was, it was awesome.

Crew Chief Eric: Well, we never made it to the group C Paddock because they must have put it at the airport. It was so far away. Yeah. From everything.

Yeah, exactly. They kept those cars hidden, but they were blocked off by eras. So you’d go into, you know, [00:37:00] 1923, which is the beginning of Lama, to like, I think 1933. And then the next one was like 34 to whatever. And then there was like all the heyday of the Ferrari were all together and then, you know, the hoopla, the sixties with the GT forties and all that stuff.

So they had all these like corrals just for the paddocks and you would move from one era to the next, which I thought was really, really cool. And then the legends of lama, those were up in a big pavilion, really pretty with the restaurants around it. That’s where like all the main stationary shops are and everything.

Yeah. So that was really cool. And then you had car clubs? Like everywhere. Oh,

William Ross: everywhere.

Crew Chief Eric: Oh my goodness.

William Ross: You know, obviously it’s a big place, the whole track itself. ’cause they weren’t using the Bugatti circuit, so that’s where they had a lot of these clubs and yeah, it was one of those deals where every day we all of a sudden figured out there was something new we stumbled on.

It was just like, oh geez, I didn’t know this was here. You know? ’cause you’re just kind of going around following stuff, trying to figure out. And that was neat too ’cause you always find something new but it just, the car clubs itself are awesome.

Crew Chief Eric: Well I read there was 8,000 cars on display, everything under the sun.

You saw how big that place is. It didn’t feel [00:38:00] like it, but there were cars everywhere

William Ross: on display in groupings. What? I mean, again, it was fantastic ’cause it was kinda like get your cars and coffee almost in essence. Well I mean the Shelby Village alone was the size of the normal

Crew Chief Eric: car shows. Huge.

William Ross: Yeah. And we find, didn’t find that till the last day when it was raining too.

That was the other thing too. Trying to find John Pierre and, and going there. And we met Mr. Aaron Shelby as well. But yeah, so it’s like that alone, I mean, God now kicking ourselves that we didn’t find that the day before because they must have had at least a hundred different variations of Shelby. GT 40, GT three.

Oh it’s insane. Cobras everything. It was just nuts. Well

Crew Chief Eric: that and the original Shelby car carriers and the trucks. Yeah. And

William Ross: like all, oh, it was nuts. That was really cool to see. But the one thing I will say is I still can’t understand why they call the different groupings plateaus. You know, I don’t, I don’t know why Plateau.

And that was what the class they call Plateau two. Plateau One Plateau. What? And so the first day, though, I mean, that opens up a can of worms when you start going shopping because they have anything in everything under the sun that you could want, that you desperately want, that you desperately [00:39:00] need in your mind.

I need none of it, but I want all of it. Exactly. And it’s kinda like the other place you go, a lot of them clustered up. A lot of ’em had the same things, so you kinda like could chop it, but 90% of ’em all had different things. You know, you had all your models, stuff like that. But there were different types of models these places and just, I ended up buying some models.

Eric’s ended up buying some models because it’s like, uh, you twisted my

Crew Chief Eric: arm though and I’m, I am glad it is sitting here. I’ll, I’ll do a little show and show and tell. I had to buy a backpack to bring this home. This is sick wide body, second generation Audi Quatra coup. This is number 7 99 out of 2,500 that were produced.

It was well worth it. Again, I had to buy a backpack. Just to bring it home, but

William Ross: it was priced good too. That

Crew Chief Eric: was another thing too. It wasn’t like it was obscenely priced, 119 Euros, so I paid more for model cars before.

William Ross: It was super cool. Yeah, and clothing wise, that was really cool too because there’s a lot of stuff that you don’t see over here, and when you go to any races here in the States, you know, you don’t see any of this type of stuff that they’re selling.

You

Crew Chief Eric: remember that Golf Mirage polo shirt that I bought? Yeah. My wife absolutely loves that. She’s like, that was a super good pick. [00:40:00] She’s like, I really like it. Looks good on you. Nice colors. Yeah. Oh sure. I like the way it’s made and that wasn’t that expensive. We bought that from one of my favorite vendors.

That I found the last time I was there, which is RS selection. They got some really nice stuff at really reasonable prices.

William Ross: If you’re going in there to look for something special, you will definitely find something special there. A thousand percent. It’s awesome. Great stuff. A tip. If you go take a really big suitcase and only pack it half full a thousand percent because you will leave with a lot of stuff.

And again, it’s not price bad either, so it’s not that you’re gonna spend thousands of dollars.

Crew Chief Eric: The only thing you’ll leave with less with is the money you started with.

William Ross: Yeah, exactly. Yeah. Your light wallet’s gonna be a little bit lighter. But other than that,

Crew Chief Eric: so we get to the first day of track time, which is practice and qualifying.

Shout out to Ty and to Tebow. Are we allowed to use his real name? I’m not sure some secret squirrel stuff going on there, but shout out to them. I hung out with them when we were at the hundredth Lamont. Great guys. A lot of fun. Very knowledgeable about their area of the car world, especially Porsches and Renos and stuff like that.

So we hung out with them for a while and then unfortunately I got called away. I had [00:41:00] some a CO obligations that I had to take care of. And then you went off venturing and wandering and filming and being our roving reporter. So that kind of sucked up that whole day. But we gotta talk about some of the VIP experiences that we had.

Yeah. Throughout the two days of racing that we got

William Ross: you going off to do what you had to do was very beneficial. For you. What ended up coming about with that? Fantastic. And it needed to happen too, but that was great. But yeah, we kind of stumbled onto some things that were like, it didn’t seem like it was gonna be real.

Our first thing we ended up in the BMW hospitality boost. Yeah. ’cause we had found out, and it was very hush hush. It wasn’t like they were shouting out to the world you could do this, that you could purchase a hot lap of the track now just like putting around in a bus with 50 other people. It was out the gate smoking the tires.

It was 400 bucks. So you could split it if you want. So two people, I mean, you weren’t driving, someone drove you, but it was a racer that drove you. It was in an M three touring. You guys were an M three. Yeah. But it was a hell of a deal and still not, [00:42:00] you know, there was us three yourself and Mr. Withers.

You go, you guys split it. And then I’m like, I go, I would spend $800 to do this myself. Yeah. Well worth the price of admission to do this. ’cause it was unbelievable to be able to do, ’cause one, get the sense of the track. It’s not as wise as it looks in TV at all. No at all. You know, and like he’s, Eric said these guys, as soon as you got past that pit lane line.

Boom. Floored. We’re doing a buck 80 down the straightaway. Yeah. Bonkers guys. Were not messing around. I mean, having fun. I just, oh, it was great. But the cool thing was is Bill’s, uh, wife Simone joined us that day. We tried to finagle it at first when we first went in to, to do the hot lab, ’cause you had to get your helmet and stuff like that.

And the first, they kinda like being a little standoff, well no, she needed to sign it, da da da. It’s like, well, it’s paid for. So we’re like, all right, we gave, it ain’t gonna happen. Literally a minute before we’re about to go. They’re like, well, does she wanna go? Yeah, she wants to go. So she was able to jump in the car with me, which was awesome because she probably has never gone more than 65 miles an hour in her life, even on the highway.

So it was hilarious. Listen to her giggle [00:43:00] in the backseat when he’s clicking off how fast we were going. ’cause he’s clicking off in kilometers, so he is like 2 80, 2 9, and it’s like you’re trying to calculate it out. You know, she’s just laughing. That is alone. Like I said, that’s worth $800 to do it.

Crew Chief Eric: It gives you such perspective on the track that you cannot get from tv.

We argue all the time as armchair quarterbacks going, why aren’t they passing there? Just get around them, just go blah, blah, blah, blah, blah. And then you realize it’s a two lane road that they’re doing 200 miles an hour on no shoulder and it’s super narrow. Yeah. There is no room to pass. There’s certain places where they’ve widened it a little bit, but realistically, when you’re going down the mo sun, you get tunnel vision because you don’t realize on tv, like all the trees, like how close everything is.

Yeah. And then the two slowest corners going through, let’s say Indian arage combination and then mosan corner, you need anti-gravity breaks to get through there. And then Yeah, it’s like turning into somebody’s driveway. It’s a 90 degree corner. Yeah. And it’s super narrow at that pace you’re going through there like 40 miles an [00:44:00] hour.

It’s insane. But what was really cool was Indianapolis Corner, and the Porsche curves obviously, but Indianapolis. Is banked. Yes. There’s a ton of negative camra there that hooks the car and they come in just screaming with the tires on fire and it’s just like, tap the brakes, let the turn, suck ’em in. And then they gotta lose all the speed going into Arage because that’s a 90 degree righthander.

Yeah. And it’s just like, holy crud. But even there in that short stretch from Bolson to Indianapolis, they’re back up to full speed again. You know? And then there’s that kink. And again, on tv or even in a video game, you don’t get the same perspective you do in the car and it becomes suddenly very real and Oh yeah.

It’s the shortest eight and a half mile lap you’ve ever done. Like it goes by in the blink of an eye, it’s so fast. Oh yeah.

William Ross: But it’s justifi because you’re getting one lap, so they, they gotta cool down so you don’t get a full lap, so you’re not blasting through everything and then going back down the front straight.

But to your point, that was eight and a half miles. Wow. Granted the [00:45:00] cars we were in, yes, they were fast. But from what we are doing, you’re probably take another 30 seconds off. Yeah. Wouldn’t you think?

Crew Chief Eric: Yeah, a hundred percent. And when the tires are warm and the cars actually warmed up and the brake, I mean, they just come out of the gate, the cars have been sitting there for hours, fire ’em up and just.

Full bore out the door. And I’m like, yeah. Like I told my coach, you’ll listen to it on the video that goes along with this. And I’m like, dude, the tires are cold. And he’s like, yeah, yeah. And then he just steps on it even more. And I’m like, dude, yeah, let’s warm them up. Yeah. And he’s like, four wheel drifting outta one of the corners.

I’m like, Bravo. We didn’t die.

William Ross: Yeah. I mean, they did not hold back one bit. And again, that’s what for the whole spirit is you would think in your mind like, okay, they’re taking people out on the track. Yeah. You sign your life away, in essence when you sign your forms and stuff. Hit that line man foot to the floor and just gone.

Yeah. They were not whole and going around all the court, I mean as fast as that thing could take it, they were going at it nose the tail. It was pretty awesome. Awesome. And

Crew Chief Eric: to your point, the BMW booth was probably one of the coolest VIP experiences because we got to be over top [00:46:00] of the pit box during the Group C run when they were qualifying and their pit change and all that stuff.

And then obviously a pit fire broke out. You can check out the video. It’s actually really comical. Yeah. But it was such a awesome view, such a great place to be. You’re sort of in the middle of pit row too, so you could see from one way to the other. I mean it was, oh, that was awesome. That was, oh yeah. I mean the view and watch that was pheno food

William Ross: sucked.

No Diet Mountain Dew beverages sucked. But the view was phenomenal. I mean, you’re leaning right over and you check out the channels and the video, stuff like that. Everything’s right there. And I mean, you get the sounds, the smell and everything like that. I mean, it just, and it was awesome when, and you wanted to use that adage of like a monkey to a football uhhuh and one of the stops and they’re during one of the rings because it was just mass chaos from the perspective of, you know, these are historic cars, so normally you have a shop that’s doing it, so that shop’s doing other cars too as well.

Yeah. So they were serving some other ones. So. You like had one guy that was by himself with about 20 people. Then he had five guys. With the five people working on all five cars. [00:47:00] It seemed to be so, it was, it was really cool to see. But the sound, it’s Clarkson says, gives you the fizz. It just, it warms you.

Crew Chief Eric: I mean it just like, yes. I mean it just, it gets to your soul. It’s so awesome. I still think the EO 9 0 5 B, the 19 92 1 with the V 10. Oh with the Jordan Formula one engine was the best sounding group C card there was by far. It just rips your ears out and it also kind of brings a tear to your eye. ’cause you’re like, that’s when motors were motors in Formula One.

Yes. Like they’re pretty awesome. Yes. Talk about the pit stop. I still think those Porsche guys during the Porsche race heard you, because you want to talk about guys clowning around. They put this car in the air on the Jack with no Jacks stand. The dude slides underneath it and Williams’s like leaning out and he’s like, you think they should put a Jacks stand under there?

William Ross: Oh, OSHA’s not involved over there one bit or anything. ’cause in all I’m doing is just waiting for that thing to drop on this dude because I wouldn’t trust that floor jack keeping

Crew Chief Eric: that thing up. So from there I went with the A-C-O-U-S-A pre to the [00:48:00] administrator’s lounge, which is pretty cool. It’s all a bunch of a CO people.

They’re even higher up. They’ve got a higher vantage point. It kind of sits almost directly above the BM BMW box. We went there for a little bit and then you and I went to the club to ot, which was pretty cool. Yeah, that’s a different experience. That’s like the exclusive driver’s club. They have their own private box.

It’s all glassed in, got food, a whole bunch, good food, wine. They had the best food by far. Yes. So shout out to Charlotte Verne for doing that. And no air

William Ross: conditioning though. They

Crew Chief Eric: don’t believe in that. In Europe,

William Ross: they don’t believe in that over

Crew Chief Eric: there. Bit stuffy. It was. It was. And then if you opened the door, you got yelled at.

William Ross: Oh yeah. I mean you had some very pretentious people sitting in that thing. And it’s like you look at it, so when you’re in there, it’s enclosed and, and when you’re sitting in the thing, looking on the track, in the thing off to the right, there’s a small little deck here, there’s a door, you go out and right, there’s deck.

But then to the left, same thing, but it’s much larger and it’s got the grandstand seating over by the stairs. There’s security, everything like that, keeping people from entering. So you’re like, oh, it’s part of it. So, and it was stuffy. So we went out there to someone inside decided to lock the door [00:49:00] on us,

Crew Chief Eric: like, oops.

But on the other hand, you get to sit down and you get to talk with Jurgen Barth and you get to talk with Gerard Lause and you get to talk with all these pro drivers that are in there. So that was sort of cool. Yeah. And, and the club de Palat was our refuge when we got rained out on. Sunday. So that worked out really well ’cause it’s the only place that is closed.

So at that point I was like, well it’s a little stuffy but I’m not wet.

William Ross: Yeah, it worked out well. I mean it’s again, for experience wise, it’s, you know, you’re sitting there going, how in the hell did we end up here? Yeah. I mean it’s one of those things like you’re thinking to yourself, the people you mentioned are just hanging out in there, stuff like that.

And again, it just adds to this experience that just seemed to get better and better and better.

Crew Chief Eric: Yeah. And I kept collecting more and more armbands as time went on too. You need an armband to go everywhere, right? Yeah.

William Ross: And you need to scan your ticket to enter, you need to scan a ticket to leave or your armband or whatever.

I mean, so they were gathering data left, right, and center. And

Crew Chief Eric: then obviously we did all the A CO stuff like La Chappelle and the Our Tribune and that was all the Tribune was great for breakfast the morning. Yeah, it rained and all that stuff. But there’s two [00:50:00] more things that we did I think that are super cool.

We had to split up in order to do them. So you went to the grid walk and I’ll let you talk about that. And I went to the SPORTIF mode, which is the famous building you see on tv. The round one that has the panorama. It sits over top of start finish and you can see down the Porsche Chicanes down in, you know, where the Ferris wheel is and all that.

And I will tell you the view from there, and I took pictures and stuff is absolutely incredible. Now granted, there weren’t a lot of people up there. We could hear a pin drop. It was like a library up there. Club de OT had the best food. Hands down. We can agree on that. But the Sportif model, it’s one of those places when you go up to that fifth level, you gotta have the special access and the handshake and the colored band and the whole nine yards.

And you’re just like, I am in a place. I think maybe this is where the Pope watches Lamonts. You know what I mean? Yeah. Like it’s, it’s super special. It’s super exclusive. So that was really neat. Now could I have spent the whole weekend there? Not unless all my friends were with me because there wasn’t enough atmosphere at classic versus what I was told is at the 24, [00:51:00] that place is bumping.

It’s like a club and it’s like a whole thing and there’s music and you’re watching the race. And so with a different group of people, different atmosphere, that would be a lot of fun. That would be holy cow. Sees so much from there it’s got a 270 degree view. So it’s like you can see all around you, which is awesome.

William Ross: That’s a neat thing. Yeah. Been on cron ’cause right where that thing’s located. I mean you’re seeing down the one way you’re seeing down the other way. I’m sure that was spectacular. And again, that was the cool thing too, is you got to be able to go do that stuff. I got the opportunity to go do some other things too.

So I mean we got these experiences Yeah. That we can share. Yeah, we did a lot together and knew it but then we got to do these separate things that really kind of just took it to the moon in regards to what the experience was regarding. The grid walk was unbelievable and a huge thank you to Bill Withers ’cause he had gotten a band to do it as a thank you for getting his wife to go on the, a hot lap, whatever.

He gave it to me and I was unbelievably humbled that he actually, you know, gave that to me. ’cause you can pay to get to do it but it ain’t cheap. Probably the most expensive upgrade. Yes. It was like [00:52:00] 1500 bucks or something, wasn’t it? So it was insane. Yeah, it was crazy amount. So I mean that was like huge on his part.

I mean I just like, I could not believe it. So yeah, that was really cool to go out there and there might’ve been, I don’t know, 500 people, 300 people that probably got out there to do it out of the 200,000 that were in attendance. Uh, you wanna talk about humbling thing? ’cause you know, so we go in and as you start going down the line, ’cause you’re at the tail end, things start thinning out where people start stopping to talk all this stuff.

So, you know, you’re not in such a crowd. But I got all the way down and was filming stuff that night. Stopped, got separated, like went out in the middle of the track up front as far as I almost could go. And I had to change my battery. So I’m down on the ground all of a sudden, you know, I stand up and I look at the crowd.

You wanna talk about holy shit moment because I mean, right there alone’s gotta be about 80, 90,000 people standing there and you know, they’re looking at you going, how’s this jackass get down there? It’s very humbling to see that crowd like that. I mean, it’s really puts things again into perspective for what these guys see.

It’s. Unbelievable seeing that [00:53:00] and seeing what the lineup was. The cars talking to the guys. ’cause they started out, I think it was Plateau four, I think it was.

Crew Chief Eric: Yeah. It’s all like the cobras and the GT forties. Yeah. All the stuff from the sixties.

William Ross: Yeah. That did the start. They did the running Laman start, which

Crew Chief Eric: was epic.

Yeah.

William Ross: They did the actual one and it’s like, I’m amazed at a couple of the guys didn’t fall over from heart attacks. That guy in that Cobra late elevens for quite a long time. There was a some sketchy moments, some of those guys pulling out going, Ooh, that’s gonna be expensive, but that one’s cool too.

Bringing that back. They have done such an awesome job putting that together and just creating the experience and how and how you can partake in it. Yes, granted some of the stuff’s gonna be a bit pricey, but you know, somehow some way if you can do it, I highly recommend trying to get all these experiences and especially when you buy your ticket, don’t go buy the base thing.

You gotta go buy the ones where you got the paddock access, everything like that. Become an ACL member. You get even more stuff that pays for itself tenfold. I’m telling you right now, thousand percent. It pays for itself tenfold. But it was just, again, the experience again, you know, you see Lifetime, [00:54:00] it’s gonna stick with lifetime.

But that’s something that’s gonna stick at the forefront of your mind because it’s just unbelievable. And

Crew Chief Eric: the racing too. Yeah. Seeing those cars in picture, seeing them in a museum is one thing, but seeing a nine 17, seeing an Audi R eight, seeing a Ferrari 3 33 SP a PEO 9 0 5 B at full tilt. Yeah.

Lamont’s Classic isn’t a race, it’s a freaking time machine. Like it’s taking you back to that era of racing and suddenly you’re like, it’s as if you were there for real. And these guys aren’t messing around. It’s like Goodwood when they do the revival, not the Hill Climb, which is the festival of speed.

Yeah. They’re going at it. I mean, they’re driving nine tenths. They’re not messing around. And it’s like, you guys okay, you’re going home. First of all, I heard every driver pays like 10 grand or 40 grand or whatever the heck it is, and they’re going home with a plastic trophy, but they’re running the crap outta these cars that are in some ways priceless.

Some of them are Oh yeah, one of one, right? And you’re just like, what? Yeah.

William Ross: You’re talking, this is

Crew Chief Eric: high stakes poker right here.

William Ross: Seven Figure Cars, and some of ’em starting with the five to eight. Yeah, I mean, it’s just. And God bless [00:55:00] ’em too. And the cool thing is it’s not like you’re just hearing this engine just blip the throttle and just sitting there.

I mean, you’re hearing that thing coming out, full chat going, I mean it just singing unreal. And it makes you sit there going, why are they getting away from this? Yeah, you get it ’cause environment, this kind of stuff. But I mean there’s gotta be some way to bring that back. ’cause I mean it’s, I wanna say majority of the conversations where when you kind of hear other people eavesdrop and whatnot, everything kept pointing out was about just how.

Glorious those things sounded. Yeah, I mean just, oh, fantastic. And for those just, Hey, I dropped a 20 minute video and all it is is just all on track stuff. I’m not even talking, it’s just hearing the cars go so awesome. Let them do the work. ’cause I mean, that’s all you need to hear.

Crew Chief Eric: And Tanya, they beat us too at, we’ve joked about this before, like on the rich people, thanks where, you know, we should get the go-karts together that look like the replica cars and go racing.

They do that at Lamont Classic with the kids and it is. Hilarious. Yeah, the cars look good. I mean, they’re really cool. Yeah, definitely got the corner marketed on that too. Some of them couldn’t even make it up the hill in that

William Ross: first straight ’cause that is a hill that goes up. It is. It’s deceptive. [00:56:00] It’s steep.

Yeah. Yeah. I mean it’s, you don’t realize how steep that is. And it was ones that had two kids in it, so I think they pushing maximum weight limit on that. But it’s really cool to watch. ’cause I mean, God, they had to have close to 80.

Crew Chief Eric: There was so many, I mean they had to grid ’em up going way back. I mean it was, it was really cool.

Yeah. And they do qualifying for that too. Yeah. It’s just

William Ross: hilarious. Yeah, I mean they take that stuff serious. That was really cool. See, ’cause it gets the kids involved, it gets them to doing something. A little side story. This is a point when I was kinda wandering around myself and I was walking past the one paddock.

Sure enough, as it’s trying to come out outta the paddock to go down to wherever this lister Kny was sitting there rumbling away and they’re trying to turn right and you know, obviously, you know, these cars don’t have any turn radius. Behind it was the bread van. But these three kids and those little carts were coming up.

There’s a car parked and they’re trying to come, they stopped him right next to that car and they told the guy and the lister, Hey, alright, come out. So the guy’s doing a 10 point turn to try and get around him side pipes right there. Blast these little kids right there at ear level. This guy going by.

I’m like, just move those kids. [00:57:00] Get ’em outta the way. Tell ’em to go. I’m just watching this take place going. That kid’s gonna be deaf now.

Crew Chief Eric: Yeah.

William Ross: But seeing those things go like that, and again, it was just those little things that all of a sudden it’s like, oh my god. Elicit. But then the bread van infamous of Bread Van Ferrari right there, pulling out everything like that.

I mean, again, talk about value of a car and everything like that. And she’s like, great deal. Pulling on out, driving away. That

Crew Chief Eric: was so cool. It was great because we talked last time I went to Lama two years ago, like how much walking David and I did and obviously mm-hmm. You know, we’re recounting this, some of it for him because he’s gonna listen to this.

He’s gonna get Yeah. More jealous than he was when we were texting him the whole time. Yeah.

William Ross: I was Florida. Yeah,

Crew Chief Eric: I was Florida. Exactly. So we went from Tetra Rouge to the four Chicanes where the Ferris wheel and the Porsche Experience Center is. That’s sort of like our area outside of the hot lap where we got to see the rest of the track.

That’s where we walked. I recalculated, we were just shy of 40 miles of walking in those four days. So that’s not too long. Well now that was

William Ross: you. Yes. By yes. I had a few extra things in there [00:58:00] because yeah, you’re

Crew Chief Eric: like a busy bee, so

William Ross: going around, but two of the days, because I have some ailments in my body that I reach maximum, I’m gonna go lay down because my body can’t take anymore.

Luckily, the tram goes out there, but it’s not close. And found it the first day. And it was funny enough ’cause I was walking out and uh, Ty was walking there. I ran his, so I walked with him to it and I walked down the one street right there. He went past the K one cart. It wasn’t bad. It was maybe a mile and a half at most, maybe a mile.

So jump on and go. Well. Next day kind of saying I gotta go. They decide to close that stop for whatever reason. That’s the coast to the track. They rock

Crew Chief Eric: strike.

William Ross: Yeah. There’s three other people. There’s two girls standing there and then there’s an Indian fellow standing there and we’re sitting waiting at time’s up there.

I don’t read French. I have no clue. They just goes right past us. Then guy’s talking and we going basically, I could tell what he’s saying. He is like, what the hell? I could make out that and look it up and think whatnot. And he points down. So I go, I guess this one’s closed. We gotta go to the next one. So I’m hustling down the street to the next stop because I don’t wanna get [00:59:00] passed again by the train.

It was nice. ’cause the fact is where we were staying, it basically dropped you off right at where we were at. So, which was great. Didn’t have do much walking out, but it was a hike just to get to that tram to take it back. And I don’t, I never paid, I think, to buy the ticket I just hopped on. And if someone asked, I figured out.

Crew Chief Eric: It’s sort of like the Sonoma thing. You apologize now, next time you’ll pay, right?

William Ross: Yeah. Well they, but I didn’t feel bad because Wither’s wife, Simone, she’s the same thing. She just gets on and she goes, if someone asked, then I’ll pay. Okay. I’m not the only one. So they asked,

Crew Chief Eric: asks good it it’s a lot of walking.

We did a lot of walking. We did a lot of walking. Even when we got back, ’cause we walked everywhere even to go to dinner and we finally found what like the hot spots are for the restaurants and that was at Republic Square or whatever they call it, downtown Lamont. We finally found some good places to eat.

We had dinner with some folks, so that was all good. We did a lot of car spotting while we were roaming around. Yeah, that was neat. All sorts of weird stuff that was out there. Like the sunburst 3 0 8 and you know, some of the other stuff that’s just randomly parked like here and there and everywhere. I mean there’s cars from all over, from [01:00:00] Switzerland, from Italy, from France, from Jersey.

People are coming in. Obviously 200,000 people coming in for this event. So you got cars all over the place and you start to recognize, oh those guys are at our hotel and they’ve got the triumph and you know, that’s the guy with the three 30 Ferrari that was driving downtown or whatever. Yeah, I gotta do my hot car picks.

I came in with two cars, I would’ve taken home from France Street cars are on the track. No, no street cars. Like I would take these cars home with me. They are a little bit more modern. So here, here are my hot picks for cars. I would take home from France. I already know which one is I? Yeah, yeah, yeah. The first one is that EO 5 0 8 Sport Wagon.

Remember that one? The really wide low? That thing was cool. Super aggressive. It looks kind of like a Audi RS six. That was hot. Yeah, that was sweet. Yeah. That’s my number one pick. Yeah, that thing was killer, followed by the hotness of all hotness. That Alpine A one 10 R al team? Yeah, or whatever they

William Ross: pronounce that dude.

That’s what I would take too. I agree with you on that thousand, that thing was gorgeous that that car’s gotta come here somehow, some way. I [01:01:00] mean that thing was phenomenal

Crew Chief Eric: at that level, that old team level. I mean that’s basically a GT three specked car. I mean it’s all gutted out and caged and there’s carbon fiber every time you turn around on that thing.

I mean, the only thing, it doesn’t have sort of like the alpha male four C ’cause of the tub and everything. It doesn’t have a manual transmission. No. So it It’s all computerized flappy paddle. But you know what? Because of all the other cool stuff it comes with, I’m totally okay with it.

William Ross: Oh yeah, I agree with you on that.

I mean, Matt, fair Smoking Tire channel, they got their hands on one, some has it here for a year. I know it was show display or something, but did what he had to do and they made the same exact comment in saying, you know what, you know you can’t get AEM manager, but the way the gearbox, everything works, you don’t miss it.

Yeah. You know, it just. Unbelievable. But the other car I would’ve taken this F told TDF that was there. Oh yeah, that’d been the other one. But again, they were just parked up in the parking lot where we were parked, you know, underneath the car yet. But it just tells you the level of cars that were just out and about.

I think that’s one of the cool things about over there. Granted for us, it’s driving for me, like Ohio to Indiana, to Michigan, whatever [01:02:00] that, but you know, they’re driving from France to Italy, you know, for UK and stuff like that. They take their cars and drive ’em on these road trips, which is awesome to see.

It’s a lot more prevalent over there than it is over here. I think it’s really cool to see. But that’s a cool thing going over there, just seeing the stuff that we can’t get here. Stuff you can drool over, man. We should have that. And just, and, and not just the newer stuff, the older stuff as well. I mean, just stuff that like you know about, you’ve read about, especially like the hot hatches and stuff like that.

It’s like, man, these things are just so cool. I will say the one cool thing if you go there, when you go to the square area, when you figure out where the square’s at, there is the coolest merry-go-round I’ve ever seen Two stories. Unbelievably beautiful. Really cool. Especially if you’ve got kids or little kids.

I mean, is that the one next to the Kentucky Fried Chicken? Yeah, it’s right next to the Kentucky Fried Chicken. You can’t miss it. It adds a little ambiance. You can smell the wave of the fried chicken

Crew Chief Eric: made no sense. So bizarre. Yeah, and they got the drive through window that nobody can drive up to. You walk up to the drive to it.

So bizarre.

William Ross: Yeah, exactly. There’s a lot of [01:03:00] contrasting things. ’cause you know, you’re walking in cobblestones, you have this beautiful old square and then all of a sudden there’s Kentucky

Crew Chief Eric: Fried Chicken. It was so bizarre. And, and that’s the one thing, France food was super eclectic. I know if Brad was here with us, he’d be wanting to know about the food.

Lots of Persian stuff and Indian and curries and like there was a good blend. It wasn’t like the typical like, oh my God, we’re gonna eat escargo. Or you know, something like that. It would, there was a really interesting mix of cuisine in France, so I wasn’t disappointed with that. I don’t know that we had a bad meal.

Well, once we got found to a place that would serve

William Ross: Americans. Yeah. It wasn’t bad at all. Well, there was that

Crew Chief Eric: problem too. Yeah. You don’t have a reservation. We’ll let 20 other people in because you don’t have a reservation. Exactly. Yeah. Whatever.

William Ross: As we said, you got French. Oh, that other place

Crew Chief Eric: is better anyway.

William Ross: Yeah, well it turned out and you’re eating three courses. God, and they look at you very strangely. If you don’t eat one of the courses, they’re like, look at you like you have a third head or something. Because man, you gotta have your app, your Maine, your dessert everyth like that. So it’s like starve yourself a little bit to the day.

’cause you will a hundred percent. We had this discussion over there too. It’s how they’re making money [01:04:00] because it’s not like here, the states where they’re turning tables, turning tables like, Hey, we need four turns to this dinner service. They’re basic. Like one turn. I mean that’s just you. That’s it. Then they’re done.

They close up shop, they go home. Bizarre. It’s unbelievable. It’s all baffling, but tweak their own. So God bless ’em.

Crew Chief Eric: My number one top tip, if you go to Lama now that I’ve actually had to drive there and do that part of it, ’cause I didn’t have to do that the first time. I would say the expo parking outside of the main gate across the museum, right by the T 22 Tribunes and all that stuff, which isn’t far from the A CO Tribune and the Porsche box and the Club de Piot and all that stuff.

That is choice. Like that is prime parking. It was quarter full. Yeah. It cost me 40 bucks to park there for four days. Undercover too. That’s other nice. They have the solar panels everywhere. So I’m like, top tip, if you can buy expo parking, doesn’t matter what event you’re there for, buy those parking passes because it’s a short walk to everything.

That’s the best spot to park,

William Ross: period. Five minute walk to that main gate right there. Done. I mean [01:05:00] museums, right? Yeah. I mean 40 bucks. That’s the deal. That’s make a note of that because that was perfect.

So

Crew Chief Eric: let’s talk about our return trip. We kind of alluded to this earlier on the way out to Lamont, it was sort of like, eh, typical traffic, blah, blah blah.

Nothing really to write home about the way back though, because it was Sunday. Now

William Ross: remember back into our earlier discussion regarding gas mileage.

Crew Chief Eric: Go ahead. Yes, yes. Yeah, we’re gonna, Tanya wants to know about this. So they filled the car for me at Daal. We drove all the way to Lama. We run around, we get lost, we miss an exit or two a couple of times.

That one we backtracked like 20 minutes lost all that time. So anyway, on our way back to the airport to Paris, we are rained out of the race. Like they red flagged a bunch of the plateaus, the sessions, whatever you wanna call them. So we hung out at the Club de Palat, and then you finally were like, man, let’s get the hell outta here.

Let’s just beat the traffic of anybody leaving the track, and let’s get out of the area and head back to Paris. What did we have, like maybe half a tank left or something like that on this. Little three cylinder corn popper.

William Ross: It was below half. Yeah, [01:06:00] I mean, it was right there,

Crew Chief Eric: but I was like, uh, if I do the math, it’s this far away.

We should be okay. It’s mostly highway. It should have been fine. Yeah. Yeah. Should have been key work. So I prepaid the fuel and I was like, I’m not spending any money on this car if I don’t have to. We’re doing okay until we basically get to the edge of what I call Dante’s nine circles of hell, which is all those circles of Paris.

And we have to cut across Paris to get to De Gaul because it’s on the north eastern corner or whatever. So you gotta go through all this mess to get there, and the traffic’s getting worse and the rain’s coming. And it’s just like the last time I drove in Paris. And the drivers are super aggressive cutting people off, and the trucks just get over when they feel like it.

And you’re quietly sitting there and I’m like, gnashing my teeth the entire time. Well, I had a pee real bad. There was that too. And I’m like, we’re not gonna make it. No, we’re not gonna make, and then it was like the mileage was just plummeting. And I’m like, we’re gonna have to stop. There’s nowhere to stop.

There’s nowhere to get off. There’s no fuel. Even the GP PS says there’s no gas around. And then the car starts [01:07:00] making weird. Bing, bing, bing. You’re like, what was that? Ignore it. Making some big noises now like, okay, go a little further. Bing, bing, bing. And then a little light turns on. But one point it shot back up like, oh look, it did.

And the mileage, because we started moving it, so it was like, oh, we’re, we’re in the home stretch. We’re clear. And then the traffic doubled down on us and it got worse. And then more lights started turning on the dashboard. So I kid you not Tonya, we get to desal. Dugal is massive. I mean it’s its own city and you’re driving around and we’re trying to get to the rental place.

And so again, they love their roundabouts. It’s like circling a toilet bowl to get to the rental car place and terminal too. So you gotta go all the way and go here and go there and this and that and the other thing. And we finally get there and it’s all these lights are on the dash. I don’t know if you saw ’em or not, William.

Oh. But I’ve told them, I said We are gonna coast in, there’s nothing left. So we get in there and I just, I put it in neutral and we roll in. According to the gauge, there was 10 miles left in the tank. Yeah. Which I don’t know was the truth because it was on zero. It was red. It was like that top gear episode where [01:08:00] they sealed the gas tank and they kept driving and kept driving and they’re like, when is it gonna run outta fuel?

I think it was whatever was circulating in the fuel rail, it’s what we were running on. Yeah. ’cause there there was nothing left.

William Ross: Good luck getting that to the station of, fill it back up by. That’s gonna be one of the fucking Americans. Hope they had a Jerry can somewhere with some gas. ’cause that wasn’t making it to the gas station.

Crew Chief Eric: We got every penny out of that gas tank. The three cylinder turbo, all 75 horsepower got us to Lamont back on fumes. That’s the

William Ross: only

Crew Chief Eric: impressive part

William Ross: about that car was that Otherwise it was wholly

Crew Chief Eric: unimpressive.

William Ross: Yeah. Ugh. I will say that the hotel, the Hilton, whatever’s right there. Yeah, stay there. And another little tidbit, if you’re coming back out and you got a flat stay at the Hilton, that’s right there because you can get up in the morning, just walk right over to the airport.

Crew Chief Eric: You roll out of bed and you’re at your terminal. It’s like done. Super

William Ross: easy. Nice hotel too. Good food restaurant’s. Really good. Another recommendation for you guys, stay there ’cause it was awesome.

Crew Chief Eric: So shout out again David Milton, we miss you next time. We are gonna shame you into going with us. So your trip ended, you went [01:09:00] home.

Other things going on? I continued the voyage and I met up with my family in Italy and my sister and my mom were already there. This is where Tanya picks up the story ’cause we’re gonna talk about driving adventures in Italy.

Tanya, you got there like a couple days before he went over, right? Yeah, yeah. It’s been a while since I’ve driven in Italy. So I have these not necessarily romantic fantasies about what it’s like driving in Italy, but I began to realize about 20 minutes in to picking up the car at Maza. That driving in Italy has changed a lot.

Remember I was telling you in the car, oh, just, you know, the French, they’re aggressive, but when you get to Italy, it’s like they’re off the chain, they’re unleashed. Everything’s like a Grand Prix. And that might be true in Naples from what I understand, but the rest of Italy is,

Executive Producer Tania: I don’t know. ’cause I guess you hadn’t driven there in a hundred years.

’cause the only thing I found different was I felt like there was more people taking [01:10:00] too long to leave the left lane right to camp for passing. But otherwise. In the types of roads I would drive on. It wasn’t like Autobahn in Germany, people were always normal.

Crew Chief Eric: Is that because of the cameras and the systems that they use over there?

The

Executive Producer Tania: cameras have always been there. I’m like, what was it that you drove that they didn’t exist?

Crew Chief Eric: They were there when I drove 10 years ago. Right. I mean, the tele camera system tutor or whatever they call it that they have over there has been around a while, but now it feels like it’s every 10 feet.

Executive Producer Tania: So there’s two different systems.

Okay. The Tudor system on the large highways, and it’s only on the big alto stratas, which is like our equivalent of 95 up and down the East coast or whatever. The Tudor system is an average speed camera, so it’s actually not a point specific speed camera. So when you cross it the first time, couple miles later.

You cross it again and it’s supposed to calculate your average speed in that, cross the two, and then give you a ticket if you exceeded whatever the hell the average limit is. I’m so screwed [01:11:00] because they’re trying to not have somebody slam on the brakes two seconds before the speed camera and then do a million miles an hour and then slam on the brakes again, right?

So if you kept an average speed, you’re fine. Then they have the auto veloc system everywhere else, like in America where you have stationary cameras that are on the side of the road in various shapes, forms and sizes. Those are taking in point specific reading, but unlike hours which only work in the direction that the cameras pointed, apparently some of those doesn’t matter which side of the road you’re on, it can catch you in either direction.

I’m so screwed.

William Ross: So

Executive Producer Tania: if you thought you were safe, ’cause the camera’s on the other side of the road so I can just keep going. Ooh, might not be the case. I’ve never gotten, knock on wood, I don’t think I’ve ever gotten a speed ticket. I got a weird parking violation ticket one time, not even parking. It was apparently I drove down a street that it was in the two hour window of [01:12:00] which you should not have been driving down the street, and I literally went like three cars deep on this street.

U turned because I realized it wasn’t even the street I needed to be on. U turned left and then six months later got this ticket about how like I was on an uh, unauthorized. Street or something. I’m like, whatever. How do you pay that? Hey man, it’s modern times. Just go online and pay it. They

William Ross: hunt you down.

Don’t, you should see yours about December.

Crew Chief Eric: That’ll be my Christmas gift from Enterprise. Yeah. Basically they’ll Merry Christmas, they’ll

Executive Producer Tania: send it to them and then they’ll forward it along. I mean, hopefully not, they’re really hard because the speed limits tend to fluctuate like a a lot. Wildly, wildly. Like suddenly you’re like, oh, well first of all, you don’t know what the speed limit is.

Like I think I drove for half an hour at one point and I was like, I haven’t seen the speed limit sign. I don’t know how. And I’m like passing under the tutor thing. I’m like, I don’t know how fast I should be going. But I was feeling rest assured by the quote locals who aren’t slowing [01:13:00] down at all. So I’m like, well, if I’m not going any faster than all these other people that are blowing by every form of camera, I guess hopefully I’m okay.

Crew Chief Eric: Could you really go that fast in your rental car?

Executive Producer Tania: I mean, what’d you have? I had a Citroen C3 Air Cross. Compact. SUV. It was slightly larger than what I was supposed to have gotten. I should have gotten probably something the size of a golf. However, when I booked the reservation that I made, you had to set the time you were picking it up and in the US you set a time and it really doesn’t matter.

It’s Yeah, like an indication of when they start billing you. Right. But apparently in Europe, in Italy, when you show up at the rental counter and it’s 1115 and you said you were picking up at noon, they go, we don’t have your car yet.

Comedian Laura Ramoso: You reserve a car. Okay, we have a problem. Your car is not available. We can do a bicycle.

Okay. Or a 7 47.

Crew Chief Eric: She got French in Italy.

Executive Producer Tania: We can [01:14:00] upgrade you for 10 extra euros a day if you don’t wanna wait. And I’m like, okay, I’ve already been up. I left America, I didn’t sleep on the plane. I really wanna stand here for 45 minutes. I

Comedian Laura Ramoso: can offer a discount. It is a special discount because it is a discount of.

Uh, more money you need to pay.

Executive Producer Tania: Screw it. I’ll pay 10 extra dollars. So I don’t know what I should have gotten or what I would’ve gotten, but this is, I got this Citroen compact SUV thing.

Crew Chief Eric: It’s okay because I landed at the same airport as you

Comedian Laura Ramoso: and

Crew Chief Eric: they didn’t have any golfs anywhere, so we got the upgrade as well.

So I ended up with a Nissan Qua. Oh

William Ross: geez. Yeah. Oh. How you pronounce that. Yeah, yeah,

Crew Chief Eric: yeah. Qua don’t know why they call it that in America. That would be the equivalent to the rogue, more or less. It’s in that size range. It’s a Renault like anything else. How many horsepowers did you have, Tanya?

Executive Producer Tania: I think it only had like a hundred or something, I think.

I think. I [01:15:00] think that’s what I saw when I looked it up. It wasn’t a lot.

Crew Chief Eric: I had 158. Yeah. Woo. Race car. Chasing her in the mountains was like, no problem. And Jess was like, you need to back off. ’cause I think she’s got it floored. So driving in Italy to Tanya’s point, it’s not like the old days. That’s what I noticed.

They do drive slower. Although they were making fun when I was talking to some of the locals, like you were talking to some of the locals, they were like, don’t you guys drive fast in America? I’m like,

French Anthem: no.

Crew Chief Eric: National speed limit is 65 miles an hour. Which is like what, one 10? They’re all doing 80 on the highway.

Yeah.

Executive Producer Tania: The speed limit there is basically 80 on the The large highway. Yeah.

William Ross: Kilometers or miles per hour. There’s

Executive Producer Tania: 130 kilometers an hour, which is more or less 80 miles an hour.

William Ross: Yeah.

Executive Producer Tania: Which our speed limit is 65 miles an hour and everybody’s doing 90. So we do drive fast. Yeah. Yeah.

Crew Chief Eric: They don’t drive as aggressive as they used to.

That’s for sure. The one thing I did notice is France. Didn’t have nearly as many trucks as Italy did. The [01:16:00] right lane in Italy is truck after truck, after semi after semi. And they’re all limited to like they can do 65 miles an hour, like tops 55 miles. I mean, they’re really slow so they stay in the right lane.

But the problem is usually on the raa it’s three lanes, sometimes four, but it’s three lanes. Generally they’ll get over. And then you got this slow mule train of semis trying to pass another slow mule train of semis. And so now you’re down to the left lane and then everybody tries to shift over. And then you got some 87-year-old guy in a Fiat 600 that can’t get out of its own way and he’s just parked in the left lane and it’s like, what

Executive Producer Tania: are we doing?

I did flash my lights at some people, it worked at the left lane

Crew Chief Eric: and it worked. They moved over, dude, I came up on somebody ’cause I was trying to clear some traffic and we were booking, so I flashed the lights at this dude in a Mercedes suddenly just boom outta the way. Goodbye parted this red sea. And I was through and I backed off and then I got over ’cause I was like, I felt bad ’cause I was [01:17:00] holding somebody up.

I saw like a Porsche coming and I’m like, I gotta get here. I gotta get outta the way. I’m already in the left lane so I gotta dump it and go. But yeah, it was like flashlights. That still works. I was happy about that.

Executive Producer Tania: Maybe they drive a little bit slower now, blah, blah, blah. But they still respect, maybe there’s a lot of tractor trailers on the road.

I don’t know. I didn’t think it was any more than I’ve seen before. But they still respect the rules of the road for the most part. Yeah. You get this ass wipe that I’m like, am I in America right now? Like why are you in the left lane? But they will get over on the above average scale. Everybody gets over, they get out of the way.

They don’t just sit there doing stupid stuff in the left lane,

Crew Chief Eric: but they don’t know how to merge. I realized they don’t know how to merge. Every traffic jam we ended up in was because they were closing a lane. It was like, you guys have forgotten the zipper. Like that used to be the thing. I didn’t have any of those experiences.

We did, and it was horrendous. Every time there was a traffic backup,

Executive Producer Tania: what I experienced, which I could not understand ’cause we did hit traffic at one point. [01:18:00] It was the most bizarre thing. I couldn’t understand. There were no ramps and we were dead. Stop not moving. And I’m like, oh, this is gonna be fun.

We’re gonna be here for a while. Not moving, not moving, not moving. And then we’d move a little bit, not moving, not moving. Move a little bit and then suddenly you’re

Crew Chief Eric: doing 80 again. It

Executive Producer Tania: was like a green light and all of a sudden we were moving and we were flowing, and then we’d stop again. But then like five minutes later, suddenly we stopped again.

And I’m like, but there was no ramp, there was no shoulder. Why were we stopped? I couldn’t understand it. Yeah. We had that problem too, this weird flow that I’ve

Crew Chief Eric: never seen before. Despite the fact that the GPS that I was used in France got us lost a whole bunch for whatever reason in Italy, it was actually a godsend because it would tell me what the speed limit was, despite the fact that it was rapidly changing and it identified where the speed cameras were.

Yeah. And on which side of the road it was on. So that was awesome. So that’s why I jokingly, I probably got away with quite a bit because the GPS told us where everything was. So that was pretty awesome. So where it [01:19:00] failed me in France. It worked out really, really well in Italy. So no problems there. The other thing I noticed about Italy, despite all the big trucks on the road, is the amount of trucks.

I put air quotes rather, that people are driving now in Italy, there are more SUVs per capita in Italy than there’s ever been before. Like, I mean, granted I’m in an SUV myself. I mean, that is not a fact check number. I’m telling you. It was like nine out of 10 were SUVs. There’s always the Fiat 500 and the golf and all the little cars.

But it was like I was constantly surrounded by, if it wasn’t the Nissan, it was a EO or it was uh, you know, the Mercedes SU BMWs, I felt like I was in America. I was like, your roads and your towns weren’t built for these size vehicles. Like when did you supersize, when did you get the Big Mac, you know, of cars in Italy.

It

William Ross: just

Crew Chief Eric: doesn’t make sense.

William Ross: Well, did they force it down their throats with cross platform, you know, uh, manufacturing, all that stuff. You have to buy these now. Well,

Crew Chief Eric: they might’ve, because you know, the other thing is. There’s not a lot of old cars on the road. [01:20:00] There’s always the guy with the fiat multiple.

There’s always somebody with the Chiquito, you know, from the nineties or something like that. But they’re fewer and far between because I think the way I understand it is Italy heavily taxes, keeping old cars. And so people are constantly sort of getting new stuff. If you looked around, it was all within the last five years, it was all really, really new cars, the way they drive.

Executive Producer Tania: So transmission mechanics must make a lot of money. Right. Especially the older people when you see them a little bit sometimes, and it’s just like, Ooh, my thought was in France, body shop, my heart hurts for this transmission. The clutch is

Crew Chief Eric: alone, right? I mean, you’re just like, man, ugh. You can’t find it.

Grind it. But you bring up a really valid point ’cause William and I noted that in France it was like nine out of every 10 cars, maybe eight out of every 10 cars was still a stick shift, unless it was super new or a hybrid where they don’t come with manuals. But Italy the same. There was a surprising number of cars you’re like, I didn’t know that was offered in a manual.

Like those Jeeps that we saw, like [01:21:00] all of them were stick shift like the Cherokee and not in gear when parked always with the hand brakes. That was weird about France. Like they don’t leave them in gear.

Executive Producer Tania: None of them. No. That’s even a thing. I think that’s sort of a universal thing they recommend not doing.

Why? I mean, I’ve heard that even here, you should never leave your car in gear. It’s bad. Yeah. It’s easier to steal it if it’s not in gear. Yeah, I totally, but yeah, I don’t know. Like I’ve never had a transmission promise as a result of leaving it parked in gear. So I don’t know what bad thing I’ve been doing.

Crew Chief Eric: Yeah. I trust leaving my transmission in gear, then relying on my handbrake to hold the car. You know what I mean?

William Ross: Seeing some of these hand brakes on cars, that’s not the most beefiest brake.

Executive Producer Tania: And I accidentally the other day went to pull my handbrake and weld the cables. Came off again. So that’s, guess I’m leaving it in gear

Crew Chief Eric: to William’s Point about France and seeing some cool cars.

Executive Producer Tania: Well, what I didn’t see a lot of, which I was surprised, I hardly saw any alphas in Italy. Yes. Yes. And normally there’s tons. [01:22:00] I think I saw

Crew Chief Eric: two, there were not many. There were some Stelvio’s every now and again. But that was pretty much it, the what we saw. But to your point, William was saying earlier, cool cars that we saw on the roads, there’s a lot of stuff that isn’t cool that you’ve seen in pictures and magazines.

You’re like, yeah. But I will say there’s still a lot of VWs in Italy, which is totally cool and totally fine. But you know, we talked a lot on previous drive-throughs about like the ID two, the ID three, and you know, oh, that’d be kind of cool if they brought it here. Now that I’ve seen them in person, you can keep all of ’em.

They look horrendous. They actually photograph better than they look in person, which is odd because usually cars don’t photograph as well as they look in person. But these new VWs are just, ugh, I don’t like ’em.

William Ross: They’re getting out there in regards to styling and how, what they’re doing. And it’s almost like they don’t do any type of focus group or let’s do something or let’s just go out into the public and talk to people in general.

Get a consensus or get a little feedback. But it sounds like, nope, this is what we’re doing.

Executive Producer Tania: So I will say there was an ID buzz on the highway that’s massive next to the things it was [01:23:00] next to. At that time it did not look massive. Um, ’cause to your point, it was surrounded by a bunch of tractor trailers, but it was like a worker van of some sort.

So it was white, but they had paneled out the back glass and the side glass. You only had glass at the front doors. It looked really cool actually. It didn’t seem like it was like, see-through that, it was just like white, but the driver maybe could still see out. It seemed more like how sometimes we have those worker vans where they’ve closed off all the windows.

It was like all white. The taillights were like blacked out and all this stuff, so maybe it wasn’t a worker van, but um, it looked really good.

Crew Chief Eric: That trim. See the car. I like the car I would take home, the car I would buy if I was in Italy was the Fiat Tepo wagon. I actually really liked that. It was reminiscent of older VWs.

It had a very German look to it. At first I was like, what is that? And then I was like, that’s a fiat no way. I really liked the look of that. I just saw the sedan version, but I think the wagon, something about the long roof, it just looks better. So that was my pick. You know, nothing to write home [01:24:00] about in the performance department, but if you’re looking for a family wagon with a manual transmission, like yeah, that’s not bad.

Looking at all outside of that, my number one pick for Italy was the Alpha 1 47 GTA that we saw at Lamont’s Classic. So that thing was awesome.

William Ross: Yeah, that day was nice.

Crew Chief Eric: Let’s talk a little bit more about our rental cars and driving in the mountains. How was that with your alleged a hundred horsepower and my legendary three spoke steering wheel, three spoke steering wheel.

Executive Producer Tania: So where I was staying, I had a 20 minute ride up the mountain to get to where I was in a 20 minute ride down the mountain.

Crew Chief Eric: She says ride, she means rally stage. Yes.

Executive Producer Tania: I mean, it’s hairpins and lefts and turns and all that. Is

William Ross: this the roads you were explaining to me, Eric, when you’re talking about when you were younger going there and Yes.

Yes. Following the car Uhhuh? Yes. Yes. Okay. It

Crew Chief Eric: hasn’t changed. It’s more paved now than it used to be. That’s the only difference.

William Ross: Except for the spots. It’s

Executive Producer Tania: not. Well,

William Ross: it’s like Pikes

Executive Producer Tania: Peak used to be gravel. I was pavement, so I I going up the mountain, I had to do a lot of shifting.

William Ross: You don’t say [01:25:00] a lot downshifting constantly.

I’d say downshift. Yeah. Only one direction down. It won’t go any lower,

Executive Producer Tania: but you know, like honestly, the car wasn’t anything, you know what, it got me where I needed to go. It took the bumps, it took everything like a champ. You were rowing the boat. If you needed to get around somebody, you had to plan it. Be strategic.

You’re constantly down shifting

William Ross: to, to get the curves and go up the hills on the mountain. You were riding with your mom, right? Uhhuh and a lot of this. How was she as a passenger? Did she critique? Is she quiet? She didn’t say anything.

Executive Producer Tania: The only time she got nervous was there are, so we, we ended up crossing through the mountains.

We took sort of a back way to go visit some family. There were certain parts that got extremely tight, like I can only fit, I hope nobody’s coming and there’s a hairpin turn and I can’t see and we’re gonna have a head on collision. Then she was getting nervous, but otherwise she didn’t really [01:26:00] say much as long as there was kind of room

Crew Chief Eric: for two.

Let’s fast forward to us going lead follow down the mountain, us behind Tanya and what was my wife saying the whole time?

Executive Producer Tania: So I don’t know if you realized, because again we came back through on part of a section where there was a lot of more turns that were tended to be blind and some corners that got narrow and like cliffs on one side.

So, and I was in the front and I don’t know if you noticed, I wasn’t just driving like an ass, but as soon as I could see nobody was coming, I would cut onto the other side. Yes. Be like signaling, you can take the turn however you want. Nobody’s coming.

Crew Chief Eric: Yeah, yeah.

William Ross: I’ve

Executive Producer Tania: taken the

William Ross: opposite side of the road.

Crew Chief Eric: No, no, no.

I picked up that, that, so I want, I wanted to ask you because we didn’t talk about it then figuring we talk about it now. I don’t think we were driving overly aggressive whether we were coming down from the castle or we were going up, whatever we were doing. I don’t think we were really pushing the cars because I think both of us agreed that they were giant pieces of crap and they weren’t going to give us very much, even if we wanted it.

I would like [01:27:00] to think we were pretty well behaved.

Executive Producer Tania: Other people might have. So I, so going up the mountain. I had people that would pull over and let me go right there.

William Ross: So it’s obvious. They can tell that’s, oh, that’s an American. They’re like, that’s Tio right there. Just,

Executive Producer Tania: they gotta tell that I was going to go at a little bit faster clip, like they were going, some people were going like, painfully slow.

I’m like, dude. Seriously. I know I’m a gutless wonder, but we can go faster than this. According

William Ross: to Eric, he says that everyone has to stop at every house. Someone’s car’s in the driveways, they gotta stop and chat. Hundred

Crew Chief Eric: percent. We got stuck behind a tractor. I was making a joke. I said, somewhere up here, we’re gonna get stuck behind a tractor whip around the corner.

Boom, tractor got stuck by him.

Executive Producer Tania: I got stuck twice behind the final destination Tractors.

French Anthem: Ah.

Executive Producer Tania: Or trailers with like these wood piles. And it wasn’t like final destination with the big long beams. No, this was, they had chopped it up in the nice little pieces and then somehow, as we had plenty of time [01:28:00] to watch this and I’m sitting and going, my God, don’t let a piece come off bounce and come through the windshield because I don’t wanna pay for this.

They had somehow strategically stacked all these in this beautiful stack that like mounded, like a pyramid up out of the back of the, of the tractor trailer, nothing securing anything down. I’m like, how the hell are these pieces of wood? Just, they weren’t tied down. No gravity. Gravity holding. No, they were just sitting there magically not, and I was, and I was like hyperfocused.

I was just staring at the wood waiting for one to wobble. You were on a hill too. I was far back and not a single one move. I was like, okay.

Crew Chief Eric: The tree sap was holding them together. That’s what was going on there.

Executive Producer Tania: Back to your passengers.

Crew Chief Eric: Okay, so I gotta put this in reference. We’ve talked about this before.

The roads over there are narrow, you know, you talk about mountain roads in the us you’re gonna drive up into the Rockies or the Appalachians or something like that. It’s a two lane road. Like you drive tail of the dragon. It’s a two lane road. Yeah. You go to Italy, you cut that in half, and then in some places you cut it.

And half again. [01:29:00] So you’re driving on a one lane road basically at one point, I’m following you. I think it was when we were going down the mountain to go to that pizza place or whatever, which by the way, my kids got totally sick of pasta pizza pane, which is bread and prosciutto by the end of it, they don’t wanna, they don’t wanna hear, eat, or see any of it.

At this point. It’s gonna be a while, but, so anyway, we go to this pizzeria and I’m following Tanya down and I’m doing everything I can to like not be on top of her. As you probably noticed. I’m literally riding the brakes and my wife’s like, why are you being so aggressive? And I’m like, I’m not.

Executive Producer Tania: I was

Crew Chief Eric: just going.

Normal for my car. Literally the weight of this behemoth is pulling it down the mountain. Like I’m just doing everything I can to just maintain any sort of distance.

Executive Producer Tania: And I wasn’t going. I had gone down faster on other trips with just me and mom and not anything super fast. But I definitely driven faster than that.

Crew Chief Eric: But here’s the deal, you got a big heavy car with teeny little breaks. Yeah. Coming down a mountain, you know what you’re gonna do If you ride ’em all the way down, you’re not gonna have [01:30:00] any by the time you’re done. So you gotta play this game of, I gotta take this corner, I gotta scrub off some speed, I gotta let it kind of just do its thing or, or whatever.

And the roads are not smooth. They’re not bumpy, but they’re literally like if there was a boulder, they paved over the boulder and now that is, it’s like a, a mogul when you’re skiing, right? So it’s just part of the landscape of the road. So the whole car is like jostling as you’re coming down. And it’s like being in Baja, right?

My girls are used to taking off ramp, whatever it is, you know, they don’t really care. But 200 turns later down the mountain, ’cause that’s what it ends up being, they’re turning green in the back. And even my wife is like, Jesus, is this roller coaster ever going to end? Because you know, it’s been a long time and we’d only gone up and down that road one time 10 years ago, her and I.

So she’s forgotten what it’s like. And I’m like, for me, I’m like, oh. Paradise, right? This is autocross, there’s heaven. But it was just everything I could do to keep people from getting the barf bags out in the car. But again, I didn’t think we were driving that hard, you know? Anyway, the Nissan, [01:31:00] that one stretch of highway that we did, or that section there, that’s from like Bartos back to the mountains or whatever.

I got around that one guy. I lost you. It was like, I could tell we both pulled out and I had the torque. I was gone. It was,

William Ross: yeah, I was unprepared to make a pass.

Crew Chief Eric: I was like, oh, I got double the horsepower. I’ll see you later. That being said, somewhere along the trip though, in our quash qua legendary Nissan product related to the R 32, in some way or another, we picked up a rock on the windshield.

Oh, oh, yeah. And it continued to grow. It continued to get worse. I mean, we broke the windshield. I mean, it wasn’t my fault. It came from something. So during the trip, the midway point, we were somewhere in Sienna. My wife finds. Loctite super glue. So we glued the windshield to try to keep it from cracking.

And the only time it did it it, you remember when we were all there together, Tanya, I told you the windshield was busted or whatever. So it stopped. The only other time it expanded was when the car sat in direct sun and then suddenly like it just kept cracking and then we would glue [01:32:00] it some more and it would stop and we’d try to park it in the shade.

But even going down the mountain, all that stuff, I was figuring, man, it’s gonna twist because this thing is a flexible flyer and it’s just gonna break the windshield the rest of the way. But it didn’t do anything. I mean the super glue held up I guess. So we’ll see if Enterprise sends me a bill. I did buy the insurance, so I think we’re okay

Executive Producer Tania: man.

I was so went, we drove down to CNA and for me that was a three hour one way drive. It was 30 minutes. So this is like the midpoint of the trip almost for me, I guess. So I’ve already had the car for five days or something, 30 minutes from arriving at the destination. I notice all the sudden like there’s a little light on in the dashboard and it’s this.

Orange wrench, symbol. And I was like, I don’t know the F. That means that can’t be good. I’m like, well, I’m not gonna say anything. Just gonna keep going. Just gonna keep going.

William Ross: Well, all this talk now going on in regards about rental cars. You’re saying about getting a bill, is it Hertz? They’re installing those AI scanners now.

[01:33:00] That’s

Executive Producer Tania: who I rented with. Yeah.

William Ross: People are getting clipped big time. They’re creating a lot of headaches.

Executive Producer Tania: Speaking of that, ’cause I did rent with Hertz and my orange. I looked it up on the wonderful interweb, so the orange wrench symbol, which I was hoping can’t be the check engine light. This must be like a service symbol and, and according to the internets, that’s what it was.

I guess it was due for an oil change and they didn’t say anything to me, anything to me when I returned it. You

Crew Chief Eric: exceeded the maximum number of shifts in a particular period.

Executive Producer Tania: Transmission fluid needs flushing. No, so when I picked it up from the rental, I did the walk around and all that stuff and then did little bullshit piece of paper they gave me with some chicken scratch on it.

Like I couldn’t tell. The car actually had like a big scrape on the front bumper and then it had a couple other nicks here and there. And I’m like, well I couldn’t tell that they had it marked, it took me like 45 minutes to get the freaking car out of the parking lot and get all the, anyway, whatever. To your point, it’s not quite the AI that does it to themselves, but, and they’re like, oh, well we emailed you all the pictures of the car.

I’m like, oh shit. Did you, okay, lemme look at [01:34:00] that. So they have the little scanner thing and they go and it goes and it’s like this little price checker thing and they take like a photo of it. And so then they upload all the photos and then they mark it on the paper and then they give it to you when you pick up the car or whatever.

So you have that record. If you found something else, they could add it to that. So they give you all the photo documentation. Oh, that’s from the start. And then when I returned it, I purposely, I, I was like, I’m returning the car and you know, the light came on the wrench symbol, I think it’s the maintenance for the oil or whatever.

And he is like, okay, that’s fine. He’s like, do you want me to email the receipt? I was like, do you wanna check the card? I, I can, do you wanna wait? I’m like, yeah, I’ll wait. So then he got his little scanner around and he starts walking around it. And I made a big deal before I left because based on the scratches they had indicated on the car.

They were like little things. I was like, well, here’s a little scratch and you didn’t write it down. And I like made the guy come out and I was like, well, there’s this and this. And he’s like, well, these are too small. We’re not gonna count ’em. It’s fine. So he didn’t record ’em. I’m like, okay. So then when I returned it, same [01:35:00] guy sitting there walking around the car and he’s like, oh geez.

Literally doing stuff on something. I’m like, there’s nothing there. What? There’s like dirt on the car. I’m like sitting here going, man, are you gonna find these same scratches I pointed out to you before that you didn’t record down. He’s got a little scanner thing. Do you

Crew Chief Eric: know how many times he’s charged people for the scratches on that citra one?

Executive Producer Tania: That’s the racket of all the car rental agencies, but the bigger racket outside of the us I think so. At the end of the day, they marked it all off. It was all good. Nothing was wrong with it. I’d returned it completely full, blah, blah, blah. Everything was fine. So paid the bill, got the receipt. Hopefully you shouldn’t receive any notification from them.

That is the most frustrating thing outside of the United States to rent a car because they don’t hold us strapped like they do in Europe, in the United States. It’s very clear. They’re like, oh, if it’s smaller than a quarter, we don’t care. Don’t about it. No big deal. Don’t worry. But it’s much more loose.

But over there it’s like, oh, there’s like an eyelash length scratch there. I’m gonna bark you down and charge you $200, but I’m not gonna fix it. So I’m just collecting [01:36:00] money to your point, like every time there’s a new thing,

Crew Chief Eric: I’ve heard horror stories about that and at least you got some customer service.

’cause we run it through enterprise. So I took the quash quoi back with its broken windshield and we show up it. It was a whole thing to figure out where to take the car. ’cause we picked it up in one terminal. We were supposed to drop it off another terminal, no big deal. So we do that whole thing and then we get there and the guy had warned us when we picked it up.

The guys that were there when we picked up the car were super nice, very just accommodating, whatever. And as we know, you know, customer service isn’t usually the priority in, in Europe as William and I discovered even in France. So we get back in the morning, we drop the car off. 10 minutes before Enterprise is supposed to be open.

And the guy had told us, look, if there’s nobody there, put the keys in the Dropbox and go about your business and don’t worry about it. I said, okay, cool. I’m looking around where the hell’s the Dropbox? ’cause in America the Dropbox is at the little toll booth thing where the people usually sit with their scanners, like Tanya’s talking about you put the keys in the box and you drag your luggage and you go about your merry way.

Instead, we had to wander all around terminal to [01:37:00] uh, Mel Paya to go figure out where the hell enterprise was. And it was like way out of our way and we’re like, we gotta go catch this flight, but I gotta return the keys. I could have possibly waited in the garage for the guy that was gonna show up at nine o’clock in the morning.

’cause just ’cause they say they’re open at seven doesn’t mean they’re actually open. So I finally get there. There is a woman at the enterprise counter and I walk up and she goes, we’re not open,

Comedian Laura Ramoso: we are open. 11 2, 11

Crew Chief Eric: 10. God bless it. It’s like two minutes before you open. What time was that? This is like, I don’t know, seven in the morning or something like, okay.

Or eight in the morning or whatever it was. And I’m like, I’m getting flashbacks of like the post office and the DMV. Like it immediately my blood pressure is starting to build, right? And I’m holding up the keys and I’m like, I need to return the keys. And she’s like, oh. And I’m like, hand her the keys. And then she kinda looks at me like a deer in the headlights.

And I said, I also want to report damage to the vehicle.

Comedian Laura Ramoso: If you have a problem, you can telephone four zero seven. Go. Ah, fun. Cool. You want to speak to the manager? Okay.

Crew Chief Eric: No, you don’t [01:38:00] understand. I bought the insurance. I’m letting you know the windshield is broken. It got hit by a rock.

Comedian Laura Ramoso: We have three levels of insurance.

All the three levels they cover nothing.

Crew Chief Eric: But I don’t have your ticket in front of me, so I don’t know that you bought the insurance. I, I’m telling you, I bought the insurance.

Comedian Laura Ramoso: Why you want the contract? Okay. I go get to the contract

Crew Chief Eric: now, but I wanna let you know that the windshield is broken so you can put a note in and blah, blah.

And she was just like,

Comedian Laura Ramoso: if you don’t know, it is not my problem. It’s lunch. Ah,

Crew Chief Eric: ah. The whole thing was irritating. Yeah, you’re trying to do the right thing. Yeah. By

Executive Producer Tania: let

Crew Chief Eric: them

Executive Producer Tania: know.

Crew Chief Eric: So, but then, well I will say the people it hurts. Were quite nice. The people in enterprise were great until I returned the car. I

William Ross: went back into their office like literally three or four times and every time they were like super.

Okay,

Crew Chief Eric: well anyway, the Italy trip isn’t all about rental cars. There was some car stuff in this. Yeah, you gotta see some really

William Ross: cool stuff

Crew Chief Eric: for you William. I went on your behalf. You visited the Ferrari museum. [01:39:00] Am Ello vicariously through me.

French Anthem: Yes.

Crew Chief Eric: I will say if you get a chance to go, go, I would also say go to the other one.

’cause there’s two. Yes. The other one is more motorsports focused. The only problem I have with going to the Ferrari Museum of Ello is it Ello is a hellhole. There’s no parking people everywhere. There’s the Ferrari experience thing where they’re driving off to Fiorano, like you can rent a 2 96 or a F eight or whatever.

Like they all have different cars. And then you go with a driver and you’re driving the car and you go off to Fiorano and you can go do laps of the track and it’s just chaos. It’s Italy in a nutshell, right? But you drive down there and you think you’re driving through Hollywood where there’s just buildings.

It’s very industrial, there’s a lot of factories. It’s not that nice. Lots of cool stuff once you get there. So inside the museum, again, one of the few places that has air conditioning in Italy, you get in there, you know it’s hot outside. They kind of gate keep you in terms of coming in. But once you come in, the experience is cool.

I expected slightly more cars than there were. There are not many. Yeah, no, but it’s kind of cool. It’s like a whole [01:40:00] evolution thing, right? Obviously there’s the superstars that are in there. You’ve got the 2 88 GTO, you got an F 40, you got a LA Ferrari, everything you expect to be there, Schumacher’s, formula one car, all this kind of stuff.

So it’s cheap. It’s worth going. You can actually buy a pass. I don’t think it matters which of the two museums you go to first, but you can actually buy a pass that lets you go to both of them. So you just drive to the other one and then go check out what’s over there. It’s one museum split into two locations and then Fiorano ISS right there, and you can go check out the track and all that kinda stuff.

So I posted a bunch of pictures on your website, kind of did a photo dump of a lot of the things that were in the museum. Again, really cool stuff, totally worth seeing. We did a coast to coast sort of trip. We drove all the way out to the Adriatic and then we drove all the way out to the Mediterranean of this whole loop of North central Italy.

So along the way we’re kind of strategizing. My wife was like, oh, we should go to San Marino and check it out, because it’s one of the little provincial kingdoms into itself. You know, sovereign kingdoms that live inside of Italy, sort of like the Vatican is its own thing and it’s not really Italy. And I said, oh, San Marino, that’s cool.

We should go to Amela. And she’s like, yeah, you wanna go to the track. Like last time [01:41:00] we went to Italy, we drove past Magie and she was like, we should stop. But it was like the middle of winter. There’s no reason to stop in Magie. The track’s closed. It’s wintertime like, what are we gonna do? I’m like, well go to Amala.

Right? So we go there and secretly with all the work that we’ve done with the professor about Sena and yeah, commemorating his death after 30 years, I was like, this is an opportunity to go. See the Senate memorial and to go see the track. So my girls were sort of dragging their heels a little bit, right?

And they’re like, oh my God, we’re gonna go to a racetrack and blah, blah, blah. Unlike Mar, which was in the middle of just an industrial park, Mila’s sort of off the beaten path, it’s almost like going to an American race track. You get there and there’s a fast food joint and a gas station and a couple of houses, and there’s nobody around.

But they built the track around this town or the town of Imus. Sits in the, it’s really bizarre. Yeah. Like the way it’s laid out. But when you get there, you realize sort of like Montreal, the track is open. You can’t get on the track like you can in Montreal, but you can walk around it, you can go [01:42:00] everywhere.

And then once you cross under the tunnel, which goes under like start, finish, like that area, the track where the grandstands are, you can cut into the inside and there’s all these parks and like sporting complexes and like all this stuff that belongs to the track. So there’s all these signs that say, you know, Nu Memorial and this memorial and that memorial and then the SNA one and like the SNA one’s like way out there because you walk all the way to Ello, right?

So you go out there, you go out there, you go out there and you keep walking, keep walking. I actually had walked past it and I didn’t realize, I saw all these banners and flags and I’m like, I’m close. Like I can see there’s a sign that says Sena and it’s on the opposite wall on the other side of the track.

And I said, this is the Ella Chicane, I’m here, but like, where’s the memorial? Right? This is really strange. So I walk past it, I walk all the way to the gates and there’s this guy there, and I don’t know if he worked at the track or not, but he was super nice older guy. And I said, Hey, excuse me, I don’t know if I missed it or what, but I said, where is.

The Senate memorial and he’s like, oh, if you’re looking for the point of impact, like where the plaque is and whatever, [01:43:00] I’ll show you. It’s actually kind of hard to find. So he walks me back and inside of all that mess of t-shirts and flags and flowers and just all this stuff that’s maintained there, there’s this little plaque and it looks directly at the point of impact when you look across the track where he hit.

And so at that moment now you realize you’re kind of like in the trees. You’re up against the guardrail, you’re looking at this plaque, you’re looking out over the track, you’re surrounded by all this memorabilia and all this stuff. And then there’s this statue like in bronze of Sena, sort of almost looking like the thinking man, I don’t know.

Maybe it’s just me, but there’s this overwhelming sense of like, I don’t know what to call it. Like John tried to even explain it in his article that he wrote about when he went to go visit and all that, and it just. It’s weird, it’s very emotional and it’s very quiet. And then you sort of realize in the distance there’s a park with kids and stuff.

You know, Sena was big with kids and helping kids and giving money and the foundations and all, and it’s sort of like, it’s just this juxtaposition that you’re just like, okay, I get it now. Like it becomes suddenly becomes very real, his [01:44:00] whole legacy and everything. And so for me, I don’t know, emotional, spiritual moment, but it was very worth going.

And I would say if I had to pick a European track to go watch an F1 race at, I don’t know, you know, I’ve never been to Monza, but I think Monza would be cool, but I think MLO would be on my list of top places to go check out a Formula One race. I just, I like the whole atmosphere. I like the whole vibe. I like the way it’s laid out.

I, I like the vantage points and everything. I think it was pretty cool.

William Ross: Yeah, no, definitely. I think Italy is one of the, if you go for an F1 race, it’s one of the places to go. Just, I mean it’s de fci. I really like that. I mean, just, it’s supposed to be unbelievable. Well,

Crew Chief Eric: and I tried to do one more thing ’cause on our last day we went to go visit my uncle.

He invited us over for lunch and the day before we were supposed to leave. And so he lives. Eight miles from the Dara Academy. And so they got their whole museum thing there too. And I know Tanya’s been before and she wrote an article about it and took pictures of everything. I said, oh, this is my chance.

I didn’t go the last time I was here. I wanna check it out. We’ve literally driven by it 16 times. ’cause it was on the road where our [01:45:00] Airbnb was or whatever. So I’m like, okay, you know, I want to go check this place out and we’re looking online and you know, okay, it’s open Mondays from this time to this time and you know, blah blah, all this kind of stuff.

And so we get there parking lot’s full. We’re like, that’s a good sign. You know, find a parking spot, walk around close due to like renovations or whatever. Like, ah, you gotta be kidding me. I took a picture in front of the de la you know, the same way Tanya did. I stood behind it instead of in front of it.

And, and now I realize, I was like, how far back were you to take that picture? Because it’s right up against the road. I mean, you know, that kind of thing. Tanya, if you want, because you’ve been there, you wanna describe what the De La Academy Museum is sort of like,

Executive Producer Tania: I mean, when you first walk in, there’s like all these placards that kind of take you through the history of De La and it’s all the chassis work with the, the Indy cars and even Formula cars and all that stuff.

Are they still building those road cars? They’re, I know they don’t sell ’em here. Are they still building those for Europe? I think so, yeah. But then they have a bunch of other race cars that they were involved with. They’re all on display basically. And it’s, it’s a weird building [01:46:00] inside that kind of, almost has this like circular ramp.

And then there’s, I think there different rooms and there’s Lamborghinis and there’s. Barons and you know, a whole bunch of stuff.

Crew Chief Eric: Well, the one thing I saw in the window that I thought was pretty cool, kind of ogling from the outside. Not that I didn’t see it in person. The garage 56 car is in the Delara Academy.

Executive Producer Tania: Well, that’s new.

Crew Chief Eric: It’s sitting up in the Oh, interesting. In the glass. It’s the car furthest back.

Executive Producer Tania: I mean, honestly, I’d have to go back and even read my own article to see what was there. It’s been a decade.

Crew Chief Eric: The adventures didn’t stop there. William, you set off for Miami. What was going on in Miami?

William Ross: I land and my flight’s coming back from Chicago is delayed two and a half hours.

Lovely. United again. So when I finally get back here, phone turns on and I get a text message. From our good friend Mr. David Beatie from Slot Mod. He goes, well what are you doing next week? I, I don’t have anything. He goes, he goes, I’m going to Miami, can you come with me? Yeah, sure. And I’m like, what’s going on?

And he tells me that he’s, you know, hooked up to go to Barry Konik collection ’cause Barry’s interested in buying a track from him. Barry’s [01:47:00] very public in regards to his collection. Like that. Super nice guy. Unbelievable cars, unbelievable artwork. You know, we were with him for a couple hours, you know, he’s got a real keen eye for art and it’s really cool stuff.

It’s not kinda your basic, just boring stuff. And he finds these guys like on Instagram or street artists, stuff like that. So it’s really cool stuff. So I was really neat to see. ’cause I mean he just got a crazy collection of cars and when he first started getting into car stuff, he was into the muscle cars, you know, the chopped cars like 49 Mercks and that kind of stuff.

Which he has some there. But then obviously grew into what he has now is Daytona sp threes, you know, he is got his A MG ones coming, he’s got a cones, a lot of high class stuff. But that was neat. But in talking with Dave before we left, he wanted to try and fill in some more time. One was about going to Curated.

I know those guys well. So I said, well that’s not a problem you forever I go. But I don’t know if Herschel or John would be there. ’cause you know, Dave just kind of wanted to meet him, networking, stuff like that. But the other one was garage 26. I had never heard of them. He sent me their Instagram page.

But there’s a few things on there. You do a little research, find out father [01:48:00] son duo real estate and everything. The son, Tommy, he runs in Ferrari Challenge, that kind stuff. So he’s trying to get a hold of someone to find out how we go in there. He’s not have much luck and he knows Adrian Fernandez very well.

I he’s, so Eric, you just interviewed Adrian. When’s listening? Go listen to that episode. Awesome. I was, I was digging around. I noticed there’s a little blurb in there about Adrian’s office and that is in the same building as his garage 26 and it kind of throws you off ’cause you’re like, you know, Adrian’s on the fourth floor and hey, they’re on the fifth, blah, blah.

I’m like, okay. He reaches out to Adrian. Lo and behold, Adrian’s part of that whole thing. So it’s like boom, there’s our entry. And so after we go to Skolnik, we go over there and we meet Adrian’s nephew, jp. Awesome dude. Super nice. He does these cool things. I was trying to get some more details outta my, anyways, we go to the building five stories high, right then.

Tesla dealership First street forwards. Well, you go into where the parking lot’s at, so you got your service doors and like that. Well, then there’s these little, maybe I’d say six foot wide red door entryway [01:49:00] and it’s for Gable’s Auto Vault as it that was being called. And you look through there, you can see this bank door and like that.

And to the right of it, maybe about 15 feet, there’s these two double glass garage doors that you look through when they open up. Then there’s two car elevator doors. They’re like, okay, this has gotta be it. Initially this whole building was supposed to be like a private garage type deal for owners and stuff like that.

Display the cars. Well, when they did it, Tesla approached ’em. I guess, you know, obviously the dollar talks. So Tesla’s got the first three floors. So we go up to the fifth floor. That’s the first one. This is garage 26. There’s the whole floor doors open up. As soon as it opens up, you step out. There’s a hallway, there’s a mannequin right here that’s a cop.

Whatever that looks so realistic, you swear it’s a person, it kind of throws you off. The elevator door opens, you look straight ahead. There is a 2003 Ferrari F1 Michael Schumacher a Ferrari 3 33 SP F 40 LM a pi. So I mean, just those four cars there you see alone the lms. 9 million, 10 million, maybe 3, 3, 3 sps probably five, 6 million.

Now [01:50:00] maybe even a little bit more. God knows what you’re gonna put a price on uh, X shoe marker, F1 car. But then you step out and it’s a hallway. ’cause these are all glass doors and these things are behind the garage doors. They’re all glass, real nice marble floors and that. So you gotta a real wide hallways going down.

You know, as you scan on there, you know, there’s this model sitting here. They got a wire frame of an F1 car’s hanging a wall, but all you see is Ferrari. Ferrari, Ferrari. You go, then you pan ’em the other way. Just Ferrari, Ferrari, Ferrari. Everywhere that I can see. You wanna talk about me being in heaven, open up the doors, everything like that.

And so that was the plan was, is you could buy these units depending on size and whatnot, you know, you stash your collection there. So like I said, SP one, sp two sp threes F 42 8 8 GTO La Ferrari a 12 comps, the creme de la creme. The cars that are impossible to get. People want, like there’s multiples. And then you go down little other side, there’s a 9 6 2 Porsche, you know, you got some Porsches and stuff.

Unbelievable stuff. JP is like opening the doors. Oh, let’s go in here. I mean, wide open, you can check everything out. It’s got, it’s hanging out there. It’s got a bar, two story [01:51:00] area, nice glass, I mean gorgeous. You go around, it’s got your little seating area and stuff like that. But another thing, you go up the flight of stairs to the roof, there’s still an indoor area there where there’s a, a loft.

The simulator that they have is an actual tub from a 4 8 8 race car. Wow. So they took off the front, they took off the back end. It’s the actual tub is the air jacks, I mean. Unbelievable. Then it’s got a beautiful outside deck, everything like that. So then we go down to the fourth floor and that’s where Adrian’s office is at.

But then you have smaller units, you know, still all the glass doors, everyth like that. But these are ones where some owners got smaller space. Like one guy’s just got two cars in there. He is got a 12 company, a 12 TDF. Other side guys have got a rough CTR, all this. I mean just again mind-bending stuff.

But Adrian’s unit was super cool ’cause it’s his office and everything. So you go in there at the end, he is got a new 3 5 6 that he bought. He’s got one of his old Indy cars that’s on display engine lids off everyth like that. I mean fully functional, the whole thing. He’s, he’s got one hanging on the wall too, right?

Yeah. And he’s got one that does over here hanging on the wall. And then he is got [01:52:00] all his trophies, race suits, all his old helmets. And then on the one end he’s got the track he bought from Dave. It’s very minimalistic, I guess you could say. You know, it’s not like the, some of the ones where he is got all the trees and all this stuff.

It’s very sleek and fits in perfectly with the decor. I mean, it’s just dead nuts on. Then you know, you go up, he’s got a little office area, he is got a seating area, he is got a track, he’s got a couple, you know, simulators. I mean you wanna talk about presentation and just mind blowing way to have your vehicle stored, displayed.

I mean, this is like another level. Unbelievable. The quality of the cars that were in this, not just in the garage 26. ’cause that was just unbelievable. But the other units too is, and then the elevators, I posted a quick video of it ’cause it’s like you’re going in the bat cave, like, oh my God. Check out those cars.

You, it’s going. Then when it goes down, it opens back up. You’re like, oh my God, look at these cars. Me and Dave were both just absolutely blown away. The cars that were in these collections, and again, JP was. Awesome. I mean, just Awesome, awesome dude. I can’t say enough about him

Crew Chief Eric: when you finally get through the [01:53:00] backlog of editing all your videos and stuff, I look forward to seeing ’em up on YouTube, but also, you know, maybe we’ll see some of these garages and private collections showing up on Garage Top Magazine as well.

Some of the photos that you took. So we’ll keep everybody up to speed on where you are with all your travels and everything. But I mean, I can’t wait to look at all the pictures. It’s pretty awesome.

William Ross: I, I still have one more video to, I gotta do all the paddock one or the grid walk for Lamont, then I’m gonna do those ones.

But it’s some really cool stuff and I, and again, to Barry as well, and I mean, oh, do whatever you want. Take as many video, you know, I mean, just have at it. And I was trying to get a Barry’s getting fo of some of the stuff that you really don’t see. ’cause you know, a lot of people just take this stuff that everyone sees.

Very rare that someone gets that access to Garage 26. So I think people should definitely see that because it’s not something that, oh, everyone can go in or just say, give a call or something like the Stars aligned and days of relationship with Adrian and Goddess in and everything like that. ’cause again, and Adrian was the same way.

I mean, I didn’t get to meet him. He was out of town or something, but he was like very a comedy, you know, telling David, well get ahold of my nephew. Oh he’ll get, you know, and everyth like that. So great people [01:54:00] definitely check him out. You’ll be amazed at what you see.

Crew Chief Eric: William, it’s been an adventure. It’s been a lot of fun.

I know by the time this airs, you’ll have already closed out rocks and revs and all that kind of, the merry ground is coming to an end here. Any projections, things you want to take off the bucket list for maybe next year, the year after? What are you thinking?

William Ross: Goodwood,

Crew Chief Eric: that was the one thing too, is like

William Ross: if I was able to figure it out.

Perfect. ’cause Goodwood is the following weekend after head up North and do it. I mean, that would be outstanding to that. I mean, it wouldn’t be a cheap trip, but you’re already over in Europe. Might as well just, hey, just spend a few more days and go up north. But Goodwood would be the one to go to. But I would definitely do the revival.

I wouldn’t do the hill climb. Yeah. ’cause I mean, they’re just driving up this driveway that wouldn’t always, I kind of scratched my head it as like, I mean, yeah, they do a lot of, you know, launches and that kind of cool stuff, but, eh, I, I wanna see ’em go on the track. So I, I’d go, I’d love to go to the revival.

Crew Chief Eric: I think we might be tainted though, because if we go to the revival Yeah. And we’re gonna be comparing it to Lama Classic Disappointed and then it’s like, well why do we do this? We’ll just do classic again. Which is nice [01:55:00] because classic they’ve announced starting this year, it’s gonna be every year instead of like whenever they feel like it kind of thing or what they were doing.

So it’s cool to see. Classic has got some legs underneath of it, so there’ll be an opportunity to go back and I kind of like that. Right. Go to the big lama like the next. Hundredth.

William Ross: Yeah, the actual hundredth.

Crew Chief Eric: Hundredth running, you know, is the next big one, but the rest of the Lamont 24 hours. You watch it on TV and that’s great, but classic, again, it’s just got that vibe.

It’s got that feel. It’s a time machine. There’s something awesome about it. Well,

William Ross: especially now going to it once, getting the lay of the land, understand things get, okay, this is how they’re doing stuff now. You can really attack it in regards to what you’d wanna accomplish. Kind of know the ins and outs.

That would definitely be something to go back to, would be that. I mean, it’s well worth it. Everyone I’ve talked to, I said, buckle this thing. If you ever get the chance, you have to go do it. You have to figure out some way to go do it.

Crew Chief Eric: Well, it looks like we took over the whole episode with our adventures.

William Ross: Seems like it.

Crew Chief Eric: Since Brad isn’t here. We’ll kind of reconvene our normal news next month. We got all the lots of cool [01:56:00] stuff that in essence of time we will cover next time. But there’s a couple things I do want to add that are part of our European adventures. I did, I found a lost and found for you, Tanya, when we were at Lamont.

Do you remember this one? William? You can buy an R 18 Audi l and p one car. Yes you can. It’s for sale. Don’t ask. With the low, low prices though, low, low price of a million dollars somewhere in that neighborhood. Yeah. They were making sure it was in tip top shape. I love the for sale sign official Audi for sale sign on that R 18.

I mean, it is diesel powered. It can’t be worth that much, that clean diesel,

William Ross: you know, that kind of thing. Okay. What you gonna pay for it then? You’re gonna pay 10 times that much every year trying to operate it again. It is just a situation where, okay, you actually will have the car in your possession then do you They fly the text in or no audio.

Keep it. You own it, but it’s gonna stay at Audi then whenever you wanna drive with it.

Crew Chief Eric: Uh, no. That’s a Ferrari thing. Don’t be confused.

William Ross: Yeah. If I own something, I want it in my possession.

Crew Chief Eric: So, jumping ahead. We do have an uncool wall nominee this month and this comes straight outta Italy, but it’s French.

Mind you, I saw plenty of ugly cars while I was over there, [01:57:00] but this one took the cake. We were walking down the one of the roads. In S Mione, which is on the lakes up in Italy. My whole family stopped and was like, what the heck is this thing? So I present for your consideration, the EO 1007 and it’s sliding doors.

Oh wow.

William Ross: That’s interesting. They don’t ride the brakes much. Look at the there, this little bit of brake dust on those front wheels.

Crew Chief Eric: Ah, I mean, can you imagine having a two-door car and the doors slide

William Ross: and obviously that tells you the parking over there in regards to how people probably park next to each other.

Executive Producer Tania: Right? There’s not a car without a door done.

Crew Chief Eric: Yeah, the interior looked like a handicap shower, so you know, you can imagine. But the whole thing, it just was like, I don’t know, it was so bizarre. It’s the most bizarre car I’ve seen in a long time. But like what possesses a designer to say, you know what?

We’re gonna make it two doors and it’s gonna be the shape of a box and we’re gonna make the door slide quintessentially French.

William Ross: The person colorblind that bought this, I mean, why would you buy that colored boot? This is

Crew Chief Eric: that [01:58:00] metallic mustard copper stuff that they like. I don’t, Ugh. It’s awful. Since you’re here, William, and I know you made it part of your summer vacation and I’m sure we’ll talk more about Formula One in our next episode.

But I’ve gotta ask because we joked we made fun of your $10 movie theater. Did you go see the F1 movie?

William Ross: Hell yes. It’s awesome. Is it, I think it’s a, I think it was a fantastic movie. I thought it was really good. And again, though I can asking, I said this like with Ford verse fire and stuff, this is for entertainment.

It’s not trying to nail it down, but they did a hell of a job capturing like the speed, the sound, everything. I mean, some of the shots that they got were ly. ’cause I mean you saw when they were filming how immersed they were with the actual F1 after races and everything like that. Obviously you can clearly tell lots the CGI stuff, this and that.

Like, oh, that’ll never happen. So there’s a lot of stuff you go like, uh, but you gotta take with a grain of salt. It’s pure entertainment [01:59:00] purposes.

Executive Producer Tania: Most of the racing footage was. Literally real racing footage that they went and CGI didn’t change the colors of the car, so there wasn’t, you know, an Alpine or a Red Bull and stuff like that.

William Ross: Well, the one cool thing is they go back to, in the eighties when he like got into it, they used Martin Donnelly’s actual crash video and footage of him crashing, lying in the middle of the track, the whole nine yards. Wow. So it’s like that, it’s the actual video of it. So they used some real stuff in it.

They kind of cji to make, you know, so it was him in the car driving that lotus, but they used a lot of old footage back then, kind of having flashbacks and kinda how like he was supposed to be the next big thing just, and it’s kind of based Martin do never got back into an F1 car, but no spoilers.

Crew Chief Eric: All right, so let me ask this.

Lemme ask again. Brad Pitt, blah, blah, blah. It’s like Tom Cruise and the rest of ’em, and you talk about the CGI and all this cool stuff in my mind, I think that the storyline, the plot, the acting, the, oh, it’s crap. Okay, so it’s like Grand Smo then, right? Yeah.

William Ross: I mean, come on, you go look at the thing. Go. This would never happen.[02:00:00]

It’s a complete joke. Oh, come on this guy. You’re trying to do the math in your head. Okay. If he was. Even 18 or 19 when they’re saying he would have to be in the eighties when he break, and then what the years now would be, he’d be in his sixties.

Crew Chief Eric: I would never, ever freaking happen. It’s Alonzo. It’s just the story of Alonzo.

That’s,

William Ross: it’s Brad Pitts. All right. He’s made some good movies, but I mean, every movie he is in he, he is the same demeanor, same. It’s just plug and play and doing it how he acts. But I enjoyed it. I think it’s definitely worth it to go see it. We didn’t stay for it, but we actually went to the drive-in the other night and it was the second movie.

We went and saw Superman and it was supposed to be the second one, but I was like, yeah, I don’t feel like staying. That’s when I’ll wait till it comes back out on Apple TV and I’ll watch it, you know, on my TV again. But I thought it was good.

Crew Chief Eric: Speaking of Apple tv, I heard that Apple is bidding for Formula One coverage for next year.

William Ross: I think they got it.

Crew Chief Eric: Did they really? No, I thought Disney did. What is the deal with Disney and Formula One?

William Ross: Everyone’s trying to get on the bandwagon and depending on how long they buy the rice for to [02:01:00] do it, if they buy it for any more than five years, they’re gonna be effed because I guarantee in five years the.

Popularity here in the States is gonna start waning big time. It’s gonna do that NASCAR thing where NASCAR was boom, boom, boom. Yeah. You know, same thing’s gonna happen here with that. What? Because everyone’s gonna just like, nah, it’s the same to your weekend

Crew Chief Eric: to point. We heard a lot of that when we were at Lamont Classic and we were talking to other people about other racing disciplines and you know, people were surprised.

200,000 people showing for a vintage event is just ridiculous numbers. But you heard the same thing from a lot of people. I’m really tired of Formula One. The racing’s really boring. The drama is really fake, blah, blah, you know, the same thing. And it, and I know I’ve been saying this, hearing it from other people, unsolicited, you’re sort of like, well, I guess I’m not alone on Survivor Island.

Okay. First of all, formula one TV has always been boring. I mean, it just doesn’t matter what era you pick. Kind of like you’ve always said. You watch the beginning, you snooze in the middle. You watch the end and it’s over. But now it’s to me more spec racing than it’s ever been, at least during the S days.

And [02:02:00] Schumacher, the cars were sort of different, you know, especially during the Sena days. You had the flat 12 Ferraris and the V eight Judds and you know, the turbo this and the that. And so it was a mixed bag of stuff. And then the V 10 era was obviously amazing, but now, I don’t know, it’s just hard. And I think the whole COVID is over for a long time now.

People have gone back to, let’s say, quote unquote normal, and Formula One doesn’t have the same draw because we’re not all. Stuck at home with nothing else to watch.

William Ross: I agree. I mean that’s why I say, you know, the shine will come off of that diamond or everyone I call it, it’ll

Crew Chief Eric: be Shinola when it’s done.

William Ross: Yeah. I especially like the Vegas race of Miamis. I’ll be amazed at that Miami races last another three or four seasons because it’s just crap. You know, Austin’s always gonna be there ’cause you’re gonna have that one Austin, you know, great tracker like that. But, and in Vegas too, I think it’s just,

Crew Chief Eric: I’d rather watch the WEC race at Austin than the Formula One race at Austin.

William Ross: I, I agree with you on that. A thousand percent. So, yeah, I mean, and the obscene amount of money that either Disney or Apple, whoever ends with is gonna have to pay. I mean, Liberty Media is just cash cashing and it would not surprise me within the next five years, Liberty [02:03:00] Media ends up selling up to the oil rich nations of Saudi Arabia, one of those DAE funds, whatever, and just walks away making their billions and billions of dollars.

’cause it’s at that point, saturation 24 races. I mean, that’s just too many. I mean that’s, and it’s total cash grab

Crew Chief Eric: To close out this thought on Formula One, as we sort of wrap out this impromptu bitter sports news. I gotta give props to Hulk burg. It’s taking like 25 years to podium. Yes.

Executive Producer Tania: You know, I’m sad to miss that race ’cause that actually looked like it was a really good race at Silverstone.

I watched the highlights,

William Ross: you know, that’s why they always wish for rain at every race because it evens things out. I make everything interesting when it’s rain. I’ll watch the whole race. I’m be like, okay, this will be interesting. Yeah, I’ll watch whole thing if it rains.

Crew Chief Eric: That’s it for Motorsport News, but we are gonna rejoin the conversation next month with more F1 more of everything because [02:04:00] July is an exciting month, so we look forward to more Motorsports news in the next drive through. And remember folks that our Motors Sports News is brought to us in partnership with the International Motor Racing Research Center.

Their sweepstakes is back in full swing, and as we’ve said before, it’s your chance to win a 2025 Porsche nine 11 T. With a six speed manual or take a $75,000 cash option. Details on how you could enter to win that Porsche are@racingarchives.org, and then click on sweepstakes from the upper right corner.

And with that, Tanya, it’s time for our GTM Trackside Report sponsored by the northeast region of the Audi Club of America. Are you ready to

Executive Producer Tania: discover the exhilarating world of track driving this season? Step into your driver’s seat and experience the thrill of pushing your car to its limits in a safe, controlled environment.

Perfect for those who have always dreamt of getting on track. Here are some upcoming A CNA events. You might want to check out Watkins Glen on a Wednesday and Thursday, August 13th and 14th. And [02:05:00] if you are in the Mid-Atlantic region, you can go to NJ MP’s Thunderbolt for a Monday, Tuesday event, September 15th and 16th.

And also there is an HBDE Solo Day at Lime Rock Park on Friday, October 10th, along with FCP Euros. October Fest. Challenge your position on the track. Reconnect with the vibrant community of drivers and instructors who share your passion and enjoy the friendly and supportive atmosphere. Push your limits, improve your handling skills, and take the opportunity to make every second on the track count.

And

Crew Chief Eric: for more Audi Club events outside of just track time, please visit www.nqclub.org to discover more events like this. You can also visit our motorsports calendar@club.gt motorsports.org and then click on events. All right, Brad, it’s time to take us home.

Crew Chief Brad: And if you’re not quite ready to hit the track, don’t forget that you can find tons of upcoming local shows and events at the ultimate reference for car enthusiasts, collector car guide.net.

Executive Producer Tania: Be sure to jump back into our podcast [02:06:00] catalog and check out other programs we offer like screen to speed, the Ferrari marketplace, the motoring historian evening with a legend, the logbook break fix, and of course, the drive-through. And remember, for everything we talked about on this episode and more, be sure to check out follow on article and show notes available@gtmotorsports.org.

Crew Chief Brad: And if you enjoy our various podcasts, there’s a great way for you to support our creators on the MPN. We’ve got lots of great extras and bonuses to explore on our expanded Patreon page. So if you’d like to learn more about our bonus and behind the scenes content and get early access to upcoming episodes, consider becoming a break fix VIP by clicking the blue join for free button in the middle of the page when you visit patreon.com/gigi motorsports.

And a thank you to our co-host and executive producer Tanya, and a big shout out to William, big Money Ross for joining us tonight. William,

Crew Chief Eric: I appreciate you filling in for Brad this month. I know he’s down with the flu and we miss him. We’re looking forward to next month’s drive through where we [02:07:00] can catch back up with him and do the news and all that kind of stuff.

Again, shout out to you. Thank you for coming on and it was a pleasure traveling with you. It’s been a hell of a ride. And let’s see what comes next.

William Ross: Yeah. Oh, same here, man. It’s uh, awesome and more things to come, more great fun things to come, I’m sure.

Crew Chief Eric: And we got a promo for the Ferrari marketplace too.

Exotic Car Marketplace Promo: For everything from Ferrari and Porsche, Lamborghini and Konig seg, visit exotic car marketplace.com. If you’re into anything with wheels in a Motor, log onto the Motoring Podcast network and check out our family of podcasts@motoringpodcast.net. This is the place to find your favorite new show. Next up a shout out to David Beatie and his team at Slot Mods who custom build some of the coolest slot car tracks in the world@slotmods.com.

Let your imagination run wild and finally, grand touring motorsports covering all aspects of auto racing and motorsports history. Check out their ine@gtmotorsports.org. All the links for our sponsors are in the description.

Crew Chief Eric: Well on that, another quick [02:08:00] shout out, I just wanna throw out there for folks.

July is generally our anniversary episode, and obviously we got to celebrate by doing this gigantic car centric vacation here over the last month between drive through episodes. So shout out to Break Fix fifth anniversary on the air. And then obviously we picked up all the other shows and all the other creators along the way when we founded the Motoring Podcast over a year ago at this point.

And then 11 years of grand touring motor sports in its current form. So we’ve crossed that decade threshold. So happy anniversary to us.

William Ross: Yeah, congrats. That’s a big milestone in this statement. That’s huge. A lot of come and go, you know, a lot of these things come and go and, but you take it, you grow with it, make things happen and, and it’s going in the right direction.

So, I mean, it’s, it’s gonna be cool to see what the next 10 years brings.

Crew Chief Eric: Well, I’m glad you’re along for the ride.

William Ross: Yeah. So, yeah, I’m excited. Besides more gray hairs, but you know,

Crew Chief Brad: and all the fans, friends and family who support Grand Touring Motor sports and the Motoring Podcast network. Without you, none of this would be possible.[02:09:00]

Tro

Crew Chief Eric: and we’re out. Did William freeze? William froze. Do looks like it. He was a little choppy there for a second. I thought it was me. I thought it was me too. Well, I guess we’ll have to wait till he comes back. This is like when Brad was frozen back like episode. I remember drive through 13 or something like that.

He’s like B Tanya. Anything you wanted to add?

William Ross: It’s man, it’s like you guys listen to these stories baiting so fast

when here we are in the drive through line. Me and her cars in front of us, cars in back of us all just waiting to order. There’s some idiot in a Volvo with us. Brights on behind me. I lean out the window and scream, Hey, what ya trying to do? Blind me. My

French Anthem: wife

says maybe we should park.

Crew Chief Eric: We hope you enjoyed another awesome episode [02:10:00] of Break Fix Podcasts, brought to you by Grand Tour Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media platforms at Grand Touring Motorsports. And if you’d like to learn more about the content of this episode, be sure to check out the follow on article@gtmotorsports.org.

We remain a commercial free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, and friends through Patreon. For as little as $2 and 50 cents a month, you can get access to more behind the scenes action, additional Pit Stop Minisodes and other VIP goodies, as well as keeping our team of creators fed on their strict diet of Fig Newton’s, Gumby Bears, and Monster.

So consider signing up for Patreon today at www.patreon.com/gt motorsports. And remember, without you, none of this would be [02:11:00] possible.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00:00 Kicking Off Episode 59 with Studio Banter & Silly Hats!
  • 00:02:23 San Francisco Car Adventures
  • 00:03:07 Exploring the Riley Restoration Shop
  • 00:05:50 Sonoma Raceway
  • 00:09:25 John Summers’ Motorcycle Collection
  • 00:10:59 Hillsborough Concours d’Elegance
  • 00:21:19 Travel Troubles and The Journey to Le Mans Classic
  • 00:32:27 First Day at the Track: Museum Visit and Impressions
  • 00:34:33 Shopping Adventures, Paddock Tour and Car Clubs
  • 00:40:35 VIP Experiences: Hot Laps, Grid Walk & Racing Highlights
  • 01:00:13 Hot Car Picks from France
  • 01:09:07 Driving in Italy & Rental Car Woes
  • 01:38:49 Visiting the Ferrari Museum at Maranello
  • 01:40:56 Exploring Imola and the Senna Memorial
  • 01:46:30 Miami Car Collection Adventures
  • 01:58:24 Formula One Movie Review
  • 02:03:52 Future Motorsports Adventures
  • 02:08:02 Shoutouts, Anniversaries and Wrap-Up!

Track Side Report

Are you ready to discover the exhilarating world of track driving? This season step into your driver’s seat and experience the thrill of pushing your car to its limits in a safe, controlled environment. Perfect for those who have always dreamt of getting on track … here are some upcoming ACNA events you might want to check out:

  • 2-Day HPDE @ Watkins Glen International on Wednesday & Thursday, August 13-14
  • 2-Day HPDE @ NJMP Thunderbolt Circuit on Monday & Tuesday, September 15-16
  • And just added to the roster is an HPDE Solo Day, at Lime Rock Park on Friday October 10th, along with FCP Euro’s Autoberfest event (also at LimeRock) on Sunday October 26th. 

MORE DETAILS ON OUR MOTORSPORT CALENDAR

For experienced track enthusiasts, these events offer a fantastic opportunity to refine your techniques and challenge your precision on the track. Reconnect with the vibrant community of drivers and instructors who share your passion, and enjoy the friendly and supportive atmosphere. Push your limits, improve your handling skills, and take the opportunity to make every second on the track count. For more Audi Club events outside of just track time, please visit https://www.neqclub.org

Would you like fries with that?

  • It's all quiet on the Floridian front... check back next time for more stories.

There's more to this story!

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All of our BEHIND THE SCENES (BTS) Break/Fix episodes are raw and unedited, and expressly shared with the permission and consent of our guests.

Guest Co-Host: William Ross

In case you missed it... be sure to check out the Break/Fix episode with our co-host.
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UnCOOL-wall! 

There’s nothing better than “Quirky French Design” especially in their automobiles, but this Peugeot 1007 takes it to a whole new level. How would you rate this sliding two-door CUV?

What do you think? Cool or Uncool? Cast your vote for 80+ cars on our uncool wall!

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Motoring Podcast Network

Passing the Torch: The Evolution of Cars Yeah with Mark Greene and Ginger Baker Rust

On this special episode of the Break/Fix episode, hosts Crew Chief Eric and Garage Style Magazine’s Don Weberg welcome two automotive media legends: Mark Greene, founder of the long-running podcast Cars Yeah, and its new host, Ginger Baker Rust – for a heartfelt conversation about legacy, transition, and the future of storytelling in the car world.

Mark Greene spent over ten years building Cars Yeah into a beloved destination for automotive enthusiasts, featuring over 2,500 interviews with racers, designers, authors, and industry insiders. But after a decade behind the mic, Mark began contemplating the next chapter.

“I wasn’t tired of it,” Mark shared, “but after ten years, I wondered if there was something else for me to do.” A potential sale in 2022 fell through due to the buyer’s health issues, and Mark found himself navigating a complex process – pitching to over 36 interested parties, signing NDAs, and fielding questions from people who underestimated the work involved. “They thought you just talk and have fun,” he laughed. “It’s not that simple.”

Tune in everywhere you stream, download or listen!

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After years of dodging Mark’s invitations to appear on the show—due to a demanding career in NASCAR and motorsports marketing—Ginger surprised him with a call. But instead of agreeing to be a guest, she asked to buy the show.

Photo courtesy Ginger Baker Rust, Cars Yeah

“I’ve always loved a challenge,” Ginger explained. “I’ve pitched hundred-million-dollar deals, sung on stage, and raced land speed cars. But hosting a podcast? That was a whole new race car.”

Over eight months of deep conversations, Ginger and Mark worked through the logistics, fears, and possibilities. Ginger’s biggest concern? Honoring the legacy Mark had built. “I didn’t want to wreck it,” she said. “I wanted to protect it.”

Ginger’s debut episode featured her close friend Kat DeLorean, daughter of John DeLorean, in a powerful and emotional conversation. “I wasn’t prepared for how emotional some guests would get,” Ginger admitted. “But it made the show more authentic.”

Spotlight

Synopsis

This Break/Fix episode discusses the history, transition, and future of the Cars Yeah podcast. Hosted by Crew Chief Eric and Garage Style Magazine’s Don Weberg, the episode features former podcast host Mark Greene and new host Ginger Baker Rust. The conversation covers the origin and journey of Cars Yeah, the reasons behind Mark’s decision to hand over the reins, and how Ginger was selected as his successor. The episode delves into the challenges and processes involved in transitioning the podcast, highlights favorite moments and episodes from Mark’s time as host, and outlines exciting plans for the show’s future under Ginger’s leadership. Discussion points include inspiring loves for cars, memorable podcast episodes, advice for aspiring podcasters, and Ginger’s vision for expanding the podcast’s reach, particularly among younger audiences. Additionally, the episode touches on notable guests, including the potential appearance of Hulk Hogan, and emphasizes the importance of passion, dedication, and inspiration in sustaining long-term success in podcasting.

  • Mark, after hosting Cars Yeah for so many years, what inspired your decision to pass the torch, what was your process for selecting a successor – How did you find Ginger? 
  • Ginger, tell us about your personal journey with cars and storytelling, and how do you think that will shape your approach as the new host?
  • Mark, looking back on your time with Cars Yeah, what were some of the most memorable moments or interviews that defined the show for you?
  • What do you think makes a great automotive podcast, and how has Cars Yeah managed to keep listeners engaged over the years?
  • Mark, when you were stepping away from the hosting chair, what advice did you give Ginger as she took on this new role?
  • What’s next for Mark? What’s the NEXT BIG THING? Are you officially retired now? Or is there more to come?
  • What’s next for Ginger? Any Spoilers? Who are the special guests…

Transcript

Crew Chief Brad: [00:00:00] Break Fix podcast is all about capturing the living history of people from all over the autos sphere, from wrench, turners, and racers to artists, authors, designers, and everything in between. Our goal is to inspire a new generation of Petrolhead that wonder to. How did they get that job or become that person?

The Road to Success is paved by all of us because everyone has a story.

Mark Greene: We’re rev it up and welcome to uh Yeah, the Break Fix podcast, not cars. Yeah. But we are gonna be talking about cars. Yeah. Today

Crew Chief Eric: for years, cars Yeah. Has been a go-to destination for automotive enthusiasts, industry insiders, and anyone that finds inspiration in the world of cars.

Hosted by the legendary Mark Green. The show has featured in-depth conversations with some of the most fascinating people in the automotive space. Today we’re shifting gears and heading into an exciting new chapter as Caria Transitions to its new host, ginger Baker [00:01:00] Rust.

Don Weberg: Ginger brings a fresh perspective, a deep love for cars, and a passion for storytelling that will keep the spirit of Caria alive while taking it to new heights.

What did this transition mean for the podcast? How will the show evolve while staying true to its roots? Knuckle up as we take a behind the scenes look at this exciting shift and hear from both Mark and Ginger about what’s next for cars. Yeah.

Crew Chief Eric: And joining me tonight is returning co-host Don Weiberg from Garage Style Magazine, one of the many personalities on the Motoring Podcast network.

And with that, let’s welcome Mark and Ginger to break fix.

Mark Greene: Thank you. It’s nice to be here. And I wanted to remind your listeners that Eric and Don were on Caria back in October, 2023 together. And then Eric was a guest August 16th, and Don was, I think he was a three timer. He was show number 27. That’s how old Don and I are.

And then he was also show, uh, number 1,341, I believe. I get [00:02:00] that right. Maybe you’re just a two timer. I’ve heard that about you. No, I think I was three, but the third was with Eric. That’s right. Okay. We, we won’t call you a two timer then, but Yeah, it’s great to be here and it’s very special to be here with Ginger because this transition has been so unique for me and so much fun.

Ginger, we did do some shows together in, in December of January, right?

Ginger Baker Rust: Yes, sir. We did.

Mark Greene: Which was fun and kind of odd for me too, because I’m always used to being on one side of the mic and not the other. But yeah, it’s great to, uh, talk to you guys again. Feel like I’ve known you guys forever and, uh, it’s, uh, gonna be a unique thing to be here on the show with Ginger, because I’ve been editing her shows for her and that’s really weird too, because I hear cars.

Yeah. And I don’t hear myself. What’s with that? Oh, you mean the voices in your head have stopped? You know, like most people, I don’t like to listen to myself. And for 10 and a half, 11 years, I had to listen to myself because I edited almost all my shows. There was several years here where I was having somebody else edit the shows, but I did like to edit them [00:03:00] because.

I would learn things every time I edit the show, and that would help me try to improve for the next show. I did have some great editors. The ladies that were helping me were doing a great job, but then Covid came and some of the sponsors at that time went away. So the money factor was like, well, I think I should take this back.

Kind of reinvented myself a little bit at that time and learned a lot more, and I just kept doing it from there on. But yeah, it is odd listening to the beginning a rev it up and welcome to cars. Yeah. And it’s, it’s not me, it’s Ginger, it’s, it’s still very hard to get used to

Crew Chief Eric: see Don. He’s a pro seasoned podcaster.

He did the whole setup for us and he’s created a segue for me to introduce the first question, which is really what is on everybody’s mind. Mark, you’ve been hosting cars yet for over a decade. What inspired your decision to pass the torch and what was your process for selecting a successor to such a legacy that was behind cars yet?

And how did you find Ginger after all that? How long is this show? As long as

Mark Greene: we need it to be as long as we need in 2022. I had a long [00:04:00] time friend. Come to me and say, have you ever thought about selling your podcast? I would like to take it over. And at that time I was getting a little bit, I wouldn’t say tired of it, but you know, when you do something for 10 years, it’s like, well, maybe there’s something else for me to do.

I’m not so sure. And we, we had a long talk and then I said, you know what? Maybe this will work. So we negotiated a price, we talked about how we were gonna do it, and then sadly he got ill and he had esophageal issues, which kind of affects a podcaster, right? Being able to speak properly and so forth. Or normally, I should say, not properly.

So almost that entire year, I was waiting for him to get better and he, he had some surgeries, he got better, then he got worse, then he got a lot worse. And then finally he said, I don’t think this is gonna happen. And by that time, almost seven, eight months had gone by. And you have all this momentum and in your mind, when you’re ready to let something go, I hold this all to like selling a car.

We’re in love with our cars, and then you decide to let it go. And all my listeners cars yeah, know about Orange Crush, the turbo [00:05:00] that I had, I was all jazzed up to do this and then it all fell apart. So, and it was like, oh, okay, now how do you go about selling a podcast? That proved to be way more difficult than I ever thought it would be, because people think of a podcast as your voice.

And so I started to pitch it out there. I got a lot of response from a lot of people. I think I talked to almost 36 different people. One of the other things I did was I did research on have any podcasts ever sold and I found three. Out of those three, two of them were very reluctant to talk about much of anything.

One of them gave me a lot of great information. I think he was doing a horse podcast or something like that. There was a podcast for everything. And so I went, okay, well there’s a process for this. So I started in 23 trying to sell it. I had all these people contact me. I had many meetings signed, lots of NDAs, went through a lot of things, and it usually came down to a couple things.

Once the person found out how much work this is, and you’re [00:06:00] shaking her head and you guys are shaking your head, they went, well, don’t you just talk to people and have fun? And it just happens. I actually had somebody say that to me. I said, what do you mean it happens? That’s a bumper sticker mark. Yeah, yeah.

Just do it right. At that point, I started to get a little bit frustrated because I would pitch the whole thing and talk to people. I even had a couple big name, I can’t say who they were because we have NDAs, but big names. If I mentioned you’d go, whoa. But then for those companies, and even for some other people, you’d get down to the finance part of it, and usually it was the finance guy.

The bean counter said, why don’t we just do one ourselves? This is easy. Okay, well, you’re just gonna start a podcast and have, at that time, I think I was having 85, 90,000 unique downloads a month. Really? You could do that. Good for you. Okay, go for it. None of those companies have gone on to do a podcast. I think they just realized it’s not as easy as it looks.

I was getting kind of frustrated and I was starting to think, well, you know in your mind, again, you’re ready to sell the car. And then the guy that was supposed to show up at the cash doesn’t show up. And then some [00:07:00] other people come and kick the tires and, and you go through that whole eBay sale thing or marketplace on Facebook or whatever it is, and you start to go, maybe this is gonna happen and your steam is starting to kind of blow out a little bit.

And then one day this lady named Ginger calls me on the phone. Now Ginger, I had been chasing Ginger. Well, I’m married, not that way, but I’d been trying to get Ginger on the show. What was it? Ginger, all the way back to oh seven or oh six.

Ginger Baker Rust: Uh, it’s like eight or nine years. Yeah,

Mark Greene: it was a long time. And I have a list and Ginger owns it.

Now the list of all the people I’ve chased and she probably looks at it every day and goes, oh my gosh, mark. Now remember back then I was doing five shows a week, so I was pumping out a lot of shows. So you know, the phone rings and I went. Ginger, what’d she call me for? I go, ginger, how you doing? She goes, hi Mark.

I said, are you finally ready? ’cause I had contacted Ginger maybe two, three times a year for seven years, like I do. Everybody, you know? And she goes, well, I don’t know if I’m quite ready to be on your show, but I’d like to talk to you about buying it. And I went, what? And [00:08:00] she, he caught me off guard so much because I didn’t know a lot about Ginger.

I had heard about her. She’d been referred to me by another previous Kaja guest, like many of the guests there did. And so we started talking and I think our process from signing the deal from the beginning was probably seven months.

Ginger Baker Rust: Oh yeah. At least

Mark Greene: eight months. It was a long time. This was something completely outta her wheelhouse.

I was like, I think I would like to do this and it would help augment the other businesses that I do, but I don’t know if I can do it. And we had lots of these intellectual talks about why I thought she could, or she would tell me why she thought she couldn’t. And then I would tell her, well, here’s what you have to learn and all that kind of thing.

So eventually we struck a deal and we decided when that was going to start. The rest is history really, because we did some shows together end of January, I think. Ginger, you started doing them yourself? Yes, because at this point we’re doing one a week. I think we did four, six, something like that. And I finally said, ginger time two jump up.

Yeah, the [00:09:00] training wheels off. Yeah, I’m getting outta the car. You’re gonna drive down the road now and don’t crash my baby because I spent, you know, and I don’t want this to fail, not only for her personally, ’cause I’d be become friends, but I built this brand in a way that I felt it could continue on forever.

You know? It’s like somebody, again, buying your car and then driving it off a cliff or butchering it, you know, in a way, even though it’s hers now, if you wanna put fender flares on it or turbocharge it or whatever. Wait, I already had a turbo. Anyway, that’s the process in a nutshell, and that really was a two and a half year process.

All told, maybe even three years. It was a long time, but it was a bit of a challenge. But I’m very happy with how this has all worked. Can see by the smile on Ginger’s face. She’s done a great job. Again, like I said, when I’m editing her shows, it’s just very still bizarre. It’s just like, where’s Mark now? I did do her a special intro and outro and she’s still using that.

Yep. So my voice is still there for a while. I guess you really have weaned yourself away when Someday I turn on cars. Yeah. And hey, what happened to me? [00:10:00] I’m gone. That’s how it all came together, and

Crew Chief Eric: I’m very happy that it all worked out. Ginger, before we dive into your background a little bit, let’s pull on this thread for just a second.

Mark’s trying to get you on the show. No, no, no. And then one day the phone rings and I want your show. I don’t wanna be on your show. I want your show. When did that realization happen for you and how did it happen?

Ginger Baker Rust: It wasn’t all those years that I didn’t wanna be on a show. It was just. Because of what was going on in my career and personal life.

And I was on the road all the time working in NASCAR and other racing series and I was just, I mean, I was home a day and a half a week traveling, you know, 10 months a year. And it just was difficult timing more than anything. I. But I had listened to his show for years and I had gotten to know him and the show, but I think I, I was coming to a transition in my career, in my life.

You know, I’ve done a lot of stuff. I’ve done a lot of things, marketing and corporate marketing and racing and in numerous other industries, pitching a hundred million dollars deals for media [00:11:00] companies. And I’ve always been comfortable being the one, being interviewed or pitching deals or getting on stage and singing in front of people, you know, or, or giving speeches.

That’s never been a problem. But getting behind the mic is totally different. I mean, I can sing all day long to a huge crowd on the mic, but being able to carry a show, that was something that I was a little nervous about, especially his, because it’s such a legacy. So, yeah, I thought about it and I talked to a couple people and, and I reached out to Mark and, you know, I was like, you know, I had this like, crazy idea.

I don’t even know, you know, but let’s talk about it. And, you know, so he started telling me about it and, and I told him what my ideas were and why, but that I was really nervous taking over such a legacy. Also, it’s beyond that. It’s not just about being on the mic, you know, it’s also understanding the business side of it, of what has to be done on the business side, what kind of priorities that you have to give to it.

And it’s not just jumping on and recording. I mean, you have to schedule you all these things. Then I’m actually still learning a lot of pieces of it. I, I had, [00:12:00] I had an understanding primary foundation, but understanding all the pieces of parts totally different. I mean, I’ve written TV, commercials, radio commercials, you name it, but I’ve never.

Done a podcast. So, you know, I wanted to make sure that I was fully prepared and wanted to make sure that I was not biting off more than I could chew because it was so important to me to carry on Mark’s legacy that he built more than anything. And that internal fear of, oh my gosh, you know, is people gonna accept the fact that it would be a woman taking it over?

Would they still listen? Would they be open to that? Would they care that I come from the racing side? Not necessarily from the car collector side. All these different things were going through my mind. Those were all the things that I was considering and whether I could carry his toe, but more than anything was making sure that I protected Mark’s legacy and what he built.

Mark Greene: Yeah. I told her, don’t wreck this thing.

Ginger Baker Rust: Yeah. I absolutely would not do that outta my control, but nothing within my control, for sure. Yeah, no pressure by the way. Yeah,

Mark Greene: well they say in racing it’s yours to lose as they [00:13:00] transition the, uh, endurance driver to the next driver.

Crew Chief Eric: If you’re not first, you’re last.

Mark Greene: That one too. That one too. Yeah, I particularly love endurance racing and, and I didn’t get to do much of it when I was vintage racing, but I did get to do a few. And I remember jumping into a car, I was co-driving and the guy that got out said, okay, I’ve got us in first. It’s yours to lose, psyched to go.

And I’m like. Wait, what did you say? Oh, crap. And then you take off and you’re like, I could lose this thing. And he put us out in front. The pressure’s on, so. Exactly.

Ginger Baker Rust: Yeah. Well, I’ve jumped in a couple of different seats, other people’s race cars, you know, and I was just fine. That didn’t make me nervous, you know?

But this was a whole different race car that I was jumping into.

Don Weberg: New kind of ride.

Ginger Baker Rust: Yeah.

Don Weberg: So Ginger, what you’re saying though, it is not like the meat and the gravy, the gravy doesn’t just come when you cook the meat?

Ginger Baker Rust: Oh, no, no, no, no, no. You have to develop, I mean, you, it’s, it’s almost like going back to Betty Crocker cookbook.

You gotta go back and you gotta learn the old school, and you’ve gotta learn the [00:14:00] business of it. And you’ve gotta learn all the ingredients and the recipe of what makes it work and what doesn’t work, and how you can screw it up if you put in sugar instead of salt. Right? I mean, and, you know, those kinds of things.

That’s the way I looked at it in, in the way I approach everything in business. Is being able to take things one piece at a time and look it at it from all directions on what can be successful, what can wreck it. It’s like a setup on a car too, right? You gotta understand the technical part. You gotta understand what makes it work in order to drive it.

And it’s the same thing.

Mark Greene: Did pride myself in creating systems and procedures for this. That’s the only way I could have done this for 10 years. So I had it all very tightly dialed in. And would you agree that probably helped you a lot? Because I learned that at the beginning when I started this and I had to do that because when I was doing five shows a week, you’re on a treadmill that is spinning super fast and it never stops ever.

If you go on vacation, it’s still going. The listeners want those five shows, or in the case of now one show they want it. As Ginger’s taking this over, I’ve said, okay, uh, when’s the next [00:15:00] show? Come on, you gotta get a bunch of them in the can. Come on. She’s like, I know I’ll put three people canceled today.

And I said, yeah, welcome to my world. Yeah, it’s a challenge, but she’s doing a great job. I feel good every day.

Ginger Baker Rust: It’s been interesting because, you know, I’ll have stuff lined up or ready to to record and then we have a power outage.

Mark Greene: Yeah.

Ginger Baker Rust: It’s happened a couple of times.

Mark Greene: Yep.

Ginger Baker Rust: Or you. Have these people scheduled and then they have an emergency or something like that.

Plus just learning the procedures. Again, taking my rookie runs down the track. I, I’m learning a lot of things and I’ve already bumped the wall a few times. I’ve definitely got my Darlington stripe, you know, on this, but it’s going better. I, I’m getting to where I’m getting things a little bit more ahead and just learning the systems and then, you know, thank goodness I’ve had Mark as a guide on this, because I would’ve definitely had to pull into pit lane and crash and burn a couple times if I didn’t have him, so.

Mark Greene: Well, you’re welcome. That’s 10 years of learning right there. Take it for granted. Why go here?

Don Weberg: What is it that, I mean, you’re leading [00:16:00] into it and, and you’re kind of getting real close to the wall and you’re not touching it. You’re going away from it. It’s killing me to wonder You have good stuff going on.

Yeah. And all of a sudden you decide, ah, what the hell? I’ll just take on this podcast. Gosh,

Ginger Baker Rust: I am always been the one that likes challenges that other people would not necessarily think about doing. I mean, I love a challenge and I’m an adrenaline junkie. It’s kinda like anything else. When I sit at World Land Speed Record, I didn’t go there to do that.

I didn’t even know I was gonna get in a car and do that. I didn’t even know I was gonna race. So I was going there to be with a client, and then an opportunity presented itself. The client offered me to run his car, and I did, and I broke a record, and I hadn’t raced in 30 some odd years. I, I’ve done a lot of things in my career where I’ve been the first one to get bloody through the wall.

And so that’s just kind of my mo and, and also I have a, a really good. Intuition on looking at things and what things are capable of being and what they are already tying it in. [00:17:00] Also, with the business side of what I do in racing and in motor sports, for me it was kind of a natural transition. There’s a lot of things that I’ve been trying to work on in the racing community and the car enthusiast community, but one in particular is, is keeping racing alive.

Crew Chief Eric: Amen.

Ginger Baker Rust: Our beloved racing is in trouble. Our car culture’s in trouble. Our love with cars and our passion and our history with cars is in trouble. That honestly was the biggest driver is ran against the wall, not walls that were supposed to be there, but that were put in front of me just ’cause I’m a female in, in a sport.

But kind of looked at this also as a way to be able to break some more barriers. For a lot of people, including myself, but it’s not the woman thing I’m, that’s not my platform. It’s not the Me Too thing, it’s not anything about that. It’s about the love affair that I have with cars in the racing community.

First and foremost, being able to use this platform to help save it in some way, and that that really [00:18:00] was what made me, made me pick up the phone was in some way, maybe I can use my voice in this direction when maybe it’s not being listened to in other directions. So that was part of it. Part of it. That was part of it.

Don Weberg: But wait, there’s more.

Ginger Baker Rust: Yeah, there’s more. I have a lot of big ideas. I’ve been in corporate marketing for 30 years. I, I, like I said, I’ve been the first one bloody through the wall many times and it has always worked out for me. And that’s just who I am. I lacked big challenges and I knew that this was gonna be a big challenge and it just seemed to be a natural fit for where I was outta my career.

Mark Greene: I’ll say too, that tenacity and persistence are two things that made Kaia happened for so long. Just bulldogs. And that’s something that when I spoke to. Ginger over many months. I learned that’s who she is. And I was just talking to a longtime car listener to the other day. He actually called me and we were talking about Ginger.

He actually met Ginger at an event and he said, yeah, she’s, she’s a bulldog like you. She just doesn’t stop. And he also knows your mom and knows all about that. Yeah, [00:19:00] Raleigh. Yeah. And you gotta have that to do any kind of business. Go through the highs and lows, of course. But that was something that many of the people that wanted to do this, I could just tell they didn’t have that.

You gotta commit to this. As I said, it’s a treadmill. You can’t be successful in podcasting and let time lapse, because listeners nowadays, especially when I started this, there were only three car podcasters, just three NPR, which was the old Click and clack show. Adam Corolla had a show car cast, you know, and he’s still famous and doing all sorts of stuff, and I forget what the other one was, but Caria was the next one.

Now there’s. Everybody has a podcast.

Crew Chief Eric: Us too. Look

Mark Greene: at that. Well, it, it was interesting over time because more and more people would come to me and say, Hey, I wanna start a podcast. I get a lot of it now, three emails this morning, Hey, I wanna start a podcast. Can I talk to you? And I, I finally started saying, I’ll do some consulting.

Here’s my hourly fee. Yeah. Call me if you’re interested because otherwise you can’t just spend 30 minutes and explain this. No, it’s way too complicated. There’s too many [00:20:00] aspects of it. So I usually give a polite response and just say, no, I’m not interested. I’m not doing consulting right now. When I am, I’ll contact you.

Ginger Baker Rust: Yeah. Mark’s right. I mean, you gotta have tenacity and you’ve gotta be a bulldog. And yeah, I talked about with Mark when he first talked to me about the art of no, learning how to use that in an effective way, not taking no for an answer. That just means maybe another way or another time. But also I spent a lot of time doing a lot of research.

I do a lot of research before I go into anything generally if I can’t, you know, so I really researched it from all directions. Okay, well, you know, how would you do this marketing wise? How would you do this guest wise? You know, do I know enough people? Am I far enough in the industry that I could carry this?

You know, who could I rely on the editing? You know, all these different ideas, the website, I mean, there’s just layers and layers and layers and layers and layers that people don’t understand. And then, you know, also understanding the business of it, of how making successful and doing the research of, okay, how do you sell a podcast?

[00:21:00] How do you buy a podcast? How do you make it have value? Gosh, there’s so much that went into it. It wasn’t just a couple of phone calls. We literally talked back and forth for seven, eight months and, and quite frankly, I mean, there was a couple times, I mean, mark had to really say, okay, you know, you can do this.

Yeah, I get to the point that I was getting a little bit discouraged and, and not even that. I think more so that. I was having that little bit of internal doubt of fear, but fear to me is just something that you just have to walk around and say, you know what? Get behind me. ’cause it’s, I’m gonna lead. But when it finally came down to it, and you know, I was just like, like anything else, I’m just, I’m gonna jump in and put the seatbelt on and I’m gonna stomp the loud pedal and here we go.

Mark Greene: There were a lot of great questions and some of the people that I talked to before that were interested, they wouldn’t ask me any of the pertinent, important questions. It was just all, you know, little things like little things. How do you get somebody to guess? Yeah. Okay. Well, there’s uh, many ways to do that.

And, and at some points, ginger and my wife will, I’d say, I don’t know if this lady’s gonna ever get in the car and drive because it’s just dragging on. Come on. But I could sense that with [00:22:00] Ginger. And we became friends over the phone. We’ve never met in person, which is kind of silly, but she’s quite a ways away.

North Carolina, I’m up here in the Pacific Northwest so many times when she would drift off a little bit and I could sense, what’s worrying you today? What, what do you think you can’t do? And she would say something. I said, okay, well here’s how you do that. Because I had answers for everything. ’cause I’ve, I’ve done it.

Yeah. There’s very, and there’s things that, she has strengths that are far exceeding me because of her marketing. I mean, she just did an awesome, huge deal. She had some strengths there that I didn’t have the technical side and she’ll self acclaim is the weakest part. But she’s got two sons that are techie guys.

And I actually had my first meeting with one of them that I thought was gonna be with Ginger about how to do it. And I thought, you know, I figured if Ginger doesn’t know all this, this is gonna be an all day meeting. I think after an hour and a half, her son goes, okay, we’re done. I’m like, well this guy knows more about tech than I do.

You know, he’s a cyber tech expert and all this stuff. So I went, okay, she’s got good people on her team. Because again, when I started this, I had nobody so. I had to figure out everything, [00:23:00] build a website and how to record. And you know, there’s just all these things that go wrong and can go wrong and every time they do, you just, okay, how do I do that?

Thank goodness for Google and YouTube. I stay up all night long watching YouTube. So why are these wave tracks doing what they’re doing? I don’t under what is going on. So.

Crew Chief Eric: There’s a lot of pieces to the puzzle to use a cars Yeah. Analogy here. We have blown through first and second gear and we’re tacking like 9,000 RRP M right now.

So we gotta shift into the next gear. Cool. And talk a little bit more about the legacy of cars. Yeah. So, mark, as you look back over your 2,500 plus episodes of cars Yeah. Before the transition, there’s some memorable moments that you’ve mentioned over the years. You know, some of your favorite episodes and things like that.

I wanna highlight those for the listeners that are like, man, I gotta go back and check out cars yet, you know, I don’t know where you’ve been, if you haven’t listened to cars yet episode yet, and Ginger, you’re still defining the next generation of cars yet is gonna be, and what those memorable moments are.

So I want both of you to kind of touch on the [00:24:00] highs of what you’ve experienced so far.

Ginger Baker Rust: I can tell you I’ve been very grateful and blessed in the fact that my very first show by myself was with my really good friend, Kat DeLorean, John DeLorean’s daughter. I had thought a lot who my first guest was gonna be.

And I really wanted to be able to give a platform to Kat to be able to tell her story and to clear up a lot of stuff about John DeLorean, especially with some of the documentaries and things that had just come out. So it was just really, really good timing, but be able to capture, I think one of the biggest things for me so far that’s been really surprising is several of my guests, they’ve actually gotten emotional.

And that’s something that I wasn’t quite prepared for. And Pat got emotional, and a good friend of mine, Danny Drynan, he was going through some stuff, you know, so I told Mark, I said, you know, that was something I wasn’t prepared for when I’m recording and someone got emotional and here these are my friends, and I’m like filling all this emotion for ’em and you know, and then your voice breaks and all these other things and you get [00:25:00] thrown off.

Right? You know, I prepare, prepare, prepare. And then like it just threw me off. But in a good way, I realized that that was okay because it actually made it more authentic. And I think that’s been the biggest surprises. So far other than, you know, just the stuff that we talked about that just things that happened, they’re outta your control.

Right? But I think that has been one of the most special moments. And every person that I’ve had on there, a lot of them have been my really close friends, and it’s been wonderful to be able to share. I. Finally share their stories. Also, the biggest thing that I was, I, I will be honest that I, part of the things I was worried about it, you know, like I mentioned, was how are people gonna react to a woman taking over the show?

And then how are they gonna react to the fact that I’m gonna have more women on there? And it’s been interesting, you know, there’s always the one percentage of the little bit of pushback that it’s like, oh, well you’ve had three women in a row on the show. Well, okay, well one, it was March, it was Women’s History Month, but two, do you ever hear that?

And saying, okay, well they’ve been three men on the show in a row. You never [00:26:00] hear that, but you hear, oh, well you’ve had three women on the show, so is it all gonna be about women? Well, you know, these are women in worldwide motorsport that have some incredible achievements. I think that’s been the thing so far.

That’s been a little bit of a surprise to me on one hand, but not a surprise to me on the other, I mean, it’s not anything different I haven’t faced in the motorsports world or corporate world, so,

Crew Chief Eric: so Mark, you have a lot of memorable moments. Can you pick one? No, sorry, I can’t.

Mark Greene: Funny, my start was so different than Ginger’s because my first show, I, I had set a definite date to start 2014, May 28th.

That was a, an anniversary for me of one year after leaving Grillo’s Garage, figuring out I was gonna do this and then doing it. I said, I have to have the first show. I did my website, which I’d never done before. I’d been in the design world, graphic world like Ginger, but I’d never built a website. I didn’t know how to do that.

I was coming up to that date. I made the crazy decision to do five shows a week and it was crazy. I mean, it was nuts. Looking back, I honestly, I’ve said this to Ginger, I don’t know how I did it. I really don’t. I mean, it was just, I guess [00:27:00] you could ask my wife, she didn’t see me for 10 years ’cause I was just in my office here doing this.

But the first show was coming up in. I didn’t have anybody lined up. And I had called, I knew a lot of people. I called people and people say, what’s a podcast? Because again, this is 11, 12 years ago, but nobody knew what a podcast was. They go, is that like a radio show or, and I had some friends that I thought were gonna be really great, and they just said, no, I don’t wanna do that.

Sounds weird. I don’t wanna talk about myself. And I was literally a, I think it was about five days away and I went, I wonder if this is gonna even happen. Uh, Cindy Mele, who’s in the car marketing world, she reached out to me, I’d known her from long ago, and she said, Hey, this thing you’re gonna do, plus I didn’t have any social media presence at all.

I didn’t even have a Facebook page. I just wasn’t into that stuff. So I had to like invent this thing. And she said, Hey, you’re gonna do this podcast thing, right? And I go, yeah. And she said, well, who’s gonna be your first guest? And I said, I had no idea. She goes, mark, it’s like five days away. And I said, I know.

I’m starting to kind of freak out. And she said, well, how about one of my clients? I said, who is it? [00:28:00] And she goes, Rick Cole. And I said, Rick Cole, the auction guy. Now, Rick Cole was the first guy to do auctions during Car Week. When Car Week was just three days, but still he was the first guy. Now there’s auctions at every single event.

I went, wow, Rick Cole. Yeah, I know Rick. I hadn’t thought of calling him. I don’t know him that well. And so my first show literally was recorded the day before. I went live, he was at an airport ready to fly to Europe. ’cause otherwise I would’ve lost the opportunity. So I did the show. It was horrible. I was horrible.

He was fine. But he was at an airport. So every few minutes it was like flight number 73 ready for morning. And I’m like, how am I gonna edit that out? And so we did it. He’s been on the show again once more later, much later on. But, but somehow it happened. Editing. I remember I learned the hard lesson with show number seven.

You always make a copy because. The whole thing disappeared on me and we had to redo the show. Thank goodness. It was a friend who was very nice to me. Jonathan Ward of Icon. He said, [00:29:00] no problem, mark, we’ll do it again. Oh God. I thought for sure you just go, this obviously isn’t something you should be doing, mark.

’cause you don’t know what you’re doing when you come back to favorites. I’ll say this for me, the shows that are most memorable, I don’t have favorites because there’s things about many, many, many, many guests that were very enlightening, fun. Unlike Ginger, I didn’t do shows with hardly anybody I knew.

Even my first a hundred shows where people I didn’t know, they weren’t close friends. So I went in cold. Every one of these things is Baptism by fire. I kind of started to like that. The, uh, grittiness of it, the scared factor of it. I don’t have a problem talking to people. I’d never have. So, you know, my wife always says, when we go to events, you just start talking to people.

She’s more shy and she’s like, I don’t wanna talk to anybody. I’d rather be home reading my books. And so, I would say the ones that stood out for me are the people that shared, like Ginger said, emotional times in their life. But there was a consistency. They all learned a major lesson through a horrible thing, a catastrophe, something [00:30:00] that happened in their life that was very challenging, and they learned that they needed to start helping people in order to be happy.

I’ve even done some keynote talks at events over the years, and it’s always the same thing. It’s what I learned after 1000 conversations. What I learned after 2000 conversations, what I learned after all these shows, and that is that we are happiest as people when we find a way to help other people. And I was really excited when that started to happen.

And some of the shows were very emotional. Uh, John Neas, who’s a car guy that many people know, a writer and does a lot of things, he got me crying. I just stopped in the middle of the show because the story he was telling just had so much emphasis. And it was at a time when I just lost my dad and it was like all this stuff just came.

And I just, he goes, mark, are you still there? I couldn’t even talk. I was like, so choked up. And I go, I, I, I had to stop for a minute, you know? And he’s like, what? And I go, just a minute, you know? And I just had to compose myself. Today, he wears that badge of pride. He goes, I made Mark Green cry. I’m the only one that’s, [00:31:00] but you do, you get emotional with people when they start telling your stories.

I had a, a guest on the show, Barry McGuire every become friends with, I’ve known Barry since way back my Rios days, and his daughter, who’s since passed away, but she was on the show and she shared this story about this horrible husband she had who was abusive. And she decided one day to take her own life.

And she went to go do that. And thank goodness it didn’t happen. And there’s a long story. You have to listen to the show. It’s the great thing about podcasts. You can go back and listen to all the podcast shows if you wanna hear some of me. But you know, that show I, as she was saying it, I was like, oh my gosh, what I, I had no idea.

And there was many shows like that and out of that horrible situation where thank goodness she didn’t get to, she didn’t take her own life and. Things happen and you have to listen to the show to hear the rest of the story, as Paul Harvey says is that she learned I need to start doing things for others.

This horrible part of my life is about me. I need to help others. So she started a car show, the Castle Show at the castle there in Los Angeles, helping young kids who are runaways on drugs, having trouble in their [00:32:00] lives, terrible life with their families abused. She found ways to help them, but there’s a repeat to this that goes on over and over and over again, and that’s the secret that I’ve learned is find a way to help other people.

So that was the key for me to learn that lesson. And there’s some Tim Med vets who figured out how to take paraplegics, climbed them out Everest. He was about to take his own life because he was addicted to drugs after a horrible motorcycle accident. He was actually a builder of choppers. He was gonna marry Cher, and I think he found out she was a little woo woo woo.

So, uh, she, he decided not to. At any rate, that’s how I answer that question. I can’t just pick one. And there’s ginger mentions women. I, I think I had close to 450 women on the show before Ginger came on, and she was a guest on the show before she took over. And so having women on the show was always fun for me and different, I think the youngest guest I had was a 12-year-old racer.

Ginger just did a show with a 17-year-old racer, a young woman who’s coming up through the ranks. And then Ginger will have to get to her old guy or [00:33:00] old woman show because I think the oldest guy who was ever on my show was Ed Arian Isky, right before he turned a hundred. And then famous people. And Ginger’s already had some famous people ’cause she knows more famous people than I do.

But you know, as you guys know, for me, my white whale was Jay Leno. And I always said, I can’t stop doing cars yet until I get Jay Leno. And he was very hard Yes. To get. He’s just so busy. You know, he’s just, but you did it, that was the crescendo, right? And then you kept going. Well, and it was the Christmas morning show and I, I seriously thought about.

Just ending it at Christmas. It was the end of the year and I thought, okay, I’ve done it. Yeah, I mean there’s a couple others that I really, sir Sterling Moss, I had him lined up many times and he had to cancel ’cause he was ill. And the last time he canceled his wife, lady Susie called me and said, he just can’t do this.

He’s not well. And he just will come across as not healthy and not sharp minded and that would just not be a good show for him or for you. A month later he passed away. Same with Dan Gurney. Had him lined up many times, had to cancel. And then the last time I had him lined up, his assistant called, said he’s just not doing [00:34:00] well.

And he passed away soon after that. So, you know, those are two that I really wanted to have. They were like childhood stars of mine, you know, that you kind of think about, there’s a few others that I wish, but Ginger will get ’em.

Ginger Baker Rust: Yeah. Well, luckily I already got to meet Jay Leno a couple years ago. He came out to a land speed event that was doing at Spaceport in New Mexico, and he came out and filmed with us out there, and that was really cool.

So I got to have my Jay Leno moment on that. But there’s some more people that I definitely on have on my list that I would like to get on the show, and hopefully that’ll be soon.

Crew Chief Eric: Some spoilers there. Ginger, can you,

Ginger Baker Rust: uh, let’s see. I can potentially say it had to do with the big deal. I just did.

Mark Greene: Yeah. Maybe you should ask her about this deal.

This is a huge deal and it might bring a very unique guest to cars. Yeah, right. Ginger,

Ginger Baker Rust: absolutely unique. And I, I’ve had a, a unique guest on already that people wouldn’t expect on Boston be a man who’s a celebrity influencer that does satire about men being a man. But this one would be. Off the chain. So looking forward to [00:35:00] it.

Mark Greene: Can you say who that might be?

Ginger Baker Rust: Can’t yet.

Mark Greene: Not yet. Okay. I will. I know who it is, so Yeah. Yeah. I’m not gonna give it away, but

Ginger Baker Rust: I, I can talk about the deal, but I can’t do that yet.

Don Weberg: Real, real quick, you know, because Eric, you didn’t touch on it. Mark, I’m a little disappointed you didn’t talk about your best looking guest, and we all know.

Here we go. Right here. That was me. The Don. The

Mark Greene: Don, that’s right. Yeah. We’re not talking about the president. We’re talking about Don Weiberg. So.

Don Weberg: Oh God, the day he looks better than me, just, you know, just forget about it.

Mark Greene: Yeah, forget about it. Forget

Don Weberg: about it. But, no, for both of you though, what do you think makes a great automotive podcast, and how has Haria managed to keep listeners engaged for all these years?

Is it the guests? Is it the comradery? Is it the stories? Is it just good looking people? What is it? Well,

Mark Greene: it’s a podcast so nobody sees you. So sorry. Whatever.

Ginger Baker Rust: Woo. Way to played him. Yeah.

Mark Greene: Do you wanna go for this first, ginger, or [00:36:00] you wanna

Ginger Baker Rust: Oh, it is absolutely. The stories for me, the best thing about the racing community or about the car community is the stories.

When you sit around and you share the stories and you listen, talked about this a little bit. When Mark did my interview, when I moved out to Mooresville. And went into Big Daddy’s restaurant and I’m sitting there and in walks, Bobby Allison, and he’s sitting down next to me at the next table with other legendary racers.

But just listening to the stories and being in NASCAR and being around the racing community, I think that that is the biggest thing that I’ve absolutely love is I get set for hours, I get set for days just listening to the stories. And I think that that is really what makes a podcast successful. And that’s what I really liked about Marx, and I love the stories.

I think that’s the number one key.

Mark Greene: I would agree. The thing about podcasting is interesting is I, I have a format and listeners know that I ask the same questions again and again. And some people that I’ve talked to said, well, you asked the same questions over and over [00:37:00] again. I said, but the answers are never the same.

Now, they might be in some ways, like who is the person that really inspired you? Well, my parents. But why? When I had Jay Leno on, I didn’t stick to a script with him. I just let him go because the idea was a Christmas morning show. So I did devise a few questions for him, but even he. Drifted into the same thing.

He told a wonderful story that I’d never heard, and you’d think you’ve heard all of his stories about his parents and his first car. And it was this crummy jalopy that had broken windows and he drove it to school and it started raining. And he was sitting in class looking out the window and rain was going into his new car, his new old car, and his dad and mom got in the car, drove over and put a tarp over the car.

While he was sitting in class. Now what a heartwarming story, even though it was this crummy old car with broken windows. But I thought, I’ve never heard that story. And after the show we chatted a little bit and I said, I’ve never heard that. And he goes, I don’t think I’ve ever shared that with anybody before, because I got him to reminisce.

Because the idea of the Christmas show was Christmas morning. What were the cars that you [00:38:00] got? What did you wish you could get every Christmas? My birthday’s right after Christmas, so I get all the leftover Christmas gifts nobody wants. They repurposed them. And every birthday I, my mom would say, what do you want?

And I’d say A Porsche, you know, my parents would laugh like, you’re gonna get that. And one year my mom baked a cake that looked like a Porsche. She goes, now you have your cake and you can eat it too. You have your Porsche. You can eat it too. But those kinds of memories that people share when they get into their personal lives.

And if you can make them feel at ease, and that’s. The key with podcasting. When the person called me for almost every one of my shows, I had never spoken to them. A lot of people say, well, could we have a phone call first? And I’m like, I don’t wanna do that. Number one, when you’re doing five shows a week, you don’t have the time.

But number two, it takes away the spontaneity and then it’s like what actors have to do. I did it my own TV show for a year. I decided I’m not gonna script this because I don’t remember lines that well. I would rather just ask the person to tell stories. So that to me was the most exciting [00:39:00] part, not knowing where we were gonna go.

And if somebody started to drift off course, I just let ’em go and you never know where they went. Sometimes they went to weird places and you had to kind of pull the, you know. Get ’em back in the boat. Yeah, it’s the stories of the fun part. You can tell with people, and I had some guests that didn’t do it.

They were either very corporate or very tightly wound or very nervous. That was another big problem. A lot of people really nervous. And so I would spend time before I hit the record button, talking to them, making sure, look, I’m not gonna trick you. I’m not Barbara Walters. I’m not gonna trick you with some question and bring up an illegitimate child you had back when you were in college or something.

This is gonna be about cars. We’re gonna not gonna talk politics, and if you wanna get into religion, that’s fine with me, but this is about your passion, your love for cars, and that mantra that Ginger’s picking up and caring forward inspiring automotive enthusiasts. It goes back to that question you asked about the why.

When you asked Ginger about the why, that was really important to me in developing and it’s really fun. And sometimes I would get off shows and I’d go, wow, that was [00:40:00] cool. Or I’d get off a show and go, I would like to go work with that guy or that woman, or, I had no idea we were gonna go down that path.

This is very interesting. Yeah, it’s, it’s like a blind date a little bit, I guess. Been so long, so, you know, I’ve been married 40 years, so I can’t tell you what those are like, but, uh, you, you don’t know what’s gonna happen and there’s some excitement to that if you’re the kind of person that likes that and I am, it makes it a lot more fun as long as you can get that ease.

And, and you know, Ginger’s got that southern style to her. I’ve teased her a little bit about she, she says she has this accent and every once in a while I hear a word come out here and there that she’s, uh, fought that off. But that southern comfort, southern style friendship comes through, which is helpful for the guest, which is the most important thing with the guests at ease.

’cause we’ve all watched interviews, especially with celebrities. Yeah. And I will say celebrities to the most challenging. And in fact, I even had a, I’m not gonna mention his name, but I have big time celebrity planned and his agent called the day of the show and said, uh, he is not interested doing the show.

Your questions are too different for him. Like, what do you mean? [00:41:00] Well, he is used to answering the same questions from everybody. Well, wouldn’t that be more interesting? Uh, he is not, not interested in that. It’s too scary for him ’cause he is got a script in his mind and this is a big name person. So that was a really disappointing day.

I was all fired up to get him. But I think for the most part, and I think people have found this with Ginger in editing or shows and listening to her, she has a way to put people at ease and make them feel comfortable.

Ginger Baker Rust: Mark said it best. I can say this about the first show that I did with Cat DeLorean.

There was. Some truth bombs that she released on there that I had no idea was coming that she literally had just learned about her mother and father.

Mark Greene: Oh yeah. That one on. ’cause you did a two part show. Yes. I still talk to people about that. Do you know John DeLorean that this Yeah. You gotta listen to that show.

Ginger Baker Rust: Yeah, you do. Mark and I both, we were blown away and it was really interesting. I mean, you know, all this stuff that’s out there about Jalon, DeLorean, and documentaries and the books and all this, that, and the other. Then she had just learned this part of history about him and her mother that she had [00:42:00] no idea.

And I mean, it was a huge truth bomb. And it was great. I mean, it was great.

Mark Greene: Look at Don Smile. He’s a big DeLorean guy, so, uh,

Don Weberg: I don’t know what you’re talking of. I don’t,

Mark Greene: yeah, right, right.

Don Weberg: No clue. Not one in my garage. No.

Mark Greene: There you go, Eric. There’s that character. It always comes out,

Don Weberg: you know, ginger, you talk of accent.

People tell me all time you have accent. I don’t know what they’re saying.

Ginger Baker Rust: Let me talk about that. ’cause actually a store behind that, I actually really do have a very thick southern accent when I’m around my people, so to speak. When I was, but when I was, when I started out in corporate advertising, I was in my early twenties.

And I’m going in front of boardrooms full of, you know, middle-aged men as a 22-year-old blonde, you know, five foot nothing pitching deals. You know, my boss, he said, you know, this is nothing against you. He said, but your accent makes it difficult to take you serious because you’re just a southern belle, right?

So he said, you need to talk more like a [00:43:00] Yankee. Okay, well, I’m trained in singing growing up, so I understood what he meant. I worked on to where I lowered my voice, I talked slower, I got rid of most of the accent. Now there’s some words that will come out that I just can’t help because it’s just difficult to say.

I had to actually learn that to do it this way, and now it’s just muscle memory to be able to, to get taken seriously in business. But like I said, when I’m around people I’m comfortable with, or it’s my people, or I’m around my southern folk, so to speak, then the southern accent’s right there, you know, it’s still there, but it’s so muscle memory now after 30 some odd years of having to speak more, that I could be taken seriously in business.

Mark Greene: Every once in a while when we were talking, she’d say something. I’d go, what? Yeah, what’d you say? And she’d, oh, oh, okay.

Crew Chief Eric: Start

Mark Greene: the

Crew Chief Eric: show. How y’all doing? Yeah. Yeah.

Ginger Baker Rust: Well, it’s like the word heal. Okay. It’s, for me, it’s heal. Okay. HILL or HEEL. It’s heal. Okay. It’s healed. You know. Or Mooresville. Or Statesville or Louisville.

It’s not Mooresville. [00:44:00] It’s uh, yeah,

Mark Greene: rave it up and welcome to car. Yeah,

Ginger Baker Rust: rave it up and welcome to car. It sneaks out once in a while. Like I said, any, in any business situation, it’s generally just that muscle memory comes in from having to do it so long differently.

Don Weberg: Accent aside, you’ve got a kind of a big role ahead of you.

You’re stepping into. A new old show. What excites you about the opportunity most, you’ve kind of touched on a few things, but what most excites you about this and how do you plan to really make the show your own?

Ginger Baker Rust: First of all, I’m gonna be updating the website, revamping and, you know, 2.0. Because you, you have to evolve.

And so I’m gonna be doing a lot of things with that as well. And to where there’s gonna be storytelling section and you know, some, and then highlighting a couple of different things. I can’t tell everything yet, but I’ve been working on potentially some co-hosts at some point and I have a lot of ideas that are on the table that, again, I don’t want to be premature on announcing ’cause I’m still [00:45:00] working through the logistics of it.

And again, I spent a lot of time researching and thinking about what I want to do with this show. The biggest thing is I want to make sure to keep the listeners that Mark built, I want to make sure to maintain that culture as the foundation and, you know, the car enthusiast and the car collector and, and I mean all the things that Mark built, what I think I bring to the table that’s going to extend it is.

The broad aspect of motorsport from every genre, right? Whether it’s NHRE or NASCAR or it’s off-road or dirt racing. There’s so many different aspects of motor sports. People understand. I think most people that are outside of Motorsport in the in the car community don’t understand in globally how actually a tight knit community it really, really is.

And so my biggest goal is to bring people that are not in that community and never, especially youth that have never been educated. Or introduced to the car world [00:46:00] to introduce them to that and to bring new people in that maybe know who I am or I’m familiar with or don’t know who I am, but maybe I have a different voice than Mark does that will bring it to them in a little bit of a different storytelling aspect or from a different aspect that will actually make them interested.

Like I, I stated the first of the show. It’s important for all of us. This is our love. This was our passion. We have to figure out a way to keep it alive and to keep the history alive and, and to keep motorsports alive no matter what the technology is. Those are the things that I think are the, that I’m focused more so on, on building on further,

Don Weberg: you want to bring in more youth, is that what you said?

Ginger Baker Rust: Yes. For instance, uh, the young lady that her show will be airing, there’s a lot out there that don’t have a platform or a voice and they don’t get interviewed because they’re young and up and coming. And I want to be able to give a voice to some of those up and coming youth that are actually taking interest in the car world or actually trying to make it up in racing or actually trying to climb the ladder.

And, [00:47:00] you know, she’s not experienced at speaking and it’s a short show, but I wanted to give her an experience that she needed just to be able to not only survive, but to actually try to be able to take the next step in Motorsport in her career. Most of the youth don’t get that. Actually, most of the adults or even professionals are, are running every week.

Don’t even get that opportunity. But my big thing is being able to bring youth in a more diverse playbook. As far as a larger community at hand,

Don Weberg: how are you outreaching to the youth of America or the young people of America? What is your game plan? Or if you can even go into that?

Ginger Baker Rust: Oh, absolutely. Oh, no, no, no.

Don Weberg: So what is the game plan? How are we gonna engage with more youth?

Ginger Baker Rust: I mean, here’s the thing. I come from a very tiny, tiny, small farm town in South Missouri from the Ozarks. Where I grew up, at the time, women and children would be seen and not heard. Okay. I mean, girls weren’t allowed, women weren’t allowed even in the track, the pit area, let alone you didn’t race a [00:48:00] car.

I mean, that was just unheard of. And so, I mean, I was the only girl in town. I was sneaking the car outta the garage at 12 years old, in the middle of the night going and racing with the guys. But I never saw myself ever being able to be in the race community or, or even be around it because it was not made available to me.

And it was shown to me that this is not for girls or women. This is not for you. This is not feasible. This is, you know, nothing. I, I had no way, no intention of even knowing that I could do this later on in life. And it did take place later on in life. And so I take that and every youth, I try to take as many as I can to erase.

I talk to ’em about racing. I tell them what I do, especially girls, but I want them to understand that it’s not about just getting into a car and being able to race a car. It’s about being an engineer. It’s about mechanics, it’s about mathematics. It’s about all these other things that people don’t understand that are involved in racing.

Even the marketing side or, or the business side. I just start talking to them. I bring them to races or I [00:49:00] take ’em to car shows. I’ve worked with a, a lot of youth in my career and in my personal life. I’ve had the opportunity to help care for a lot of kids, especially troubled kids. One of the things that I introduced them to was racing and showing them that this seems beyond your reach, but it’s not actually giving them introduction to something that they were not familiar with, and you would be amazed how much the experience gave them on being able to just look and see that there’s a whole different world out there that they had never even thought of.

Also being able to talk about the history. The history. The history. The history. We have to talk about the history. I I do it all the time. All the time. Anybody I meet,

Don Weberg: where are you meeting these people? How are you getting yourself in front of the Youth of America?

Ginger Baker Rust: Okay, well, so I’ll give you an example.

One of my sons, he was a all-star competitive cheerleader. Now, most people will not understand what that is, but it’s not like what you see In high school. He made the equivalent of a Junior Olympic team. He made a world’s team. He competed [00:50:00] against 800 other teams from around the world. And we traveled eight months out of the year to these competitions.

And I would talk to these kids about racing or tell ’em about a race that I went to, or I invited them. I have been a foster mom to kids that were hurt in war torn areas of Afghanistan. And I brought kids from Afghanistan over and took care of them and gave them medical care. Guess what I did? I took ’em to a race.

I took them to a race and exposed them to things that they had never seen before. I never even heard of, you know, let alone they come over and they see the grass on the ground or swimming pool or things that they had never, you know, did in their life, but to take ’em to a race and they went back to Afghanistan with these stories and these pictures about things that they could tell Other people have traveled in Europe and I’ve talked to, to kids there, or kids that, that were friends of my son’s.

You know, when they would come over, I’d take ’em to a race. That’s how you do it. I mean it, it sounds very simplistic, but that’s how you do it

Don Weberg: Sounds like it’s just [00:51:00] major networking.

Ginger Baker Rust: Yes.

Don Weberg: Working within, yeah. The community, you know, or the community you’re exposed to.

Ginger Baker Rust: Yeah.

Don Weberg: And kind of making it your own.

Ginger Baker Rust: Yes, absolutely.

Well, what’s interesting is you can set and you can watch these kids listen to, you know, their dad talk about it, but it’s interesting when they hear a woman because they look at you and like, really, I’ll just give you an example. I interviewed a young gentleman today for a job and was talking to him and you know, I told him a little bit about me and I said, you know, I’ve been in racing.

And he’s like really racing even. Wow. I would’ve never thought about that for you. I’ve never expected that. I get that over and over and over again, especially when I talk to young males. They’re like, really? Wow, I didn’t know women could do that. No, I’m serious. I mean, that’s a reaction. It just like, oh, you don’t look like the type of person that would do these things.

And that has actually been the greatest part about it is, and that’s what I’ve learned, is talk to more males. Talk to more youth. You know, youth and females, but the same thing. I’ve got little girls. I own another business that, that come into the business and these little three or [00:52:00] four or 5-year-old girls, you and I’ll be talking to ’em or their mom or whatever, and I’ll always mention racing in some way, or a car or whatever.

They just look at you like really? Even that young, really. There’s not one time so far that I’ve run into that. It hasn’t been a Wow. That’s interesting. And that’s the way you have to do it. You gotta talk to these kids like it’s something that they should know, but they don’t, other than what they’ve seen on the cars movie.

Don, did I answer your question to your satisfaction?

Don Weberg: You did. Oh, believe me, I could keep going. I think you and I could go back and forth. Probably Banta, that’s what they call it back east. They call it Banta. You know, Banta

Ginger Baker Rust: Banta.

Crew Chief Eric: Well, switching into top gear as we round out the last segment of the show here we turn back to Mark.

We really wanna talk about podcasting again at its core, because that’s what we started off talking about. And so stepping away from the hosting chair, stepping away from the microphone, you’re still in the editing room, you’re making sure things do hit the cutting room floor in some cases. Because I’ve heard you speak to other podcasters before.

You’ve been a mentor to me as well. You’ve helped a lot of people along the way. But what advice did you give to [00:53:00] Ginger as she took on this new role?

Mark Greene: I would say maybe one of the first things was be yourself. Don’t try to copy me. Don’t try to copy somebody else. Don’t try to be somebody else. I was given that advice when I started this by a, a very, very successful podcaster.

John Lee Dumas, who does Entrepreneurs on Fire, I mean, super successful guy, and I was able to actually get him on the phone for a little bit. That was one of the things he said, just be yourself, be enthusiastic about what you do. She’s enthusiastic about cars. So that was pretty easy. I, I, I think that was probably the main thing, and just being encouraging, saying, you can do this, and I’ve got all the tools.

Here’s the toolbox. Open it and use them. Because I’ve created this whole system of procedures. And the other thing I asked the why question. Why do you wanna do this? Because that exposed what the many of the people that were interested in taking over the show, that’s where things crumbled. They didn’t even know their why.

I always tell people, if you’re gonna do anything in life. You need to ask yourself why. And I always say, go and listen to Simon Sinek. He does a YouTube, uh, [00:54:00] Ted talk about why, and he explains the importance of whys. I just deal with a guy yesterday he contacted me. He has a podcast, but he’s kind of new at, it’s not really going anywhere.

And he wanted to bend my ear again, would’ve been a eight hour bend. So I just sent him this question and I said, you need to define why you’re doing this. This will answer all the other questions you can’t figure out yet. And you need to write it down. Write it down in detail your why. From that, you’ll be able to define your mantra, your slogan, like the Nike slogan.

Just do it. Mine. I mentioned, uh, and all the listeners who’ve listened to cars. Yeah, inspiring automotive enthusiasts. That became my why. I remember when I started this, there weren’t many podcasts out there, and I had so many people, why are you doing this? Why don’t you go run another company? I’d been running GRE’s Garage and you know, had all these employees and all those things and I said, well, I wanna do something for myself, not for somebody else.

Even though I was part owner at Grios and I had a joke, I said, my next [00:55:00] job will have no employees and no commuting. So I got that operate from my home here. I didn’t have to go anywhere. I didn’t have to deal with anybody, although I had a lot of employees. ’cause all my guests were. Like employees. So I kind of got that back, but that’s okay because when you’re done with a podcast, you fire ’em and they go away and you don’t have to talk to ’em again.

It’s one way to look at it. Yeah. Kind of the way it is. So I, I wanted to inspire automotive enthusiast, and it goes back to the, the second thing I said is, define your avatar. Define very clearly. Write it down. I’ve got a three page writeup at the beginning of this journey for me on my avatar, and that is, who is your listener?

What does his or her name, are they married? What age are they? What do they do for a living? But that comes back to why do they wanna listen to you? And in my case, it goes back, my avatar was a guy named Bill. He was a very successful neurosurgeon. He loved cars. It went back to a friend of mine, I’m still friends with him.

We raced vintage cars together for a dozen years. We even raced in the same class. We both raced Lotuses and Lola’s and had a lot [00:56:00] of fun. But in Bill’s case, he would come over every Thursday night when I was at Rio’s to Boys Night Out, and I would invite a bunch of friends over, had pizzas, and we would work on cars.

I had an ulterior motive. I had new products that we were bringing to market, and I would give them to test them, and I’d kind of watch, how did that work? Do you like that? What do you not like about it? They thought they were just having fun with cars. They were all test beds for me. But Bill, one night he was there with me late.

We are the only two people there. And he goes, you know, I wanna do what you do. And I said, bill, you’re a freaking neurosurgeon, pediatric neurosurgeon. You operate on baby’s brains, on people’s spines. I mean, you save people’s lives. And in his dry way, he goes, well, most of them, he’s a very funny guy, but he’s one of the best.

He said, no, you’re working in the field you love, you love cars, and you come every day and you. Work around cars. I wanna do that. So my goal when I retire is just to play in my garage around cars. It always stuck with me because I had him on this huge platform. This is a guy that saves people. I mean, the brain surgeon jokes, right?

The [00:57:00] only person smarter than a brain surgeon is a rocket scientist. Well, the brain surgeon might disagree with you there, but you know what I mean. So that defining why, and then creating that avatar gets you back to your why. And then from there you can start to figure out what you’re doing. And as far as the rest of the podcasting, once you get that figured out, you’ll be able to do what you wanna do.

And, and in Ginger’s case, when we had our many, many talks, I asked her all these questions, why? And I was excited. And you just heard her answer in a way that she wants to take this to another level. And that was my dream too, is that this would live on forever. And at some point Ginger will be doing other things and she can transfer it over to someone else.

Maybe it’s somebody that is working for her and her business, maybe it’s somebody else who comes along and then they can make it their own. And by then, who knows, maybe we’ll all be driving flying cars and it’ll be fly. Yeah. I don’t know. So,

Crew Chief Eric: so Mark, earlier you talked about having that plan and that readiness and preparedness.

Ginger used an analogy with cooking and it’s been [00:58:00] sticking in my mind that you have to have what they call in the cooking world, Nissan plus everything in place before you get started, because podcasting is a career. And if you read between the lines of what you were just saying, there was some advice there for the newbies that are getting into this even today, because more and more podcasts are coming online every week at a scary rate.

It’s one of the biggest booming industries in the modern era, unlike a lot of other things. And so. You’ve given sage advice many, many times over, and a lot of that surrounds perseverance and tenacity, which happened to be my middle names. But that being said, I wanna pick your brain on Sticktoitiveness the long game, because even with you transitioning to Ginger and Caria living on, it’s still one of the longest running podcasts, one of the most episodes in its catalog in the industry as a whole, you know, 2,600 episodes, let’s say.

How do you keep going? How do you motivate yourself, and how do you give advice to people to say, get past the early milestones and set your sights on 500, a thousand, 2,500 episodes? How do you do that [00:59:00] every morning? It goes back

Mark Greene: to why you have to ask yourself every morning that you get up and you go, I don’t want to do this today.

Well, why did you start it? Did something change in your life? Well, for me, I’ve been a car guy since I was a little kid. No, it didn’t change. Now maybe it didn’t move as fast as I’d liked or maybe it didn’t generate as much income as I dreamed of or whatever those types of things would be. But if you go back to the why, why am I doing this now?

Your why can change. Certainly the way you do it can change. The great thing about this, there’s so many supportive roles Now that didn’t exist when I started try to find somebody to edit a show. When I started, uh, nobody did edit a pod. What? Now there were some people, but. Not really, but now there’s this giant infrastructure around podcasting businesses that support podcasting in all these different ways that I could have only dreamed of.

Like, I wish I could have found a person to do that, but I had to figure it out myself. But for me, it was important to know how to do everything because there wasn’t that support. Like my website now, I’ve worked in design and advertising forever, so I can design [01:00:00] anything you want. But when I had to create a website, when it went goofy, something went wrong, it needs to be changed.

I’m still very proud of what it looks like, but it’s the old WordPress structure. I always say, you know, these people that do programming or uh, coding, I should say they’re a different breed. Because to me it was like having to build a carburetor on my kitchen counter. Then going out to the garage to see if the carburetor worked.

I came from a design world where it now used Illustrator, Photoshop, InDesign, all these things that are just do magic and now ai. There’s a podcast group that I’m still kind of a part of. I don’t do a lot with them anymore. Two years ago, created a podcast out of ai. With two people editing a chapter in his book and he played it for us.

It was 12 minutes long. And he said there were no people, they didn’t read the book ’cause there was no people. I just put my book online and went, and you know, now you’ve got Grok what it’s doing. Have you played with that? Oh my gosh. It’s like having a conversation with somebody. It’s magical [01:01:00] what you could do now.

So I just sit there and I go, wow. If I’d had that tool, if I’d had this tool. So Ginger’s going into this with the toolbox analogy, an entire different set of toolboxes and tools that I could have only dreamed about and it’s quite wonderful. So again, there’s more competition. Yes. Again, back when I started, I can’t tell you how many times I would reach out to somebody and say, would you be on my podcast?

And they’d say, what is a podcast? And a lot of them would say, I have no interest in that. Nobody must be listening ’cause. What is it? I don’t know what it is. And then I would do some keynote talks. I remember one I did with a, uh, company that built high performance parts. I went back to Alabama, got it in front of 300 people.

And I said, how many people in this room listen to a podcast? Two hands went up and there was literally, I think there were 320 people in the room. And I went, okay, how many people know that on this device you’re holding in your hand, there is a button you can push and you can become a kaja listener? And that evening I picked up 280 subscribers.

I just showed ’em by pushing three buttons. Now you’re a [01:02:00] subscriber. My show every day will come to your phone and you can listen. So that was a key thing for me going, okay, I gotta figure out how to tell everybody how to do this. But I was still new to social media still. So again, you have to go back to your why.

To answer your original question, why stick with this? You have to go back to your why. You just gotta get up every day and do it. That’s what every good person does. And if you’re lazy, this is the wrong sport for you. The treadmill never stops. It never stops. I, I, the longest vacation I took during this was I went to India for 18 days when my son got married.

And the work I had to do to plan for that trip to have all those shows lined up for almost a, well, I did it for a whole month. And then of course when you’re in India, they have the internet there. Yeah. They’re, they’re techie. Right. But I still had to go and make, and I remember one show didn’t load for some reason, you know, so I’m midnight India trying to make, you know.

Uh, you just learn. You just do it. Try not to take it all so seriously, which I don’t listen to myself when I say that.

Crew Chief Eric: So, mark, you used the phrase, the original question. You know, I’ve been thinking about that. And for [01:03:00] old times sake, let’s throw in some classic cars. Yeah. Questions for you and Ginger to answer.

Okay. If you’re a fan of the original cars, yeah, you kind of know how the format goes. So I decided to pick one for each of you. All right. So Mark, since you’ve got some extra time on your hands these days, please share a great book or two that you’ve read and you believe others would learn from.

Mark Greene: Thank you.

That’s a great question, Eric. I will remind everybody listening. There is an, and I hope I haven’t even asked you, Andrea, this, she’s gonna keep this on the website, guest recommended books. Thank goodness she’s nodding her head ’cause it’s a huge endeavor. But there are over 3000 books listed there on the website.

’cause I asked all the guests that question, ’cause I think learning is important. You have to learn all the time and reading is a good way to do that. So that’s one way I’m gonna answer your question is go to the caria website, click on the resources tab and go to guest recommended books. And there’s over 3000 books there with quick, easy click to buy.

Most of ’em are car, but some are business related. The other two books that I’ll recommend are by a good friend of mine, Chris [01:04:00] Pento. He is a financial advisor and really sharp young man. The first one is Capitalize your Sales. I wish I’d had this book when I was doing my podcast because my weak link was trying to get sponsors and.

Being good at that. Ginger’s gonna be an all star at that, so I don’t worry about her there. But this book is all about learning how to do sales. It’s a very quick read, 172 pages, so you can read it in evening or two. The other one he wrote is Capitalize Your Finances Again by Christopher Pan, O2 P-A-N-A-G-I-O-T-U.

Try to spell that and say it doesn’t work, but he’s a great guy and I wish I’d had that book when I was younger ’cause I’d have a lot more money invested and saved up right now instead of spending it on race cars and sports cars and other cars. And more cars. And more cars. But those two books I would suggest they’re great for younger people trying to get a grasp on their finances and also who need to be in sales and let’s face it.

No matter what you do, you’re [01:05:00] always trying to sell, you’re trying to sell yourself to your boss, to your clients, your products and everything. And it’s a world that Ginger lives in. So, uh, those are my recommendations right now. But I will say I’m in the process of categorizing my car library. I counted, did over 900 books back there.

What, this is one, the advantage of having so many authors on the show. And, and Ginger and I have had a few authors together and she’ll have more, I’m sure they send you books. So I have a car library that I always say when I’m too old to get up and get outta my easy chair, I will be able to read books until they just find me in there with books piled on top of me and I’m dead.

It’s pretty cool, but I’m trying to categorize ’em all so that someday, and my son is an avid reader, he will know what’s there and he can either hand ’em off to a library somewhere or add ’em to his big library. There you go. That’s my answer.

Crew Chief Eric: Alright, ginger, your classic cars. Yeah. Question. Tell us about a really special car bike or truck in your life.

Share great memory or experience you had with that vehicle.

Ginger Baker Rust: Well, I’d have to say it was my father’s [01:06:00] 1957 Chevy. It was blue and silver metallic. My dad raced local stock cars when he wasn’t racing stock cars. He moved over to racing local NHRE events. And if you’ve ever watched the movie Heart like a wheel about Shirley Muldowney in the very beginning scene of that movie, she’s sitting on his lap when she’s little driving the car and they’re going really fast and hilltop in a little bit.

Well, I did that with my dad in that car. That car’s the car. He took me into my very, very first race when I was about six or seven years old. The first racer I ever got to meet was Charlie Mulani, you know, and listening to, and watching her and seeing the cars, and listening to the cars and meeting Big Daddy Don Garlett and Connie Colletta, and, you know, all those.

But, but it was the sound, the smell, the energy, all that, but. You know, watching Shirley, but I didn’t have really very much times with my father. He was pretty absent most of my life. And I think that’s part of why racing was always so [01:07:00] important to me was that was the one connection that I had with my dad was racing.

And the one connection that we had, the only connection that we had was that car. And that was really, really special for me. And, and when I decided later in life to go into racing, going through a very, very difficult time in my life personally and medically, I was going through a very life-threatening situation right after a very difficult divorce.

And I was in the hospital and I woke up from surgery and I decided right then that I wanted to feel exactly the same way I did when I was at a racetrack. And while I was in the hospital, I actually wrote a poem of why I love racing, and I’ll share it with you if you don’t mind, but it has to do with this car.

And it says. I wrote this little piece a few years ago about my love for racing. The words seem more appropriate now about just restoring the rumble of life, and it’s called When the smoke Clears and it says, the heart begins to beat from the roar of the rumble. As you feel the earth [01:08:00] shake, the walls start to crumble.

When you smell the sweet air, it ignites the fire to desperately fuel that winning desire As the winds blow by drafting its way, any darkness subsides to the light of day. When the smoke clears from the victory circle, your passion in life is renewed for your miracle, and I decided that day I was going to go and get a career in racing.

No matter what.

Mark Greene: So will Shirley be on cars? Yeah.

Ginger Baker Rust: You know, I hope to have Shirley on. I really do. I got to meet her again a few years ago at Bristol, and, uh, she hasn’t changed a bit, but, uh, I hope so. And I, I actually, I plan on it and I hope so, and I hope she can do it, so that’d be great. But that’s my special car.

Don Weberg: What’s next for Mark? Are you officially retired? Is there more to come? What’s going on in Mark Lane?

Mark Greene: Well, yes, right now Jill and I are in our fourth month of a major remodel here at the house, and that is eating up all my time. We went through this 19 years ago in a much bigger way, [01:09:00] and I was run off every morning to work all day and leave Jill with the kids in a house full of contractors and.

Chaos. And uh, I think to this day she has PTSD every time a power tool starts up from that experience. But now I’m here to help and I’m glad I am because there are a lot of very minute details. And I grew up with a father who was an architect and a contractor, so I’ve got a bit of that in me. So we’re almost done.

I think we’re one month away. Uh, other than that, we’ve been traveling a little bit. We have our third grandchild now. So we head off to Arizona about every two months to see them and see my daughter and her husband. My son and his wife travel a lot, so they, I was gonna say dump, they drop off their child, which is a dog.

We’ve never had a dog, so it’s like having a toddler in the house this morning was especially challenging. It was like, leave me alone. I want the dog would not leave me alone. But he, he’s gotten us out for some very long walks and my wife does like six miles a day. So we go out on these long, long walks with the dog, which is good.

We’re having a beautiful week here. I have some trips [01:10:00] planned coming up very soon. I’m going to the La Jolla Concor, which is my hometown. Ginger’s had three people from La Jolla Concor on the show recently to talk about that event. I’ve attended lots of Concord, has been to 32 Pebble Beach car weeks and historic races and pretty much, I dunno if not all the Concord, ’cause there’s as many concourses as our podcast, as seems m these days.

But I’ll be going to that. And I’m going to Patrick Long, who’s known for endurance racing with Porsche, his air water event, which is part of his lu cult events. And that’s happens to be the same weekend. So I’m gonna go down to see my mom while I’m down there. My sister took off for Paris, so I’ll be staying at her house.

I will get to see her, but I’ll see my mom, which is good ’cause he’s going through certain challenges health-wise right now. But I’m gonna sneak away for two days with an old college surf buddy. See Bernstein. He’s gonna come and be the official car Caria photographer. He does that for us. We’ll do that for Ginger, hopefully in the future, going to racing events and.

Takes pictures and kind of thing. So I’m gonna meet up with him and he’s gonna go to both those events with me and take pictures that we can hand off to ginger for social media, [01:11:00] temp, things like that. Yeah. But other than that, I don’t have right now, any big thing, as you say, planned, I have some ideas in my head, but every time I start to think, uh, do you really wanna start that at this point in time?

Crew Chief Eric: You gotta find the why Mark.

Mark Greene: I find the why. Yeah, I’ve heard that. Yeah. You know, I’ve worked since I was about 12 years old, and so right now it’s a very weird time for me because to get up in the morning and go, oh. I don’t have to do anything. It’s kind of cool, is unique for me, trying to focus more on my health, so more exercise, need to lose some weight.

Same old, same old. So try to get myself in better shape because as you age, that’s very important obviously. But other than that, we’ll see. I’m playing around with some ideas for some things, but I think I, one thing I’d like to do is get back into photography. I was very into photography for a long time, and then I kind of steered away from it other than just the iPhone thing.

Sold all my Nikon equipment, thinking about getting all new equipment with the digital Sony cameras. I’ve been talking to friends of mine who do that for fun. [01:12:00] Talking to my friend Steve. I don’t think he’s a Nikon guy or a Sony guy. I think he’s a Canon guy. But, uh, at any rate, yeah, there’ll be some fun things to come and, and trying to help people out a little bit.

As my wife says, I need to learn to say no, and I’m learning that from Ginger, her no rule. That’s, there’s some things you need to say no to, otherwise you can end up helping people all day, which is fine, but at some point you need to know when to stop that in. Go do something for yourself. So, um, yeah, but right now I’m just kind of enjoying this bit of freedom and my goal this year is helping Ginger be successful.

So helping her edit shows, answering questions she has going along and nudging her. I feel like I need to give her a little nudge once in a while. Yep. Over certain things. So,

Don Weberg: yeah. Pointing the divining rods at you, ginger, what’s the, the next thing we’re working on you? Any spoilers, any special guests?

Wink, wink, nudge, nudge. How about this big deal? I was gonna say yeah, right? Yeah, yeah. Mark, you hit it head on. I didn’t want to hit head on. I was trying to be subtle about it, you know?

Ginger Baker Rust: Yes. There was a announcement that was released. [01:13:00] Nationally that I had put together a, a very large deal, especially in the dirt world of dirt racing between Hulk Hogan and his company, real American Beer and, um, the World Racing Group and the Five Dirt Series under that umbrella.

And when you talk about World Racing Group and the world of outlaws, especially the world outlaw’s late models, you know, you’re talking about people that aren’t familiar with is basically the NASCAR of dirt. There hadn’t been a deal like this in a very, very long time in the dirt world, and I was very excited that a gentleman by the name of James Case, who’s the senior VP of partnerships for real American Beer, called me one day and said, Hey, we are going into Motorsports.

We wanna go into Motorsport, and we want you to lead us to it, and we want you to take us where we need to be. We announced the deal. So there’s a lot of things gonna be coming out of that. It’s growing really, really fast. It’s been fun that this partnership’s gonna be fun. I get to play Switzerland ’cause I get to work with both sides, right?

People always ask me to [01:14:00] explain kind of what I do, my, my job. And I ask them, well, if you’ve ever seen the movie Jerry McGuire? And they’re like, yeah. And I say, well, I’m the female version of Jerry McGuire. Letting the motor sports world is a huge deal. And there’s a lot to come from that and more things that I’m working on.

And probably some people on the show in the near future from that partnership. We’ll just say that.

Crew Chief Eric: I knew it. She’s gonna have Hulk Hogan on the show I called it. There it is. Brother.

Ginger Baker Rust: I’m pleading

Crew Chief Eric: the fifth, ripping his shirt open, you know,

Ginger Baker Rust: so, but no, I’m very grateful to Hawk and his crew, and James and Conrad and Terry, all of them that are leading this charge with that.

And then also really proud of doing this deal with the world racing group in, in their group of guys and, and gals. It’s gonna be fun. And there’s, there’s more to come in a lot of other series that I’m working on right now. But that’s to remain

Mark Greene: in, I got to meet Hulk at sema just by chance. I walked around a car and he was standing there.

We both turned right in each other’s faces and Hulk Hogan, and he got a big smile, you know, everybody was [01:15:00] trying to talk to him and just, he was the nicest person. Took time, listened, you know, unlike some stars, you meet and you can like, eh. Get outta my face. He was super, he was super great guy. So yeah, this is a big deal.

Congratulations, ginger. This is awesome. And this will have some great ramifications for Caria and using that Caria platform to carry things forward. So really proud of you.

Ginger Baker Rust: Thank you. Yes, it was a multi-year deal and yes, and Caria was very much part of this conversation for something in the future.

Crew Chief Eric: Woohoo. Well, folks, we’ve reached that part of the episode where I like to invite our guests to share any shout outs, promotions, thank yous, or anything else you’d like to share that we haven’t covered thus far. So we’ll start with Ginger.

Ginger Baker Rust: I’m in Victory Lane and I need to, oh, yeah. And I need to do the,

Mark Greene: you need to drink the milk and say something.

Ginger Baker Rust: Yeah. The Burger King and the, thank you. Thank you. Real American Beer. Thank you. World Racing Group. Thank you Mark Green. Thank you guys for having me on this show. I especially wanna thank Mark for believing in me and giving me this [01:16:00] opportunity to share my voice and, and share my passion. But most of all entrusting me with his legacy.

And I, I couldn’t be more grateful and humble about the opportunity. And thank you guys for having me on here today. It was wonderful to meet you guys and, and talk and I’m sure we’ll be talking more in the near future.

Crew Chief Eric: Well, mark, you get the last

Mark Greene: word. As always, I encourage everyone to listen to cars.

Yeah. Ginger’s weekly show. And she, she said to me one time she might bring back more shows and get to the crazy world that I had. That would be awesome. I know she could handle that. I’m excited by the new guests that she’s bringing the new voice, the new thought process, which is exciting for me. ’cause as I said, I want this to live on, you know, having handed what I say the keys over to Ginger.

I wish her the best success and, and encourage her to have fun with this show and keep bringing all those wonderful people forward. And of course, if you wanna listen to cars yeah, you can find on any mobile podcast app, new website will be coming. I’m excited to see that, which will be very, very cool. And of course, the social media sites.

Car, jazz kind of [01:17:00] everywhere, YouTube and Instagram. And I think the only place I never put it on was TikTok just couldn’t get into the TikTok thing. But we’ll

Ginger Baker Rust: see if that still exists soon. Yeah,

Mark Greene: maybe Ginger will en enlighten me. And if any of you want to keep up with me, I just started my own Instagram.

I think I have 16 followers, so Woo-hoo. I am backing away from social media a bit because I spent so much time on it and trying to spend more time on reading and learning. And with my wife Jill, we’ve been married, as I mentioned, for 40 years, so she’s carried me and promoted me. And the times I was gonna give up on this, she just said, you gotta keep going.

Why’d you start it? Why’d you start it? And, uh, spending more time with my kids. Being a grandparent is just insanely cool. Still can’t think of myself as a grandpa. I think that’s for old people. But, uh, I guess I am. So three little ones is awesome. Hopefully there’ll be more in the future. So, uh, yeah, but you can find me there.

And I have my own Facebook page too, so you can find me there. Happy to accept, uh, anybody that wants to, uh, hang out [01:18:00] with me and, uh, I’m trying to promote Ka as much as I can, but I’m, I’m trying to take some steps back away from it too.

Don Weberg: As we wrap up this special crossover episode with Caria. It’s clear.

While one chapter is closing, an exciting new journey is just beginning. Mark. Your passion and dedication has shaped cars. Yeah, into a go-to destination for automotive inspiration. And your legacy will undoubtedly continue and resonate with listeners, ginger, as you take the wheel. We can’t wait to see where you steer Kaia next, bringing fresh perspectives while honoring the spirit that has made the show so beloved.

Crew Chief Eric: And with that, I can’t thank you both enough for coming on the show. And Mark, I have to say, you know, you talked about tenacity, perseverance, the why. Inspiration is at the core of Kaia. I’ve been thinking about it this whole time that you guys have been talking. Like you say, you never know what’s gonna come out at the end in the story.

And I thought to myself, there was a moment, even in, in my motorsports career and and getting into [01:19:00] podcasting that I said one day I’m gonna be on cars. Yet it was a goal. And to use a phrase that the young kids use now. I visioned it, I put it out there, it manifested itself and I ended up on cars. Yeah.

And so it’s been an incredible ride. It’s been an absolute honor to call you a friend and a mentor and to be involved in the cars. Yeah. Universe. I want to thank you for joining us on this crossover episode, and we really do look forward to what comes next. We’re staying in tuned for those new stories, the new voices, and of course, the most incredible automotive journeys and passions that are out there.

So in my best impression of Mark here goes. Until next time, keep the engines revving and the inspiration rolling, and we’ll see you down the road.

We hope you enjoyed another awesome episode of Break Fix Podcasts, brought to you by Grand Tour Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media platforms at Grand Touring Motorsports. And if you’d like to learn more about the content of this episode, be sure to check out the follow on [01:20:00] article@gtmotorsports.org.

We remain a commercial free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, and friends through Patreon. For as little as $2 and 50 cents a month, you can get access to more behind the scenes action, additional pit Stop, mini sos and other VIP goodies, as well as keeping our team of creators fed on their strict diet of Fig Newton’s, Gumby bears, and Monster.

So consider signing up for Patreon today at www.patreon.com/gt motorsports. And remember, without you, none of this would be possible.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Introductions
  • 00:52 Transition to New Host: Ginger Baker Rust
  • 01:25 Behind the Scenes of the Transition
  • 02:49 Mark Green’s Journey and Reflections
  • 10:06 Ginger’s Perspective and Challenges
  • 23:32 Mark’s Memorable Moments and Emotional Stories
  • 35:34 The Future of Cars Yeah
  • 39:10 Overcoming Nervousness in Interviews
  • 40:24 Ginger’s Southern Style and Celebrity Challenges
  • 44:19 Revamping the Show and Engaging Youth
  • 47:29 Empowering Youth Through Racing
  • 52:33 Mark’s Podcasting Advice and Legacy
  • 01:15:29 Final Thoughts and Future Plans

Bonus Content

There's more to this story!

Be sure to check out the behind the scenes for this episode, filled with extras, bloopers, and other great moments not found in the final version. Become a Break/Fix VIP today by joining our Patreon.

All of our BEHIND THE SCENES (BTS) Break/Fix episodes are raw and unedited, and expressly shared with the permission and consent of our guests.

Learn More

About Mark Greene

Mark Greene is an incurable automotive enthusiast who spent the last 10 years interviewing successful automotive entrepreneurs who live a lifestyle around their passion for automobiles. His guests included: Artists, celebrities, journalists, authors, concours directors, racers, designer, builders, and more!

Taking you on their journey, Mark got under the hood, and went behind the garage door, while providing some inspiration. You will find over 2,500 shows on the Cars Yeah website (hosted by Mark) and on all the major podcast apps.

[Editors Note]: Mark & Ginger thank you for joining us on this ride. We look forward to what comes next, and we’re staying tuned for new stories, new voices, and, of course, more incredible automotive passion. Until next time—keep the engines revving and the inspiration rolling!

Ginger’s already earned her “Darlington stripe,” navigating power outages, last-minute cancellations, and the steep learning curve of podcast production. With Mark still editing her episodes and offering guidance, the transition has been smooth – but not without its bumps.


Preserving Car Culture

For Ginger, taking over Cars Yeah is more than a career move – it’s a mission. “Our beloved racing and car culture is in trouble,” she said. “I want to use this platform to help save it.”

She’s not interested in making it a gender issue, though she acknowledges the barriers she’s faced as a woman in motorsports. “This isn’t about being the first female host,” she said. “It’s about the love affair I have with cars and the racing community.”

Photo courtesy Cars Yeah

With Ginger at the wheel, Cars Yeah is shifting gears but staying true to its roots. She brings a fresh voice, deep industry connections, and a passion for storytelling that promises to keep the show relevant and resonant.

Mark, meanwhile, is proud of the handoff. “She’s a bulldog,” he said. “Just like me. That’s what it takes to keep this going.”

As the episode wrapped, the crew reflected on the endurance racing analogy: “It’s yours to lose,” Mark joked. But with Ginger in the driver’s seat, it’s clear Cars Yeah is heading into an exciting new lap.


Guest Co-Host: Don Weberg

In case you missed it... be sure to check out the Break/Fix episode with our co-host.
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Motoring Podcast Network

Amber Slawson: From Samurai to Bomber—Blazing Her Own Trail at King of the Hammers

In the world of off-road racing, where grit meets gears and horsepower is only half the battle, Amber Slawson is carving her own path – one boulder, one busted tire, one mile at a time.

Photo courtesy Amber Slawson

On this episode of the Break/Fix Podcast, we go deep into the dust with Amber, a fearless competitor whose journey from college wanderer to King of the Hammers racer is as rugged and inspiring as the terrain she conquers.

Photo courtesy Amber Slawson, Two Stone Racing, Social Media.

Amber didn’t grow up in the off-road world. Her family had dirt bikes and camping trips, but it wasn’t until college that she found her calling. The turning point? The tragic passing of off-road legend Jessi Combs in 2019. Inspired by Combs’ legacy as a racer, welder, and fabricator, Amber made a bold decision: she would race King of the Hammers. “I kind of wanted to do my own off-road thing,” she recalls. “So I got my Samurai and just figured it out.”

Tune in everywhere you stream, download or listen!

Listen on Apple
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For the uninitiated, King of the Hammers (KOH) is no ordinary race. Held in Johnson Valley, California, it’s a brutal blend of high-speed desert racing and technical rock crawling. What began in 2007 as a 36-mile challenge for a case of beer has evolved into a multi-week motorsports festival.

Photo courtesy Amber Slawson, Two Stone Racing, Social Media.

Amber’s first KOH experience was a revelation. “I was there for three days and didn’t see a single regular car. Just rock crawlers everywhere. It was the coolest thing ever.”

Spotlight

Synopsis

This Break/Fix episode features Off-Road Racer Amber Slawson, discussing her journey into off-road racing. Amber sheds light on her inspiration stemming from Jessi Combs and details her entry into the sport with a Suzuki Samurai. She shares experiences at the King of the Hammers, a grueling off-road race, detailing vehicle preparations, race strategies, and overcoming challenges. The episode also explores the dynamics of having a co-driver, the rigorous nature of off-road racing, and the importance of maintaining public lands for sport continuity. Amber also highlights her role as a mentor for young women in motorsport through the Jessi Combs Foundation and her endeavors to encourage more female participation in off-roading.

  • What first drew you into the world of offroad racing, and do you remember the moment you knew this was your calling?
  • Can you describe one of the most challenging races you’ve ever competed in and how you pushed through it?
  • How has your approach to offroad racing evolved since you first started?
  • What goes into preparing both mentally and physically for a grueling offroad event?
  • How important is your team to your success, and what’s the dynamic like behind the scenes?
  • What are some of the biggest misconceptions people have about offroad racing?
  • Can you share a moment when things didn’t go as planned during a race and what you learned from it?
  • How do you see the offroad racing scene evolving, particularly for women racers? What advice would you give to young drivers, especially girls, looking to get started in offroad motorsports?
  • What’s next for Amber? When will we see you running in the Mint 400?

Transcript

Crew Chief Brad: [00:00:00] Break Fix podcast is all about capturing the living history of people from all over the autos sphere, from wrench, turners, and racers to artists, authors, designers, and everything in between. Our goal is to inspire a new generation of Petrolhead that wonder to. How did they get that job or become that person?

The Road to Success is paved by all of us because everyone has a story.

Crew Chief Eric: Strap in and hold tight because today’s episode takes us off the beaten path and deep into the wild. With Off-Road Racer Amber Slawson, a fearless competitor carving her own trail through some of the toughest terrain on four wheels.

From Dusty deserts to Rocky Mountain climbs. Amber’s journey into the world of off-road racing is powered by grit, determination, and a love for adventure that knows no limits. Whether she’s wrenching on her rig or flying through a stage at full throttle, Amber’s proof that the off-road world is just as much about heart as it is horsepower.

So get ready to meet the woman who’s rewriting the rules of [00:01:00] off-road racing one mile at a time. And with that, let’s welcome Amber to break fix.

David Andrews: Hello Amber.

Crew Chief Eric: Hi guys, and joining me tonight is a special co-host returning to the studio, David Andrews, our resident off-roading expert, who you might remember from the all the torques.

And Jesus takes the wheel episodes. So welcome back Drew.

David Andrews: What’s up?

Crew Chief Eric: All right, Amber, like all good break, fix stories. There’s a super heroine origin. So let’s talk about the who, what, when and where of you. What first drew you in to the world of off-road racing and do you remember the moment that you knew it was your calling?

Amber Slawson: Uh, I was in college and I didn’t really have direction. I didn’t grow up in Offroading at all. Like my dad and my brothers had dirt bikes and we would go camping and stuff like that. And then when my dad got two older ride dirt bikes, he had this Toyota pickup and that’s kind what I learned how to drive in.

So he kind of got into offroading that way. It’s because, so you do you know who Jesse Combs was?

David Andrews: Mm-hmm.

Amber Slawson: So, yeah, so just for listeners, Jesse Combs was a female race car driver and a welder. And a fabricator. She raced King the Hammers, and she won in [00:02:00] spec class. The only year they raced it in 2014 and won stock class in 2018, I believe.

But anyways, so she passed away in August of 2019 trying to set a land speed record. I’d always been a big fan of hers. Know, watched her growing up and she really inspired me to get into welding and then to get into the rock crawling and offroading. And then when she passed away next day, me and my brother were like sharing memories over the phone and he’s like, well, you gotta do something.

And I was like, kind of wanna risking the hammers and he is like, you should do it. So it was. Her passing that me to take on this whole challenge, and I was like, I kind of wanna do my own off-road thing. And then, uh, I got my Samurai when I was 20 ish. I went to my first King of the Hammers. We only went for like a three day stint on the way home.

I was like. Man, that was so awesome. I gotta make this the center of my life. It was just the, I was so impressed. I was there for three days and didn’t see another single regular car. ’cause like back then, you know how nowadays King of the Hammers, you see a bunch of like regular cars driving [00:03:00] around, people bring their daily drivers and there’s people coming in from town and stuff like that.

Back then it was just rock crawlers everywhere. I was like, this is. The coolest thing ever. So that was kind of the inflection point for me.

David Andrews: Well, Amber, first off for our listeners, let’s cover what King of the Hammers is.

Amber Slawson: Yeah. So King of the Hammers, it’s called the hardest one day off-road race. It’s a lot like the Burning Man of Off-Road.

That’s what a lot of people like to call it. It’s turned into this like three week long, almost like a festival where it all started, the King of the Hammers race. Was with rock crawlers basically going fast in the desert too. So the very first king to hammers was in 2007 and it was like a 36 mile long course on means dry lake bed and out in the hammers trails.

And the hammers trails are in Southern California, Johnson Valley, OHV Park. So it was this loop with a little bit of desert and a couple rock trails and whoever did ’em, all the fastest one for a case of beer basically. So that kind of evolved [00:04:00] into desert racing plus rock racing. And now this year’s course, the one that I ran was, uh, 120 miles.

Something around there, I think is usually what they are. So it was about 60 miles of desert for our first lap, which we did twice, and then 20 or 30 miles of rocks. So if you’ve never been to or seen the rock trails at Johnson Valley, you should go look ’em up. See how big these rocks are?

David Andrews: Yeah, those rocks can beat you up.

Even just floating over ’em. You guys are taking them at speed. Up and down the mountain. Can you describe some of your most challenging races you’ve ever competed in and how you pushed through it?

Crew Chief Eric: Oh, wait, wait. Before we get to that, drew, I thought you would ask her about this Suzuki Samurai, like you’ve had some weird off roaders.

David Andrews: Well, no, hold on, hold on, hold on. I’m gonna get to that. I’m very curious about the samurai, but I’m really curious about the whole process [00:05:00] that she brought up, bouncing over those rocks. That’s tough.

Amber Slawson: It’s pretty totally my body. Especially, and that’s something that I’ve learned going from the Samurai to now I’m in the bomber, is how much more comfortable this car is and how much less I get beat up.

When I used to race in my Samurai, I started in 20 and the goal was always just to finish because there’s like a 85% attrition rate, so like 85% of cars that interchange the hammers don’t finish at all. So my goal was to just finish and I’d usually spend around 10 to 14 hours in the car just trying to get that finish.

It would beat me the heck up getting into the bomber. Nowadays it’s a lot more comfortable, like I’m coming off it the next day. Less sore, less beat up. But going into, you know, even when I was just prepping my Samurai, it was October through January, ’cause the race is the first week of February. To circle back to your original question, the most challenging thing I’ve ever had to overcome, it’s kind of a hard question for me because.

A lot of racers don’t finish this race because they break. I’ve never had a [00:06:00] mechanical failure. I’ve always only ever not finished due to time. Probably the hardest thing mentally for me to overcome was my very first year that I raced. My goal was just to finish, and I was so absolutely just hell bent on.

I just wanna keep going. I just wanna make it to the finish. The cutoff time had come and gone and they were like, oh, you need to come in now. Like race ops went to my mom. And told her she needs to come in ’cause we wanna see her cross the stage and come into Hammer Town. I had just done the whole desert lap.

I had just gotten to the rock trails, which is all I really wanted to do was rock crawl. And so they called me in before I got to my first rock trail and I was so upset. I was driving in and I busted two tires on my way in and that year too, I got most of the way through the first lap and then I think I was out on my second lap and the rear pinion nut came off.

It backed off ’cause it didn’t get. And, and so my pick career had that changed out in like 15 minutes.

David Andrews: Oh, that’s a terrible, so that

Amber Slawson: wasn’t that hard of a thing to overcome

David Andrews: when [00:07:00] I did my research on you and I was sitting there like this girl did King of the Hammers in a fricking samurai. I would’ve been good with just most challenging things being there in a samurai.

So for most users that don’t know what a Suzuki Samurai is. It’s a late eighties, early nineties, SUV with solid front and rear axles that do not move Much. Very pleased to see your samurai and how you were just a rebel. I don’t know anyone else who would run King of the hammers in a samurai probably saw some really amazing things that that thing can do.

Amber Slawson: When I started racing my Samurai, no one had ever raced a Samurai stock class before, so I kind of had to figure it out. ’cause. Had to figure out all this safety stuff. More or less, read the rule book cover to cover a million frigging times, trying to figure out what goes and what doesn’t. So between August, 2019, it was like six months to get my Samurai ready for King of the Hammers.

’cause like racing, king of the Hammers had always kind of been like [00:08:00] this. I’ll do it one of these days kind of gold. And I had always imagined building another rig to do King Hammer in like a real race car. And so at the time I was like, well, I don’t have time to build a bigger race car, and I don’t really have the skills yet, but I’ve got my Samurai so I’ll figure it out as I go.

I got through all that stuff, made it through tech. I think I only had to go back to tech once, you know, they sent me back to fix my window nets or something like that. Came back and passed, which is pretty good. Apparently made it to the green flag. And so I was the first to race stock class in the Suzuki Samurai.

And then I think at our peak there were six Samurai racing in total.

Crew Chief Eric: He started a trend. Look at you.

Amber Slawson: Yeah, a little bit because I mean, they’re so cheap. Like I figured my whole program was. Cheaper than any other race car out there. It was so cool to just put these things together for people that just wanted to go racing.

You know, they were just like me racing something that they already had.

Crew Chief Eric: Cheap, but not fast.

Amber Slawson: Not fast. No,

Crew Chief Eric: no, no. What did you learn from your samurai? Was that one of those [00:09:00] things that other than, you know, slight little things, that it was actually kind of like a little donkey, a little workhorse. It made it through without too much issue?

Amber Slawson: Yeah, actually, that really speaks to, like me never having a mechanical failure on course. I like to say those things don’t have enough power to hurt themselves. You know, there’s 60 horsepower from the factory stock and then like the fuel injection ones are like 65 horsepower and they’ve got small axle shafts and stock axles.

To get this, I was only running 31 inch tires the first two years I raced as well. Oh my gosh. And stock axle.

David Andrews: Oh my goodness.

Amber Slawson: But the, by the third year, I’d raised. I had done Toyota axles and then by the fourth year I had done fuel injection and much bigger shocks and basically tapped the thing for the modifications that I could do to it.

I length in the wheel base three inches, which was the max for the rule book. It was on 35 inch tires when I finished racing it ’cause stock class. Rules are you have to keep the stock body, if it came solid axle, it has to [00:10:00] stay solid axle. If it came IFS, it has to stay IFS. If it came with leaf springs, you have to stay on leaf springs.

You can’t go to Lynx, vice versa. And then you have to keep the stock motor and stock transmission. You have any transportation axles.

David Andrews: Weren’t TAM MRIs on Leaf Springs at one point?

Amber Slawson: Yeah. All the Suzuki Samura that were made in America were all leaf sprung.

David Andrews: And yours was a foil sprung?

Amber Slawson: No, no, no. Mine’s still leaf springs.

David Andrews: Okay.

Amber Slawson: Yeah. By the time I was done racing it, I had Holly Fuel injection on the stock motor, longer leaf springs on it, but it was still leaf sprung, so it was okay. Toyota axles 35 inch tires length in the wheel base. Like I said, it was. As fast and capable as I could make it. And it still wasn’t fast

Crew Chief Eric: because you said 60 horsepower on a brand new engine back in the day.

So what did a dino at?

Amber Slawson: I’ve never actually dno the thing, but I assume calculated is about 65, 66 horsepower. 23 or 24. I blew it up and then I rebuilt it, put a freshie in it. Then I did the fuel injection and that added like five or six horsepower. [00:11:00] You think about it, it’s a 10% gain in horsepower.

Crew Chief Eric: Yeah, absolutely.

It’s huge.

David Andrews: Yeah. But Eric, you don’t really need a whole lot of horsepower when you’re running in lower gears. And if you get your gear in right, it helps to have more horsepower. But that thing is so little and it, how much did it weigh?

Amber Slawson: 29 50. Think was with the 17 inch wheels on it.

Crew Chief Eric: Wow. That’s heavy for that little thing.

Amber Slawson: Yeah. I cut the weight a lot when I put the 15 inch wheels, but I don’t think I weighed since then.

David Andrews: And then when you put the 30 fives on, something like that, the breakover on it is amazing. So it doesn’t need the 37, 44 inch tires to get it over rocks. It just literally Billy goats over to everything.

Amber Slawson: Yeah. Or it squeezes in between it because it’s so.

Crew Chief Eric: So we might have skipped over it, but let’s talk about the speeds of an event like King of Hammers, because there’s different types of off-road events, some really low and slow stuff. There’s high speed stuff like the Mint 400 and everything in between.

So where does King of Hammers [00:12:00] sit? You were talking about the desert portion of it. Is that pretty flat and you’re just trying to cruise as fast as you can and you get to the rocky part, which slows you up?

Amber Slawson: Yeah. So speaking about comparing speed. Mint 400. I think the average speed for that one is around 60 miles an hour.

For the winners, it’s around 60 miles an hour to finish all 400 miles. And so the average speed, I remember calculating it a couple years ago just to finish, king of the Hammers is around 12 miles per hour, and so the first lap is pretty much just flat out, kind of go as fast as you can to get to the rocks.

I feel like my average was probably around 45 or 50 miles an hour, even though I hit up to 70 and it’s pretty flat. Like this year was pretty smooth. They changed the course every year and they try to keep it as flat and smooth as they can. But we also run the same as the Desert Challenge that goes on the first weekend of King of a Hammers.

So like the big Mint 400 trucks will run that course and shoot it up, so we run the same one. [00:13:00] And you’re doing about 50 or 60 or 70 in the desert section, and then the rocks you’re doing maybe top speed 12 miles an hour, usually one to two miles an hour, especially in the bigger cars. You’re not just rock crawling, you know, you look at rock crawlers and you see like small, technical, really slow movements, really low gearing.

When you’re racing, it’s all about picking your line and tuning your shocks just for right tires, just dance over the rocks instead of having a bam, bam, bam, bam hit every single one. But in the Samurai it was, I was going pretty slow, but I was still trying to go as fast as I could. But it taught me a lot in that respect.

Crew Chief Eric: Well, you know, drew, you know what I didn’t hear on her list? I didn’t hear Jeep Commander or Mercedes G Wagon on that list. Um, yeah, that’s. Messed up. You

David Andrews: got no name for the G Commander or the, or the Mercedes G Wagon.

Amber Slawson: I haven’t seen either of those races, but I’d really like to. I’d be so stoked. Yeah.

Actually, when you bring that up, I’ve always kind of been a fan of the underdog, like who isn’t right? But. Every time I see a car come into stock [00:14:00] class that’s a little bit different. Like last year we had a, a Volkswagen Porig come in and compete with us. And then a couple years ago we had a Durango buddy of mine had a Toyota Sequoia that he had built up, and I like really suckered him in to racing mat a couple years ago.

I was like, that’s a really cool rig. It looks like a, a modified class card. He is like, yo, what kind of is. Now he races and his wife races and they’ve just stepped up to a bigger car and got them all into it. And then like all the S that came in racing, like I kind of created this still community of, we’re all just kind of connected.

’cause you know, if I came into pit. And needed help. I know that those guys, they totally lend a hand. I’ve had friends do that for me before and if I wasn’t in my pit, I’d want my crew to help out the next Samurai guy because you know, we all share the same parts.

David Andrews: Well, that’s what I had. I had a Jeep commander and I’m currently on a Mercedes G wagon, and IU actually use both of them.

Nice. Commander is Donezo,

Crew Chief Eric: [00:15:00] and I bring that up because in every racer’s life there’s the car you started out with, which is the one eventually kind of becomes your personal museum piece. So your samurai’s never gonna leave you unless money talks, right?

Amber Slawson: Nope, sorry, not with that one.

Crew Chief Eric: Yeah. Right. But at the end of the day, that’s.

Gonna be the one that’s gonna be with you forever and then you evolve to something else. And you mentioned earlier that you’re an A bomber now, and so as I understand it, that’s more like you see an RC car offer a, you know, big wheels kind of low truck, that kind of thing. Right? So that’s what you’re in now, what was that transition like going from stock class?

To a fully prepared off roader.

Amber Slawson: So backstory, Randy’s my husband. He’s the one that designed these cars in the first place. Bomber is his business. I like to think that bombers is all ultra. Four cars are kind of called the Swiss Army knife of our sport. You know, they have to run fast in the desert and crawl through the rocks quickly.

But so going from the samurai to the bomber was kind of detrimental to the Samurai ’cause now I jump back in Samurai and forget, I’m.[00:16:00]

I had never driven anything with that much horsepower. The bombers only got 460 horsepower. It’s a Crate LT one,

Crew Chief Eric: only 460 horsepower,

Amber Slawson: only 460 horsepower,

Crew Chief Eric: 400 more than your Samurai. I just wanna point that out.

Amber Slawson: Exactly, and it’s cool ’cause just with this last race that I just did in Moab a couple weeks ago, I’m finally finding the limits of that.

You only use the horsepower flat out fast stuff coming from the samra. I’ve always been really intimidated by that fast stuff, so I just. Really easing into it. And now I’m trying to finally finding the limits of the 460 horsepower. Let’s see, the bomber’s got 114 inch wheel base, 37 inch tires when I race it.

Nine inch axles.

David Andrews: Yeah. It’s a full

Amber Slawson: cheater code, basically. Yeah, it’s, and they’re built for the hammer trails too, like my husband. And Randy lived down there for years and that’s how he did his research and development is what he would go out and run the trails and come home and fix whatever broke and update it and [00:17:00] upgrade it for the next car.

So they’re really like purpose built for King of the Hammer stuff. You know, I got to know the hammers trails really well from my Samurai and I got to know rock crawling really well for my Samurai. And there were a lot of just fundamentals that I learned from small tires and small horsepower and small wheel base and stuff like that.

And it really helped me going into the bomber because. You know, you can’t just go from a pee shooter to a big gun. There’s a big learning curve and all it really took was seat time for me. I think I’ve got like eight weeks total worth of seat time at this point in that car or more. 24 was the first time I raised it.

25. I’ve done two more races. I’ve got four races under my belt at this point in that car.

Crew Chief Eric: So I’m gonna lean back into our question from before. ’cause speed is important, right? You got 400 extra horses. Now, what’s it like on the open desert? You were able to do 60, maybe 70 in the samurai, but you’re pegging that thing.

What’s it like in the bomber? Are you doing a hundred plus mile an hour?

Amber Slawson: Oh no, I wasn’t that confident with it this year. I think we did hit [00:18:00] 90 at one point across the dry lake bed, there’s a nice dry lake bed out in the back of hammers that you can go as fast as you want to and then you can let off and go back up into the rock trails.

But the summer, I really only ever got it up to like 50 or 60 miles an hour foot to the floor. The hole for lap downhill with wind. You back. But so driving the bomber on the first slap, it’s. Win or lose the race in the corners. And that’s something that I’ve struggled with recently is just cornering and the timing of it all and breaking, working on coming into a corner, breaking, drifting the corner, and then throttling right back into it.

The infrared back in your seat is pretty cool.

Crew Chief Eric: So it’s funny you bring that up because sometimes we talk about how. Other disciplines of motorsport can help you with your own personal racecraft in your own discipline. And so have you ventured into, let’s say, any circuit racing or done any other kind of practice in other cars to get that car controlled, to build that confidence, to get a better understanding of the cornering and the braking, or you’re just doing it as you’re out there?

Amber Slawson: Honestly, haven’t had any [00:19:00] opportunities. To do that sort of thing, I’d totally be open for it. We have BLM land right across the street, but we spend so much time just out practice there and we’ll go from here. We’ll do 200 mile loops in a day out to the desert and out around corners and just practice then.

Going up to Rubicon is only an hour and a half from us. So rock crawling is right there

David Andrews: and the federal officers don’t give you guys any mess for being out there.

Amber Slawson: Yeah, we haven’t been hassled off road. We get yelled at if we try to go on road. It’s pretty game out there.

David Andrews: Imagine that you mentioned that you’re constantly tuning and tweaking on the vehicle to be able to etch out a little bit more time to help your bottom line and help you to win.

So what are some of the things that you guys look at? To improve the balance and the performance of the vehicle.

Amber Slawson: Mostly what goes into fine tuning that goes into them these days is just shock tuning. So last year I made a point to make more shock tuning appointments, and I think last [00:20:00] year low, when we did four or five, they were mostly for Randy’s car.

He is 4,400 car, but we got my car so freaking dialed. It is. Arguably better than the big cars now. Wow. I watch videos of this thing and what you’re kind of looking for. The goal is if the car’s going straight over rocks, you want the tires dancing over the rocks and you wanna watch the chassis stay still, and that’s exactly what my car does now.

That’s where the fine testing and tuning goes into with every car that we build. We build it as best we can and there’s gonna be little tweaks here and there that you gotta make. It’s mostly shock tuning.

Crew Chief Eric: Wouldn’t the tires also be part of that package as well? Because the air pressure alone making drastic changes in air pressure would change the way the shocks bound and rebound.

’cause they’re all part of that mechanism when it’s impacting a stone or whatever it is, right?

Amber Slawson: Yeah, actually. So, we’ll, we’ll mess with horsepower depending on what race we’re doing. Like for King, the Hammers, we’ll run about 25 pounds. You’re going fast and you’re going [00:21:00] slow in the rocks, so you don’t want the rocks beat you up, but you don’t want to bust a tire if you hit something part of the desert.

But like this last Moab race that I did was mostly a rock race, and those rocks are harsh, so I bumped mine down to 22 pounds. Just to give me a little bit more cushion. Playing with that goes into it a lot, and it depends on what we’re doing. If we’re just running out in the backyard doing laps in the desert, we’ll bump it up to 25 and keep it there.

Crew Chief Eric: Do you see any change in tire pressure like the road racers do, where you’re out there and you’re running hard, you’re in the sun. Do you see the temps and the pressure start to climb and then you have to adjust or you’re not really paying attention to it? After you said it,

Amber Slawson: I’m not really paying attention to it.

Like I, I don’t whip out a tire gauge when I’m out in the middle of nowhere to check the tire pressures, but we do kind of compensate for it a little bit when we’re racing. You know, it’s something we keep in mind. It’s not like driving on asphalt where you’ve got that constant tension and traction.

You’re not building that kind of heat. You know, you’ve always got a little bit of slip under the tires with the dirt. Kind of keeps it. Cool.

Crew Chief Eric: Kinda switching gears a little bit, let’s talk about the human side of this. ’cause we talked a lot about the car and the [00:22:00] prep and it gets beat up and shock adjustments and stuff like that, but you’re getting beat up in the car.

There’s a lot of prep you gotta do. And when I sit down and talk with pro drivers in the road racing world, they always talk about, oh, I jump on the simulator and it’s all about hydration. And what’s the prep like mentally and physically. For off-roading,

Amber Slawson: but this is the thing that I love the most is off-roading.

It’s wheeling and rock crawling and that kind of stuff. So for me it’s super easy to just get into it and just love every minute. All of the prep that I do, I kind of love too. In the last year or so, I’ve actually started, I lift weights like two or three times a week, and I’m trying to get a cardio machine so I can, you know, increase my stamina a little bit.

And then I’ve gotten really hard on my snack game and my hydration game in the car, and that’s something that I’m constantly. Tweaking and tuning on with the last couple races that I’ve done is just staying fed and hydrated. ’cause yeah, we wear this fitness monitor just watching what your body does, or at least me an hour before I get in the car, my heart rate raises and just stays there, the whole [00:23:00] race.

So I have to keep feeding my body so that it performs like I need it to, or else I crash. My brain stops working. I can’t think straight and I don’t perform as well. I gotta remember to hydrate, eat snacks and just keeping calm. And I’ve been told and kind of experiences for myself that running off the adrenaline is not.

A safe or good idea. So you kind of keep your heart rate down, stay calm, twist, throttle.

Crew Chief Eric: You’re not slamming Red Bulls and just, yeah.

Amber Slawson: But I mean, it’s still, uh, the whole time I’m in the car, but I’ve been working on mitigating that

Crew Chief Eric: in your samurai older car manual transmission. More rowing of the gears, working the clutch.

Even at low speed, you’re a lot more physically active in the car. I can assume if it’s anything like some of the ATVs I’ve been in, especially the high speed ones, floppy paddle gearbox in your bomber automatic transmission, it’s a little less physical. And I’m not saying it’s any less physically demanding, but [00:24:00] you’re not as active behind the wheel.

Am I wrong about that?

Amber Slawson: Well, I mean, if you’re comparing the same ride of the bomber figure, I’m probably more active behind the wheel on the bomber just because I’m going faster. Well, I am using my clutch foot on the brake pedal now just in a different way. And then I’m still shifting gears because it’s turbo 400 transmission.

So I’m still shipping 1, 2, 3 in reverse whenever I need it. But it’s a lot less of pat your head, rub your belly, and jump up and down on one foot. Kind to think with the automatic transmission. But I kind of love that about the clutch too, ’cause I got so good at it. My samurai just. Became second nature

Crew Chief Eric: and with the three pedals set up a skill that translates from road racing to off-road is knowing how to heel toe, because you need to be able to hold the car, slip the clutch, give it a little all at the same time.

It’s like, wait, I got two feet and three pedals. How the heck does this work? Yep. It’s something we try to drill into our students in road racing, but I think you guys kind of pick it up almost intuitively.

Amber Slawson: Yeah, you, you have to. There’s a stuff, especially with the Samurai, that it just won’t do clutch. A [00:25:00] dirt bike, clutch.

Beat the crap out of it to make it do some really cool stuff. And that’s what I really loved about that thing. That was a fun part.

David Andrews: You’re taking the biggest beating out of everyone who you’re working with, but do you expect your crew to be able to have some sort of level of fit as you to be able to, you know, replace a half shaft?

As fast as they can. Those tires are like over a hundred pounds. They have to pull disassemble, suspension. So is there a a requirement for them to be just as capable as you? I

Amber Slawson: mean, I don’t expect my pick crew to be as physically capable. I know they are though because I’m 130 pound chick. If I can do it, these dudes on my pit crew, they could definitely do it.

And so that was actually a. Thing this year with me and my co-driver, because I busted a tire going into one of the rock sections at Hammers this year. I didn’t realize it at the time, but I was so exhausted and gotten tasked for [00:26:00] water when we came for our main pit stop. So I was exhausted, I was dehydrated, and I busted this tire.

I couldn’t have gotten that done by myself if my co-driver had been there to help me. Like we even had a hard time just getting the lug nuts off. They’ve been toed on so tight, which is something that I’m now fixing going forward. I know that I can’t pick those tires back up, put them back onto the rack on the car.

Having my co-driver physically fit is a requirement, and I know that most guys are able to lift those tires. I just can’t. As far as the crew goes, you always hope for the best. Right? You know, if we breaks something major, like a link mount rips off or something like that, we’ll just call the race. This year at Hammers on Randy’s car, we had a diff failure for him.

It was me and a couple guys trying to get the thing changed out. It was no problem for any of us. You know, these parts aren’t big and heavy. It’s just a matter of knowing how to do it.

Crew Chief Eric: Well, you brought up something really interesting. You said the word co-driver. Immediately. I fall back to growing up watching World [00:27:00] Rally and.

Stuff like that. You know, again, very centered in European racing, but in the rally world, co-drivers are there with their hieroglyphs and their notes, and it’s all pace notes, how much to the next corner, how fast you can go. They do a lot of sighting and trying to figure out where the course goes, even on those long stages that they have that are tens of twenties of miles.

So what is the expectation of a co-driver at King of Hammers? What are they there to do for you? Are they giving you those same pace notes and that, or they there to help you, like fit the vehicle through an area? What, what’s. The deal.

Amber Slawson: Yeah, so it’s not so much Pace Notes is like, we have a low risk GPS in the car and it’s got the course downloaded onto it.

So it’s basically just telling me, you know, there’s a corner coming up, turn right, turn left. And then this year they’ve been really hard on rock checkpoints. RCPs and vcps virtual checkpoints that our GPS points are exact. So these are points on the course, and you have to hit the vcps within, I think 125 feet and the RCPs within 50 feet.

So we basically have to navigate from [00:28:00] point to point to point. Like it’s not like Rally where it’s just point to point. You have to figure out how to get there. The course is kind of set up for us. We just have to hit those checkpoints. So that’s the biggest job of the co-driver is just to wash the map and make sure we hit those.

Also, like I mentioned earlier, when you bust a tire, they need to get out and help. We got stuck a couple times in the rocks, and so the co-driver will hop out and either winch or try to get the car unstuck or something like that. Shout out to my co-driver, Tom, this you. He did a great frigging job. We got stuck more times than I’d like to admit.

Had a ton of issues with at one point. I was almost with my steering ram into a rock. So we couldn’t winch forward, couldn’t pull ourselves backwards. I was ed on a rock and we had to get the high lift jack off, and he tried to jack up every corner of the car, get some traction somewhere to get it unstuck.

It finally worked, but just the high lifts didn’t wanna cooperate most of the time. So that’s pretty much co-driver duties.

Crew Chief Eric: So Drew, this goes back to what you’ve always told me, which is never go [00:29:00] offroad in a low,

David Andrews: never in front of camera.

Crew Chief Eric: Drew opened the door to talk a little bit more about how much the team plays into your success.

We’ve heard from drag racers what it’s like behind the scenes, and they come in from a run and they got a thrash and you know, tear motors down and replace clutches and all this kind of stuff. What’s the dynamic like on an off-road event behind the scenes?

Amber Slawson: Oh, it’s definitely still a thrash sometimes.

And so we try to prep these cars as best we can while we’re at home in the shop where everything’s nice, but sometimes things do break out there and you do have to come back and absolutely thrash in the car. The night before the race a couple years ago, Randy brought two cars. He had a 4,400 unlimited car and a 4,800 limited class car that he was racing.

One of them blew a transmission and the other one cracked the axle housing. Thrashed to get those things ready. One of ’em was the day before qualifying, and the other one was like two days before the actual race. Sometimes you pull the [00:30:00] car into the tent from pre-running and find something’s absolutely broken and needs to be fixed right now, and you just don’t go to bed until it’s fixed.

And then you try to get as much sleep as you can until the next day. And then either you gotta a qualifi or you got a race. Sometimes it’s like that. Thankfully it hasn’t been like that in the last couple years, and I like to keep it that way, so I’m gonna keep prepping my cars. Well, but yeah, and, and that’s kind of the beauty of hammers too, is if you camp close to Hammer town, you’ll hear grinders and cars revving and that kind of stuff going all night long.

And it’s kind of part of our culture, if you wanna put it that way. Yeah. Even just in rock crawling and off-roading in general, you know, if you break on the trail, sometimes you’re out there fixing it after a and all the way through the night just to get home the next day, go to work.

David Andrews: And that’s why we tow our rigs in.

Amber Slawson: Yeah. No help.

David Andrews: Well, this might be intimidating to a lot of people that look at this stuff and they don’t have any clue like what goes on in the background. What are some of the [00:31:00] biggest misconceptions people have about off-road racing?

Amber Slawson: Everybody thinks it’s dirty, and it definitely is. Probably the biggest one, is that we don’t care about our public land and we’re just here to mess it up, which is completely not true.

You know, it’s this balance where we love what we do and we have to keep the land Nice. To keep doing it. It’s really funny. They were really hard on the RCPs, the rock check points and stuff this year, and they told us we have to hit them because they didn’t want us blazing other trails next to the actual rock trail.

They wanted us to stay in the rock trail. And so we do things like that to minimize the impact on the environment. There’s also suns of smokey and tread lightly will come out and do trash pickups every night because the place does get pretty trash. I know King of the Hammers works a lot with the BLM, especially throughout the year to keep the trails nice and keep Johnson Valley OHB good for the rest of us.

But there’s a lot of stuff that I do too with Rubicon [00:32:00] Trail Foundation, for example, is trying to set a good example of people that need to be out there and keep our trails nice and don’t trash the place, don’t drive off trail. And you know, it’s just, it’s little stuff that seems like it should be common knowledge, common sense, but it really isn’t.

And I’ve seen that side of it. It’s just a matter of teaching people when you come out here, we have to treat this stuff with respect or else we’re gonna lose it. All of us have to do our part to treat it with respect and act responsibly and teach others so that we can keep having fun out on public lands.

David Andrews: I, I don’t think people understand, like you said, when you gotta treat these lands and trails with respect. Because once the government gets involved or any local municipality and they take it away from you, that’s it. There’s no getting it back. You can petition. You can go and talk. It’s happening all over the country where trails and lands are getting shut down for recreational use, so it’s very important.

[00:33:00] One of the first things I talked about when I was being interviewed was to make sure you clean up after yourself, any fluids, dirty water, trash. Fire pits clean up.

Amber Slawson: I always like to say, leave it better than you found it.

David Andrews: Absolutely. Leave it better than when you found it. Yeah. So what are some of the moments and things that didn’t go as planned during a race that’s like, gosh darn it, and did you learn from it?

Did you have a after action review and say, all right. This is fixable. This is what we’ll do going forward to not let this happen again.

Amber Slawson: So the second year that I raised King the hammers in my samurai, I had finally made it to the rock trails. I made it down the first rock trail and I started heading up the second one.

And I was so stoked to finally be out Rock crawl, and we got maybe a hundred feet into this trail. And came up on six or seven cars, either broken or stuck, basically in this trailhead completely blocking me from going forward and completing my race, and there was nothing [00:34:00] I could do about it. I was so pissed off in that moment.

I was literally looking at these canyon walls thinking I could attach my winch up there, just like Spider-Man across the cake. That thought seriously crossed my mind and after. But, so the lesson that I learned from that was staying ahead of the traffic because king of a Hammer’s, like I said, there’s an 85% attrition rate.

85% of the cars don’t finish. Traffic happens and it’s a big deal. Strategizing in a way to stay ahead of the traffic is a huge priority in my book now, and that’s part of what led to my success this year. So I actually took second place. In overall in the Everman this year I finished physical first and I was the first female to take the physical first overall finish in the Everman Challenge this year.

And I was knocked down to second place due to missing a couple RCPs. So those are time penalties worth 15 minutes a piece, and I missed three of them. So I got knocked from [00:35:00] first to second. That was my second official finish at King of the Hammers, and obviously my best one yet, so next year it’s just gonna have to be better.

By the time I was finished with Lap one, I started in 30th position and I moved up to six. So there were only six cars ahead of me going into the rocks. Six cars is totally manageable. Even if all six of those cars broke down in the same spot, I should be able to get around them. But if you are last in a field of 120 cars like I was in the Samurai and you’ve got a hundred cars broken in front of you along various points in the course, it’s gonna be really hard to get through those spots.

That was a big frustration.

David Andrews: They are then the obstacles.

Amber Slawson: Yeah. They, we like to say, uh, if you’re not moving on the race course, you’re part of the race course.

Crew Chief Eric: That’s like, you are not in traffic. You are traffic. Yeah.

David Andrews: Earlier you mentioned you were the, uh, only female at the time racing a stock class Samurai.

Did you have any [00:36:00] goals or aspirations to be like a. Figure for other women or other rebels to choose vehicles that not necessarily the gold standard.

Amber Slawson: Yeah. As far as goals of being a role model for females in the sport, that’s been a thing too. And I’ve been working a lot with the Jesse Combs Foundation, bringing new girls into King of Hammers ’cause they have a scholarship program for girls going into the trades.

It’s not just a scholarship. They also really try to immerse these girls in the whole community and the industries that are involved too. So they’ll bring the scholarship recipients, they’ll grab a group of them and they’ll bring ’em back to King of the Hammers or SEMA or PRI show, or Easter Jeep Safar, another one.

You know, they. Bring these girls out and introduce us to us, and I show ’em around our pit and show ’em what it takes to go racing. So that’s been really cool too.

David Andrews: Oh, that’s really cool. The Easter Jeep Safari stuff. So they bought a new Jeep and you show ’em [00:37:00] like, Hey, if you’re interested, there’s levels to this.

Crew Chief Eric: Oh

Amber Slawson: yeah.

David Andrews: Okay.

Amber Slawson: Yeah. I

Crew Chief Eric: love that part. This past year has been really interesting because we have looked at a lot of different disciplines of motorsport investigating the gender parody that exists. In some motor sports and not in others. And so NHRA drag racing is at the top where it’s almost 50 50 men to women and you kind of come down into short track racing and things like that.

So how do you see the off-roading landscape, at least in your area? What does it look like in terms of, you know, men to women ratio? Are you seeing more women getting involved in off-roading?

Amber Slawson: Oh yeah. Definitely seen a lot more women getting offroading, especially since I was a kid, which is really cool and I attribute most of that to Jesse.

Tom. She was a big driving force and having women offroading and wrenching and wheeling and welding and all that stuff. I’d say around here it’s probably 15 to one men to women, and then also with King of the Hammers. This year I was the only [00:38:00] female to race in 4,800. Although I had other female friends racing in 4,500 modified class, 4,600 stock class.

So I think total in the everyman challenge, there was five or six. Females racing, the every man challenge. I know there was exactly one female racing in the 4,400 unlimited class. That was Bailey Campbell this year. And I’ve actually become friends with a lot of the females that have started racing after me, and a lot of ’em that came before me too.

So it’s fun to have that little friend group and we all bring each other up and help each other out.

Crew Chief Eric: So what do you think off-roading could do to make the sport more inviting to women?

Amber Slawson: That’s a good question because in general we don’t like to get dirty and it’s a really dirty sport. The thing that really drew me to it was the independence of it all.

First of all, like when I was a kid and having my own car, being able to drive places and take myself places was.

David Andrews: Awesome.

Amber Slawson: That was paramount. Getting into off-roading and learning [00:39:00] how to fix your vehicle when it breaks, how to maintenance your vehicle so it doesn’t break. Taking yourself out into the wilderness confidently and just knowing that you can take care of yourself, you know, whatever happens, you’re not gonna die for the most part.

Just having that confidence to be able to go out and do these solo trips. It’s been a building block for me in a way, just like a pushing factor. You know, when I’m out by myself, I can go out by myself first and foremost, and then when I am out by myself and something happens, I know that I can get myself outta it.

Circling back to your question, and this is something that I push for, is showing people, especially women, that these are attributes. That they already have in them. It’s just a matter of knowing that you can do it, whether you think you can or you think you can’t, you’re right.

Crew Chief Eric: Do you think having representation in organizations like Women in Motor Sports North America, or Shift Up now, or some of the other groups out there that represent women racers, would that [00:40:00] help with inviting more off roaders in especially young girls?

Amber Slawson: Oh yeah, for sure. Jesse Combs was the whole reason I started racing, and if I hadn’t seen her in Extreme four by four when I was a teenager, you know, she was on that TV show, extreme four by four, and we would watch it every Saturday morning on Spike tv. So seeing Jesse do these things. That mostly guys would do made me think to myself, well, if Jesse could do it, I could do it.

And so I’ve had this conversation with a friend before about how people are inspired to do new things when they see someone that’s like them doing it. Having women out there representing the sports is a big deal.

Crew Chief Eric: Well, you’ve been at this now for over a decade, and whether you have acknowledged it or internalized it, you’re now a role model.

Four young girls looking to get into Motorsport, like my two daughters. They’re of the age where they’re going. I see myself as you said, see me. Then I can be there, sort of thing. Let’s say one of my daughters walked up to you and said, Amber, why race off road? What advice would you give them? [00:41:00] How would you tell them to start out?

Amber Slawson: Probably biases you, Sam, I

David Andrews: or you commander

Amber Slawson: or a Jeep commander.

Crew Chief Eric: She says, begrudgingly.

Amber Slawson: Yeah, because that’s kinda how I got started was when I bought my Samurai and I just kind of dove into it. I just wanted to learn all this stuff that I could.

Crew Chief Eric: Would it be worth coming in and basically shadowing by maybe starting out as a co-driver or something?

Amber Slawson: Yeah, that is another way. So. If we go all the way back, if came to me and asked, how do I get into offroad racing? I would tell them, get on with pit crew. Find a friend who races. I’m a friend who races here, come here, be part of my pit crew. Just hang out with us at the campfire, like see what goes into this.

And that’s kind of how I got started in racing too. So 2014 was my first king to hammers and me and my family all volunteered the whole first year and we volunteered every year since. So having that behind the scenes perspective. Of the whole event really helped a lot too. That would [00:42:00] probably be my number one piece of advice to any regular Joe or Jody out there looking to get into these kinds of events is volunteer first.

You know, they’re always looking for volunteers. It’s a great behind the scenes. Thing to do. You really see the inner workings of the whole situation. And then from there you’re gonna meet people, you can get on a pit crew, start seeing what picks to be on pit crew, go from there to a co-driver. You just work your way up.

It’s kind of like I started welding, you know, start sweeping floors, same kind of thing. You work your way up.

David Andrews: What’s next for you? When will we see you running the Mint 400 or. Maybe NASCAR is in your future. Dirt oval. Yeah. A little bit more flatter, straighter, softer. Oh gosh. What’s next for you? What’s coming up?

Amber Slawson: So the next thing for sure is King of Hammers next year. That’s all I’ve got planned for sure. May or may not risk. Vegas to Reno this year, which would be a big one for me. That’s a bucket list. That would be a fun thing. And that’s about it. That’s about all I’ve got planned. I try not [00:43:00] to plan too far in advance, but you know, if opportunities pop up, sometimes I say no.

It’s sometimes the stupidest thing I ever say, but I catch myself or I go back and say, yes,

David Andrews: we’re gonna see you on, I be rooting for you. Hundred percent.

Crew Chief Eric: We can get some stickers on her rig at least if nothing else. Matter

David Andrews: fact, I wanna see that the barbecue hut that you guys got, where you do catering and stuff like that, just putting it out there.

Amber Slawson: Oh gosh. So in my camp we actually do have a building that one of our friends brings that’s like a four or five-sided wood building from Burning Man that they bring out and set up.

And that’s our kitchen like tent area.

David Andrews: Okay, that’s interesting.

Amber Slawson: So my mom gets there about a month ahead of the event, ropes off a big old area for us. And so we set up this kitchen tent and the whole camp area pitches in for meals and cooks together. And it’s, it’s a big community effort and it’s a lot of fun.

We may [00:44:00] or may not also have pyrotechnics up there.

David Andrews: Well, I’m glad you brought up camping, like outside of getting in. Your bomber and your Suzuki and and racing for a living, what do you like to do outside of the motor sports space? Do you still like to be an outdoorsman type, recreational off-roading or anything like that?

Amber Slawson: Oh yeah, for sure. I wanna say this. Racing thing is kind of the full-time thing for me because if I have a free weekend, I’m up on Rubicon Trail Rock Crawl. If we’ve got another free weekend, we’ll take the race cars and go head out to the desert, do a couple hundred miles in the desert. I’ve also got a 22 Tacoma, and I take that camping.

I did. Three days in Death Valley last year by myself actually, so funny story. When I was a kid, I didn’t like camping. We would go to Jone Canyon in test on California, so my dad and my brothers could go dirt bike riding every year, and I would sit and play on my game. He kinda snowballed. But yeah, I also [00:45:00] ride dirt bikes too, so we’ll go out and do that behind the house.

I just love every part of the stuff I get to do every day. I get to. Come in and work in the shop and build cool stuff and make customers happy. And then after work, I go out and play in the hills and go to the river and go camping. Stuff like that.

David Andrews: Well, I gotta tell you, one of my bucket lists is to get out to the Rubicon trail and experience that whether I’m driving or be in a passenger.

I’ve always wanted to see that and go on top of the mountain, wherever that, I call it a river lake, but it’s a big old lake on top of a mountain somewhere, and people jump into that lake all the time from like a big boulder, and it’s on a Rubicon trail.

Amber Slawson: It might be Buck Island Lake in case you ever do wanna come out.

I run an event called Zuki Con. It’s mostly for Samura, but I let anyone come. I gear it towards new people coming to the root Con. If you ever want to, you’re invited.

Crew Chief Eric: We could dress up your GWA to look like a Suzuki Samurai. I don’t think

David Andrews: so. Well, I got some things I wanna do to that thing first before I [00:46:00] even think about hitting the actually stock.

I think that thing could tackle the Rubicon trail. It’s a fricking tank when you get up under them. They are so simple. They have radius arms and they’re just beefy. They don’t have control arms or a leaf spring or anything like that. A SE coil and a big metal arm directly connected to the body.

Amber Slawson: I have yet to see a G wagon out on Rubicon.

I’m gonna be stoked the day that I do see one out there, but I think. Either way, get some arm under it or else it ain’t gonna be the same coming out.

David Andrews: Maybe, uh, we can trade some information and I’ll send you some photos. And I have a YouTube channel as well with videos of me scaling walls.

Amber Slawson: Oh, cool.

David Andrews: Nothing like what you do.

Amber Slawson: That would be super cool to see.

Crew Chief Eric: All right, Amber, we’ve reached that part of the episode where I’d like to invite our guests. To share any shout outs, promotions, thank yous, or anything else that we haven’t covered thus far.

Amber Slawson: If you want to reach out to me, if you’re interested in my event, Zuki Con, or you want to learn [00:47:00] more about Bomber or King of the Hammers or any kind of off road racing, you can reach out to me on Instagram.

My handle is. The Bur D-A-B-U-R-R-S, and if you have to ask, it kind of sounds like my name, Amber Da Burrs, or you can look up two stone racing on Facebook. Check us out.

Crew Chief Eric: All right, folks, that wraps up another adrenaline fueled episode of Break Fix. We had an absolute pleasure diving into the dirt, grit, and glory of off-road racing with the unstoppable Amber Slawson from her early days behind the wheel to the high octane challenges that she tackles today.

Amber gave us a powerful glimpse into what it takes to thrive in one of motorsports. Toughest arenas. Her passion, resilience, and drive are nothing short of inspiring. Not just for racers, but for anyone chasing the dream off the beaten path. And with that, Amber, I can’t thank you enough for coming on Break Fix, sharing your story with us.

And we wish you the best of luck. We wanna see more trophies in the trophy case for you from King Hammers and other events. And I wanna see you at the Mint. One, we’re gonna be rooting for you.

Amber Slawson: I’ve been to the men, just haven’t raced it yet. Let so I’ll see it [00:48:00] there.

Crew Chief Eric: We wanna see you in it. Not at it.

Amber Slawson: Okay.

Maybe

David Andrews: calling, but

Amber Slawson: yeah,

Crew Chief Eric: please tell me you got your inspiration from the police car episode of Top Gear when Richard Hammond built one with the spike strip in the front. You remember that with all the glowy lights. And the pink foo trim and all that.

Amber Slawson: Gosh, I don’t know if I’ve seen that one. Oh

Crew Chief Eric: yeah, it’s a classic.

Gosh, I think that’s the last time I’ve seen a Suzuki Sam ride was on top gear like 20 years ago. There was a second time I saw a Suzuki Sam ride and that was also on top gear, and they used one in their Bolivia special. James May drove one, and I remember how slow it was compared to the Range Rover and the FJ and all this other stuff that they had.

But at the end, it was the most reliable. It made it through that whole journey that they took, which was like 1200 miles or so.

Amber Slawson: Okay. I gotta go back and bl that one now. Go ahead.

Crew Chief Eric: I don’t know why when you said Burning Man, I immediately, my mind shifted to the Fyre Festival and I imagined this guy standing there with nothing around him.

And that was the kitchen. I’m sorry. It’s just like [00:49:00] my mind was wandering. Mine’s a fire needle going

David Andrews: the kitchen.

Crew Chief Eric: And on that bombshell. It’s time to end.

David Andrews: Amber, thank you for your time. I enjoyed the Good luck.

Crew Chief Eric: Thank you guys.

We hope you enjoyed another awesome episode of Break Fix Podcasts, brought to you by Grantor Motorsports. If you’d like to be a guest in the show or get involved, be sure to follow us on all social media platforms at Grand Touring Motorsports. If you’d like to learn more about the content of this episode, be sure to check out the follow on article@gtmotorsports.org.

We remain a commercial free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, and friends through Patreon. For as little as $2 and 50 cents a month, you can get access to more behind the scenes action, additional pit Stop, mini SOS and other VIP goodies, as well as keeping our team of creators fed on their [00:50:00] strict diet of Fig Newton’s, Gumby bears, and Monster.

So consider signing up for Patreon today at www.patreon.com/gt motorsports. And remember, without you. None of this would be possible.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Meet Amber Slawson: Off-Road Racer
  • 01:26 Amber’s Journey into Off-Road Racing
  • 03:13 King of the Hammers: The Ultimate Off-Road Challenge
  • 04:43 The Suzuki Samurai: Amber’s First Racing Rig
  • 15:18 Transitioning to the Bomber
  • 19:29 Fine-Tuning and Racing Strategies
  • 21:54 Physical and Mental Preparation for Racing
  • 26:52 Role and Importance of a Co-Driver
  • 29:08 Behind the Scenes of Off-Road Racing
  • 30:59 Environmental Responsibility in Off-Road Racing
  • 33:17 Challenges and Lessons Learned
  • 35:52 Encouraging Women in Off-Road Racing
  • 40:55 Advice for Aspiring Off-Road Racers
  • 42:28 Future Plans, Personal Interests, Closing Remarks and Shoutouts!

Bonus Content

There's more to this story!

Be sure to check out the behind the scenes for this episode, filled with extras, bloopers, and other great moments not found in the final version. Become a Break/Fix VIP today by joining our Patreon.

All of our BEHIND THE SCENES (BTS) Break/Fix episodes are raw and unedited, and expressly shared with the permission and consent of our guests.

Learn More

A letter about Amber from previous Guest: Keri Weishaar

“I’m excited to introduce you to Amber who is an off-road star. She’s a lifer, starting from a young age and showing no signs of stopping taking over the competitive world in off-roading. 

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She loves to go off-roading.  She bought her first car, her Suzuki Samurai, and learned to wrench and weld so she could build it to go off-road every weekend.  It is built but still street legal to this day.  Originally from the San Francisco Bay area, she moved to northern Nevada to be closer to off-roading trails.  

She has been competing for many years now in the US and Mexico as a spotter, co-driver and driver in some of the most well-known off-road racing events out there.  Rocks, high-speed desert, or both, she has done it all.  She works for Bomber Fabrication, manufacturer of top-of-the-line and winning off-road race cars.  She’s also married to the owner, Randy Slawson, 4-time winner at the King of the Hammers events in Johnson Valley, CA.  Together they have a very colorful race resume but Amber has taken her career from one race a year to several in the last few years and with partners such as Warn Industries, BF Goodrich Tires, and King Shocks just to name a few. 

She also loves to volunteer on trail maintenance projects and off-road events, as well as putting on an event on the Rubicon trail.  She’s a genuine advocate for the sport and has the support of the Jessi Combs Foundation, meaning she’s a real supporter of women in the industry.

She has a full race resume with all the winning details I’m sure she’d love to share with your audiences.” ~ Keri Weishaar

Amber’s first race rig was a Suzuki Samurai – a late ’80s, early ’90s SUV with solid axles and a reputation for being underpowered but scrappy. She was the first to race a Samurai in stock class at KOH, and her DIY spirit sparked a mini movement. At one point, there were six Samurais competing.

Photo courtesy of Amber Slawson

“I like to say those things don’t have enough power to hurt themselves,” she laughs. “Sixty horsepower stock. I was running 31-inch tires and stock axles my first two years.”

Despite the limitations, Amber never suffered a mechanical failure – only timing out. Her Samurai became a symbol of resilience and ingenuity, maxed out within the rulebook’s constraints: stock motor, stock transmission, leaf springs, and a wheelbase stretched just three inches.

Photo courtesy Amber Slawson, photo credit Cory Bechtold.

Eventually, Amber transitioned to a Bomber – a purpose-built Ultra4 car designed by her husband, Randy Slauson. With 460 horsepower, 37-inch tires, and a 114-inch wheelbase, the Bomber was a quantum leap from the Samurai. “It was kind of detrimental to the Samurai,” she jokes. “Now I jump back in and forget I’m not in the Bomber.”

But the fundamentals she learned in the Samurai – line choice, throttle control, and mechanical sympathy – translated perfectly. “You can’t just go from a pea shooter to a big gun. It takes seat time.”


Speed, Strategy, and Shock Tuning

While the Mint 400 averages 60 mph, KOH’s average speed is closer to 12 mph. Amber’s desert lap speeds hover around 45–50 mph, peaking at 70 in the Samurai and 90 in the Bomber. But it’s not just about speed—it’s about surviving the rocks.

Shock tuning has become a critical part of her race prep. “You want the tires dancing over the rocks while the chassis stays still,” she explains. “We’ve got my car so dialed now, it’s arguably better than the big cars.”

Off-road racing isn’t just hard on machines – it’s brutal on bodies. Amber lifts weights, monitors her heart rate, and fine-tunes her hydration and snack game to stay sharp in the cockpit. “My heart rate spikes an hour before I even get in the car and stays there the whole race,” she says. “If I don’t eat or hydrate, I crash—mentally and physically.”

Photo courtesy Amber Slawson.

She also emphasizes the importance of a fit and capable co-driver. “I couldn’t have changed that tire alone this year. My co-driver is essential.”


Building Community, One Underdog at a Time

Amber’s influence extends beyond the track. She’s helped bring other unconventional rigs – like a VW Touareg, a Toyota Sequoia, and even a Dodge Durango – into the KOH fold. Her pit is a hub of camaraderie, where Samurai racers share parts, tools, and encouragement.

“We’re all just kind of connected,” she says. “If I’m not in my pit, I want my crew helping the next Samurai guy.”

With four races under her belt in the Bomber and a growing reputation as a trailblazer in the off-road world, Amber Slawson is just getting started. Whether she’s crawling over boulders or mentoring the next generation of racers, she’s proving that heart matters just as much as horsepower. And that sometimes, the best way to blaze a trail… is to build it yourself.


Guest Co-Host: David Andrews

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Motoring Podcast Network

Leipert Motorsport with podium success in Inje, South Korea

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The fourth round of the Lamborghini Super Trofeo Asia took the Leipert Motorsport team to the Inje Speedium in South Korea. As in Fuji, the Lamborghinis were driven by E. Brown (SIN) / N. Pirttilahti (FIN) in car number 27 and JJ Song (CHN) / B. Leitch (NZL) in car number 89. Despite challenging weather conditions during the monsoon season, the team once again presented itself in strong form and impressed with consistently fast lap times and a well-deserved podium finish.

Strong pace in wet conditions in practice and qualifying Both cars were already among the front-runners in free practice, showing strong pace in changeable track conditions. In the subsequent qualifying, the team held its own in consistently wet conditions and secured strong starting positions: In Q1, Pirttilahti (#27) qualified in P4 (PRO) and Song (#89) in P5 (PRO-AM). In Q2, Brown in the #27 car secured third place on the grid in the PRO class, while Leitch secured pole position in the PRO-AM classification.

Race 1: Good pace and time penalties. Photo courtesy of Liepert Motorsports, photo by Drew Gibson

In the first race, the #27 car with Pirttilahti got off to a strong start and fought its way up to third place. However, a 10-second time penalty during the mandatory pit stop and a safety car phase lasting over 20 minutes prevented a better result. Brown took over at the halfway point and brought the car home in a well-deserved fourth place in the PRO class.

The #89 also put in a solid performance: Song confidently defended his starting position before Leitch made up ground with several strong overtaking maneuvers. However, due to a safety car phase during the pit stop window and a subsequent penalty, the duo ultimately dropped from fourth to sixth place in the PRO-AM class.

Race 2: Early exit for #27, podium for #89. Photo courtesy Liepert Motorsports, photo by Drew Gibson

The second race did not start as planned for #27, as it later transpired that the fastest qualifying lap was set when part of the track was under yellow flags. As a result, #27 started the second race from fifth on the grid. However, Brown worked his way up the field very well in the opening minutes and impressed with his strong pace. But an unfortunate collision while overtaking ended the race prematurely with radiator damage, meaning the duo failed to finish. Leitch once again got off to a strong start in the #89, setting the fastest lap of the race and handing over to Song in the lead of the PRO-AM class.

Despite a confusing safety car phase and attacks from the competition, Song defended his good starting position with all his might and crossed the finish line in a strong second place – a well-deserved podium finish in the PRO-AM class.

What’s next: Last stop in Asia before the world final

Managing Directors Marc Poos and Marcel Leipert were generally satisfied with the performance in South Korea: “Under the difficult conditions of the weekend, we showed very good pace, which unfortunately was not sufficiently rewarded in the case of the Brown/Pirttilahti duo. Nevertheless, the performance of the entire team – both on and off the track – was once again very good. In addition to many positive impressions, we were also able to collect valuable points for the championship.”

The Lamborghini Super Trofeo Asia is entering the home stretch: the fifth and final stop on the Asian continent will take the field to the Malaysian Sepang International Circuit from 5 to 7 September. There, Leipert Motorsport will once again battle for overall and class victories before the big World Final in Misano in November.


About Liepert Motorsport

Leipert Motorsport was founded in 2002 and became one of Europe’s top GT-Teams in Sprint- and Endurance-Racing. Spreading its GT-Engagement even wider across the continental borders, this step is the logical consequence for the German team after being a front runner and championship winning team in multiple competitions.

Screen to Speed: Bex Betman

In a world where horsepower often overshadows heart, Bex Betman is driving a new kind of narrative—one where motherhood, motorsport, and fierce individuality all share the same lane. From early days surrounded by Nissan Skylines and Honda Civics to becoming a competitive time attack racer and mentor to her daughters, Bex exemplifies how racing isn’t just a passion—it’s a lifestyle, a community, and sometimes, a family business.

Growing up in New Zealand, Bex had motorsports in her DNA. With a mechanic dad and a stepfather who shared the same obsession, her weekends were spent trackside—particularly at the local dirt ovals, which are more widespread in Kiwi towns than many would expect. Unlike many young girls, Bex learned to drive in her mother’s manual Nissan Skyline, and she quickly fell in love with Japanese cars—reliable, fast, and part of her everyday culture.

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Bex paints a picture of New Zealand’s motorsport scene that feels like a homegrown version of Fast & Furious—minus the Hollywood excess. Tracks are everywhere, drifting is celebrated, demolition derbies offer stress relief, and families come together in fierce yet friendly competition. The irony? While Americans might lust after a rare JDM import, in New Zealand, Skylines and Civics were a dime a dozen.

In a landscape where V8 muscle cars argue with JDM diehards, gender rarely enters the conversation. “Once you put the helmet on, it doesn’t matter,” she said. Respect comes from skill, not stereotypes.

Photo courtesy Bex Betman on Instagram

Although Bex grew up around speedway ovals, her heart gravitated toward tarmac and twisty tracks. Her early ventures into drag racing led to a ten-second quarter-mile dream realized in her Mitsubishi Evo—a car she jokingly called a “reliable family car” until modifications made that claim dubious at best.

Time attack proved the perfect transition. “One lap matters,” she explained. Unlike endurance or circuit racing, time attack is a blend of engineering finesse and driving precision. It requires downforce, aero smarts, and boldness—and Becks thrives on all three.

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Racing with Daughters: The Family in Fast Lane

While Bex races with grit and determination, she’s just as passionate about seeing her daughters build their own legacies. Her youngest—part of a set of twins—is already earning accolades in local motorsport events. From cone work to drifting ambitions, Becks not only supports her daughters—she coaches, celebrates, and races beside them.

What’s the secret to balancing parenthood and the paddock? “I’m the mom that says yes,” Bex laughed. Whether it’s racing, travel, or building a new drift car together, Becks empowers her daughters to get dirty, learn mechanics, and chase adrenaline just like she did. Her parenting philosophy is refreshingly direct: “If you break something, you need to fix it.”

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Meet Bex Betman
  • 01:36 Dirt Racing in New Zealand
  • 08:26 Time Attack and Drag Racing
  • 11:30 Balancing Family and Racing
  • 15:07 Community and Events
  • 18:56 Challenges and Gender in Motorsport: Her Daughter’s MX-5 Racing Journey
  • 26:58 EVO Build and Racing Duties
  • 29:41 Plans for Upcoming Racing Season
  • 33:57 Endurance Racing Aspirations
  • 42:25 Dream Tracks and Future Goals
  • 47:38 Final Thoughts

Transcript

Crew Chief Brad: [00:00:00] Welcome to Screen to Speed, powered by Init eSports. In this podcast, we dive into the journeys of remarkable individuals making waves in sim racing and bridging the virtual with the real. From the thrill of digital circuits to the roar of real life racetracks, we explore the passion, dedication, and innovation that drives the world of motor sports.

We’ll hear from athletes, creators, and pioneers sharing their stories, insights, and the powerful ways sim racing is connecting communities and creating pathways into motor sports. So buckle up screen to speed starts now.

Lyubov Ozeretskovskaya: Happy to see you on any talks today, and we got, uh, beautiful Bex Betman today with us, uh, welcoming Bex. Hi.

Bex Betman: Nice to be here.

Lyubov Ozeretskovskaya: [00:01:00] Yeah, nice to meet you too. Uh, so hope you’re doing well today. And, uh, let’s start, uh, from where, where are you from, first of all? Uh, because I, I can see you good morning, also as I in Kazakhstan and it’s, uh, 6:00 AM right now.

Bex Betman: Um, well, I’m from New Zealand and we’re a little island in the Pacific Ocean, miles away. And yes, it is one, uh, 1:00 PM here Friday. So the future looks good, everyone. Yeah. Yeah. Yeah. So yeah, it’s winter for us.

Lyubov Ozeretskovskaya: That’s nice. Uh, so let’s start with basic, uh, so how you get into motor sports, how you get involved into this.

Uh, so where your, uh, journey started.

Bex Betman: Um, I sort of had no say in it when I was younger. My dad was a mechanic and I was just sort of brought up around cars and then my stepfather was the same. And I sort of grew up at the Speedway Track, which is a [00:02:00] dirt track here for um, new Zealanders. And then as I got older, I was sort of determined I didn’t really like Speedway as much and I wanted to give the tar sales stuff a bit of a go.

So I think even as a young teenager, we all had cars and were driving around and we all sort of, um, we’re a country with a lot of, um, Japanese cars. Mm-hmm. So in the early nineties. So we sort of had every Japanese car available and that’s sort of what we grew up driving. Honda Civics. Mm-hmm. Yeah. The old sky.

Yeah. I learned to drive in my mom’s skyline, so it was kind of just stemmed from my childhood really, of what options were there for us to drive around in. And being a girl from the nineties, we all drove manuals. Mm-hmm. And. That’s sort of where it started.

Lyubov Ozeretskovskaya: That’s really cool. You know, I think that, uh, some people will be jealous that you got all these, uh, Japanese cars and, uh, they, uh, really, you know, available not really far away from you.

It’s really cool, uh, because I bet so many [00:03:00] people, like in United States and Europe also, uh, struggling to find a decent like skyline or something like this. So it’s really cool.

Bex Betman: Yes, they definitely do. We didn’t sort of realize how great we had it back in the day. Mm-hmm. And like back then you wouldn’t realize, like with the internet now, everyone knows everything.

Back then you didn’t realize actually how fun it was to be honing around and what we were growing up in. Mm-hmm. And as I say, my daughter, her, her daily driver now is a skyline. So they’re still very common here. Mm-hmm. And we wonder what. Yeah, we, we know now why they get a bit jealous ’cause they are great with cars.

We get jealous. We didn’t get a all muscle cars.

Lyubov Ozeretskovskaya: That’s true. Okay. And also another one thing you, you told me that, uh, you got dirt ovals. In New Zealand, uh, this is really surprising me because, you know, usually you’re thinking like, oh, in United States, uh, this kind of racing, this category is really [00:04:00] popular, but you’re not thinking that somewhere else on, on our planet, uh, this can be popular also.

So can you tell me more about the dirt rolls and, uh, like how people get, get here and, uh, like how big the community in New Zealand also.

Bex Betman: Speedway is huge in New Zealand. Um, there’s a lot of sponsors and all sorts that go into Speedway here. Um, basically every town in New Zealand has a speedway track as to how big depends on the size of the town.

Mm-hmm. But there’s always dirt tracks. New Zealand for people to go on. Depends how well, how big your budget is really in terms of a lot of motors sport in New Zealand. But I don’t have a lot to do with the Speedway community now. But the events that I’ve done out at Speedway recently are the demolition Doobies.

Mm-hmm. So you get an old car. Normally an old Japanese car, sorry, America, but um, and you hang around, they put a ramp in it and you go over the ramps and you crash into [00:05:00] each other pretty much. And that’s done on the dirt track and I love it. They do one here on Boxing Day, and that’s my biggest stress relief at the end of the year.

Year. Mm-hmm. Was to go out and just match up a car and drive around in circles, not not care in the world. After those you come on. Oh,

so yeah, no, dirt racing is very big here. Yeah. Uh, sprint cars mainly, there’s a lot of money tied up in the sprint cars here and I think my uncle used to actually build them some for some time. And, um, no, it’s just, I sort of steered cleared a, because once I found my we community, I, yeah. Sort of fell in love with what I do now.

Yeah. But no Nelson’s Speedway, Speedway around. I better say that for my cousin.

Lyubov Ozeretskovskaya: Yeah, I can agree with you about, uh, demolition derby. I didn’t try this in real life, but I tried so many times in [00:06:00] breakfast with community and with other streamers. It was, uh, like ton of fun. So it’s really cool. Uh, category. I like it.

Bex Betman: Highly. Yeah. Highly recommend trying one.

Lyubov Ozeretskovskaya: All right. And stressful, as I’m aware you with Mitsubishis right now with evil.

Yeah. And, uh, so what drew you into, uh, that car and, uh, like switch sky into this one?

Bex Betman: Wow. My Evo, I have three daughters.

Lyubov Ozeretskovskaya: Mm-hmm.

Bex Betman: Mitsubishi Evo. Mm-hmm. Is a reliable family car,

reliable. I will refuse to have a people mover or a big wagon. When I had daughters, I’m like, no, you’ll never see me drive people mover like a big car, like a. Mm-hmm. And I considered my Evo first off to be a good family car. Mm-hmm. [00:07:00] Needed a bigger motor, it needed a bigger turbo. I needed to modify it, and then it became not such a reliable family car.

Mm-hmm.

Lyubov Ozeretskovskaya: That’s really cool. So yeah, my

Bex Betman: journey. Yeah.

Lyubov Ozeretskovskaya: That’s nice. You, you balance with, uh, with motor sports and, uh, family life and evil. Just perfect car for this.

Bex Betman: I dunno, my daughter might disagree about the room in the back seat, but

she might not agree. But we managed to squeeze the car seats in and yeah, they, they had a ball.

Years, no. Yes. Cards prior to the poor Evo, but um, yeah, it’s boroughs. As I say, we’re very Japanese car orientated here. Mm-hmm. Yeah, everything was sort of Japanese. It was just a normal [00:08:00] car that you would drive every day. Mm-hmm. Um, the trucks like a Toyota, the Toyotas, again, Toyota had a Land Cruiser.

Mm-hmm. UX has a Toyota Hilux. So yeah, they’re very common here. We’ve had several arguments with the Americans on what we call the vehicles. Mm-hmm. Because they all have different names for all these different vehicles.

Lyubov Ozeretskovskaya: Yes. All right. And, uh, you actually start, uh, to take apart in time attacks, uh, events. Uh, so can you tell me more about this also?

Bex Betman: That seems to be my genre of racing at the moment is the time attack. So it’s one lap. One lap matters. Mm-hmm. So you do need power that has got enough power. That’s all to do with the arrow and the downforce and how you can quickly get that one as quick as you can.

So if you blow up after that lap, who cares? Yeah. With my background being [00:09:00] first off drag racing, I built my evo say for, um, drag racing. Mm-hmm. So my goal is to do a ten second quarter mile. Mm-hmm. So we do quarter miles here. That’s a 10 10 like and fast and furious ten second run. Mm-hmm. So I did ten second run and then I was like, oh, that goal’s done.

What do I do now? So I went into more time attack ’cause I like running, doing laps. Mm-hmm. So that was sort of how we built the time attack car really. And I like the engineering side of it in terms of like the body and the function of the cars and vehicles. Mm-hmm. So I. Lot of time sort of designing different parts of it and different downfall, different ways to mm-hmm.

Make it faster. Pretty much. Yeah.

Lyubov Ozeretskovskaya: That’s nice. Uh.

Bex Betman: Was it how I got involved with,

Lyubov Ozeretskovskaya: yeah. Uh, was it really hard for you to like switch categories and, uh, actually, uh, get [00:10:00] used to, uh, this fast times with, uh, with corners with everything and working on the corners, working on your line and, uh, to be, uh, the fastest on track?

Bex Betman: Yeah. I’m still working on it.

Lyubov Ozeretskovskaya: Mm-hmm.

Bex Betman: Yeah. But yeah, I think you can never, ever stop learning or never stop progressing with it with yourself and with the car. Mm-hmm. I’ve had issues years and years with the car, and then that’s made me fail as a driver because when the car’s not playing ball, neither am I.

So when you go home and your car’s had a bad day, so have I. Mm-hmm. And then when you are on. Car’s not, it’s heartbreaking, but yeah, it comes with the territory and sadly it comes with your budget too, here. And I’m really happy to have a few sponsors on board who have been great and getting the car running and keeping things going, keeping me going.

Mm-hmm. And. Like you couldn’t do it here in New Zealand without a bit of help and yeah. That’s how a lot of people here end [00:11:00] up just going out street racing. They probably do in every country. Mm-hmm. But I say to anyone, just stick at it. Keep going. And you, you get there, you learn a lot as you go. Mm-hmm.

Lyubov Ozeretskovskaya: I think, you know, racing and like motor sport is so expensive everywhere and it’s really cool that you having the support, uh, people around you, support you in your, uh.

Like racing career, let’s say like this. Uh, and it’s, it’s really nice. Uh, can you tell me more about, uh, how is it for you to race with your daughters? Uh, so you mentioned, uh, before that, uh, they also race and, uh, how is it?

Bex Betman: Um, my youngest, she’s a twin. She’s just getting involved in it because I do a lot with the drifting.

Mm-hmm. With helping. But she wants to be the driver, so she’s determined. She’s only just turned 16, so she has only just really got her actual road license. [00:12:00] Mm-hmm. And she doesn’t. Events are motors, so it learns a lot of cone work. Teaches her how to maneuver the car and handle it. And she’s progressing that really well this season.

And she’s actually won the fastest female, I think it was for the season, in her events. So she’s stoked with that. So she’s gonna keep going and progressing. Mm-hmm. And then. And yeah, she will move into drifting and, but sadly, I just, it’s, it’s the budget. Understand she’s, she’s doing this, it’s fantastic.

But yeah, you can only enter so many things before you just can’t afford. So we spend on.

But as I said to her, that’s how you learn. That’s how you learn. When she breaks something, I would like her to be able to help fix it. Mm-hmm. Not just hand it to someone else. So yeah, she’ll learn the hard way.

Lyubov Ozeretskovskaya: All right. [00:13:00] Uh, so how you balance, uh, being a parent, uh, also like mentor and, uh, like racing driver with your daughters, how you balance this in your life?

Bex Betman: Well, I’m sort of the mom that if I can afford to do it, I’ll probably say yes. Mm-hmm. There’s really nothing my girls have thrown at me that I’ve gone, oh no, I won’t let you do that. Mm-hmm. So, anything they wanna, this one’s laughing at me. Have I just said no to you? Can I go to America? Yeah. Can I go to America?

Yeah. Yeah. I think, yeah, I, I would never say no to my girls. There’s not a lot that they’ll come at me with that. I’ll go, oh, actually no, we’re not gonna do that. Mm-hmm. And I think that’s right in them. It’s given them their independence and it’s teaching them they have to earn it however. Mm-hmm. I think they can give everything a go.[00:14:00]

I mean, some things are gonna be very risky, but I’m yet to get a moment with them where I’ve gone, oh no, we better not do this. Mm-hmm. Because, I mean, for me, they see me do it, so I think, well they, I might as well let them do it too. Mm-hmm. Yeah. It’s molded when a bit older to go out and get jobs, careers to then go, Hey, I don’t think nothing’s gonna hold them back.

Mm-hmm. There shouldn’t be an obstacle. For anyone to do it. So you, I look at myself too, like, um, I’m my biggest critic. Mm-hmm. So I’m the only person in my life that often goes, oh, I shouldn’t do that. When everyone else is saying, go for it. Mm-hmm. So to them, I’m. All the ones saying don’t do it. ’cause I probably know that inside they saying, should I be doing this?

So I think the best way is to say it and do it. She often only dents a panel or two or what did she break the gearbox? Yeah.

They’re still making [00:15:00] gear boxes for MX five, so that’s all right. Mm-hmm.

Lyubov Ozeretskovskaya: All right. Uh, tell me about your, uh, favorite racing events, which you take part in and, uh, maybe together with your daughters. Also, like the same track. There’s

Bex Betman: so many. There’s so many. It’s whether I’m helping out with the event, being an official mm-hmm.

My daughter comes along down and helps me with the drifting events for drifting. I’ve sold my drift car. We are building another one though, so coming out of a timer. But, um, my daughter comes along and she runs the grid, so she helps get the drivers ready to go and do their thing. It’s just great that she’s out there helping me too.

But the events themselves, there’s so every season, every event’s different. Every event someone else wins. There’s, you can have the same winners, same losers. You get your favorite drivers and whatnot when you’re [00:16:00] helping out, but you can’t play favorites. Mm-hmm. But, um, so you make different memories every time.

And I love just seeing every other person out there when they win, all their crew, come together. And how they celebrate. Mm-hmm. And you just become part of that vibe too, like when they’ll celebrate and when they’re about to win, especially in drifting when it’s down to like the top four. Mm-hmm. And they’re going into battles.

You just become part of that scene. You just become part of that love that you want ’em to win. Like you cry afterwards when they win and you partners the kids, all your kids come together and just have an awesome time watching dad or mom. There’s some lovely moms out there with their kids out there too.

Mm-hmm. And it’s just such a community, such a vibe to be part of, to watch other people win. Then I go him smiling because I’m like, wow, he’s just had the best day ever. Mm-hmm. And then now my daughter’s doing it too, and I can see that in her as well, that she’s just happy for other people to be out there doing it [00:17:00] and she’s happy to support them and then go, wow, I’m, I’m gonna do this one day too.

Mm-hmm. And then she’ll get the support too. So it’s really awesome to be part of. But I must admit, the latest event we went to, and they call it Highlands Motorsport Park. Mm-hmm. It’s a very, very nice looking. It’ll be, if we got ever got F1, it would be where we put the F1 here in New Zealand. Mm-hmm. And it’s, they don’t like drifters though.

But this one event, they finally opened it up for a drift day and the track got absolutely shooted up in tires. Mm-hmm. But. Day ever. And my daughter got to interview one of the, the famous guy who hosted a Mad Mike. I dunno if you know him. Um, a lot of people might know. Mad Mike.

Lyubov Ozeretskovskaya: Mm, yeah. Yeah. My daughter.

I know him.

Bex Betman: Do you know him? And my daughter interviewed his son. She always had this goal. I want to talk to him and ask him some questions. Mm-hmm. And he was more than [00:18:00] happy for her to, to him. So she’s topped her bucket list, so she needs some more goals. Mm-hmm. Yeah. So that was a very good event to go to and be part of.

Yeah. Mm-hmm.

Lyubov Ozeretskovskaya: It’s nice that you got, uh, seems like really friendly and like family, family based, uh, community in New Zealand and racing. Uh, it’s really cool, uh, because I think it’s, you know, it’s really warm and, and cozy when you got, uh, families and just, uh, it’s really, uh, good atmosphere. You got around.

Uh, it’s, it’s really nice.

Bex Betman: Oh, it is. Yeah. And that’s, yeah, that’s sort of the whole part of it that we do enjoy. Is that you can go out there with the family, with a group, a group of your friends, your pet crew, and just have a good time. Really? Yeah. It does sort of become way fast and furious families.

Lyubov Ozeretskovskaya: As we, we talking here a lot about, uh, [00:19:00] you know, how to be a girl in, uh, motor sport community, in racing community, uh, how is it for you, uh, to be mom with daughters, uh, in this racing community in New Zealand? Uh. Like, uh, do, do you, uh, have any issues or maybe, uh, like no issues with this?

Bex Betman: I don’t as such, but I know it probably does happen out there.

But if you go along to an event and your main focus is just to have good time, enjoy yourself, compete, help out, it doesn’t matter whether you’re male, female, cat, dog. Mm-hmm. I think New Zealand. I don’t think we have this as much. I may be wrong. There could be people out there that do experience the female thing, but I think in our community you are respected.

If you get out there and you’re just doing what you wanna do. Mm-hmm. Once you put the helmet on, doesn’t matter what’s between your legs, literally.[00:20:00]

Earn that respect for men and women and you’re just out there doing it because you genuinely love what you’re doing. Mm-hmm. So I’m, but it probably does happen, but I wanna say maybe not so much in the actual racing sector. Mm-hmm. I’m guessing in the cast. No, like we meet some things that may do, but I go to meet some, we, um, women, men, we all just have a really good time as well.

Mm-hmm. And yeah, I think very lucky in New Zealand that we haven’t got that stigma. Mm-hmm. Our stigma is that you, um, basically us old Japanese JDM people, we get a bit ganged up on by the muscle car people. Mm-hmm. I think New Zealand’s conflict is what you drive, not who’s driving it. Mm-hmm. Yeah. And playing with the different racing, like the Speedway boys don’t like, you know, people.

So I think that’s our biggest battle in New Zealand is that we’re a little country. We’ve got some [00:21:00] very talented drivers here, but, um, yeah, I think it just matters what you drive. You get a bit ganged up on when you’re driving EVO and not a V eight. Mm-hmm.

Lyubov Ozeretskovskaya: All right, so you got more be battles about, uh, what’s better, like Subra Mitsubishi.

Yeah.

Bex Betman: Yes. That is horrific. Those are the worst.

Lyubov Ozeretskovskaya: This is actually really, yeah. You know, it’s, it’s really nice because I’ve been into carting from nine years old and then I’ve been into open wheelers and formalists, and I can tell you that, uh, carting and open village community. Really toxic. So they really care about like, oh, you, you like overtook me.

Like, oh, that, that’s girl. Oh no. Something like this.

Bex Betman: Yeah. Even our open wheeler, boys and girls, there’s a lot of females coming through from New Zealand. Mm-hmm. There’s some awesome talent. Our [00:22:00] country, not to brag, but in both sixes and in a lot of competition, we’ve got a lot of people hitting off to like mm-hmm.

F1 or whatever you call early F1 development teams and that. Mm-hmm. There’s a lot of Kiwi girls and boys coming to. Yeah. So I think if you can overtake anyone, just just do it. Make the pass.

Lyubov Ozeretskovskaya: Yeah, it’s really nice. You know, I moved to sim racing and, uh, I kind of see the same thing as, uh, you know, a lot of people, uh, racing in sim racing. And, uh, particularly I’m in a racing and. Like, you know, people usually really welcome to newcomers and, uh, they trying to help you, trying to give you advice, and it’s really easy to get into endurance team if you want, uh, to be a part of it.

And, um, yeah, I’m just, I, I really enjoy this compared to real life racing, which I had. Uh, but once again, there was, you know, really competitive cars, really [00:23:00] competitive, uh, open wheelers and yeah, people, uh, you know. Like fighting for their life on the track.

Bex Betman: Oh yeah. It’s a battle every day. Yeah, yeah, yeah.

Something like

Lyubov Ozeretskovskaya: this. Yeah.

Bex Betman: Was mostly with the car. The car has to perform. Mm-hmm. You do have to know what every noise is. Why is it doing that? What’s wrong? How’s this working? Mm-hmm. So you do, you have to spend hours behind the scenes with it too working. Or Yeah. So yeah, your pet crew are your best helpers.

You’re just the driver. Mm-hmm. But they make everything work for you. Yeah. You’re lost without your helpers. Mm-hmm. Yeah. Fingers. And I do, I, I take off to all you some races ’cause I am shit. Yeah. The ripples, nothing feels quite realistic enough. And I, I, I’m, I’m, shit, [00:24:00] we wanna get one so that my daughter can learn.

The girls are like convincing me that it’s a good move. Mm-hmm. Oh, we had a group of drifters, get real drifters, get on them for a competition night and yeah, we, we were, shit.

Lyubov Ozeretskovskaya: Yeah. You know. Um, I’m just thinking that, uh, you got, uh, really good involved, uh, from, uh, GDM, uh, culture from Japan and, uh. Actually, anime is really popular in, in Japan as well.

And you know, they really don’t care about like, who’s, uh, behind the helmet, as you said, and just take, take care about cars. Yeah.

Bex Betman: Yeah, you get picked on for what color or what brand you represent most.

Lyubov Ozeretskovskaya: Alright, I got it.

Bex Betman: Uh, we have big competition over what ECU you run

and what tire. If you’re not running a certain [00:25:00] tire, you.

Lyubov Ozeretskovskaya: All right. And speaking about cars, uh, are you working on a car together with your daughter or like someone help you from your family? Like, how you doing this?

Bex Betman: Just one car or the lot?

Lyubov Ozeretskovskaya: Uh, like all cars, which you got, how, how you prepare them for competition.

Bex Betman: Well, at the moment I’ve got one another Evo being built. Mm-hmm. And that’s gonna be a dedicated track car. Mm-hmm. Because my car currently is road legal to an extent. Mm-hmm. But now I’ve decided, right. I wanna push myself that much further. So I need a dedicated track car. So that’s, um, at tuners now, so that’s not far off being complete and I’ve got a lot of the body work to still complete with that.

So that’s when I’m hoping that my daughter, she’s taking an interest in it, so she’s looking at jumping on board too and just helping out. Mm-hmm. Just learning a lot as she got. Because [00:26:00] then the next car we are building is in Nissan. Nissan 180. I’ve always wanted to own a dedicated track, one of those, and we’ve got one, and we’re just gonna build that up over summer, which will be your guys’ winter.

Mm-hmm. And, um. And that’s gonna be basically her, her and my drift car to start using again. Mm-hmm. So that’s on the build. Her actual dedicated track builds. And then my daughter’s got an MX five that’s still, she races that now. So that’s what she’s using. Um, so then now we just need to tidy that up a bit for her because when she does get her actual road license, she’ll be driving it on the road.

Mm-hmm.

Crew Chief Eric: So she’s

Bex Betman: gonna be learning a little bit more about. How to fix that and correct things with it. And, um, she busted her radiator, so she actually did that. I watched, but she did the bulk of it by herself. Mm-hmm. So at 15 she was turning, when you break something, you need to fix it. Yeah. But, um, the EVO [00:27:00] builds sort of taken up a lot of our funds this year.

Mm-hmm. So that’s why I haven’t been. Racing, but I’ve been doing more of the official duties this season. But, um, not everyone’s very excited for this Evo to come out, so I’m excited. Too nervous. You’re always nervous when you got a new car. It’s like when you go somewhere and you hope you’ve worn the right outfit kind of thing, I guess.

Mm-hmm. It’s a lot of pressure on getting the right color or the right. Oh.

Can’t turn up for too many events with the same card. Be like wearing the same dress again again. Mm-hmm. Oh, that old thing. Oh, she needs a new one.

So, no. So there’d be a lot happening for us over summer. Mm-hmm. Yeah.

Lyubov Ozeretskovskaya: No. All right. Uh, what color are you planning to dye your, uh, evil? Or maybe it’s [00:28:00] already in the, in, in color.

Bex Betman: Yeah. Um, we’ve ganged with a sort of a family color theme. We’ve thought my current VO is the gray, like the nto. Mm-hmm. Um, Audi Gray.

Mm-hmm. So I’ve had that color on that one, but I’ve gone with just black. Mm-hmm. Pouring old black. But I’m a bit annoyed because I’ve also done a lot of like powder coating and spray painting to master a fluro yellow, so that stays. Mm-hmm. It’s a very hard to get unless you’re wrapping them. So I’ve gone, right.

I wanna go fluro yellow. So I’ve done helmet, I’ve done a lot of all my gear, and then I hate to say it, but now I’ve seen Orlando Norris is walk rocking flu yellow, isn’t he?

Son and he stole my color. Gonna be black with flu or yellow. And then my daughter’s doing black and with a green like a mm-hmm. Old greeny color. [00:29:00] So yeah. Well we’re sticking with black just ’cause it’s easy when you dent panel and you break something, you can just quickly spray it black, can’t you?

Lyubov Ozeretskovskaya: Yeah.

That, that’s really cool. Uh, so you’re really practical.

Bex Betman: Yeah, we have to be, and like I say, with the Japanese cars, they were cheap here, but parts are becoming very expensive. Mm-hmm. So the 180, we haven’t gone through too many guards and pieces off it. I like doing a bit of fiberglass work myself, so at least I can sort of.

Myself here and there. Two years.

Lyubov Ozeretskovskaya: All right. So you already already told me about, uh, plans about cars. Uh, what events are you planning to do, uh, when the racing season, uh, will be here? Um, just not aware. You, you said that, uh, uh, it will be summer for you when, uh, it’s going to be winter for us and it’s, it’s actually winter for you right now, [00:30:00] right?

Bex Betman: Yes, we are the middle of winter. Mm-hmm. So winter’s, let’s build a car time. Mm-hmm. There’s not a little on, so my daughter’s still doing things throughout the winter season. Mm-hmm. And coming up to summer, not putting my name to a series in, I’m waiting. Mm-hmm. Because there’s a lot of d. I can do, so I’m gonna try and get the car dialed in first and sort any little teething issues that I may have.

So I might just be doing test days and things in it just to walk, get it used to life and myself again, because I’ll. Last summer I had pretty major surgery, so I thought, oh, I’ll wait and see if I can bounce back that, which I have. I’m doing good. So, but um, yeah, I won’t race a series yet. There is a series here for the endurance racing.

Mm-hmm. So I do wanna get an, and then they call a, oh, what would you call SS cup? They call a series, which is basically just open [00:31:00] class saloon racing. So most them are like a JDM shower with a motor, and you can sort of be a bit unlimited with your power in your vehicles. So it’s sort of like handicapped, if that makes sense.

Like a handicapped class racing. Mm-hmm. If I go out there with 800 horsepower, I’m not gonna penalize a dude just in a 200 horsepower car. So it’s pretty fair, pretty fair for everyone. And that’s sort of based on your lap time. So I’ll look at going into something like that. Even in New Zealand, we might be a little country, but it’s still a lot of travel to get to the other part of New Zealand.

Mm-hmm. So it can cost a lot. So my major plan would be hopefully one day keep one of the cars on the other island, go up north. North we say, because they go up north. So I’ll leave one car up there and then have one here. Mm-hmm. To sort of use going forward. We do wanna branch out. We’ve heard it now New Zealand.

I do wanna go up north. Yeah. Yeah. And um, [00:32:00] we’ve, I’ve talked and spoke with and met a lot of lovely people even within New Zealand, who I haven’t met, so mm-hmm. It would be nice to go off and meet all these people and waste them mm-hmm. In my mouth, so, yeah. So there’s plenty to do and I, I might be 42, but, um, I think I’ve still got a few years left in me to do it.

Lyubov Ozeretskovskaya: I, I, I think that, uh, it does matter, uh, like what age you got. You just, if you got like, uh, physically you can do this and, uh, like you got motivation, this is all you need to go through and to keep going. And in racing, in motor sports or in any other, uh, stuff in life.

Bex Betman: I think so, yes. Feel 10 years younger kids keep me young.

Lyubov Ozeretskovskaya: That, that’s really cool. Yeah, especially, you know, when you got the, your family, your kids, [00:33:00] and the same hobby which you doing. It’s, it’s great. It’s just the dream.

Bex Betman: We had an event not long ago. I hosted an event and just like a hard park where people come and park up and even my mom came and got involved. Mm.

Lyubov Ozeretskovskaya: You, you tell me about, uh, endurance event. Yeah. Uh, how long this endurance, uh, will be. I’m just curious because I am just in love with endurance event. I really like, uh, to do this team event in some racing. Uh, because usually working not only going fast, but you also have to save fuel. You have to work on a strategy, uh, work with the, like steam schedule with the team.

It’s really interesting. Thing, uh, to do all the time. And, uh, so, uh, what kind of format of endurance event, uh, are you planning to take apart in

Bex Betman: endurance Racing is probably, it is quite big in New Zealand [00:34:00] and Australia. Mm-hmm. So like, if you’re familiar with series supercars

Lyubov Ozeretskovskaya: Yes. New

Bex Betman: Zealand and Australia have supercars.

Mm-hmm. So. They race against each other. There’s teams. So there’s a lot of strategy between the teams. They keep changing the rules. They change rules every season to do with how they race and what they’re doing. Every race, I think, has different, like, sort of like F1 two with different fuel, um, uh, pit stop strategies and things like that as to what the race is gonna entail.

Mm-hmm. Here in New Zealand, um, we do, it’s a south island endurance. I wanna give a go. Mm-hmm. So within the one. Your five different classes. Mm-hmm. So being in an evo, I’ll be racing against like brand new McLaren’s, the new Aldis, all the Porsche GT threes and, but due to being in an evo, I’ll be in the bottom class.

Mm-hmm. If you don’t mind, ’cause you’re still against some really awesome top drivers and the main one they do is one hours and [00:35:00] three hours. Mm-hmm. Which is. Standard, pretty standard times for most even our supercar series. But, um, that’s what I wanna get involved with more, is doing a little bit more long-term racing.

Mm-hmm. But sadly, when you’re. Car to be a time attack car. You’ve gotta definitely change your strategy of how your car’s even mate, because my car will last what, two laps? It won’t last hundreds. Mm-hmm. It is very much also you and it’s down to your car, how your car’s gonna be set up and built to handle it.

Mm-hmm. So I’m hoping an hour one ago. And then see what, see what happens. That’s why I wanna do a lot of testing this season to try and get myself and the car dialed in to go, yeah, I can, I can do this. Mm-hmm. And then go from there. Um, ’cause there’s some phenomenal drivers, some phenomenal guys in New Zealand that come out of endurance road racing.

Mm-hmm. And that’s what we love. We don’t have like NASCAR and America, the big ovals, we don’t have that [00:36:00] here. I’d love that here. ’cause that’s what I love doing in America, or that’s what I loved about going to America. Mm-hmm. But we do road courses here, so to turn corners and do everything like that. And that’s the endurance part of it as well.

And that’s part of it is you have to be physically fit to sit in the car for hours. Mm-hmm. Yes. Um, our legend at the moment is we’ve got Shane Van Bergen. They call him SVG Open America at the moment. And he’s winning all the road courses because he is just, he can turn a corner. He, it’s how he breaks, it’s how he drives that car that’s excelling him against these guys who are just racing oval their whole life.

So love him or hate him. He’s doing bloody well.

Lyubov Ozeretskovskaya: Yeah. You know. Like Supercars V eight. Uh, for me, this is like top series in the world, uh, together with like Porsche Cup. Um, because these cars are so hard to drive, like no traction, no a, [00:37:00] b, s, and it’s really cool. All drivers from Supercars are really fast and, uh, talented.

Bex Betman: They are. Yes. It’s hard to believe that in from two little islands across the Pacific Ocean, we can produce such talented drivers. Mm-hmm. And have such an awesome that Yeah. Can compete against the rest of the world and shock them like they like. He is

phenomenal. I remember meeting him one night in the pub after a drifting event.

Yeah. But no, no. Endurance is incredible. Yeah. Incredible. And same again, with the vibe of the people that do that as well. Mm-hmm. And you’re as strong as your team and those you have around you. Yeah. To sort your car out. Yeah. Or to be picked to drive someone else’s car. That would be my goal or for my daughter one day to have someone say, [00:38:00] right, can you come and drive for us?

Mm-hmm. Yeah. That’s incredible for New Zealanders to get an opportunity to

Lyubov Ozeretskovskaya: do.

Bex Betman: Mm-hmm. Mm-hmm.

Lyubov Ozeretskovskaya: Uh, so this endurance went, you said that there’ll be one hour in three hours. Yeah. Uh uh. Are you going to drive alone in the car or are you going to have a teammate in your car?

Bex Betman: Four to one hours. So for this season, for it, you do two one hour races.

Mm-hmm. And then there’s a three, so you can pick, I mean, I’ve gotta work out how it fully works, but, um, when the three, you, you can have a co-driver even in the hour. But then the three hour Yes. You, you, yeah. You, you have a co, you have a co-driver as well. So you, the one hour, it’s still an hour. It’s a lot.

Not of a lot. We’re probably gonna stick with our, and yes, I do have a friend in mind for the co-driver. Mm-hmm. So my best mate will probably be co-driver. He’s happy to do that. [00:39:00] His car’s definitely built for time attack or um, drag racing. Mm-hmm. So we’ll definitely be for this, but it is something that we both wanna give a go and yeah, so we’ll probably do a one hour and see how that goes, and then work our way up to the three hour.

Lyubov Ozeretskovskaya: Mm-hmm. Okay. You, you took part in, uh, like time attack, drifting. Uh, you’re planning to do endurance. Yeah. Uh, what other motor sport disciplines, uh, which you secretly wanted to try one day? Like I know maybe, um. Motorcycle racing, maybe some hardcore drag racing in the United States, something like this.

Bex Betman: I feel like I’m a little bit too old to be getting back on a motorbike now.

Mm-hmm. But, um. I honestly, I’ve never driven in an open wheeler. Mm-hmm. So, yeah, they’re here, they race. I’ve got [00:40:00] a friend of mine who her husband does them, and I’ve always said to her, I said, how much is it gonna cost me to get a drive in one of these? So I’m hoping I can tick that off my bucket list one day.

And my daughter would be quite happy in pursuing having a go in one of them too, to see how she does. Mm-hmm. So that’s probably my bucket list, is to get in an open wheeler, a formula 5,000, they are here. And there’s smaller categories than that, but I’d just like to give it a go in a single seater.

Mm-hmm. I’ve never driven in one. My dream is, of course, NASCAR and the Oval, but it’s a lot that’ll never come to New Zealand. Sadly, we’re not gonna be able to get tracks like that here. Um, the coolest thing was in Vegas going to the NASCAR place. That was very cool to see. Mm-hmm. It was closed. The whole track.

We had the whole facility to herself. The lady just said, yeah, go have a look. Didn’t have to tell me twice to drive around the oval in the rental car. Mm-hmm. But it’ll be cool to go to those events. Yeah.[00:41:00]

But, um, no. Yeah, definitely the single seater would be a goal of mine. And if my daughter got into one of those and excelled and wanted to keep doing that too, I’d be more than happy to support her with that. Yeah. Mm-hmm.

Lyubov Ozeretskovskaya: Yeah, I’m pretty sure they’re going to like open V because it’s absolute different feelings, which you get.

I still remember guys, uh, uh, like, uh, came to our box. Uh, they’ve been driving the Porsche GD three arrest and the racing track to get it with me. Like, uh, we had a practice, um, and. They just, uh, came, came to me and they tried open v uh, this day and they told me like, how you going fast with this? It’s, it is like, it’s crazy.

You, you’re sitting, you’re sitting on your butt with a tarmac, you know, really close to you. Like, it’s, it’s crazy feeling.

Bex Betman: So Yeah, it is. I can imagine. Yeah.

Yes. So, no, that, that would [00:42:00] be a very cool goal to, mm-hmm. Yeah. One.

It is very expensive. You sort of gotta narrow down what you’re gonna do. Mm-hmm.

Lyubov Ozeretskovskaya: Yeah. It’s expensive. Yeah, really. Uh, but I, I think worst try it, uh, definitely because completely different feelings, uh, of what you getting from the like road car, uh, compared to it. Can you tell me now, uh, what’s, uh, your dream circuit to visit?

Uh, like for maybe time attack, maybe some road racing endurance. Uh, so what’s your dream track you would like to visit? Like in the future?

Bex Betman: I would still have to say, uh, more of the NASCAR ovals.

Lyubov Ozeretskovskaya: Mm-hmm.

Bex Betman: That fascinate me. Yeah. Yeah. To actually see them race and do what they do, the drafting, do everything.

Mm-hmm. Would be fascinating. Yeah, I still, yeah. ’cause we don’t have that here. Mm-hmm. So it is something. Like, [00:43:00] that’s so foreign to us that it would be cool. And because I did go to one and I got the buzz just from the empty stadium, to see that packed out for a race would be phenomenal. Mm-hmm. So any of the na, any of them, we went to Vegas.

But um, yeah, to go to any of those tracks, Indianapolis, places like that, that would be very cool. Yeah. Alright. And then as my doctor. I have to say, she would say we have to go to every Formula One most.

She’s a huge Daniel Ricardo fan. Probably have to say that too, for her sake. She would love to see him come back. But yeah, to go, we’re gonna go to the Melbourne F1 next year, so mm-hmm. That would be pretty, that’ll take that off her bucket list. So yeah, that would be pretty good.

Lyubov Ozeretskovskaya: All right. And, uh, what track would you like to drive?[00:44:00]

Maybe, I know, maybe Mount Panorama because, uh, for me, when I’m like thinking about, uh, this part of the world, I’ve been into Malaysia so many times, it’s a punk, absolutely beautiful, wonderful trek. Love it. Uh, but you know, my dream, uh, will be like. Drive Mount Panorama, at least for one lap because it’s, uh, so exciting with this app, heels and downhills and also va supercar, uh, racing here.

So it’s really cool trek. Um, so what, what’s your dream track here, like to drive by yourself?

Bex Betman: Yes. Um, I’ve driven around there. Yeah. Oh

Lyubov Ozeretskovskaya: yeah. That’s really cool. I’m jealous.

Bex Betman: Is it’s a public road. It’s a public hill. So people live there. Mm-hmm. And then they just have the race. It’s set up as well throughout the year. But yeah, it is a public road, so the people who live there get awesome views of the Bathurst race. They either go away for the week ’cause it’s absolute [00:45:00] carnage, like it’s Oh, the drinking, yeah, the hang on the racing culture of Australia.

So a different breed. Yeah. ’cause when I was little, my dad used to go quite a bit too. Mm-hmm. And back. Was always the highlight event of the Yeah. Of the calendar. So, no, um, yeah, that would be good. Again, and, ’cause I was born in Australia. Mm-hmm. So, yeah, I grew up. Yeah. Yeah. So, no. Yes, but I dunno, an individual track, I, I’m still being way away from anywhere in the world.

Us Kiwis. Want to go and see all the other world tracks that you guys sort of take for granted or see often enough. Yeah. I’ve got a friend now who’s over in Europe and of course they’ve gone to a few of the, I’d like to go to that good visit it Goods, wood, the festival that was just on. Mm-hmm. Oh, [00:46:00] it, it’s Goodwood, isn’t it?

Goodwood? Yeah.

Lyubov Ozeretskovskaya: Yeah, yeah, yeah, you’re right. Yeah,

Bex Betman: yeah, yeah, yeah. I mean, that would be cool to go to. Yeah. Yeah. So it’d be more, not so much a track, but more the event, which would be good. Mm-hmm.

Lyubov Ozeretskovskaya: Alright, got it. You know, in Australia I like also Philipp Island. Great, great track. Um, you know, not. A big fan of, uh, European tracks.

Uh, not a lot of them. Uh, you know, really interesting to drive a thing. Uh, I like App Hills, downhills, uh, tracks like this where, where you got, uh, blind corners. Uh, it’s so exciting to raise them all the time. Uh, so yeah, maybe one day I’ll go, go to Australia for some racing, uh, because you, you got really cool tracks.

Yeah.

Bex Betman: Yes. My daughter’s like, they’ve been to Flip Island one a few times. Mm. Yeah. And the good news for us here, and I live in Christchurch and our local track, so the track I help, I [00:47:00] work at, um, we are getting around the supercars next year. Mm-hmm. So supercar. To our home track. So that’s gonna be really good to have it here on the local track that I drive every week sort of thing.

Mm-hmm. So to have that event come to us is gonna be really great for next March. Yes.

So yeah, I hope we offer them a good, um, good race. Good. Mm-hmm. Our track’s very narrow here. Our local track compared to some of the other ones. But yeah, it makes for some interesting driving, some interesting spots to have to try and overtake.

Lyubov Ozeretskovskaya: Mm-hmm. All right. And, uh, the last one will be. Where people can find you, uh, on socials and, uh, like to follow you because you got a lot of plans.

And I’m really curious, uh, to see you in endurance racing and, uh, maybe, maybe even in VA supercar, like in the future. Who knows?[00:48:00]

Bex Betman: Oh wow. A lot of my stuff is quite, um, humorous to say the least. There’s a lot of epic fails that go on in the garage. I. Of it. If you can show your failures, then you can definitely show when you succeed. Mm-hmm. Um, my known one is my Instagram. Yeah. I’m also known as b to Miss Prime.

Lyubov Ozeretskovskaya: Yeah, just uh, drop the link to the chat

Bex Betman: guys.

I’ve always had a love for Old Optimist Prime. I’m a bit robotic myself. Um, so yeah, so no BEUs Prime. We, we have a TikTok. Me and the girls post a lot of stuff to TikTok and you’re only Instagram. At the moment, there’s a lot of stuff about them learning to drive on the road. Mm-hmm. Because it’s quite challenging now to cross back over from racing on track to learning the road rules.[00:49:00]

Yeah. So they battle a bit. All right. But yes, I’m not gaming stuff yet, but yeah. One day I’ll, I’ll take that off my bucket list.

Lyubov Ozeretskovskaya: You have to. Alright. It was, uh, nice to meet you. It was. So fun to talk with you, and I’m so happy that you got a lot of plans, uh, for your future in your life and you’re really motivated about it and also your family involved into racing and it’s really, uh, cool to see.

Definitely. So thank you so much, Bex. Taking your time. Lovely.

Bex Betman: I look forward to. Yeah, some more progress.

Lyubov Ozeretskovskaya: Thank you so much. Uh, guys, thank you so much for watching. Uh, hope you had fun with us. Uh, so we’ll see you next time.[00:50:00]

Crew Chief Brad: Innate eSports focuses on sim racing events in digital tournaments. They bring eSports content to fans and sponsorship opportunities to brands while maximizing audience reach across multiple sports industries and platforms. Innate eSports is a woman-led company where diversity, equity, inclusion, and accessibility is in their DNA and their platform aims to combat bullying and cheating to help make the eSports world as safe and fair as possible to learn more.

Be sure to log on to www.initesports.gg or follow them on social media at init eSports. Join their discord, check out their YouTube channel or follow their live content via switch.

Crew Chief Eric: This episode has been brought to you by Grand Touring Motorsports as part of our Motoring Podcast network. For more episodes like this, tune in each week for more exciting and educational content from organizations like The Exotic Car Marketplace, the Motoring Historian, break Fixx, and many others.

If you’d like to support Grand Touring Motor Sports and the Motoring [00:51:00] Podcast Network, sign up for one of our many sponsorship tiers at www.patreon.com/gt Motorsports. Please note that the content, opinions and materials presented and expressed in this episode are those of its creator, and this episode has been published with their consent.

If you have any inquiries about this program, please contact the creators of this episode via email or social media as mentioned in the episode.

Photo Courtesy Bex Betman on X

Big Dreams, Bigger Goals

Racing isn’t always glamour and checkered flags. Bex faced surgery last season and had to step back, trading seat time for official duties at events. She’s rebuilt, recovered, and is now preparing to debut a dedicated track Evo—complete with powder-coated fluro yellow accents that were definitely hers before Lando Norris made it mainstream.

Her goal? Endurance racing. Starting with one-hour events and building toward multi-hour drives alongside trusted teammates. She dreams of competing against McLarens and GT3 Porsches—not for the glory, but for the thrill of the fight.

Bex has lofty ambitions: racing at Bathurst (been there), checking off Goodwood Festival, and supporting her daughters toward professional driving careers. Whether she’s working on a Nissan 180SX drift build or tinkering with an MX-5 radiator, the goal is always progress. More speed, more learning, more fun. And if someone invites her to drive an open-wheeler one day? You bet she’ll say yes.

For behind-the-scenes moments, garage bloopers, and updates on upcoming track days, you can follow Bex Betman—aka @Bextimus_Prime—on Instagram. You’ll find her managing tires, coaching teens, and reminding everyone that racing isn’t just about velocity—it’s about tenacity.


More Screen to Speed…

Dive into the journeys of remarkable individuals making waves in sim racing and bridging the virtual with the real. From the thrill of digital circuits to the roar of real-life racetracks, they explore the passion, dedication, and innovation that drives the world of motorsports. They hear from athletes, creators, and pioneers sharing their stories, insights, and the powerful ways sim racing is connecting communities and creating pathways into motorsports.

INIT eSports focuses on sim racing events and digital tournaments. They bring eSports content to fans and sponsorship opportunities to brands, while maximizing audience reach across multiple sports, industries, and platforms. INIT eSports is a woman-led company where Diversity, Equity, Inclusion and Accessibility is in their DNA, and their platform aims to combat bullying and cheating to help make the eSports world as safe and fair as possible. To learn more, be sure to logon to www.initesports.gg today or follow them on social media @initesports, join their discord, check out their YouTube Channel, or follow their live content via Twitch.

At INIT eSports, founder and CEO Stefy Bau doesn’t just settle for the ordinary. She creates extraordinary experiences by producing thrilling online competitions and real-life events that transcend the boundaries of the eSports universe. And she’s here with us on Break/Fix to share her story, and help you understand why you need to get more involved in the world of eSports. 

Tune in everywhere you stream, download or listen!

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Copyright INIT eSports. This podcast is now produced as part of the Motoring Podcast Network and can be found everywhere you stream, download or listen! 

24 Heures du Simeone Recap

Thank you to the more than 1,000 guests who joined us over the course of 24 Heures du Simeone: The Heroes of Le Mans. Your presence helped make this one of the most meaningful events we have ever hosted—a powerful tribute to the endurance, ingenuity, and spirit that define the legacy of Le Mans.

From dramatic storylines to cars in motion, your energy brought the experience to life in ways that far exceeded expectations. Whether you came for the history, the atmosphere, or the machines themselves, we are grateful to have shared this moment with you. We will see you next year for Part II: The Americans at Le Mans.


A Sebring Legend Arrives: 1952 Frazer Nash Debuts at 24 Heures du Simeone

The Simeone Museum was proud to debut its newest acquisition, the 1952 Frazer Nash Le Mans Replica, during 24 Heures du Simeone: The Heroes of Le Mans. This remarkable machine was the overall winner of the first 12 Hours of Sebring, a race that helped define American endurance racing.

Lightweight and purposeful, with deep ties to the engineering traditions of Le Mans, the Frazer Nash captures the spirit of competition at the heart of our collection. Its presence added a powerful new chapter to this year’s story and gave guests a rare chance to experience a pivotal piece of motorsport history in motion.


Pre Orders Now Open for the New Edition of The Spirit of Competition

We’re now taking preorders for the upcoming edition of The Spirit of Competition, the definitive book on the Simeone Foundation Automotive Museum by Dr. Frederick Simeone with photography by Michael Furman.

This updated volume celebrates the museum’s philosophy through some of the world’s most important racing sports cars, captured in stunning detail and accompanied by new commentary, insights, and historical context. Reserve your copy today and experience the story behind the collection that defines the true spirit of competition.

Riding Shotgun with History: Pete Lyons on Can-Am, Formula One, and the Magic of Motorsport

Break/Fix podcast is known for spotlighting the unsung heroes and legendary voices of the automotive world. In this episode, host Crew Chief Eric and The Motoring Historian Jon Summers welcome one of motorsport journalism’s most revered figures: Pete Lyons. With over five decades of storytelling, Pete has chronicled the roar and romance of racing – from the thunder of Can-Am to the elegance of Formula One.

Photo courtesy Pete Lyons, www.petelyons.com

Pete’s journey into motorsports wasn’t love at first sight. As a child tagging along with his father, Ozzie Lyons – a photographer and journalist – Pete found race weekends more about Howard Johnson pit stops than horsepower. But everything changed when he got behind the wheel. Driving unlocked a visceral thrill, and soon he was hooked. With a camera in hand and access to his father’s darkroom, Pete began capturing the sport’s soul through images and words.

Tune in everywhere you stream, download or listen!

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In the early 1960s, Pete set off for Europe with a backpack, a loaf of bread, and a dream. He bought a secondhand Norton motorcycle in London and chased races across the continent – from the Targa Florio in Sicily to the Nürburgring in Germany. His travels weren’t just about sightseeing; they were a pilgrimage to the holy sites of motorsport. The Nürburgring, with its 14.7-mile loop and 180+ corners, became his favorite – a dangerous, devious track that embodied everything he loved about racing.

Spotlight

Born in 1940 in New York State, Pete Lyons is an international motorsports reporter, photographer and award-winning book author in the fields of Formula 1, Can-Am, endurance sports cars, IndyCar, Trans-Am and many more forms of racing. In his decades-long, worldwide career, Lyons covered events on all six populated continents for numerous enthusiast publications, including Autosport, AutoWeek, Car and Driver, Racecar, Road & Track, Vintage Motorsport and many others. He is also the author of 20 published books including, for Evro Publishing, Shadow: The Magnificent Machines of a Man of Mystery, which won ‘Specialist Motoring Book of the Year’ at the 2020 Royal Automobile Club Motoring Book of the Year Awards (UK) and ‘Best Book’ at the 2021 Automotive Heritage Awards (USA).

Synopsis

This Break/Fix episode features a conversation with Pete Lyons, a renowned motorsport journalist with a career spanning over five decades. Lyons shares his journey from a disinterested teenager to one of the most respected voices in motorsport journalism. He discusses key experiences, including following his father’s footsteps, backpacking across Europe to attend races, and covering iconic moments in racing history. The episode delves into the golden era of Can-Am racing, the rise of Formula One, and the evolution of motorsport journalism. Lyons also discusses his latest book, ‘My Travels on Racer Road: Can-Am and Formula One in the Golden Age,’ offering insights into his career and the stories behind some of the most memorable races and personalities he has covered.

  • And joining us is Jon Summers, the Motoring Historian, one of the many personalities on the Motoring Podcast Network! 
  • Reading your most recent book it looks like you weren’t that enthusiastic about cars when you were younger. Yet by your teen years it was the passion of a lifetime. What experiences did you have which piqued your interest (and future career)?
  • Let’s talk about what first drew you into the world of motorsports journalism, and how did your career get started?  
  • The perception of Can-Am was no regulations. Was it really like that? Who were the top 3 innovators?
  • What were the best tracks for can am? Was it the fast open ones, or were the slower tracks a better spectacle? 
  • Did teams spying on each other’s cars ? What was the attitude to poking your nose in other team’s garages?
  • By the mid seventies you were back in Europe reporting on Formula 1. How did that come about?
  • How has motorsports journalism evolved since you started, and what are your thoughts on the digital media era?
  • You’ve authored several books—what’s your process like when diving deep into the history of a particular series or figure?

Transcript

Crew Chief Brad: [00:00:00] Break Fix podcast is all about capturing the living history of people from all over the autos sphere, from wrench, turners, and racers to artists, authors, designers, and everything in between. Our goal is to inspire a new generation of Petrolhead that wonder to. How did they get that job or become that person?

The Road to Success is paved by all of us because everyone has a story.

Crew Chief Eric: Tonight we’re honored to welcome one of Motorsport Journalism’s most respected voices. I. Pete Lyons with a career spanning over five decades. Pete has covered everything from the raw thunder of Can-Am and Formula one to the gritty drama of endurance racing at lama. His vivid storytelling, deep technical insight, and front row access to some of racing’s most iconic moments have made him a staple in publications like Auto Sport Road and Track Auto Week and Vintage Motorsport.

Whether he’s recalling battles between legendary drivers or peeling back the curtain on Motorsports innovation, Pete [00:01:00] brings history to life with unmatched passion and precision, and we’re going to dive into his latest publication. My Travels on Racer Road, Canam and Formula One in their golden Age with a man who not only chronicled Motorsport history but lived it.

Joining me tonight is John Summers, the motoring historian, one of the many personalities on the Motoring Podcast Network. And with that, let’s welcome Pete to break

Pete Lyons: fix. Well, Eric, John, and, and everybody, thank you so much and I’m gonna hire you to be my publicist. You did a great job there. It really is.

Jon Summers: Marvelous, isn’t it?

Pete Lyons: Some of it’s

Crew Chief Eric: almost true. It’s all true. Even the lies. Pete, with that said, reading your most recent book, it looks like you weren’t that enthusiastic about cars when you were younger, but yet by your teenage years, it became a passion of a lifetime. So what were the experiences that had piqued your interest and set you on the path for your future career?

Pete Lyons: My dad was really keen on cars. Ozzie Lyons, photographer, engineer, movie guy. He did a lot of things, but he was a, a journalist, did a lot of photography at car races and so he was really very [00:02:00] interested in cars, especially car racing when I was like 12 years old or so, I would go along with him to the track, like a family vacation.

We go from New York state all the way down to Florida to Seabring every March, so dad could photograph the races and we could play in the sand and the mangrove swamps and so on. But I was completely bored by cars. I mean, I’m in the backseat. I’m a kid, I don’t get to do anything but sit there and wait for us to get to the next Howard Johnson so we could have some lunch or something.

And so I had no hands on experience of a car, so I didn’t understand what it was all about. But then when I got to learner’s permit age, dad started teaching me to drive. Oh, I get it. This is fun. In the matter of weeks, I was a converted race car person. I remember vividly my first time had driving a car and also being in at a race where I was interested and Dad gave me a camera and told me about shooting, and then he had a dark room at home.

Every house we lived in in, he built a dark Aram. So I got hands on instruction on Souping [00:03:00] film and making prints and so on. Basically, that’s the path that set me on and here I am.

Crew Chief Eric: So as we continue down your journey, looking through the chapters of the book, it seems like you were a backpacker before backpacking was popular, and you hear those romantic stories about a loaf of bread and a bottle of wine and traveling through Europe.

So you found yourself in England and then continuing on European travel. What drove you to go to Europe?

Pete Lyons: Well, let me first say that there were a lot of backpackers in my day. It’s not a new phenomenon. We’re talking 19 61, 62, 63. When I was there. I was with backpackers all the time. There’d be two or three standing at the side of the road when you’d walk up and stick your thumb out or on trains or sleeping in campsites or on park benches in Paris.

True story. I did that. So, you know, backpacking was not novel, but it’s a way to go.

Crew Chief Eric: So was it motor sport that drew you to Europe?

Pete Lyons: Oh yes. Yeah. I was not doing much of anything by the time I turned 20 years old. A whole bunch of stories in the, in the book about what I was doing, [00:04:00] traveling and working and so on.

But I was really trying to go to all the races I could and I decided I have to go to Europe and so I went to Europe. I had enough money for about two months in Europe. And then at the end of that two months, I didn’t want to come home. So I found a job and I worked that winter and then I traveled the next summer and worked again that next winter and traveled some more the third year and I just didn’t want to come home.

I went to as many races as I could. I bought an old Norton motorcycle secondhand, and I traveled all the way down to Sicily, to the Target Florio. In 1962, I went to the Berg Ring in Germany where I froze the piston and the cylinder. It was a single cylinder engine and I devoured the piston and had to wait in Germany for nine months before I could fix the bike.

I learned a little German then.

Jon Summers: What Model Norton was it?

Pete Lyons: It was a 1959 model. 50. It was a three 50 single, very basic, but the engine wasn’t anything special. What I liked about it was what I’d read about the road holder forks and the featherbed frame. You know, the man won so many motorcycle races in [00:05:00] that era.

I. And this was basically the same motorcycle. A lot heavier, a lot slower, a lot cheaper, but so am I. So it suited me fine. I, I enjoyed riding that all over Europe. Where did you buy it? In London. I bought it, I walked into a dealer in London and you showed me the bike and I bought it.

Jon Summers: It was the new bike, was it?

Pete Lyons: No, no, no, no. Two years old. This, this was almost winter time of 61 when I bought it. And it was a 59, so it was two years old. It was a good bike, but I did thanks to it that I shouldn’t have.

Crew Chief Eric: So you’re deepening your romance, your love affair with Motorsport being in Europe, because every time you turn around there’s a famous racetrack here, there and everywhere.

Had you established, at this point, maybe some favorites or some bucket list tracks that you were trying to get to, to record a photograph or capture or just experience?

Pete Lyons: Yes, but the first one on top of the list is always going to be the Burging, that Fantastic Mountain Road course in eastern Germany. In those days, it was 14.7 miles around and it had something like 184 corners depending on how [00:06:00] we count a corner.

And it was incredibly difficult to learn. It was incredibly devious. It was really damned dangerous. It’s my idea of what a racetrack ought to be, and I know it. Doesn’t fit into the modern, uh, conception of what racing ought to be. So be it. I’m in the old days.

Crew Chief Eric: Compare that to Lama.

Pete Lyons: Lama is totally different.

There’s a lot of magic there. It’s not as long. In those days, it was about nine miles around far fewer turns. The driving isn’t as intricate. But of course you do it for 24 hours and there’s two to three, even sometimes four different people in the car. So each one wants something different. So you have to compromise.

And also in those days it was really endurance cars could not stand flat out driving for 24 hours like they can today. It’s astounding what they can do today. But you, you had to nurse the car. I’ve been at Lama late in the afternoon and on Sunday afternoon they’re, they’ve been running like 23 hours and they just have to get through the last hour.

The engine note that used to be so pure and clean and lovely in the middle of the [00:07:00] night. It’s sounding hoarse and raspy and something’s gonna break if I’m not really careful. The cars are streaked with filth. I mean, they have been through a long, long endurance, you know, 3000 probably miles, uh, in the 24 hours.

So it, it’s a totally different experience and perfectly valid. Is that. And I love night racing. I love watching the car has emerged from the darkness and flash by and you see the flames from the exhaust and the bright red brake rotors and so on. So it’s a spectacle, but it’s not like Formula One at the Berg Brain.

For instance,

Jon Summers: your story at the beginning of your book that’s just coming out. The story of seeing the mat coming by at Lamar, it really resonated for me. Thank you. My best memory of Lamar, I went three years in the Audi years, about 20 years ago, and my best memory of Lamar is having the ritual Chinese meal at the restaurant at Herand Air, which I only did that once.

And then walking down, and it would’ve been like 2000 or 2001, the guys I [00:08:00] were wi was with were like, you know, za Straits just there. We could like walk down this driveway and like into this guy’s back garden. And so we got close to the, and I remember the, I remember the night of the Corvettes and the glowing break discs.

Yes, your piece. Brought that alive for me again. Ah, thank you. Thank you. It was magic.

Pete Lyons: It was magic being there and I, I always figured my role was to try to express the magic for what I felt for people who couldn’t be there, but wish they would.

Crew Chief Eric: So that’s the perfect segue into our next portion of your story, which is when did the light switch flip and you went from backpacker and motorsport, enthusiast to motorsports journalist.

What were the series of steps that brought you to that point and then realizing that that was gonna be your career?

Pete Lyons: That overstates the case. It just sort of happened and it happened because my dad was already associated with Autosport, the English weekly. You know, Motorsports publication from London.

Dad was their USA correspondent and photographer for some years. And so it was actually not a path [00:09:00] I chose, it was the path dad was following as on a weekend. And so I’m going along with him and I remember the thrill I had the first time, bought a sport, published one of my own photos. I mean, this is so exciting and I have to tell you, it’s still exciting, but I couldn’t figure out the, I was not aware of anything else I got to be doing.

I thought I should do this. So I did.

Jon Summers: I wondered if. Part of the reason why you came here in the first place wasn’t Dennis Jenkinson’s Continental Notes. You’re exactly right. As a mobile sports subscriber myself, that lifestyle was appealing to me, and I wondered if the Norton bike and the coming to Europe and the following, the Continental circus was DSJ instrumental in that.

I got the sense he was

Pete Lyons: absolutely. I often call Jens my guru. I never said that to his face, but when I was still in high school, someone gave me a book for Christmas. Obviously my dad, it was Dennis Jenkinson’s book called The Racing Driver, which I still have, and I’ve photographed. There’s a picture from it in the book.

[00:10:00] Jinx had this life, and it was the Continental Notes you could read sometimes in the magazine. We didn’t get that magazine, but I saw copies from time to time. So I knew this English guy. In those days, he had a Porsche, a little 3 56 coop, and he would motor around Europe going to these fantastic races like the Targa, Florio like spa, like Monaco, Rimini, Pescara, places like that.

And then he would write about his journeys and then his stories about the races. They just spoke to me. He brought out the feeling in me. I can remember there, there was a, a story that Jenks wrote. I think it was about Pedro Rodriguez driving a Porsche nine 17 around brands Hatch and probably the BOAC six hour race, something like that.

As I recall, it was a rainy day and he just described Pedro just dancing slithering around that wet. Racetrack. And honestly, John, I felt my breath coming fast. I was, and I’m sitting 3000 miles away months later reading words and I, [00:11:00] this is powerful stuff.

Jon Summers: Yeah, it’s, it is awesome. That reading your words in the book, expressing that for me, the article that did that for me was Dan Jenkinson’s article about the Milli Milia in 1955.

It was republished in 1995. In the June edition of Motorsport, and it was right after I’d finished graduation so I could read something that wasn’t the decline and fall of the Roman Empire for a minute.

Pete Lyons: Yes,

Jon Summers: and I read the Jenkinson article and I loved it. Yes. Love the sense of. Adventure and there’s a sense of joy diviv, which is missing from contemporary motorsport, and it’s sad that that’s gone.

Pete Lyons: I’m not close enough to motorsport to be sure, but I think the people who are involved in current motorsport, I think they’re as passionate about it as we were in those days. So I’m not gonna say that they’re not finding the same kind of enjoyment. It’s different from what I remember. But on the other hand, there’s a lot of it.

It’s [00:12:00] good too. For one thing. We’re not killing as many people.

Jon Summers: That was the perfect segue into talking about the mortality.

Pete Lyons: I don’t think we want to dwell on it. I think people know that it was very dangerous. I mean, all you had to do is look at the cars and the circuits and the driver’s suits and so on and and the helmets.

And they were very aware that it was dangerous. There were ongoing efforts to make it safer. Every year they tried their best to improve the cars and improve the barriers and et cetera, et cetera, but we kept losing people. The first year in my, in Formula one for me, we lost two drivers and then the next year we lost one, and the third year we lost two more in 76.

My last year, I don’t think anyone died. I not on in Formula one that I can remember. I might be wrong, but it was a very, very dangerous period. I put this in the book, the editor of Autosport in those days, he was the founder. He was a Scottish guy named Gregor Grant, and he said something once, I think he wrote it in one of his editorials.

He said that, you know, motor [00:13:00] racing is indeed dangerous, but you know, you must remember that when we started in the late forties, early fifties, we had just come through the most dreadful war and we were used to horrible things happening. And so motor racing is quite innocuous by comparison. So that was their thought.

Nowadays we have moved so far beyond that, we just don’t know what it was like then. And nowadays when someone is. Killed. And it does happen. Many younger people are just shocked. How can this possibly happen? And yet it was part of the game back in those

Jon Summers: days, very much so. And I, I feel like that kind of motorsports survives in the form of the Isle of Man tt Yes.

Have a place of students at local university. And for them, they see the TT more as existing with other extreme sports than it does with Motorsport, as the resident motorsport as they understand it now. And I thought that was quite an interesting perspective.

Pete Lyons: It was something that we had to deal with. I had to write obituaries for [00:14:00] people that I thought of as friends.

I used to try very hard not to get close to them because there was that risk of, you know, losing them. I wasn’t very good at not being friendly with ’em because they’re such fascinating people. I’ve said before that I don’t recall ever meeting someone in motor racing who wasn’t an interesting person in one way or another.

Part of it is we’re all there because we’re all enthused by the same thing, and you just feel like you’re part of a fraternity. I’m on the outskirts. I’m a journalist. There’s an adversarial relationship that one is aware of subliminally. It’s not that they were unkind to me or wary of me, but you could see that the way the mechanics talk to each other is a little different than the way they talk to the journalists who stopped by.

I developed good friendships and, and they would tell me things that I heard them not telling other people, you know, you never actually break through the barrier and get to the inside. I discovered that a couple times when I joined the crew of a, a race team on a, like a club racing thing. All of a sudden I’m a remember a team and [00:15:00] somebody else comes around and wants to know what we’ve done and.

I can feel it. I’m not going to tell him. I can see from that perspective how my approaching any of the mechanics or, or designers or crew chiefs around the racing team in those days, they would be cordial and friendly and partly because I’m the press and so they want to be nice to you so they will write about them and so on.

So it’s a, it’s a lovely conversation. In the same moment you can see in their eyes, I’d best be careful. He might ask me something I shunt wish to tell him. You know,

Crew Chief Eric: let’s switch gears and talk about Canam. We have had only very few opportunities to discuss Canam on this show. I had been fortunate to sit down with a friend of yours.

We had Rick Nup on here. Yes, talk to us about his Lamont experience. But he has tons of racing experience in Can-Am and he shared those stories with us. And so I want John to lead us down this exploration of Can-Am. It has such a mystique around it and has such an epic period in Motorsport history. So, John, take us down this road [00:16:00] with Pete

Jon Summers: really does have a epic kind of, uh, worldly feel for me as a, as an Englishman.

So let’s begin with the obvious about. Canam. The perception is that there were no regulations. It was this sort of wild west of no rules.

Pete Lyons: Was it really like that? There were some rules, but there were so few rules. Many people have said, I like to say it was the thinnest rule book in Motorsport. It probably rivaled only by the Pikes Peak Hill Climb Rules where it says Open class at Pikes Peak.

Is any car capable of going for the Hill Climb Track record is eligible. Okay, we can work on that. Canam did have rules because it was associated with the Sports Car Club of America and their Canadian counterpart, CASC. They came together and they produced a sports car series, an international one between the two countries.

That’s why it was called Can am Canadian American, and it was a series of professional races. Across North [00:17:00] America and they adopted the old idea of sports cars as experimental things Can-Am cars didn’t come into being. They evolved outta what had existed before. In Britain, you had what they called big banger racing.

They were McLaren’s and Lolas and other cars. British made chassis with big Chevrolet Ford and Oldsmobile engines. They were called big bangers, and the crowds loved them. And I’m talking, you know, 64, 65, and we had the same thing going on in the States. Not only English cars with American engines, but we had American cars like the Cunninghams came before them.

Then we had the scabs in the late fifties, and then by the early 1960s, they were building things like the Chaparral 63, 4, something like that. Again, all of that was. A fermenting growing blossoming thing, which in 1966 was codified in the Can-Am. But that whole ethos of you wanna put a bigger [00:18:00] engine in it, oh, that’s great, let’s hear it run.

Whereas eventually, and in most cases. Rules get piled on top of rules. One rule leads to two more and eventually you can’t move. If you wanted to design a Formula one car or a Lama car today, but you wanted to make it a little wider than usual, Uhuh can’t do that. Lad, you wanted to make the engine a little bigger.

Uhuh not allowed. Seems like every line of a modern design race car is drawn for the designer by some rule or another. It’s so constrained, whereas Can-Am was wild and free. You want a bigger engine this year or this week? You want a bigger engine. Okay? We’d love to see that. You want a different transmission.

You want to make different aerodynamics. Remember, the Chaparral came up with that wing on the above, the rear wheels so that it would, aerodynamics would push the back wheels down on the road. That was unheard of and yet was perfectly legal in Canam. Everybody loved it so that it was a totally different era.[00:19:00]

Jon Summers: So thinking about those kind of creative innovations, I mean, you mentioned Jim Hall and Chaparral. Who would you say the top three innovators were in Canam?

Pete Lyons: Chaparral with Jim Hall and Hap Sharp for sure. They did the first fiberglass, meaning composite chassis in racing in 19 63, 62. There had been a car made by Colin Chapman at Lotus, which had a glass fiber chassis, but that was a road car.

The elite Jim Hall, I’m sure he knew about that car, but they built a rear engine sports car that had that fiberglass chassis. Guess what? Today everybody has a carbon composite chassis. So that was an innovation which has stuck. Jim Hall pioneered what everybody called an automatic transmission. It wasn’t automatic.

It was a torque converter transmission. So in other words, there was no clutch, but you put your foot on the gas pedal and the thing locked up in the car moved forward. And the way you changed gear was you simply moved a lever. You had to [00:20:00] move the lever. It didn’t do it by itself, so it wasn’t automatic, but it was an innovative, different kind of transmission that allowed the driver to have two pedal control, just like you have in a Google cart.

Left foot brake, right foot gas, and like you have in Formula One cars and other cars today. Again, that that was a Chaparral thing that came about in the early 1960s. And then the aerodynamic revolutions that Jim Hall came out with, I described the wing, and later on there was the fan car that had an extra motor.

You could add an extra motor to a KN car. Nobody said you couldn’t do it. And that was to spin a couple of fans at the back, which extracted air from out under the car and turned the whole car into a limpet, you know, suction cup. It just grabbed the road. Those are the main things that Chaperral did. They also were the first people that I was aware of doing instrumented testing.

I have a picture that I took at Bridge Hamden once, a big passenger seat of the Chaparral with a big reel to reel tape recorder sitting in the passenger seat, belted in with wires, going to all sorts of sensors [00:21:00] around the car, and I knew enough not to ask, what’s all that for Mr. Hall? Oh, would rather not talk about that.

I asked Jim Hall once there had been a little aerodynamic appendage at the nose of one of the chaparrals, like a little additional aerofoil, no, no bigger than my arm, stuck at the front where the air intake was. Then it disappeared, and I, I said, Jim, why? Why did you, why have you removed that little appendage that front of the car while Pete.

I had enough time to think I’m gonna get a great answer here. He’s thinking about his answer. It had a neurodynamic effect that I’m not gonna tell you about. Thank you, Mr. Haler. This is the kind of thing that made that whole episode of my life so much fun. I felt like I was in a giant adventure going along with people who were opening doors into the future and they tolerated me tagging along and watching them and taking pictures and writing about it.

I wasn’t one of them, but they welcomed me to come along [00:22:00] on the ride. It was just so much fun.

Jon Summers: I was lucky enough to meet Don Nichols some years ago, and I found talking with him in the pit lane at Monterey. He clearly relished telling stories, and I found myself thinking some of these are true. Some of them I’m not really sure about.

I’m just enjoying all of them. Talk about some of the innovations that you remember shadow bringing to Can-Am.

Pete Lyons: Well, the first one of course was Trevor Harris’s tiny tire car, the 1970 car. Trevor and Don got together. Trevor had fountains of ideas. He’s an amazingly talented, brilliant, innovative guy. His mind just throws out ideas like sparklers.

He wanted to try a car that was like a go-kart and that had small wheels. He had, he wanted 10 inch diameter wheels, so therefore like 14 inch, 15 inch diameter tires and slightly larger at the back. But the whole idea was to make a car that was lower to the ground. Trevor knew about endurance carts.

Doesn’t say that. That’s what led him [00:23:00] to the idea, but the same concept, getting a smaller package down low. And so there’s less air resistance. And he thought with a, a smaller engine but less air resistance and less weight, you could go as fast as a big block heavy car. And so he got done. Nichols interested in that, and Don agreed to finance it.

And so they came out in 1970 with this most. Amazing thing. I mean, it would literally stop you in their tracks the first time you saw it, thought for the first time at must sport in 1970, I knew what it was, but I hadn’t seen it before. And good Lord, so how can I photograph this? You know? So get down to my knees, and I looked photographed up because that would elevate the height of the people around it and things like that.

It was not a successful car. A lot of that had to do with circumstances outside of Trevor’s control, but it led to a long line of other shadows, each of which got more and more conventional, but finally won the Canam Championship four years later. So that’s an important car. And then in Formula One, they did [00:24:00] do some cars that were fast, particularly in 1975.

The Shadow DN five was it. That started from pole position on a couple of races that year, which is darn good in Formula One. In 76 I think they won a race. They won the Austrian Grand Prix. Alan Jones, later a Formula One champion won his first Grand Prix with shadow at the Austrian Grand Prix in 1978.

So, but then the team never had the funding it needed, not when they started to get good, so it faded away. The story is fascinating. Don Nichols own personal story is fascinating. Trevor Harris and Peter Bryant, who was an interim designer, and then Tony Southgate who did the successful cars later, what a kaleidoscope of fascinating people.

Jon Summers: Absolutely. That’s what I found myself thinking that Don Nichols was in his seventies when I met him. He had a long ponytail and I was like. Dude, that’s just so cool. Riding with Revy. Ah, you must have been [00:25:00] friends with him for that all to come along and just explain to people who’ve not perused your book, what that’s all about.

Pete Lyons: Riverside Raceway 1971, a few days before the very last Canam of that year, and at the end of that race in 1971, Revson was going to be the first American to be the Can-Am champion in McLaren MAF. You can see the two seats in there and the full Bo that you work over the wheels and it actually has doors here on each side.

And those three things together make it a sports car. Other than that, it’s a, it’s a wild, basically unlimited car. The engine was as big box Chevy as they could make with an aluminum block. Gearbox was big and, and they could absorb that torque. The tires were big and fat. It had aerodynamics on it. By this time, there were some rules restricting The aerodynamics could no longer have them mounted up in the air like Chaparral had with struts going down to the wheels to press the wheels themselves down onto the road.

This way, the downforce goes through the body and the suspension down to [00:26:00] the wheels, which isn’t as pure as the Chaparral, but that got banned. So more and more rules were creeping into the cannon. Anyway, to your question, it was a, I think it was Tuesday before the race and one of the sponsors had some of their people out, and I was out there anyway because I’m a racetrack junkie.

Hey, they’re gonna be testing today, I’m going out. And I found that, uh, ready was giving people rides from the sponsor. So I got in line and they looked at me, oh, I paint in the seat on this side. There was no upholstery in it. It’s nothing but a sheet metal tub, you know, aluminum tub. Although the rules said that it was supposed to be equal for the driver and the passenger, they did cheat it over a little bit because there wasn’t enough room between the fuel tanks for two human beings.

So the driver needed to have a good seat and the passenger only needed to be along. He didn’t have to actually be comfortable. I can, I remember sort of driving my hips down into this narrow thing. And then I had to keep my right arm away from Revson. He’s right hand [00:27:00] drive car, and he’s shifting with his left, doing this with his steering wheel.

And so I didn’t want to get into his way when he’s steering the car. Teddy May, the team manager, he clasped by hand. He was doing this to everybody. He said, give your hand. He held it up and clamped onto the roll bar here, where, where my thumb is, that sloped part of it. And, and that’s my head underneath there.

And so I’m holding on like this. And on the left side, I’ve got my hands out as far as I can and holding it over the outside of the mono clock underneath the door. And then my foot well, was so narrow. The only way I could get in there was to take off my shoes and in my stocking feet, I put one over the other and just sort of slipped in there.

So it was not what you call a, a relaxing and comfortable position, but. At a time like this, who goes for comfort? We went out of the pit. By that time I knew Riverside, I’d done a Formula Ford School there. So I, I was familiar with going around Riverside at Formula Ford speeds. But this thing was, he sort of motored out of the pits and then nailed it in first gear and literally my head went like that.[00:28:00]

I mean, you know, we hear about next snapping acceleration. It’s true and nothing but blue sky. Then you put your head down and then bang again. And even when he went from fourth gear in into fifth at 140 miles an hour, whatever it was, there was the same thing. It didn’t lessen with the speed. And I reckon we, by watching the tachometer, which I could see in the wiggling needle, the highest number I saw was the equivalent.

I found out later from the lap chart, from the gearing chart, it was 185 miles an hour. And then after that, he still had his foot down on the throttle for a couple of seconds. So I’m convinced I saw like 190 miles an hour down the back, straight at Riverside with like that. And at the end of it, there’s this boilerplate steel wall around the outside to turn nine.

It’s a long way away, but it’s coming at me like this. And, uh, kept thinking, Mr. Revson, sir, perhaps you might want to think about putting your foot on the brakes, sir. I’m exaggerating. But when he did, I [00:29:00] saw why he didn’t have to do it before. I mean, we just like that. And if I had not been holding onto the bar like this, I have a feeling I would’ve pivoted outta the car, forward my ankles over my heels, out over the nose of the car.

That was the feeling I had. I’m glad Teddy put my hand here.

Jon Summers: You mentioned Teddy Mayer there. Yes. In the wake of Bruce McLaren’s passing, did Teddy hold the team together? I mean, it’s astonishing that the team leader passes and then all of a sudden you have this incredible success in Can-Am and then through the seventies.

Building success in Formula One into the Ron Dennis era. So did you perceive that firsthand? Talk about that

Pete Lyons: Teddy Mayer for sure. I mean, he was a very early friend of Bruce. He was a business partner. He was a manager financial guy I think. And Teddy was an instrumental portion of the structure that makes a team a part of the machine.

But the mechanics, they were all on board with this keeping [00:30:00] Bruce’s legacy going. Tyler Alexander, another American, both Teddy and Tyler were Americans there. There were a whole bunch of Kiwis, some English, there might’ve been other nationalities, I’m not sure. But it was the kind of team that was so successful and so solid that people wanted to come and work for McLaren.

They brought Dan Gurney and when Bruce was killed 10 days before the first race of 1970, they tapped Dan Gurney to come in and drive the car for the first couple of races. And of course he won the race, both of those races, and then he’d step back. So all of those people, including Denny Hall. Denny home was often described as sort of a tower of strength.

I’ve used that phrase that held the team together, but it wasn’t any one person. But certainly all the people we’ve mentioned, it’s just the way they were. They’re racers, and if you are a racer, you keep racing. If you decide you don’t wanna race anymore, you stop racing. I mean, it’s actually a fork in the road.

Jon Summers: Thinking about the tracks, you mentioned Moss Port. Was canam better to watch when the circuit was really fast, or was Canam better [00:31:00] when it was a slower circuit and it slowed the cars down and they couldn’t use all that power?

Pete Lyons: Each circuit tends to be different, which means you see different things. I wouldn’t say one is better than the other.

Mosport is a wonderful track, still is today swooping and fast and bumpy and varied. You know, I love tracks with hills on them. For that reason. I used to love San Jave in Canada, in in Quebec. Province we go is like that. Watkins Glen has a lot of that road. Atlanta and mid Ohio and so on. Riverside was wider and faster, more open, and longer straits gets the same number of corners roughly.

I used to think of that as a faster track than Laguna second, but then I think it was Denny Holm one day who corrected me. He says, no, Laguna second is bloody fast, Mike. I think it has to do with, even though you’re not going that speed, you’re in a tighter turn and there’s things closer to you, so it still feels that fast.

Jon Summers: It might be a little like Silverstone in Silverstone in its original form. Yes. None of the straits were that long, [00:32:00] but you didn’t have to slow down for any of the corners that much. So the overall lap speed was not that far off. Monza?

Pete Lyons: Yes, Silverstone is a track I’ve known for a lot of years, various iterations of it.

It was built on an airfield, a World War II bomber base, and so it’s basically on flat terrain, so it doesn’t have that dramatic up and down that I love. And you’re right, in those days it had, it was the perimeter road around the runways. It went around the X shaped runways. So it wasn’t that complex a circuit, but it was fast and wide open and wood coat turn in those days, the last turn on the lap.

Was a blood accordingly, fast, right-Hander, I mean fifth gear, practically flat. Practically flat and fifth gear. And on those tires in the seventies with the big baggy Goodyear tires, their bias play tires were not radial. So they, they were floppy springs were soft and the aerodynamics were not very strong in those days.

So you could really see something going on. The cars would lean and [00:33:00] slide and the drivers are working like this and there, there’s two of them doing that. And through boot coat it, who knows? 160 miles an hour maybe that was a vision. And then of course they put in the bloody chicane that ruined it.

Jon Summers: Didn’t shechter one year cause a big pile up or, so I’ve probably denigrated Shechter name unjustifiably there, but there was a big rack. One year and that’s what made them put the chicane in.

Pete Lyons: Shechter did have a big crash there and I guess it was not immediately after, but after that they did put in a chicane.

That’s right.

Jon Summers: Yeah.

Pete Lyons: Later did what everyone called the Shechter chicane at Watkins Glen. Watkins Glen had a somewhat similar sequence, uh, as you know, the glen sort of down and first in those days it was the first turn, sort of fast downhill right up the hill over the crest and so on, and there was a nasty fatal accident that crested that hill once.

Subsequently Shechter lobbied people to introduce a chicane partway through it to slow the cars down. And immediately there were all sorts of accidents at the Shechter [00:34:00] chicane. So they took it out and went back to the original. That’s Jodi’s, uh, contribution to this particular discussion.

Jon Summers: Silverstone used to be my local circuit, so the first time I ever watched a motor race was in the grandstands at Woodcote.

Oh, great. Fully, I appreciate what you mean. It wasn’t until I came to California and I rode motorcycles around Laguna and Infineon see’s point that I realized what they talk about when they say technical because no circuit in Britain is remotely technical. All the corners, they’re just like there. And how big are your cahones?

And you turn in and maybe the car slides and maybe it doesn’t and you wrestle it round. And Silverstone was wonderful for that. Do you have a favorite British Club circuit?

Pete Lyons: Well, I didn’t see enough of them to actually judge that. I liked Brand’s Hatch. In the old days, the first racing car I ever drove was at Brand’s Hatch.

I fronted up one day in 1967, I think, and I paid X pounds and I got four laps and a little formula Junior or something. And it was all over so fast. I can’t really tell you what I thought about it was, oh, this [00:35:00] is, I’m closer to the road than I thought. Oh, those are wheels there. My gosh, this thing just Agile.

Oh, you know, oh, is that the last lap? You know, it wasn’t until I took the formula of the Ford School, then I had three days of it, then another three days of the racetrack. Then I began getting an acclimated to it and I felt, I knew what a Formula car should feel like then. But I liked Brand’s Hatch. I had a wonderful ride with Ronnie Peterson once he was out there testing one of the Lotus Formula one cars, and of course testing his little while of intense action on the track, and then an hour between times while the mechanics changed something.

And so he had a Lotus that was the mid-engine car with a rental engine. So we’re, we’re sitting in the B. He’s sitting there. And the thing about Ronnie is he was so langy. I mean, he was tall, Swedish guy, pale blonde hair, very placid. And in that car, he was sitting back and his left hand was just sort of lying on the console, massaging the gear lever.

And his right hand was on the steering wheel and it was going [00:36:00] like this, and his face was perfectly placid. And at Bren’s Hatch, you came past the pits and went uphill over the crest of a hill, which then went down into a gully. The S speed motor was about 80, and the thing is healed over and sliding and Ronnie’s doing this, it felt like we were in streetcar.

You know, it was pretty hairy. And all this while Ronnie’s driving this and he’s got his head turning me, he’s talking to me the whole time. And I thought I couldn’t do that. I liked Brian’s aelant, but, but you don’t consider that a technical circuit?

Jon Summers: I dunno. Brands. I know Thruxton pretty well and Thruxton is my favorite of the British Club circuits.

Crew Chief Eric: It seems like every adventure we go on with Pete, we can’t stop talking about Formula One in some capacity or your return to Europe after the advent of Can-Am and finishing up that series. So let’s talk about returning to Europe in more detail and your time with Formula One. How did that come to be?

How did you pick up that gig?

Pete Lyons: The short story is that Leon Mandel at Autoweek informed me that I was coming to work for him. Canam was [00:37:00] dying at the end of 72. There were several reasons for it. Not at the only reason, but part of it was, you know, the Porsches had come in with factory cars. The Canna McLaren’s, for instance, had roughly 750 horsepower if you could believe what people told you.

Whereas the Porsches came in at like 980 and very quickly were at 1100 horsepower. I mean, there’s just no way McLaren could compete with that. They would’ve had to build a whole new car, go through a whole new development program. They did a turbocharged Chevy engine, but they were breaking the gear boxes, so they’d have to go through a whole gearbox program.

So at the end of 72, they were beaten by Porsche. They just decided they couldn’t come back. It was a financial thing. It was business matter. You know, you can’t squander money. And at the end of that year, I could see that coming. Lola was gone, Chaperral was gone. Shadow hadn’t yet amounted to anything. So it was just a matter of Porsche, Porsche, Porsche, and I was losing interest and I.

Just one make racing per se. And so I was thinking of doing something [00:38:00] else. Anything else? I didn’t know what I would do, but I was thinking, I, I think this is my last year, I’m gonna quit. And I was walking into the pit lane on the first day of practice and there’s, uh, race cars and they’re running and it’s hard to hear anything but Leon Mandels at the far side of all four of them, they’re two McLaren and two forces.

But Leon had the kind of voice that pierced that cacophony, and he said, lines, don’t go away. Your future all planned. That sounds interesting. So basically he, he hired me and sent me to Europe to do Formula One. So that’s actually the story of how it happened

Crew Chief Eric: Comes at a super exciting time in Formula One history, right?

This is the advent of the aerodynamics and the Y tires and all the sponsorships and the famous deliveries and the Marlboros and all the other brands that we can’t talk about or show on cars anymore. And don’t

Pete Lyons: forget, at that point, 73 was the same year that Shadow came in, followed by both Penske and vs.

Parelli Jones. For one point we had three separate makes of American car in Formula One. But it was, I think, was part of the reason Leon sent an [00:39:00] American to cover the races

Crew Chief Eric: and in so much as Can-Am has this mystique unto itself, the team, the name, the brand Lotus is also shrouded in a bit of mystery, right?

There’s so many different stories and hearsay and you’re there in the middle of it, in the fray with Colin Chapman and everyone else. Can you talk about your time witnessing Lotus and what was going down?

Pete Lyons: Not from any good insider perspective. They were one of the 15 teams, let’s say, that I had to keep track of.

I had to write two stories from each race, auto, sport, and auto week. And I had to keep track of chassis numbers for odds sake, which is kind of a joke, but we won’t go into that right now. So Lotus was here, but then there was McLaren Ferrari, Heskith March problem, whole bunch of them, you know, so that my time was split.

And so I didn’t live Shea Lotus for the whole period of time. They had some marvelous cars. They were fascinatingly innovative within the rules. My favorite was the wedge-shaped Lotus 72 that Emerson Foral drove for a [00:40:00] championship. I mean, that car, I’ve written a book about it and that car is just so elegant and interesting.

It was a car unlike any other, it was almost like a spaceship compared to a, a typical Braham or Laren.

Crew Chief Eric: Well, and the reason I bring it up is because things are happening simultaneously and we tend to fixate on a single point, or a single person or a single thing. But at this point, fellow Motorsports, journalists, Jerry Cromack is chronicling the story of Lotus that later became the book Chapman and his machines.

And so I’m wondering, you know, did you rub elbows with Rom back and was he able to share anything that he was working on with

Pete Lyons: you? I did know, Ja, of course. In fact, I visited him in Paris one day and he gave me an assignment. It’s like seem to remember, I can’t tell you what it was now, but I didn’t delve into it.

I mean, it was well known that he was a Colin Chapman fan. Oh, I was a bit of a McLaren fan.

Jon Summers: You talk about you, you knew Mike Sson and were were friends with Mike. Oh, yes, yes, yes. He was my landlord for some time. I believe. Mike Sson was the journalist who developed a close [00:41:00] relationship with Sana, and then SNA felt that he liked.

Betrayed his trust and you wouldn’t speak to him anymore. And there was a whole,

Pete Lyons: I know nothing about that. That was after my time and I, I can’t say a thing about it. I didn’t know that. My thought

Jon Summers: about

Pete Lyons: that

Jon Summers: was there must have been occasions where you were told things or overheard things or learned things just by being around the pit, just by walking from the shadow garage to the McLaren garage past the Ferrari garage.

There must have been things that you heard or saw or juicy bits of news that you didn’t want to write about.

Pete Lyons: Very little, but I was told things in confidence and I promised I wouldn’t say anything, and I’m gonna hold to that. Nothing earth shaking, I mean nothing scandalous, no bodies anywhere. There is something I can talk about.

Just to satisfy you, BKI Sims, who was at Braham one day came to me and he says. Pete, what do you know about that Chaparral that had the fans on the back and it stuck to the [00:42:00] ground? I said, oh, are you thinking of doing something like that? Then Beaky, he says, oh, the governor wouldn’t want me to say, but you, do you have any photographs?

And so I went into the Autosport archives and I dug through file folders, and they came up with two or three, four pictures that I had personally taken back in 1970 and sent to Autosport. Then I got on my Norton and I wrote down to, uh, almost straight to, uh, Gordon Murray, the designer at Bra. I says, BKI tells me you’re thinking of doing a ground effects car.

Did he? That was indiscreet of him. But the end result was I took those photographs on my bike riding down to where he and his wife lived on in the, it, it actually looked like a little cottage in the woods. It a pretty, and, uh, I turned up and his wife says, oh, yes, Golden’s expecting you, but he’s, uh, he’s out in the wood at the moment on his motorbike.

And presently I heard this trial’s bike coming, PA, pa, pa, pa. And. Gordon appeared coming outta the woods and stopped me, and he looks at me, he says, you can’t think about bloody motor racing when you’re riding this. [00:43:00] So we went in and I displayed my photographs and I told him what I knew about it, the Chaperral and how it worked, and what the effects were and so on.

And then I said, I won’t say a word about this until you’re actually ready to announce it. If you go ahead and do it, I want an exclusive on the story. And that was the deal. But the car actually came out after I had left Formula One, so I never wrote about it and it was many years before I wrote about it.

But that’s the kind of thing that you can get into, particularly if you’re accepted and trusted to a degree, they will tell you things, but on the understanding, you both understand that you’re going to keep it to yourself. People would say that Lotus is, were built a little too light. Well, unfortunately that probably was accurate.

Lotus did have a number of nasty failures that caused accidents. A team like McLaren was probably on the other side that, you know, they were conservative, which is why they finished races. I used to keep statistics and at the end of one year I figured out that the team with the [00:44:00] best reliability, the best finishing record was McLaren by quite a long bit, like something like 84% of the races.

Whereas other teams were down in the 50% range, they broke that often.

Jon Summers: Why were you able to perceive a difference

Pete Lyons: in the approach? Yes. McLaren, for instance, was much more conservative. They didn’t fly out and try to do something novel just because it was novel. They had plenty of ideas of their own. They made the interesting developments of their car, but they didn’t suddenly decided they needed to take a hundred pounds off the weight to the car.

You know, the idea is to finish the race, and they built cars to finish the race. My perception of it, they might say to something else, but at the same time they were qualifying on pole. They were doing fastest laps. They were making world champions. So you can’t say they were slow, but they were built in a kind of robust, logical, solid way, and they lasted through races.

Whereas Lotus’s tended to be a bit fragile.

Crew Chief Eric: So let’s turn the page and talk about another team [00:45:00] that I think many people have probably spent time on unpacking. And that’s Tyrell.

Pete Lyons: Oh yes. I used to hear the story that they were built in a timber yard. A woodyard, I thought, oh yeah, sure, sure, sure. And it turns out to be absolutely true.

So stupid. I never went there. I mean, it was a matter of 45 minutes drive from where I was living in those days. I could have gone to Terrell, I could have gone to Lotus. I did go to McLaren. I went to a couple of other places, but I never went to some of the ones that, in hindsight I wish I had, in which case I would have walked into this timber yard.

Ken Carroll was, he sold a lumber and it would’ve been a, a woodyard piled with timber and sheds. And one of the sheds that you might not have looked twice at, if you open the door, there was the Formula One racing shop in it. So it’s true that they were building a in a timber yard.

Jon Summers: Ferrari’s Garage, east Easter Jaw.

He had some truth to it.

Pete Lyons: Oh. Oh, he called them the Galler East. That’s right, yes, that’s right. It was thanks to first the Coventry climax engine from Britain and then the Cosworth DFE engine that Keith Duckworth designed. [00:46:00] Those were the ones that were available publicly so that so many could participate in Formula One.

In those days, you did have Ferrari that built their own engines and gearboxes as well as chassis. And you also had BRM that did the same thing in England, and occasionally you had somebody like Al Romeo or at TS or Mara did that, but list all the cars on the grid. You had the Lotus’s that McLaren’s the Tyrells, the Brahams marches, uh, keep going.

They were all built around the Ford Cosworth DFVV eight engine. Yes. To the extent they were hot Rods garage East, perhaps some of them were actually built in garages like the Terrell’s were. But I know that the, the first shadow was started construction in the guy’s garage, literally his home garage. He pushed his wife’s car out and put the bare metal that they were putting together for the first shadow before they got their actual factory.

So yes, it garage east is accurate. But, excuse me, sir, that Mr. Uh, crime back, they were winning races.

Jon Summers: [00:47:00] It’s astonishing for me that this one engine packet, were they different or when you walked down the pit lane and stood close to them, was the construction similar, even though the livery and the wings were different?

Pete Lyons: Very similar because, let’s face it, they were all built by the same basic people. A lot of the chassis were actually farmed out to, uh, specialist that built things like that. So they were similar. They were built to the individual design, but they were riveted and glued together, and that probably the thickness of the metal was the same.

And all the tools and the, the workmanship was the same. Not all of them, but they used the same suppliers for brakes, for wheels and tires, suspension springs, gearboxes, almost all used a specific gearbox. So there was a lot of commonality. On the other hand, at the same time, you could see that the designers were trying different things, but it, it wasn’t major.

You know, they would change little shapes here and there and different suspension geometries and put their radiators in different places and try different body profiles and different wing [00:48:00] shapes and positions. So there was some difference, but it was variations on a theme, let’s say. Whereas in Kda, you know, the Chaparral had very little resemblance to a McLaren, to a Lola, to a shadow, to a Bryant, yes.

They tended to have big block Chevy engines and Hu and transmissions. Okay. And this, at the same time, they did have the same kinds of brakes and shocks and so on. And the tires all came from the, the supplier, Goodyear, I think, and Firestone for a while. So from that standpoint, they were the same. And yet the fact that.

You could do a different chassis. In the earlier Chaparrals, they had these aerodynamic changes that other people didn’t have. Even though they were using many of the same components, it’s still, they were, I think there was more variety in k and m than there was in Formula One.

Jon Summers: Formula One had more rules.

My perception is certainly that there was more variety in Can-Am and there was in Formula One, and I wonder how much the, you know, similar components and all of that led to Formula One being, I’m not sure if competitive’s the right word, but [00:49:00] certainly its popular appeal grew right the way through the seventies and its appeal to sponsors grew out the way through the seventies.

And I wondered how much of that was due to the fact that the cars were. Relatively similar. So you didn’t have the situation where Porsche came along and kind of won everything.

Pete Lyons: I’m sure you’re right. Yeah. The days of Mercedes having the dominant car and then Ferrari having the dominant car, it’s still an interesting spectacle to watch, but it’s much more exciting if you have different cars and different drivers doing different things on different tracks.

You know, in one track, certain car is good, the next track you go to, the other one has an edge, and sometimes the races are just dreadful, boring processions, but other times they’re just wheel to wheel and oh my God. Did you see that? So it’s Vila di.

Crew Chief Eric: I’m sure we could talk about Formula One and Canda all night, but let’s not give away all the details in your book.

So let’s switch gears into our final segment and talk more about your book and let’s talk about the journey of what I call 80,000 words and setting off. And you’ve written books before, but [00:50:00] let’s talk about. Why this book? Why now? Why put this compilation together? What inspired you to write basically your life story?

Pete Lyons: I’m going to turn 85 in a few weeks, and the morning of my 80th birthday, almost five years ago, I woke up thinking, ha, 80 years old. Who would’ve thunk it? I’ve had one hell of a life, and I think that was the germ. I, I can remember taking a piece of paper. Well, before I got outta bed, I, and I started writing down some thoughts, which over time sort of turned into the book.

I think it was just an idea until one day my wife said to me, her name is Lorna. She said, Peter, you should write your own life story now. Okay. You know, my wife isn’t giving me instructions. I can do that. And then totally serendipitously the publisher in England, Evro Publishing, Mark Hughes is the editor there, and he’s a wonderful person to work with.

I had done a couple of books with him before Lotus and Shadow and so on. We were talking one day and he says, Peter, have you ever thought of doing a book about your life? And [00:51:00] I said on, you should mention that, mark. So I sent him some samples of what I’d been kind of noodling up and he says, yes, yes, we’d like to see more of this.

So what really pushed it over the edge was the photos I could bring to it. The words are one thing, but I was blessed with having such a huge photo archive. Not only my own, but of my father’s before me and including childhood photos, and even back when he was a, a young man dating my mother. You know, he’s got photos and a lot of those are in the book.

And when Mark saw the wealth of photography I could offer, they got quite excited. And I thought, this makes a good book.

Jon Summers: With a normal biography, there’s maybe one or two childhood pictures, but I get the impression because your father was into photography. Those early chapters give a really complete picture of your childhood and sort of set the scene for the person that you become in later chapters.

It’s, it’s really an enjoyable experience. Those early chapters.

Pete Lyons: John, you make my heart soar. That’s exactly what I hope to come across. Thank you, sir.

Crew Chief Eric: How did you find it? Writing about [00:52:00] yourself and not writing for someone else. You had such a long illustrious career as a journalist, writing about other things, and you’re always that omniscient third party looking in and then, you know, reporting the story to us, the audience.

But now you’re reporting your life story to us, the audience. You maintain a sense of your journalistic style in your writing in the book, but did you find it to be a whole new challenge, really writing about yourself?

Pete Lyons: I’m not sure challenge is the right word, because it seemed to flow. You’re right, it’s different and the whole period of time, and I’m still feeling it is.

What bloody cheek to write about yourself, who cares? But I’m getting a lot of people that seem to like what I did, so that’s very gratifying. It’s sort of narcissistic to do a thing like this. If people wanna read it, I’m perfectly happy to do that. But it is different. You’re right.

Crew Chief Eric: So when you look back over your chronology with wiser eyes and maybe rose colored glasses in some ways, do you have a sense that your journalism, or even journalism in general in motor sports has evolved over this [00:53:00] time and putting together all of your memories and your memoirs?

Pete Lyons: Before I ever even thought of becoming a writer on that trip to Europe, the two and a half years I spent in Europe, I was keeping journals all the time. Diaries, I guess we call them in those days. I filled several notebooks or you know, composition books with, I’d have a few hours of motorcycle ride and then I’d stop at I’d sidewalk cafe for light lunch or something, and I’d pull out the notebook and I’d write down some of the things I’d seen in my sleeping bag that night in the campsite.

I’d write some more. And so I got used to writing what I had seen during the day, not necessarily anything to do with motor racing. I’m talking about the Alpine Pass that I just crossed earlier that day, and now I’m sitting at a gustof and I’m having a beer and a wienerschnitzel, and I pull it on. I talk about riding that my Norton across the A.

That was fantastic. That’s the kind of thing that set me up for doing what I did later and professionally.

Crew Chief Eric: And we’ve had other writers on the show, and they’ve talked about the editing process being one of the biggest hurdles, you know, getting their story told the way they want it to [00:54:00] be, because some editors said, well, you should take that out.

Yeah, that makes sense when you’re telling a story again from that third party view because you’re like, well, maybe we can take out that paragraph or two, because it doesn’t really add any value. But here again, you’re writing about yourself and what do you say to your editor when they go, oh, come on Pete.

We really wanna talk. You wanna talk about this? And you’re like, yeah. Right. It’s my story. I wanna tell it the way I wanna tell it. So what was the editing process like for an autobiography?

Pete Lyons: Well, particularly with Mark Hughes, it was marvelous. It was a delightful experience, but as you say, there are things that they want to take out, and I was able to dissuade him on occasion.

He accepted my reason for wanting to leave something in, but thick as this book is 550 pages. It would’ve been like 700 had they printed everything I sent them to begin with. So there had to be a really painful chopping off your left arm kind of thing.

Crew Chief Eric: There’s a value in that storytelling. I mean, obviously you have those 200 extra pages somewhere, but do you feel like part of your story is left untold by not [00:55:00] having that information published?

Pete Lyons: No. No. Honestly, I think Mark’s expertise, his vision, his view of it, his perspective is superior to mine. I really actually enjoy writing. I like to watch thoughts appear on the screen, and just because I’ve had the thought, it doesn’t mean it needs to be in the book. Just as an example, riding across France, I stopped for supper one night.

I had a experience in the restaurant that I wrote about for the book, but Mark thought, well, it doesn’t actually advance the story much. It was a matter of my first French restaurant meal. So I thought, oh, this is, I’ve heard about French dining. Let’s see what it is. So I ordered a salad and something else.

Presently the salad appeared and it was a very good salad, and I ate some of it. Then I put it aside to enjoy the rest of it with my meal, and I sat there and no meal. I sat there some more, no meal. Started crossing my arms like this and looking around. There was nobody else in the restaurant. I was alone.

Looked around and finally outta the corner of my eye, I saw the face of the waiter stick his [00:56:00] head out of the kitchen and he looked back and got back. And the third time he did it, I was ready. And I said, where’s my supper? And he came over and he carried a dish out and there was something about his posture and his movements, his deliberate motion.

He was telling me something like, and he put it down in front of me. Then he moved to take the half eaten and salad. I said, no, no, I want to have that. And he put it back and he just gave me this weird look and he walked away. Then I remembered that I’d heard that in France, they eat meals and courses. We eat everything.

I mean, I eat everything together. I’ll take some meat and then some potatoes, and then some salad and vice versa. In France, apparently you’re supposed to finish the salad and then that goes away, and then you have the main course. And I told that story. It was part of the adventure of cruising through Europe and getting to know what was going on there.

So that’s one of the stories that got put on the cutting room floor. Thank you for letting me tell it. Now,

Crew Chief Eric: inside of that anecdote is. Moral for younger writers who are looking for some inspiration from you. And, and I, I wanna expand upon [00:57:00] that to ask any advice for someone who’s sitting down and maybe considering writing their autobiography.

Not to mention writing an a novel or a biography or another type of book, but if you’re considering writing an autobiography, do you have any words of wisdom that you can pass on or, or lessons learned from your experience?

Pete Lyons: I won’t call anything I say is wisdom. No way. I often get asked when people know that I’ve been writing my biography, they say, oh, I’ve always wanted to do that.

I said, well, what’s stopping you? Oh, I know I don’t have time, or I don’t know how to write or anything. So I say, start simple. You know, just think of something that happened in your life. It could have been this morning, it could have been when you’re more five years old. Just put some words down on paper and I don’t know any other advice to give somebody.

It’s just to start developing it. The people so far that I’ve talked to that I’ve told them that to, I asked them a few weeks later, well, how’s the biography coming? Oh, well, I haven’t, haven’t actually done that. You know, so I haven’t helped anybody is the answer. I, I would seriously advise anybody to just keep a diary.[00:58:00]

Also do photographs. And I don’t mean just put them up on the cloud from your cell phone, keep them somewhere, get an office like uh, John has of your own photos. But the fact that my dad had this archive and I had an archive helped a lot with the book. But even if you don’t have that, but what you need to do is make writing a practiced thing that you do.

I’m not sure that the skill is the right word either, but if you just write and write and write and think about what you write, am I expressing what I felt like? What happened to me going to work today? What did I see that was different and what do I think about it? Stop and scribble down something.

Things like that. And eventually you’ll build up something and you’ll find that, you know, this reminds me of something happened when I was four years old and I see a relationship. This kind of thing has happened to me. So I, I think it’s a voyage of self-discovery, but you’ve got to actually do it. Keep rolling the boat.

Crew Chief Eric: Pete, at nearly 85 years young, it took you almost five years to complete this project. Yes. What’s [00:59:00] next? Is there something else on the horizon?

Pete Lyons: Well, I, I am in fact working with another guy on a book. I don’t think he’s ready for me to tell the world what he’s working on, but he’s a person who has a fascinating life story to tell, and I’m helping him tell it.

Crew Chief Eric: Well, Pete, we’ve reached that point of the episode where I like to invite our guests to share any shout outs, promotions, thank yous, or anything else that we haven’t covered thus far.

Pete Lyons: Let’s not forget this. This is available@petelyons.com. Lorna and I sell it. You’re all invited to go to pete lyons.com and uh, look for it.

And if you like what you see, there’s other places you can get it, but you get it. My, with my autograph here.

Crew Chief Eric: And folks, that’s a wrap on this incredible conversation with a motor sports author and historian Pete Lyons. From the Thunders Days of Canam to the drama of Formula One, Pete’s storytelling continues to bring racing history roaring back to life.

His passion, insight, and firsthand experiences remind us why motorsports isn’t just about speed. It’s about the people, the machines, and the moments that define them. Whether you’re a [01:00:00] longtime reader of Pete’s books or just discovering his work now for the first time, we hope today’s episode inspired you to dig deeper into the archives and relive some of racing’s most iconic eras.

So be sure to check out his website, www.petelyons.com to learn more and pick up a personally autographed copy of his latest book. My Travels on Racer Road, Canam and Formula One in the Golden Age from his website. And with that, Pete, I can’t thank you enough for coming on Break Fix and sharing your stories with us.

This has been a beautiful experience, reliving the past, an epic past in one of the best periods of motorsports through your words, and it’s been an absolute privilege to share your stories. So thank you for doing this. Thank you for writing the book, and we hope to hear more from you soon. Thank you to both of you.

It’s been a

Pete Lyons: great

Crew Chief Eric: fun day. And John, thank you again for coming on and sharing this journey with me.

Jon Summers: Thank you, Eric. Thank you very much. And thanks, Pete. Thank you.

IMRRC/SAH Promo: This episode is brought to you in [01:01:00] part by the International Motor Racing Research Center. Its charter is to collect, share, and preserve the history of motor sports spanning continents, eras, and race series. The Center’s collection embodies the speed, drama and camaraderie of amateur and professional motor racing throughout the world.

The Center welcomes serious researchers and casual fans alike to share stories of race drivers race series, and race cars captured on their shelves and walls, and brought to life through a regular calendar of public lectures and special events. To learn more about the center, visit www.racing archives.org.

This episode is also brought to you by the Society of Automotive Historians. They encourage research into any aspect of automotive history. The SAH actively supports the compilation [01:02:00] and preservation of papers, organizational records, print ephemera, and images to safeguard, as well as to broaden and deepen the understanding of motorized wheeled land transportation through the modern age and into the future.

For more information about the SAH, visit www.auto history.org.

Crew Chief Eric: We hope you enjoyed another awesome episode of Break Fix Podcasts, brought to you by Grand Tour Motorsports. If you’d like to be a guest on the show or get involved, be sure to follow us on all social media platforms at Grand Touring Motorsports.

And if you’d like to learn more about the content of this episode, be sure to check out the follow on article@gtmotorsports.org. We remain a commercial free and no annual fees organization through our sponsors, but also through the generous support of our fans, families, and friends through Patreon. For as little as $2 and 50 cents a month, you can get access to more [01:03:00] behind the scenes action, additional Pit Stop Minisodes and other VIP goodies, as well as keeping our team of creators fed on their strict diet of Fig Newton’s, Gumby Bears, and Monster.

So consider signing up for Patreon today at www.patreon.com/gt motorsports. And remember, without you. None of this would be possible.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Welcoming Motorsport Journalist Pete Lyons
  • 01:32 Pete Lyons’ Early Life and Passion for Cars
  • 03:05 Backpacking and European Adventures
  • 08:26 Transition to Motorsport Journalism
  • 12:02 The Dangerous Era of Motorsport
  • 15:31 Exploring the Can-Am Racing Series
  • 31:12 Exploring Iconic Race Tracks
  • 36:59 The Decline of Can-Am Racing
  • 38:29 Covering Formula One in the ’70s
  • 38:57 The Mystique of Lotus, the Reliability of McLaren and the Unique Story of Tyrell
  • 49:49 Writing My Life Story and Advice for Aspiring Writers
  • 59:13 Final Thoughts and Promotions

Bonus Content

There's more to this story!

Be sure to check out the behind the scenes for this episode, filled with extras, bloopers, and other great moments not found in the final version. Become a Break/Fix VIP today by joining our Patreon.

All of our BEHIND THE SCENES (BTS) Break/Fix episodes are raw and unedited, and expressly shared with the permission and consent of our guests.

Learn More

Get a copy of Pete’s latest book!

Whether you’re a longtime reader of Pete’s books or just discovering his work, we hope today’s episode inspired you to dig deeper into the archives and relive some of racing’s most iconic eras. So be sure to check out his website www.petelyons.com to learn more, and pick a personally autographed copy of his latest book My Travels On Racer Road: Can-Am and Formula 1 in their golden age from his website.

Publication date: March 2025. US price: $90.00. CDN price: $120.00. ISBN: 9781910505878. Format: 240x210mm portrait (9.4in x 8.3in). Hardback. Page extent: 560. Illustration: 550 photographs, including color.

As Sir Jackie Stewart states in the book’s Foreword, “Pete Lyons was one of the best journalists in Formula 1 at the time I was racing.” Lyons himself writes that when he became obsessed with motor racing, “It felt like my true road.” He witnessed Chaparral, Lola, McLaren and Porsche create ever-more-monstrous Can-Am beasts to be tamed by the likes of Jim Hall, John Surtees, Bruce McLaren, Denny Hulme, Mario Andretti and Mark Donohue. His cameras, notebooks and typewriter also were there when Tyrrell, Lotus, McLaren and Ferrari were the dominant forces in Formula 1, with Jackie Stewart, Emerson Fittipaldi, Niki Lauda and James Hunt the World Champion drivers. 

Immersed in this golden age of racing, Lyons brought a unique blend of evocative description and fastidious factual detail to his craft, putting his devoted readers at the heart of the action. This captivating memoir will transport the reader back to those times with key content like:

  • Early travels, including criss-crossing the USA in his family’s pre-war Rolls-Royce and by Vincent motorcycle in the late 1950s, then discovering Europe’s racing scene as an impecunious wanderer in the early 1960s.
  • Breaking into professional reporting from 1964 for the UK’s Autosport alongside his father Ozzie Lyons, with assignments embracing IndyCar, endurance sports cars, Formula 1 and more, and getting to know the great names in these worlds.
  • Falling in love with the Can-Am upon its inception in 1966 and following this “big-banger” racing closely for seven seasons, during which “Riding with Revvie” — laps with 1971 series champion Peter Revson in a McLaren M8F — was among the highlights. Lyons’s travels “on racer road” took him all over North America by Volvo station wagon, Ford van and Honda CB750 motorcycle.
  • Embarking in 1973 upon four seasons of global travels with the Formula 1 “circus’ and all the diversions that came with that, including time spent with Emerson Fittipaldi at his home in Brazil and a British rallying odyssey as Denny Hulme’s navigator.
  • Around Europe, Lyons’s means of travel included his Chevrolet Corvette Stingray, a VW camper van that doubled as mobile office and hotel, and rented private aircraft that he flew to races himself.
  • In his post-nomadic life, Lyons has been plying his trade ever since as a writer, photographer and editor.

“My Travels On Racer Road: Can-Am and Formula 1 in their golden age” is available in the U.S. from specialist and online booksellers, as well as on evropublishing.comPete Lyons’s new memoir is also available directly from the author, complete with his personalized signature, at his website: https://www.petelyons.com/my-books.

Evro Publishing books are distributed in North America by Quarto Publishing Group USA. Books can be ordered from Quarto by email: sales@quarto.com; phone number: 800-328-0590; or website: www.quartoknows.com Please use the relevant ISBN number when ordering.

Pete’s memories of Le Mans are vivid and poetic. He recalls the haunting beauty of night racing: glowing brake rotors, flaming exhausts, and the raspy growl of engines pushed to their limits. He describes the transformation of cars over 24 hours – from pristine machines to filth-streaked survivors. His writing captures the magic for those who couldn’t be there, making readers feel the grit and grandeur of endurance racing.

Pete’s transition into journalism was organic. His father’s connection to Autosport magazine opened the door, and Pete’s first published photo lit a fire that never went out. Inspired by motorsport writer Dennis Jenkinson (DSJ), Pete embraced the life of a roving reporter, following the “Continental Circus” and writing with the same breathless excitement that DSJ once stirred in him.

Covering motorsport in the 1960s and ’70s meant confronting its deadly reality. Pete wrote obituaries for drivers he considered friends and wrestled with the emotional toll of the sport’s risks. He reflects on the camaraderie within the paddock and the subtle barriers between journalists and teams—always welcomed, but never quite inside.

Photo courtesy Pete Lyons, www.petelyons.com

Can-Am racing was a playground for innovation. Pete describes it as having “the thinnest rulebook in motorsport,” rivaled only by Pikes Peak. Teams pushed boundaries with massive engines, radical aerodynamics, and experimental designs. Jim Hall’s Chaparral cars led the charge with fiberglass chassis, torque converter transmissions, and even fan-powered ground effects.

Pete also highlights the Shadow team’s bold designs, including Trevor Harris’s tiny-tire car and the powerful DN5 Formula One entry. Though Shadow never had the funding to dominate, their creativity left a lasting mark.

One of Pete’s most unforgettable experiences was riding shotgun with Peter Revson in a McLaren Can-Am car at Riverside Raceway. Strapped into a bare aluminum tub, holding onto the roll bar, Pete felt the neck-snapping acceleration and sheer power of a machine built for speed. It was a moment that crystallized the awe and adrenaline of motorsport.

Pete Lyons’ stories aren’t just about racing – they’re about the people, places, and passions that define motorsport’s golden age. His latest book, My Travels on Racer Road: Can-Am and Formula One in Their Golden Age, is a love letter to the sport and a testament to a life lived at full throttle.


Guest Co-Host: Jon Summers

In case you missed it... be sure to check out the Break/Fix episode with our co-host.
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Reading List

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My Travels On Racer Road: Can-Am and Formula 1 in their golden age
DeLorean: The Rise, Fall and Second Acts of the DeLorean Motor Company
A French Kiss with Death
Driving to the Future: Living life following Formula One racing
Tales From the Garage
Geared for Life: Making the Shift Into Your Full Potential
Ultimate Garages
Fenders, Fins & Friends: Confessions of a Car Guy
Racing While Black: How an African-American Stock Car Team Made Its Mark on NASCAR
The Last Lap: The Mysterious Demise of Pete Kreis at The Indianapolis 500
James Dean: On The Road To Salinas
Performance Thinking: Mental Skills for the Competitive World...and for Life!
The Other Side of the Fence: Six Decades of Motorsport Photography
Racing with Rich Energy
Little Anton: A Historical Novel Complete Series
Lone Rider: The First British Woman to Motorcycle Around the World
Iacocca: An Autobiography
Colin Chapman: The Man and His Cars: The Authorized Biography by Gerard Crombac
Paved Paradise: How Parking Explains the World
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Hurley Haywood: Thirteen Times Around the Clock at Le Mans

When it comes to endurance racing, few names carry the weight of Hurley Haywood. With 13 starts at the 24 Hours of Le Mans between 1977 and 1994, three overall victories, and five podiums – all behind the wheel of a Porsche – Haywood’s legacy is etched into the tarmac of motorsport history.

In a recent Evening With a Legend event hosted by Crew Chief Eric, Haywood shared stories from his remarkable career, offering a rare glimpse into the grit, grace, and occasional chaos that defined his time at Le Mans.

Photo courtesy ACO; lemans.org

Haywood’s first trip to Le Mans in 1977 was anything but glamorous. After flying into Charles de Gaulle and renting a car, he found himself lost in the industrial maze of Le Mans. His salvation came in the form of a man wearing a Porsche jacket – Klaus Bischoff, his crew chief. Bischoff ushered him into a bar to meet the team, then arranged for Haywood to sleep in the back seat of a car until tech inspection the next morning. That knock on the windshield? It was Manfred Jantke, head of Porsche’s racing program, wondering where Haywood had been.

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Haywood’s first laps at Le Mans were in pitch black. With no simulator, no rulebook prep, and no track familiarity, he was told to follow Jackie Ickx for two laps – then he was on his own. “The average speed was 165 miles an hour,” Haywood recalled. “There’s a lot of very fast straightaways, and I really had my hands full.”

Hurley in 1977 behind the wheel of the Porsche 936, his first attempt resulting in his first win at Le Mans; Photo courtesy International Motor Racing Research Center

Though Haywood lived just 55 miles from Daytona, he considers it the tougher race. “The night is longer, the driver talent more varied, and the margin for error smaller,” he explained. Le Mans, by contrast, had stricter rules and higher-caliber teams during his era. Norbert Singer, Porsche’s legendary engineer, once told Haywood that Le Mans was more difficult from a strategy standpoint. “If you make a mistake at Daytona, they bring you in and say, ‘Don’t do that again.’ At Le Mans, it’s minutes of discussion – and making up that time is hard.”

Hurley in 1977 behind the wheel of the Porsche 936, his first attempt resulting in his first win at Le Mans; Photo courtesy International Motor Racing Research Center

After his first Le Mans win, Haywood received a call from Roland Putnam, president of Rolex USA. Putnam had noticed Haywood wasn’t wearing a Rolex on the podium. Haywood explained he’d left his watches at home to avoid theft and had bought a Timex Ironman instead. That Christmas, Rolex sent him a watch with a rubber band – the “least flashy” model they made. It became a legend in its own right.

Synopsis

In this episode of Evening With a Legend, renowned endurance racing driver Hurley Haywood shares his experiences and stories from competing in the 24 Hours of Le Mans, one of the most prestigious races in motorsport. Hurley reflects on his career spanning from 1977 to 1994, during which he achieved three overall victories and five podium finishes, primarily driving for Porsche. Hurley discusses his first race at Le Mans, challenges faced, memorable moments with teammates like Jackie Ickx and Al Holbert, and the evolution of racing at Le Mans over the years. The conversation also touches on the differences between racing at Le Mans and Daytona, the impact of modern technology on racing, and Hurley’s transition to roles such as a brand ambassador for Porsche and Rolex. The episode offers insights into the world of endurance racing and celebrates Hurley’s legendary status in the sport.

  • You have the most attempts (so far) of any guest on EWAL with: 13 total, and 3 wins and 5 podiums between 1977 and 1994. Since we can’t cover all of them, let’s quickly talk about your journey up to Le Mans and how the deal was put together; and talk about some of the highlights. 
  • Let’s talk a little more in detail about 1977; (Porsche 936) – 1st win. Had you raced in Europe before 1977? If so, where, how did that go? When you got there, what were your first impressions of Le Mans? How did it compare to racing in the US especially when you take the 24 hours of Daytona into consideration?
  • 1986 seems like an interesting year, the Le Mans record books have you in 2 cars in the same race; both Silk Cut Jaguars? Why? How did that happened?
  • Jumping back to the early ‘90s you returned to “the New Le Mans” – again with Porsche in the 962s, and in 1994, this is lucky number 13, and your final win at Le Mans in LMP1 with the 962 LM. (At the Age of 46); why stop? 
  • What do you feel is the most challenging part of driving at the 24 hours of LeMans? 
  • As one of the most successful American drivers at Le Mans, what do you think it means for motorsport in the United States, and how do you feel about the global recognition of Le Mans?
  • Looking back on your 13 attempts, what advice would you give to young, aspiring drivers who dream of competing at Le Mans and following in your footsteps?
  • Now that the Le Mans Classic is back, any plans to race LeMans again?

Transcript

Crew Chief Brad: [00:00:00] Evening With a Legend is a series of presentations exclusive to legends of the famous 24 hours of Lama giving us an opportunity to bring a piece of LAMA to you. By sharing stories and highlights of the big event, you get a chance to become part of the Legend of Lama with guests from different eras of over 100 years of racing.

Crew Chief Eric: Tonight we have an opportunity to bring a piece of LAMA to you sharing in the Legend of Lama with guests from different eras of over 100 years of racing. And as your host, I’m delighted to introduce Hurley Haywood, a name synonymous with endurance racing excellence. Over the course of 13 attempts at the legendary 24 hours of Lama Hurley cemented his legacy as one of the greatest sports car drivers of all time.

From his debut in [00:01:00] 1977 to his final start in 1994. Hurley was more than just a driver. He was a force to be reckoned with, whether battling through the night or sharing the cockpit with icons like Jackie Icks and Al Holbert. His impact on endurance racing is undeniable. With three overall victories and five podium finishes all behind the wheel of a Porsche.

His story is one of relentless determination, precision, and uncanny ability to push both man and machine to their limits. We’ll break down his lamont’s career, the highs, the lows, and what made Hurley Haywood a legend in the world of Lama and beyond. With that, I’m your host crew chief Eric from the Motoring Podcast Network.

Welcoming everyone to this evening with a legend. Hurley, welcome to the show. Thank you for having me. You have the most attempts so far of any guest on an evening with a legend 13 total three wins, five podiums between 77 and 94, and since we can’t cover them all, let’s quickly talk about your journey up to Lama and how the deal was put together and talk about some of the highlights.

Hurley Haywood: Joe Hopin, who was in charge of both Audi and racing here in [00:02:00] the United States, called me up. One afternoon and said, how would you like to go to Lamont? And I said, fantastic. You know, sign me up. He arranged with Portia to have me drive on the factory team. Was that the first time you had raced in Europe?

Yes, that was the first time I’d raced in Europe. Now you gotta remember. The only really reference I had to Lamar was the movie Lamar, you know, read about it in, in magazines. And I never really thought out what the city of Lamar was like. So when I flew over, I flew into Charles Dega, rent a a car, and drove to Lamar.

Well, I was shocked. Lamont is a huge city, very industrial. I was completely lost. I didn’t speak very good French. I was just kind of driving around trying to find something that I could recognize and nighttime fell and I was driving down this little alley. There was a guy with a Porsche jacket on [00:03:00] and I said, can you help me find where Porsche is?

So he looked in the window and he says, ah. He says, here, Haywood, we’ve been wondering where you are. And, and it turns out that this guy was Klaus Bischoff, who was my crew chief for the car. And he says, you gotta come into the bar and meet the guys that are gonna be working on your cars. You know, I’d been up for like 36 hours.

So I was kind of a walking zombie to make it simple. He said, we’re not gonna try to tell you how to get to your hotel, we’ll take you to the cathedral or the. Tech inspection was the next day. You can sleep in the back seat and Porsche guys will find you. I’ll tell ’em that you’re there. So that’s exactly what happened.

And that morning there was a loud knock on the windshield and it happened to be Manford Dianca who was head of the racing program. And he said, where? Where the hell have you been? So that was my introduction to Porsche. Nowadays, you know, a newbie has to go through a whole regimen of testing, whether it’s on a [00:04:00] simulator, the rule book.

Lights, you know, different caution lights, what that means to controlled areas. If there’s a incident, they don’t close the whole track, but they close the area that where the accident is. That being said, I really had no idea of what the track looked like. You know, the practice starts at like six o’clock at night and runs to about midnight.

They said, okay, now is your turn. And it was pitch black and they said, we’ll send Jackie X out and you can follow him and he’ll show you the way around. That was two laps and then I was on my own, you know, the average speed at that point. Was 165 miles an hour. That’s pretty fast. So there’s a lot of very fast straightaways and straight is over 200 miles an hour.

So I really had my hands full, but it kind of all worked out and the team was really very gracious and, and very helpful, and they walked me through the protocols, but. It was [00:05:00] something that I was absolutely, completely unprepared for. What happened after we won the race, I mean, there was tens of thousands of people just swarmed onto the pit lane, and the next day when I got to the airport, there was a mob of people there.

So it was sort of surreal in, in its presentation. It was really shocking, but. I got used to it and I enjoyed it.

Crew Chief Eric: So let’s unpack that first race. One of the questions that came up from a lot of the folks that are sitting in the audience, they wanted to know how it compared to racing at Daytona, and I know they’re really night and day, but endurance racing as a whole.

How was Lama in comparison to the 24 hours of Daytona?

Hurley Haywood: Well, I’m often asked that question. Daytona is my home track. I’m 55 miles away from the speedway from. The races are so different and you know, I’m often asked what do I think is the harder race to win? And I’ve always said Daytona was [00:06:00] harder because one, the nighttime is 12 hours.

They have a vast sort of arena of driver talent, some very professional guys, and some real amateur people, so you never know who you’re coming up to. That makes it difficult. Lamont, they have very strict rules and it’s sort of the caliber of teams and drivers. At the time I was racing there was much higher than in the United States.

That’s has changed dramatically over the years and to our present situation where it’s probably equal. But Lamar is such a iconic race and personally, I. Racing at Daytona is more difficult. I asked Norbert Singer what he thought was more difficult and he said, well, from a race strategy and from what happens in the race car, I think they’re both pretty equal.

What makes IMSA better or Daytona better is if you make a mistake, they bring you into the [00:07:00] pits and they say, don’t do that again. And if you do it again, you’re gonna be in serious trouble. Where at Lamont, it’s sometimes several minutes of discussion what you’ve done and making up that on a track is difficult to do.

So he said, I think Lamont is more difficult.

Crew Chief Eric: So you got a first impression of the track. You got a first impression of your Porsche teammates and the team, but you made a first impression on the French as well. I hear Maybe this is legend, maybe this is a little myth busting here, but there’s a story about a rubber band Rolex.

Roland

Hurley Haywood: Putin, who was the president of Rolex in the United States, called me up and said, congratulations. That was wonderful. You did a great job over there. You had your arms raised up in the air, and I noticed that you didn’t have a have a Rolex on. I said, well, I didn’t take my Rolexes over there because I didn’t want to get them stolen.

I didn’t, you know, so I went out and bought a Timex iron man. He said, okay, that makes sense. So that [00:08:00] next Christmas, Rolex had invited me up to New York for a luncheon. When dessert came, a box came with a Rolex in it with a rubber band on it. And he said, this is the least flashy watch that we can produce.

Well, in hindsight, it was probably the watch that got the most amount of comments. ’cause where did you get that Rolex? Where did you get that rubber band? And so recently I became an an official ambassador of Rolex back in 1991. It was a handshake. That was all we needed. They were completely honest and they were, you know, really good to me and over the years.

And Luca said, it’s time that we signed you up with a, a bonafide contract. And I said, that’s great. Contract was one page. Basically the situation was that when you go in public. Please wear a Rolex.

Crew Chief Eric: That was about it. So they’re a great company to work for. Talking about your [00:09:00] 77 season again in the Porsche, 9 36, Harley Clarkson wrote about his vantage point in competing against you with his team, and he said there were tons of challenges with the car, and yet you and Jackie and Jurgen Barth still managed to bring the car home for a win.

So what was that like?

Hurley Haywood: You know, they gave me the honor of starting the race. That’s a pretty heavy weight on your shoulders when you are starting a race like that with no experience as far as the start goes. So we take off and the throttles fixed wide open in the first corner. I managed to get out of the way of everybody get it slowed down with the throttle stuck.

You couldn’t push the clutch down ’cause you would over rev the motor. The first thing that came to my mind, well hit the ignition switch. Well, I did that and. I was in the grass and it was hard to sort of bump start the car again. I had to take off the rear bonnet. We had actually practiced taking off the rear bonnet to get to the [00:10:00] engine, which was a mammoth thing.

I mean, probably weighed what that hood weighed, but I managed to get it off, found out what the problem was, got the throttle fixed, and got back in and started up and went back to the pits. I think we lost maybe two or three laps during that episode. I went back to the pits. They fixed it and everything was great.

Jackie’s car had a, had a mechanical problem and they moved Jackie over with Jurgen and myself. And Jackie is a absolute master at night and in the rain. ’cause it always rains at some point during that race. And then when it rains, it doesn’t rain on the whole track, it rains in portions on the track. So Jackie fought during the night.

Jurgen and myself sort of was a backup. It all kind of worked out. Porsche really has a, a wonderful ability to put sort of like personalities together in the car. We’re all secure with being racing drivers. We’re not out there to prove who the fastest guy is. [00:11:00] We’re there to win the race and everybody does the job that they’re supposed to do.

And that’s been the case on all the cars I’ve ever driven for Porsche with teammates. It just was really special to win that race.

Crew Chief Eric: Well, I’m glad you brought up teammates ’cause we’re gonna jump ahead of here a little bit. 1978 and 82, you podium, you come back in 1983 for your second win in the Porsche 9 56 and Mark Hal wrote, what was it like driving with Al Holbert and Vern Schoen as teammates?

How did your driving styles differ? How did your strengths work with each other or against each other? I knew Al

Hurley Haywood: long before we raced together at le, and he is a great driver and a great friend and. The same feeling for the cars along with Vern. The three of us together made a really potent team and the, the 9 56 was a difficult car to drive.

The geometry in the car was, you know, a lot of effort went [00:12:00] into the steering and IMS a would not allow that car to race in, in the states. They said, well, you know, you gotta get the driver’s feet behind the front axle thinking that Porsche would never do that. Well, that was how the 9 62 was developed and they long gated the wheel base, and that made all the difference in the world.

That thing was just a sweetheart to drive, and it was kind of like a driver’s dream come true. It had so much down force that the cornering speeds were like. On a railroad track, so it, it was

Crew Chief Eric: really nice to drive that car. Up until this point, you had the chance to race with some of the best drivers in the world.

As your teammates, can you share some memorable experiences with your teammates that really stand out?

Hurley Haywood: Can’t even

Crew Chief Eric: count how many

Hurley Haywood: drivers I’ve driven with, but guys I’ve driven with in the long distance races, we all kind of had the same mission motivating us, and that was to win the race. We weren’t there to set the fastest time.

We were there to do zero mistakes. Bring the car back in one piece, [00:13:00] and we all kind of contributed to that thinking, and we would sit down after our practice sessions and kind of say, well, you know, what are we gonna do? We don’t wanna get into a wheel to wheel fight with somebody, because that’s when mistakes happen.

It was kind of a feeling that we had. We were not sandbagging, we were not being easy with the car. We were being easy with the car, but not to the point of being slow with the car. That’s kind of a very delicate balance where you’re trying to be really quick, but save. You know, back then we didn’t have sequential shifting.

We didn’t have power steering, we didn’t have any of that stuff. It was all done by the driver and it was very easy to exhaust yourself. ’cause those cars were pretty hot inside. We had to be careful with that. And in a two hour stint, I would lose five pounds of sweat. And getting that liquid back into your system was sometimes a real problem.

One time I brought my doctor over, you know, he said, well, [00:14:00] the easy fix for that is hydration with a iv. Porsche. Saw how quickly I recovered with that, and they said, okay, it makes sense. Now that’s not allowed because people are afraid that there’d be doping stuff in the mixture. But back then, uh. It was a very efficient way to get back up to speed.

Crew Chief Eric: Later in the 83 season, you had a pretty bad accident at Mosport, which kind of took you out of the Lama scene for the next couple years, and that brings us to 1986. You are in the record books twice in the same year on the same team, and that’s the Silk Cut Jaguars. How did that happen? How did that work out that you were running two cars over 24 hours?

Hurley Haywood: Tom Walkinshaw decided that they wanted to bring some very experienced drivers in long distance. So they got Brian Redmond and myself to come. And before that happened, uh, I had broken my leg back in 1983, Bob Tuus called up Al Holbert and he said, I’m thinking about. Hiring [00:15:00] Hurley because you know, he can’t push the clutch down on a Porsche, but we have a gearbox and he only has to push the clutch to get in and out of the pits.

Al said to Bob, he said, if you can hire Hurley, do it today because he’s one of the best. And that’s exactly what happened. So I raised for the Jaguar team, the Trulia team group, 44 for two and a half years. And then when that program stopped and it moved over to Walkinshaw, Walkinshaw decided that he wanted Brian Redman and myself to come help his team win the race.

We were told basically to keep our mouth shut and. Drive as fast as we could go. ’cause he wanted to be on television at the start of the race. And so eventually all three cars had mechanical problems and we would move from one car to the other car. [00:16:00] And so I don’t wanna get into the particular, but it was kind of an amusing round table of guys that were going from one car to another car and then that car would break and move to the third car.

So. A, uh, difficult situation to be in.

Crew Chief Eric: And this was during a time when the driver stints weren’t as limited as they are today. You had minimum driving times, but you didn’t have maximum driving times. So are you able to jump between the two cars?

Hurley Haywood: Yeah. Correct.

Crew Chief Eric: Correct. So what was it like driving the Jags compared to the Porsches you had run in the past?

Hurley Haywood: Uh, they’re gonna hate me when I say this, but it really, it was like a truck. It was very loud, very guttural. I mean, it was not a difficult car to drive, but it just, it was like hot rod City. You know? The thing sounded really great. Definitely almost, and it was sort of not as sophisticated as the group 44 car was.

Group 44 car had that 12 cylinder. It was a beautiful sounding engine. Lee Dyer was the one that [00:17:00] designed it. And you know, it was a really nice car. And then when we, when we went back to back to drive the Walkinshaw car, it was just dramatically different. I’m not saying it was worse or better, but it was just very different.

Crew Chief Eric: So you’ve mentioned Bob Tuli in Group 44 a couple times here, and that brings us to 1987. One of my favorite years of racing in general. At the same time that you were still racing at Lamar doing endurance racing, you started with Bob and the Audi program in Trans Am bringing the Quattros to road racing.

So what was it like jumping between the Audis and the nine 60 twos and at that time did you prefer one over the other? Well, let me back up

Hurley Haywood: a little bit. When Bob Tulio lost the Jaguar deal, at the same time Audi was thinking about coming into race in the United States. And they wanted to sort of promote the Audi program.

And Joe Hopin was of course the guy that sort of negotiated all the rules and everything. He called me up and he said, well, [00:18:00] what do you think we should do? What team do you think we should get? And I said, well get Tulio. He’s got all the equipment, he’s got the shop, he’s got the transporters. They’re all spotless.

Totally in that Audi sort of way of thinking. So that’s what happened and he got the deal and everybody went over to English Scott to talk about the program and you know, work out the details. But that was one of the greatest cars. Everybody laughed, said, what are you doing with driving to basically sedan.

And they stopped laughing after our first race because we were just so superior to everything else on the, on the racetrack. And then TransAm kicked us out of TransAm ’cause the cars were so good that we moved over to imsa. The cars were not really made to do long distance races, so we didn’t do day detail and we didn’t do se bbr.

But then, you know, I think shook. Won almost every race. And I was second in all those races. So that thing was unbelievable. 700 horsepower, huge tires on the front end rear, and it was really a [00:19:00] pretty cool car to drive.

Crew Chief Eric: And the reason I bring it up is that I. That wouldn’t be the last time you drove with Hansuk and Walter Rural.

And if we jump forward a little bit and then we’ll do, we will dance back. You actually ran in 1993 with Hans and Walter at Lamont in a nine 11 turbo. Was that part of this whole group 44 contract? How did that come to be?

Hurley Haywood: No, it didn’t have anything to do with the contract with Group 44. It was like a prototype.

Nine 11 that we raced at Daytona and Sebring. I think it was really fast. It was really a great car. And then we were also gonna race that car at Lamont with Stook, myself and Walter. That was the race, if my memory’s correct, was the race that Walter retired after. You know, so that was the end of that program.

That was a really cool car, really fast.

Crew Chief Eric: Did you guys choose to drive together or was that pre-ordained? It was

Hurley Haywood: pre-ordained. They wanted an American, which was me [00:20:00] and Walter of course, and Hans. Were great friends and, and fantastic drivers and very fast. So we were kicking ass in Daytona and then we had a, I think Danny Sullivan drove with us at Daytona.

There was four guys at the, on the team at Daytona. A mechanical failure. We were out of the race.

Crew Chief Eric: We were

Hurley Haywood: leading

Crew Chief Eric: at the time. Now, as we jump back into the early nineties, you’ve returned to Lamont many times again behind the wheel of Porsche nine 60 twos. And we’re gonna talk specifically about 1994.

That’s lucky. Number 13, your final win at Lamont in LMP one with a 9 62 LM at the age of 46. Well,

Hurley Haywood: you know, the car that we ran in 94 was a dower car, and the dower car was a 9 62. That was. Made for the street. Norbert Singer found a loophole in the, in the rules that all we had to do to make that car legal was to eliminate the ground effects.

And we did a lot of testing in the wind tunnel. We did a lot of testing on [00:21:00] tracks. We went to, I think Paul Ricard or Manny Core and did 24 hour test with that car. So it was a really a, a nice car to drive. It was very fast on a straightaway ’cause it didn’t have a lot of down force. So that was really cool.

And so we went testing. I can’t remember. It was, I think it was Manny Cor that we were testing that, and I was scheduled to drive with Stok and Terry boots, I think, and myself. And then me, Baldy and Yannick Damo were gonna drive with Danny Sullivan after the test, Yannick and Marrow went to the factory and had a seat designed for them.

They were the same size as I was. So when, uh, Sullivan got to the track on race day on race practice, he couldn’t get in their seat. He was too big. So they said, oh, we’ll fix that. We’ll just move Hurley over and he can drive with those guys, and Sullivan can drive with shooken boots. And so that’s how that happened.

And that was [00:22:00] literally one of the very few races that I’ve ever had a seat. That fit me properly. Usually I was just sort of hanging on because the seats were always big and they would always have to put in a big clumsy insert, and you’ve never really felt comfortable with those cars. But that time the seat was perfect.

We would do driver changes and we wouldn’t have to adjust the belts at all. So that was really special. And it showed when we won, I mean, it was really great car.

Crew Chief Eric: Did you wanna run again after 94 or were you after 13 tries you were done.

Hurley Haywood: After 94, Porsche changed over to production cars, GT cars. I had made a promise to myself because of the speed difference between the prototypes and the GT cars that I would not ever drive a GT car at Lamont.

Different. I said no. And Porsche didn’t really have a prototype to race except the GT one. I can’t remember what they called it, but it was a great car. But I [00:23:00] was kind of out of the loop at that point, so I can’t remember even who drove that car.

Crew Chief Eric: Well, I’m gonna pull a question from the crowd here, and this can apply to any Porsche you’ve ever driven.

Scott writes, which Porsche variant was the most fun to drive? Not necessarily the fastest, but the one you enjoyed the most?

Hurley Haywood: The 9, 3 6. That was the car that I won Lamar with the first time. It had a, a really beautiful engine. The car was beautiful to look at. Had the big shovel above your head. Because it didn’t have ground effects, it moved around a lot.

It’s kind like driving a really powerful nine 11. You could adjust with your throttle what the rear of the car was doing, but not in an uncontrolled manner. It was just a really pleasant car to drive, and I like open cars.

Crew Chief Eric: You talked a little bit about the challenges of driving at LAMA and weather is something that comes up all the time and then mechanical sympathy is another one.

You know, being cognizant of the car and the other drivers and you know, you need to make it to the end. You can’t win LAMA on turn one. A lot of the legends that come on the show, we actually [00:24:00] talked to them about how the experience of LAMA changed them as a driver. And you mentioned at the beginning of the conversation that LAMA was the first time you had raced in Europe.

And again, first impressions or lasting impressions. So how do you feel that. Lama change you, maybe your driving style. What did you bring home from every time you raced at lama? Well, you gotta remember

Hurley Haywood: that prior to 1977, I had won three Daytona 24 hour races. So the 24 hour format was not something that was alien to me.

The same principles that hold true for being successful at Daytona hold true for being successful at Lamont. So my driving style, the way I thought, the way I trained didn’t really change that much. The only thing that really changed

Crew Chief Eric: was we

Hurley Haywood: had great food,

Crew Chief Eric: so. So when you look at Lama’s changes and its evolution, you started in the pre chicane days, and then in 1990 through 1994, you drove in the new format.

How was that for you? Did you have to really [00:25:00] relearn the track or was it always about the same? The

Hurley Haywood: speed difference between No, chicanes and the Chicanes was almost the same. It was well over 200 miles an hour between the chicanes, but because of the chicanes, the physical exertion. Of those two entities was pretty severe.

The breaking was massive. You really had to come in on the brakes, and I think that that was in itself something that really. Took a toll on drivers and cars. I much preferred the no chicanes, but the tire manufacturers just were not comfortable with that sustained speed with their product, and I think that they were pretty instrumental in getting the track to put the chicanes in.

Same thing at Daytona with the bus stop at Daytona would enter turn three at over 200 miles an hour on the banking with a lot of downforce and a lot of force on the tires. So they went to the speedway and said, we need to [00:26:00] put a chicane in there to slow the cars down on the entries into UH, three. So that I think worked well for them

Crew Chief Eric: as one of the most successful American drivers at lama.

What do you think LAMA means for motorsport in the United States, and as LAMA has evolved, how do you feel about the global recognition of lama?

Hurley Haywood: Well, I think cars now, both on the US side and on the European side. Are very similar to each other. They have a little bit different rule package, but I think the end result is really good for racing because in my day we would win these long distance races by lapse by miles.

And now at Daytona and at Lamar, you have multiple cars that are on the same lap after 24 hours. So I think that that is something that’s good. I. To be dominant. I like to win those races by large margins, but I think from the fan standpoint, it’s better that you have [00:27:00] multiple cars on the same lap in both prototype and in gt, and that just makes for a good show.

Crew Chief Eric: So there’s a lot of young drivers that are coming up through the system now that have LAMA as one of their crown jewels. And so looking back over all your entries at LAMA and even over your career, what advice would you give to young aspiring drivers who dream of competing at the 24 and following in your footsteps?

Hurley Haywood: I think this new generation of drivers is amazing. Their maturity behind the wheel, how they deal with all the pressures are. Mind-boggling really. I, you know, I looked at kind of what I was like in that era. It’s just a completely different mindset of these young kids, and they’re super fast. They don’t make mistakes.

They understand the engineering of the cars. Peter, Greg once told me, he said, you know, you, you are hired as a driver. Don’t try to be an engineer. Articulate what the car is doing. And then let the engineers figure out what to do. And I think that that is the case [00:28:00] on many of the young drivers that are in the sport right now.

They’re very articulate. They know what they’re doing, and they’re only gonna get better with time. So I think the future of racing, the next generation of superstars is gonna come from the current crop, both the European and on the American side.

Crew Chief Eric: So having returned to Lama many times, you’ve seen a lot of change, as we talked about with the change of the course configuration itself.

What are some of the best new things that had come to Lamas since you had started there? In 77,

Hurley Haywood: the pits were like, you would make a pit stop and there would be. Literally hundreds of people that you would have to dodge through to get into your pit slot to make the pit stop. It was just so overwhelming with the crowd of people that was allowed into the pits.

So that’s when they built the new pits and the new boxes above the pits. That was really special and that made it much, much safer

Crew Chief Eric: and. Much more enjoyable. We got a couple of crowd questions here. Terry Johnson writes, with all the modern day [00:29:00] advancement in telemetry communication and all the cockpit gadgets for the driver, do you see your era as more pure in terms of racing?

Hurley Haywood: Absolutely. You know, I’m not a big fan of electronics controlling the cars. I like to be in control of what is going on with the car. And if I want something, you know, I’ll radio into the pits and I’ll say, okay, the car’s understeering. What are gonna do? Now all of that is already known with telemetry.

They’re not necessarily relying on what the driver says. They know what, what he’s gonna say. We didn’t have sequential shifting. We didn’t have a BS brakes, we didn’t have power steering, we didn’t have air conditioned cockpits. I’m not saying it’s any easier now. I think with the introduction of all the commands from the pits to the drivers on what to do to save energy, the formula for fuel usage and electricity has to be dissipated at the same time.

So if you come into the pits and they see that. The battery’s been [00:30:00] zero. You’re penalized. That’s why it’s so important to listen to the engineers. They’re telling you you’re using too much fuel, you’re using too much battery. Dial back a little bit. It’s a constant thing, so it’s not just one lap to doing to do it in almost every lap.

So I don’t think I could drive a race car with having somebody talking to me all the time.

Crew Chief Eric: So along with that, Greg Caruso writes, what’s the biggest difference you see in today’s endurance racing compared to when you were racing? Is it safety? Is it something you already mentioned, or is it something else?

Hurley Haywood: It’s all of those things. Because the cars are so strong and so safe, it sort of gives the drivers this secure feeling that if something goes wrong, I’m not gonna hurt myself. In my generation, people got hurt in race cars, people got killed in race cars. I think that that tempered the way we looked at things and how we analyze what kind of risks are we gonna take Now in a 24 hour race, it’s 24 segments of 100% [00:31:00] performance.

And there’s no regard for being careful with the car. You can throw it around, you can bump into somebody and you’re not gonna damage the body work. They’re very strong cars and the safety equipment is phenomenal. Helmet technology and race suit technology is, is really good. Bladder control on the fuel tanks is good, so it is a much secure and safer environment.

And that makes the racing better and safer. You wanna be as safe as you possibly can, but because it’s safe, there is sort of that feeling that I’m invincible and that’s a bad thing to feel. I think

Crew Chief Eric: Tom Stout asks any advice on visiting Lama as a spectator? I.

Hurley Haywood: Go with somebody that knows the ropes. Take a friend or, or somebody that’s been there before.

It’s overwhelming how large it’s, unless you know the systems, it’s really difficult to navigate. There’s a lot of different program that have space in their formula that you go over. The airlines are. Paid [00:32:00] for the hotel, the food, the restaurants, the tickets for the race, where you’re gonna watch the race from.

Those are really important because there is a language barrier. Unless you know the person that lives in the United States speaks fluent French. It can be a real nightmare.

Crew Chief Eric: So I’m gonna slide in another member question here. Leon Carson writes, and I’m sure you get this all the time, of all the tracks you’ve driven, what track do you enjoy driving on the most?

Hurley Haywood: I love Watkins Glen. Watkins Glen is, you know, that’s what was the first racetrack I ever won a race with. Peter, Greg, myself, won the GT portion in 1969. I was sitting on cloud nine. A couple weeks after the race was over, I got my draft notice and I was on an airplane flying to Vietnam in November. So that sort of cut my racing career till 1971.

Peter, Greg said, don’t worry, you have a job when you get back. And I rotated outta the army in, in 71 and we won the first race at uh, VIR. So that was great of Peter to

Crew Chief Eric: be

Hurley Haywood: [00:33:00] patient.

Crew Chief Eric: Watkins Glen, definitely at the top of my list, making my heart smile there, Hurley, I appreciate that. Good. Now that the LAMA Classic is back, any plans to return to Lama?

And if you were gonna go back, would you race any of your previous cars or maybe something else? Something you competed against.

Hurley Haywood: I would not want to race the cars. We have a lot, a lot of cars in our collection here in Jacksonville at the Burma collection. We exercise those cars, we demonstrate those cars, but we don’t race those cars.

When I hung up my helmet in 2012, I just said, you know, competitive racing is just not in the bucket list at this.

Crew Chief Eric: Do you still enjoy watching races like Lamont, the 24 hours of Daytona? Does it still get you, like revved up like you would wanna be on track? I’m

Hurley Haywood: on

Crew Chief Eric: the sort

Hurley Haywood: of the management part of different teams.

They ask my advice and you know, I’m busy being an an ambassador for Porsche and being an ambassador for Rolex. So this last year we had a lot of Rolex people come to the race [00:34:00] dealers. I was with them sort of explaining what was going on, and I enjoy doing that. And you know, the insight that you give to these customers that are really not too used to racing is invaluable.

And I think Rolex is the brand in practically every major sport in existence. And Motorsport is very lucky to have them as a sponsor, a supporter quality that. Is involved in building a watch is the same as building a race car. You have to be absolutely 100% precise.

Crew Chief Eric: The popularity of LAMA continues to grow, and this year there were some big announcements As we proceed into the next couple of seasons, Ford is coming back, Aston is coming back.

You’ve got all sorts of other brands coming to Lamont and talking about coming to Lamont, and it almost reminds me. Of the heyday of your time racing at Lamont, where the LMP field was absolutely huge and the competition was strong as it ever was. So it makes me wonder if you could go back to Lamont today and you could get behind the [00:35:00] wheel of a car, is the obvious choice the 9 63 or is there something else that you’d be interested in?

Taking a lap around the track in

Hurley Haywood: it would be hard to beat the 9 63. That thing is. Awesome. Nick Tandy is a, is a friend, and he said it’s really beautiful to drive that car. So if I went back to Lamo and if I was gonna drive something, it would be the 9 63.

Crew Chief Eric: No more questions from the crowd at this time. So what I’m gonna do is pass the torch to David Lowe, A-C-O-U-S-A President for some parting thoughts.

David Lowe: Harley, on behalf of the a CO and uh, the members of the A-C-O-U-S-A. Thank you so much for your time this evening for an incredible, incredible interview. And again, thank you for visiting us at our meetup at Daytona. It was also a pleasure to meet you there. All the best.

Hurley Haywood: I enjoyed that. And, uh, please give my best to all the a CO people.

Crew Chief Eric: Thank

David Lowe: you,

Crew Chief Eric: sir.

Hurley Haywood: Yep.

Crew Chief Eric: From his three unforgettable wins to the podium finishes that defined an era, Hurley’s legacy with Porsche and with the 24 hours of Lama is [00:36:00] nothing short of legendary. His determination, skill, and unyielding spirit have inspired generations of racers and its clear why he’s considered one of the all time greats in endurance racing.

Whether you’re a Porsche fan, a motorsports enthusiast, or someone who simply loves a great story of perseverance, Hurley Haywood’s journey at Lama is one for the ages. And with that, we hope you enjoyed this presentation and look forward to more evening with a legend throughout the season. And on behalf of everyone here and those listening at home, thank you Hurley for sharing your stories with us.

Hurley Haywood: Well, thank you Eric. You did a good job with the questions and I enjoyed the interview.

Crew Chief Eric: I want to have you back for some Audi talk. All right.

Hurley Haywood: All right.

Crew Chief Eric: This episode has been brought to you by the Automobile Club of the West and the A-C-O-U-S-A. From the awe-inspiring speed demons that have graced the [00:37:00] track to the courageous drivers who have pushed the limits of endurance. The 24 hours of LAMA is an automotive spectacle like no other for over a century, the 24 hours LAMA has urged manufacturers to innovate for the benefit of future motorists.

It’s a celebration of the relentless pursuit of speed and excellence in the world of motorsports. To learn more about or to become a member of the A-C-O-U-S-A look no further than www laman do org, click on English in the upper right corner and then click on the ACO members tab for club offers. Once you’ve become a member, you can follow all the action on the Facebook group, A-C-O-U-S-A Members Club, and become part of the Legend with Future Evening with the legend meetups.

This episode has been brought to you by Grand Touring Motorsports as part of our Motoring Podcast network. For more episodes like this, tune in each week for more exciting and educational [00:38:00] content from organizations like The Exotic Car Marketplace, the Motoring Historian, break Fix, and many others. If you’d like to support Grand Touring Motorsport and the Motoring Podcast Network, sign up for one of our many sponsorship tiers at www.patreon.com/gt Motorsports.

Please note that the content, opinions and materials presented and expressed in this episode are those of its creator, and this episode has been published with their consent. If you have any inquiries about this program, please contact the creators of this episode via email or social media as mentioned in the episode.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Hurley Haywood’s Early Racing Days
  • 02:14 First Impressions and Challenges at Le Mans
  • 05:27 Comparing Daytona and Le Mans
  • 07:25 The Rubber Band Rolex Story
  • 08:59 Winning with Porsche
  • 14:26 Racing with Silk Cut Jaguars
  • 17:19 Transition to Audi and Trans Am
  • 19:11 Return to Le Mans with Porsche
  • 20:19 1994 Le Mans Victory
  • 23:44 Challenges & Changes at Le Mans
  • 26:07 Endurance Racing Evolution
  • 27:12 Advice for Aspiring Drivers
  • 31:37 Reflections on Racing and Hurley’s Legacy
  • 35:22 Closing Thoughts and Acknowledgements

Bonus Content

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All of our BEHIND THE SCENES (BTS) Break/Fix episodes are raw and unedited, and expressly shared with the permission and consent of our guests.

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Life at Speed: Hurley Haywood (Pitstop Mini-sode)

In this Pitstop Mini-sode host Rick Hughey from the International Motor Racing Research Center interviews legendary racing driver Hurley Haywood. Hurley details his early family background and upbringing in Illinois, where he developed a passion for driving. His formal education took him to Boston, Vermont, and Florida, where he met Peter Gregg, sparking his racing career.

After transitioning from motorcycles to AutoCrossing with a Corvette, Hurley impressed Gregg and joined his racing crew. With support from his father, Hurley pursued professional racing, leading to significant accomplishments such as winning multiple IMSA Championships.

Be sure to check out our previous article about Hurley Haywood and his Motorsport Career through the lens of the movie “Hurley”

He shares experiences including his time during the Can-Am series, racing a Porsche 917 and highlights the transition to driving for other teams and the disciplined environments they provided. He reflects on notable races, including his three Le Mans victories and his involvement in the International Race of Champions (IROC). Hurley emphasizes the evolution of racing into a marketing tool and provides insight into the strategic planning behind modern racing series.

 

Evening With A Legend (EWAL)

Evening With A Legend is a series of presentations exclusive to Legends of the famous 24 Hours of Le Mans giving us an opportunity to bring a piece of Le Mans to you. By sharing stories and highlights of the big event, you get a chance to become part of the Legend of Le Mans with guests from different eras of over 100 years of racing.

We hope you enjoyed this presentation and look forward to more Evening With A Legend throughout this season. Sign up for the next EWAL TODAY!

Haywood’s 1977 win wasn’t without drama. He was given the honor of starting the race, but the throttle stuck wide open in the first corner. “I managed to get out of the way, hit the ignition switch, and coasted into the grass,” he said. After removing the rear bonnet and fixing the issue himself, he returned to the pits. Jackie Ickx’s car later failed, and Haywood joined forces with Ickx and Jürgen Barth to take the win.

Haywood emphasized the importance of chemistry among teammates. “We weren’t out there to prove who was fastest. We were there to win the race,” he said. Whether driving with Al Holbert and Vern Schuppan in 1983 or Hans Stuck and Walter Röhrl in 1993, Haywood found success through collaboration, not ego.

Hurley piloting one of two Silk Cut Jaguars at LeMans in 1986; Photo courtesy International Motor Racing Research Center

In 1986, Haywood drove for Silk Cut Jaguar and ended up racing two cars in the same 24-hour period due to mechanical failures. “It was a roundtable of drivers moving from one car to another,” he laughed. Compared to Porsche, the Jaguars were “like a truck – loud, guttural, not as sophisticated.”

1983 24 HEURES DU MANS #3 Porsche (Rothmans Porsche) Hurley Haywood (USA) – Al Holbert (USA) – Vern Schuppan (AUS); Photo courtesy International Motor Racing Research Center

Haywood’s final Le Mans win came in 1994 in a Dauer 962 LM, a street-legal version of the Porsche 962. A last-minute seat swap put him in a car with a seat that actually fit – “one of the very few times that ever happened.” The result? Victory at age 46.


Lessons from Le Mans

Despite the glamour, Haywood’s approach remained grounded. “You can’t win Le Mans in Turn One,” he said. His advice to young drivers? Be articulate, understand the car, and let engineers do their job. “Peter Gregg once told me, ‘You’re hired as a driver. Don’t try to be an engineer.’”

From pre-chicane days to modern telemetry, Haywood has seen Le Mans evolve. He prefers the purity of his era—no ABS, no power steering, no air-conditioned cockpits. “Now it’s 24 segments of 100% performance,” he said. “There’s no regard for being careful with the car.”

The infamous #3 Porsche 956, piloted by Hurley Haywood, Al Holbert and Verne Schuppan in 1983; Photo courtesy International Motor Racing Research Center

Haywood is optimistic about the next generation. “They’re mature, fast, and articulate. The future superstars are already here,” he said. And while he may have hung up his helmet, the legend of Hurley Haywood continues to inspire racers on both sides of the Atlantic.


ACO USA

To learn more about or to become a member of the ACO USA, look no further than www.lemans.org, Click on English in the upper right corner and then click on the ACO members tab for Club Offers. Once you become a Member you can follow all the action on the Facebook group ACOUSAMembersClub; and become part of the Legend with future Evening With A Legend meet ups.


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Double Pole and Three Podium Finishes for Leipert Motorsport in Fuji!

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At the legendary Fuji Speedway in Japan, the PROFICAR-backed Leipert Motorsport team once again demonstrated strong form in the Lamborghini Super Trofeo Asia. With a double pole in qualifying, dominant pace throughout the weekend, and three podium finishes, the team clearly reaffirmed its ambitions in the championship.

Photo courtesy Liepert Motorsports, Copyright Nick Dungan Photography

Leipert Motorsport showed promising pace from the very beginning – particularly Brendon Leitch in the #89, who made an early statement during free practice. In the first qualifying session, he secured a commanding pole position, while Ethan Brown in the sister car #27 impressed with second place. In Q2, the team delivered again: Nicolas Pirttilahti matched Leitch’s performance and put the #27 on overall pole, while Jiajun Song (#89) qualified sixth in class. Two sessions, two poles – a commanding double pole for Leipert Motorsport.

Race 1: Two Class Podiums to Start the Weekend

The opening race of the weekend delivered a solid start: Brendon Leitch (#89) dominated the first stint before handing over to Jiajun Song, who brought the car home in third place in the Pro-Am class. Meanwhile, the #27 pairing of Brown/Pirttilahti ran in second for much of the race but ultimately crossed the line in third place in the Pro class.

Photo courtesy Liepert Motorsports, Copyright Nick Dungan Photography

Race 2: Victory for Leitch/Song, Missed Podium for Pirttilahti/Brown

In Race 2, Nicolas Pirttilahti (#27) once again started from pole and confidently led the field until the pit window. The mid-race driver change to Ethan Brown went smoothly. However, a late-race spin without contact dashed hopes for another podium. P4 in class was a frustrating result after such a strong performance. The Leitch/Song duo provided the team highlight of the weekend: after a steady start, they capitalized on a safety car shortly before the pit window. Once Leitch took over, he charged through the field – moving from 16th overall to 1st in the Pro-Am class and 2nd overall. A well-earned class win that perfectly showcased the skill and determination of both drivers and team.

Photo courtesy Liepert Motorsports, Copyright Nick Dungan Photography

Next Stop – South Korea!

Team Principals Marc Poos and Marcel Leipert summed it up: “This was a very positive weekend for our team – three podium finishes, a double pole, and strong performances all around. We’re truly proud of our drivers and the entire crew. We scored valuable points and proved once again that we’re a top contender in Asia. Managing back-to-back events on two continents at the same time was a challenge – but the whole team delivered an outstanding performance”

The next round of the Lamborghini Super Trofeo Asia will take place from July 18 to 20 at the Inje Speedium in South Korea. The goal: build on the strong performance in Fuji and continue scoring valuable championship points.


About Liepert Motorsport

Leipert Motorsport was founded in 2002 and became one of Europe’s top GT-Teams in Sprint- and Endurance-Racing. Spreading its GT-Engagement even wider across the continental borders, this step is the logical consequence for the German team after being a front runner and championship winning team in multiple competitions.

Screen to Speed: Phoebe Nongrum

“Sometimes I still have to pinch myself—did I really make it this far?” That awe-struck honesty captures the spirit of a racer who defied geography, convention, and expectations to pave her path into motorsports. In Screen to Speed Episode 50, we meet  Phoebe Nongrum a remarkable woman from the small northeastern town of Shillong, Meghalaya – India’s only female professional racer from her region.

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Born in a place where motorsports weren’t just rare – they were practically unheard of – she had no family background in racing and grew up surrounded by government employees, nurses, and entrepreneurs. Still, a quiet dream simmered beneath the surface.

From Dirt to Formula Cars

Her grassroots beginning quickly escalated when she was accepted into India’s first all-female Formula racing team, built by the URA Racing Team. Competing against 60 women, many with karting experience and familiarity with racetracks, she stood out as a novice with a fearless approach—making it into the top six team lineup.

She went on to make history as the first racer from her state to earn a podium in a national Formula championship. But as quickly as the momentum grew, it paused: the pandemic forced a break. She didn’t quit. She recalibrated.

Watch the livestream

Facing skepticism—both from men and surprisingly, some women—she found herself under scrutiny on and off the track. “They panic when you’re trying to overtake them. You know you’ve shaken something when they get flustered.” Yet, she channels that friction into motivation: “The more they doubt me, the harder I push.”

Phoebe’s mission isn’t just about personal achievement. With pride, she’s launched a motorsport society in Meghalaya aimed at nurturing future talent – men and women. One of her mentees recently debuted in the Indian National Rally Championship, and she’s determined to widen the track for those who dream big in small towns.

She draws strength from proving naysayers wrong – dedicating podiums to those who told her she’d never make it. Her style? Less confrontation, more demonstration.

Highlights

Skip ahead if you must… Here’s the highlights from this episode you might be most interested in and their corresponding time stamps.

  • 00:00 Meet Our Guest: Phoebe Nongrum
  • 01:10 Overcoming Challenges in Racing, taking those first steps
  • 06:47 Breaking into Formula Racing
  • 13:38 Inspiring the Next Generation
  • 17:21 Facing Stereotypes in Motorsport; Overcoming Doubts and Challenges
  • 23:11 Living in the Present and Future Aspirations
  • 24:42 The Importance of Sponsorship in Motorsport
  • 34:44 Encouraging Younger Racers
  • 41:20 Final Thoughts and Farewell

Transcript

Crew Chief Brad: [00:00:00] Welcome to Screen to Speed, powered by Init eSports. In this podcast, we dive into the journeys of remarkable individuals making waves in sim racing and bridging the virtual with the real. From the thrill of digital circuits to the roar of real life racetracks, we explore the passion, dedication, and innovation that drives the world of motor sports.

We’ll hear from athletes, creators, and pioneers sharing their stories, insights, and the powerful ways sim racing is connecting communities and creating pathways into motor sports. So buckle up screen to speed starts now.

Lyubov Ozeretskovskaya: Hello. Hello. Welcome everybody to any talks. Uh, happy to see everyone here. We got, uh, gram today with us. Uh, welcome.

Phoebe Nongrum: Thank you so much for having me. [00:01:00] Uh, it’s lovely to, this is my first time with you guys, so this is pretty exciting for me.

Lyubov Ozeretskovskaya: Yeah, that’s great. Thank you so much for joining us, uh, today. Uh, so you’re the only one, uh, female professional racer from, uh, your city in India.

Uh, so what does it mean for you personally?

Phoebe Nongrum: Well, uh, you know, uh, it’s actually a very, very big deal. Uh, I think words can even express or, you know, explain what a big deal this is to me. Uh, like the reason being firstly, you know, uh, getting into racing in India is quite a difficult task. Um. Apart from the fact that I come from a very tiny, um, part of India, it’s even another, uh, you know, uh, another difficult step.

Uh, basically, um, I come from the north eastern part of India from a very small town called, uh, [00:02:00] it’s in the state of Mikhale. And, uh, you know, like every other person, every other kid had a dream, right? The same goes to me. Was barely like just a dream basically, which was not even, uh, in my wildest thoughts that it would ever, ever be possible to ever touch a racing guy, ever.

So I think, uh, sometimes I myself need to, you know, pinch myself and say, Hey, hello little girl. Did you actually get here? So it actually means quite a big deal for me. Uh, sometimes I’m still in denial of the fact that I made it this far. Okay.

Lyubov Ozeretskovskaya: That’s great. Uh, did you have anyone in your family who was into racing actually.

Phoebe Nongrum: See that is the best part. None. Um, you know, since it’s a small town, everybody here actually don’t, we don’t even have big companies here. Right. Because it’s a small town. Mm-hmm. So everyone is dependent on either being an entrepreneur, [00:03:00] running their own small businesses, or, you know, working with the government basically.

Right. So government jobs are very well loaded, right town, like everyone who, uh, finishes their studies. Rush for these exams for government jobs. Right. So, uh, I myself, you know, um, has, uh, have parents who work with the government. So there is nobody in my family, like either, some of my family members would be doctors or nurses or engineers, you know, but none in the motor sports, uh, field.

So I think I was the only one who stepped, took that step out. And, uh, you know, uh, stepped into the motor, uh, world, which. Wasn’t, uh, wasn’t, you know, accepted, uh, in, at first, you know, that way. Mm-hmm. So now nobody from my family is in that background, so I think [00:04:00] I’m the one who took that first step to get into motor sports.

Lyubov Ozeretskovskaya: Mm-hmm. You’re really brave, uh, to be first one, uh, from your family to jump into Motorsport actually. Uh, do you remember the exact moment when you knew that racing was actually for you?

Phoebe Nongrum: Uh, you know, um, I never actually thought of that because I. I finished my studies and, uh, finished my, um. Graduation and, uh, I think I was myself aiming.

I worked for a while. Uh, I was in a different state in India from my town where I finished my graduation and I started working in a different city in the south, the southern part of India. And, uh. I was working there for about 12 years. So I think, um, I mean, I worked a couple of jobs. I worked with Red Bull.

Red Bull, I worked with a few mm-hmm.

Lyubov Ozeretskovskaya: Companies

Phoebe Nongrum: and, uh, but still, you know, I, I, I didn’t feel I fit in and I thought to myself like, I feel so lost. Like, you know, I’ve done my graduation. Uh, [00:05:00] now I’m working. I’m supposed to be happy. Like I have a good job and like I’m making good money, but something seems to be missing.

Mm-hmm. So, uh, I never still even thought about the wild dream, you know?

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: Getting into a race, uh. But then, uh, once finally day I decide I’m done with these jobs. I need a break. Like I just a job and to try and figure out what I exactly wanna do. What is this feeling that I’m feeling that I’m missing out?

Uh, so I took a big step. I took a break from working and everything else. I came back home. I. Uh, it was then when, you know, we have these, uh, local, local events like, you know, like, uh, a small autocross in the dirt track and stuff like that. Mm-hmm.

Lyubov Ozeretskovskaya: So I had a

Phoebe Nongrum: friend who was like, Hey, you’ve always been wanting to do stuff like this, you know, here, take my car.

Just go drive. Mm-hmm.

Lyubov Ozeretskovskaya: You know,

Phoebe Nongrum: uh, maybe, you know, somehow you, you’ll, you’ll do well. I said, uh, no. He’s like, no, just go take my car. No big deal. You know, I’m like. Okay, fine. Let me give it a [00:06:00] shot. So I think that was the moment when I got into that car and uh, drove and that’s when I felt that, you know, sitting in that seat, in the racing seat.

And that’s when I was like, I think I belong here.

Lyubov Ozeretskovskaya: Mm-hmm. You

Phoebe Nongrum: know, so that was the moment for me where I was like, I think I should take this break and go racing for a year and see where I, you know, actually end up. Where I actually, um, if I can actually make it somewhere with this racing. Mm-hmm. Right. So that was the time when, you know, I felt that I belonged.

And right after that, I, uh, got into other, uh, disciplines of racing and uh, and then it just kept going. So I just thought to myself, okay, this is exactly where I should be. Yeah.

Lyubov Ozeretskovskaya: That’s awesome. Uh, can you tell me a bit more about your first, uh, racing event, which happened? How was it for you, what kind of emotions you get, and, uh, what kind of experience that was overall for you?

Phoebe Nongrum: Basically, um, that was all [00:07:00] local event, but it started from there. And, uh, after that, I, I got called, like I had a few friends who already introduced me since I was in, I was studying in the south of India, like I said, and, uh, I had a few friends in the field. So someone I had known had called me and said, uh, you know what, uh, there’s someone.

Was actually hosting a hunting for, and it’s going to be the first, um, the first formula of female team in India. And uh, I was like, okay. And they were like, we think you should enroll for that. You know, we think you should, um, participate, you should try, you should give it a shot. Go round and uh, see if you’ve got it in you.

And I was like, that’s so interesting. Like the first female formula racing team in India. Mm-hmm. And, uh, I was like, uh, sure, why not? So I got in touch. Um, I got in touch with the team, the team’s name is Ura saying, and, [00:08:00] uh, the, the mentor, the coach of URA saying, the owner of the team, and he was ex, he explained to me what, uh, what’s to be done.

And so the next thing I knew, I was down south again in a place called and, uh, at the tracks over there, the motorway and, um. Uh, and this was, uh, an event that usually, uh, you know, uh, every year it’s a season based event, of course, which is hosted by JY Tires. So it was a Cheeky Tire Formula, formula Championship, formula four Championship.

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: And, uh, this, uh, the time was a big step for me. It was the main step for me that I got him to race. I got there, uh, 60 women from around India had came for that event. Uh, some of them, uh, you know, who made it through the team were that are familiar with the track. Some of them had a little bit of cutting experience and things like that, [00:09:00] the basics, basically.

And, uh, as for me, uh, I was someone and the few others that were there, I was completely blank. Like, I’ve never seen a formula car before.

Lyubov Ozeretskovskaya: Mm-hmm. You

Phoebe Nongrum: know, have I, I, have I ever like, gone so close to it, not touched it, you know? So this one time I was like, okay, I’m actually gonna drive this thing and I don’t know how it works.

But then anyway, uh, during the challenge hand, I drove my vest. Um, I got very good lab timings on the formula car, so I made it to the top six lead. Team. Mm-hmm. So the team, uh, each team had to have six drivers. So I made it to the top six. And, uh, so I drove the first season then. So that was when, uh, you know, I knew that, okay, I should continue as, as long as I can flow, go, uh, further with this, I’m just going keep on moving, you know?

Mm-hmm. So decided that at that point of time, so on the second season. Uh, is when I, [00:10:00] uh, actually, you know, uh, got into podium. Uh, I created history for, uh, you know, for my state, uh, being the first, uh, formula and, you know, achieving a podium mm-hmm. In that, uh, formula. And, uh, after that, uh, you know, then unfortunately for me, the pandemic had, had, uh, happened, you know, so I did not, uh, get any more chance to go racing.

So it was a break for a while for me.

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: And, uh, yeah. So, but that was how, uh, everything kick started for me. Mm-hmm. Uh, driving at the J Tire Championship.

Lyubov Ozeretskovskaya: That’s great. You got, uh, actually real good results in, uh, in formula. Um, so how, uh, your family react, uh, that you jumping into Motorsport? Uh, so you, you only one person from your family Yeah.

Who did this?

Phoebe Nongrum: Yeah. Yeah. So basically, uh, I even came back [00:11:00] home, like when I took the break to come home. Um, my dad was like, Hey, what about like, you know, uh, maybe shifting to the, a government job, you know? Mm-hmm. Uh, there’s something here called, uh, the civil exams where you, you know, you write the exam and then you become like, uh.

Like, uh, uh, one of the officers, like a big rank officers. Mm-hmm. So it’s an Indian civil exam. So I was like, okay, maybe why not? Since I’m back and stuff, I even prepared for the exam. You will not believe it on the day of the prelims exams. It was the same day for the formula, uh, selection round, you know.

So I went to my dad and I was like, Hey, listen, something came up. He’s like, what do you mean you have an exam today? And, uh, I was like, um, no, but um, this is something very important to me. So I was like, um, maybe I should go and, uh, you know, give it a shot. If this doesn’t work, I will never like, talk about racing [00:12:00] anymore and probably get into this.

Series, you know, bit of, uh, maybe working for the government or something like that. Mm-hmm. So I don’t think, uh, they took it well because I don’t think so. It was something familiar to them. I don’t think they saw the fact that, you know, there’s a lot that can be, can be done through racing. Like you can actually mm-hmm.

Uh, uh, like, you know, make a living or like, you can get far with this because of course, like I’m from a very small town. No basics of cutting at all, like zero. Okay. Mm-hmm. Till today, I don’t think I caught. So, uh, but then, you know, um, since I started driving at an earlier age, I think that’s how like I managed.

But yeah, so it, they didn’t take it well. So every time I would have to go racing, I would not tell them beforehand my plans. Mm-hmm. I would just tell them a day or two before I leave. Mm-hmm. So that, you know, they don’t have. That much time to think and then, you know, worry about it and then, you know, end up telling me like, no, you know, you [00:13:00] can’t go this, that.

Mm-hmm. So I don’t give them the time. I just tell them like, just before I go, uh, a day or two and uh, by the time to process it, I’m gone. You know? Mm-hmm. And then I always come back with a trophy. So I think, uh, you know, eventually they got used to it.

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: Like, ah, okay, she’s going there, she’s coming back with a trophy.

So it is just, it just got used to that fact.

Lyubov Ozeretskovskaya: Mm-hmm. You get really good plan to, you adapt your family to your, uh. It’s racing and then you’re doing it. Yeah, yeah. Love it. Yeah. I

Phoebe Nongrum: have to find a way.

Lyubov Ozeretskovskaya: Yeah. You said in, in the presentation, which you sent to me, that you, uh, once you inspire both, uh, like boys and girls, uh, why is that important to you?

Phoebe Nongrum: Uh, you know, I mean, like coming from a small town, you know, I think, uh, I myself, I. Couldn’t imagine, you know, that I would get here. [00:14:00] So, and I, a lot of other younger, uh, females and males, like boys and girls from my state. Who also aspire to, you know, get into such things, you know, like get into motor sports or like any type of discipline of motor sports.

Everybody has their own, you know, some of them love the speed, some of them love the techniques, you know, this, uh, maybe some of them love drifting, some of them love, uh, maybe formula racing. Some of them would love the dirt, like rallying and the rest, mo motocross, uh, you know, biking, like dirt biking, stuff like that, right?

So for me, uh, I think it’s very important. Uh, you know, to inspire them so that, you know, they’d see me and they’d be like, you know, if she can do it, so can we, you know? Uh, so they would actually pick up themselves, find their way on how to get about, like, how I did. Uh, it wasn’t easy for me, definitely when I started, because like I said, I was the first one.

Now I’m, I’m someone who had to think, how do I [00:15:00] behave my own way? How do I make, uh, you know, uh, this. Way for myself, uh, in motor sports. How do I get far? Like, it was a lot for me. Uh, and uh, somehow I managed. So now that I’m here, I would like to, I would love to inspire them to look into the sport if they have the.

Uh, why waste it? You know? Um, gone are the days where people are like, oh no, you can’t make it, you know, uh, this is difficult. And, you know, I don’t think anything is difficult if you put your mind into it. So that’s what I want to put across to them. I, I’ve been trying, uh, my level best. I’ve also started a motorsports, uh, society here.

And, uh, through that society is where I’m trying to, you know, help the younger generation. Mm-hmm. Recently we had, uh, we had a male who. Performed really well. We also had a few females, uh, but they’re not ready yet to go to the track. But the mayor was ready. So we had helped him [00:16:00] with, uh, you know, uh, doing his first Indian National Rally Championship, uh, the first round, uh, that happened in the south of India again in, so we have put him across through the first round, okay?

Mm-hmm. So this is just ways, I mean, we don’t have that much fundings, but whatever we can what, however I can, I’m just trying to help. So that, you know, they feel that, okay, we have support, so they work harder and you know mm-hmm. They plan, um, accordingly on how they wanna work, uh, so that they can, you know, build a future in more sports.

Mm-hmm. So that’s what I would like to inspire. Yeah.

Lyubov Ozeretskovskaya: Yeah, it’s actually great you got, uh, society to inspire, uh, next generation yet to get into racing, especially in India. So I actually understand how, uh, hard it can be because I’m from Kazakhstan, I’m from Almany, and uh, when I started racing, uh, yeah, like.

Not a lot of people, uh, get into this. Uh, [00:17:00] so now we got, uh, big circuit. We got, uh, card circuit, like, uh, racing, uh, develop, uh, quite fast here. Great. Uh, so it’s, uh, really cool to see, uh, that people get into it, uh, jump into racing and, uh, having fun here. Um, and, uh, speaking, uh, forward. So how do you feel to be a female racing driver in, uh, this motor sport industry?

Because, uh, personally I met some stereotypes. Uh, and, uh, then you just, you know, you’re finishing on a podium. You just beat all these boys and they like, uh, crying in boxes. Yeah. Yeah. And, and just, uh, stop talking, uh, bad things about you. So how was it for you? Yeah.

Phoebe Nongrum: I mean, uh, forget boys. I mean, sometimes there are even girls, you know, like women.

I mean, not maybe in the spot, but maybe it could be even someone you know, [00:18:00] or your friend. Mm-hmm. Or you know, somebody like that. Like, it’s just so weird that people sometimes, you know, cannot really appreciate someone for doing. Uh, their best, you know, especially in this spot, because being a female in this spot is not easy competing with the men, right?

Mm-hmm. Um, I think, I think when I started my first formula racing, I think, uh, every time I would go so close to a guy in front of me and try to overtake, he would panic. You know? He could see that, you know, there’s a, there’s panic over there. Tension. And then, and then when you push too hard, then they start like, oh my God, she pushed me so hard.

Like, I think that’s the idea of the spot. I need to like sh you a bit so I can overtake, you know? Mm-hmm. Like, I need to find my space. So I think for even the slightest thing, like when they get shoved a bit, they, they get so overwhelmed. The fact that, oh my goodness, the female shocked me out there. She trying to overtake, you know, I.

Feel, um, they’re just not used to it, especially here now in [00:19:00] India, that female, uh, are coming up like female drivers are coming up and with competing with them, and I don’t think, you know, that sits well with them because they’re so used to in, uh, you know, uh, they’re still used to their own world, like men against men.

But, uh. Of course we have those wonderful, uh, male drivers as well who are supportive. Like I have met a lot of supportive male drivers who would suggest things to me, who would guide me, who would say like, you know, you’re doing well, you should push harder. Yeah, we have those as well. But then again, yeah, uh, we always find the stereo stereotyping ones also, uh, you know, uh, some of them cannot take it, so it hits their ego.

It’s very sad, but, uh, yeah, it’s actually fun for me because the more I know, like I’m, you know, uh, I’m scared you and I’m hitting your ego. I’m like, come on, this is so much fun. Like, you know, the more you tell me I can’t do it, the more I show you how I do it. So it’s just, it’s just, I like the challenge.

It’s kind of a [00:20:00] challenge to me and it’s actually fun, you know? Mm-hmm. That way. So stereotyping, I’ve had many. But also on the other hand, I, I also give credit to the few that, you know, actually support me. I mean, I’ve had a lot being all by myself, starting this, a new journey on my own and having some of them supporting me is really great.

Like, you know, in the. Of course at the tracks is what I mean.

Lyubov Ozeretskovskaya: Mm-hmm. And

Phoebe Nongrum: then of course, uh, day to day, right, you meet someone, they ask you, oh, what do you do? You’re a female. Oh, you drive a racing car? Oh my god. You know, like, uh, um, the first time, yeah, the first race I had done and got like, first a few races that I had done, basically got a podium.

I had someone telling me, what are you doing with your life? I’m like, I’m actually enjoying this racing, but. I’m not even thinking, you know, I took a break from working for so long and I’m, I’m having fun. And this person had come to me and said like, but you know, you’re not gonna make it anywhere, right?

Because this is like, uh, you know, this is Shalong and you live in India and you know you are a woman. You [00:21:00] know? Um mm-hmm. It’s, it’s, it’s, you are not, it’s just going to be fun for now. What are you going to do in the future? I said, I don’t think, if I can predict the future, I think, you know, I would. Like right now, it’s how I would work towards it, but because I can’t predict it, I think I’d like to listen.

You know? I mean mm-hmm. I’d like to take it one step at a time. So this person was like, oh, I have fun while it still lasts. Like the way the person said it was like, you know, as if like, you know, oh yeah, it’s gonna be for a while, so just have fun and you’re gonna go down after that. But then, you know, I kept climbing up instead.

So there was one time when I got a podium and I actually said this was to that person, you know? Mm-hmm. Who said that I was not going to make it. This podium is for you, you know? Uh, because you said that I wasn’t going to make it far. Is the reason why I pushed myself even more, you know? Mm-hmm.

Lyubov Ozeretskovskaya: So here

Phoebe Nongrum: I am now, enjoy and watch me, you know, lift my teeth, you know, that was how it was for me.

So sometimes I can get really [00:22:00] cheeky like that and someone pushes me much. I’d be like, okay, you know, it’s okay, but I’ll just show you how it’s done. You know, I don’t have to say or fight or, you know, say anything back to you, to you and make you feel bad for making me feel bad. And just show you how bad it seems to actually see someone actually, you know, do something the opposite of what you are saying, you know?

Mm-hmm. It’s like that. So basically all in all, all the good and the bad and, you know, all the stereotyping, uh, so far has been fun for me because the more they try to pull me down, the more I actually show them the results. Mm-hmm. So it’s actually kinda, it’s kind of a good challenge actually. You know, I look at, I take it in that way, you know?

The more you pull me down, the more I get up. So it’s good. Keep doing it.

Lyubov Ozeretskovskaya: Yeah. Oh, that’s, that’s good. Yeah. I think I’m in the same way as you. Uh, so, uh, no one can, can, can beat me. Yeah. No one, uh, can, uh, I, I, it would be really

Phoebe Nongrum: [00:23:00] interesting if, it would be really interesting if we meet one fine day, have a team, and maybe be racing against, you know, some of them out there.

Lyubov Ozeretskovskaya: Mm. And I really like the, the thing which you said about, uh, that, that you’re living in present because, uh, really sometimes it’s really hard to, uh. Plan anything in racing, uh, because all depends on many factors like sponsors and, uh, like companies who are interested in you. And, uh, uh, yes, like I, I’ve been taking part in the formal of four, formal three as well, and we had to program with my, uh, as motor sports team till the F1.

Uh, but, uh, eventually they just, uh, shut down, uh, the team, uh, the next year. Oh. Uh, yeah, and I just, uh, during COVID I jump into streaming, jump into I racing and actually enjoying to be a part of this community. So you always, uh, [00:24:00] you know, you, you always got, uh, opportunities next to you. Uh, and, uh, you just have to take them and, uh, go for them.

And it doesn’t matter, you know, if you. Like in racing car? Uh, I think being in motor sport overall in racing industry, you got diff uh, different opportunities, uh, to be in this industry. Um, not only as a racing driver, but uh, also as a like racing engineer or maybe, uh, sim racer, maybe someone else. So it’s, uh, cool that, uh, industry getting better and we got, uh, like more space for everybody and more, uh, job for everybody here as well.

So I, I know that you not planning really far away, but, uh, what would be your dream, uh, series where you would like to take a part in, maybe in the future, if it’s possible. So what that will be for you.

Phoebe Nongrum: Um, there are a few things of course that I have [00:25:00] in mind. I mean, I don’t know if I’d get that far, but again, like I said, you know, you can always dream, but you never know that dream might come true.

So there are a few, uh, series that I’d love to be part of. Uh, firstly it would be the W series. Mm-hmm. You know, I don’t know if that’s happening again or not, but it happened for a few seasons. I think two seasons happened. Uh. Uh, two or three seasons. I would love to be part of the W Series, even if it’s not, uh, you know, me getting so far, it would be lovely to drive, you know?

Lyubov Ozeretskovskaya: Mm-hmm. And,

Phoebe Nongrum: uh, apart from that, of course, um, the other part of the, the other discipline of motor sports that I love would be rallying. So I would love to. Uh, you know, make it to the WRC, the World Rally Championship.

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: Again, like even if I do not make it that far, at least I should make it somewhere there, you know, drive those stages, uh, you know, get a chance to, uh, drive a few stages maybe, or if I’m lucky enough, have a sponsor for the whole season.

But, uh, you know, a few rounds in these, uh, [00:26:00] would be really amazing for me. Uh, and of course I’m open to other disciplines of, uh, racing, but, um, all these are not available in India, right? So, and I have to go out and then again, like, you know, I have to step out of my country. And then again, for that, like you saying, uh, sponsors, uh, is very difficult, especially for women drivers, um, I mean for male drivers as well as, so it gets even more difficult for women drivers.

Um, because I think, uh, you know, uh, most sponsors are still trying to wrap their head around the fact that, okay, it’s a female driver or should we invest or should we not invest, you know? Mm-hmm. These things, I think still, um, you know, uh, goes about in their head like, should we put in this much effort and stuff like that.

It is kind of difficult for them as well. I understand. But it’s also difficult for us because then again, you know, we have, we have these, um. Uh, thoughts in them. Like, I mean, we have people who still think that it’s a female. Uh, should we or should we not still, you know? Mm-hmm. [00:27:00] But, uh, I hope that, you know, there are more sponsors that don’t think, I mean, because if they give their trust in us and they do sponsor, I think that’s when we, uh, you know, even just ask people just.

As human beings, uh, you know, tend to work harder. Mm-hmm. The more, uh, we, we have someone to support us, the more we have someone to believe in us, I think that’s when we also, uh, are able to give in our all right. I mean, if I come to you and I’ll be like, Hey, you know what? You are good, but not so good. I think that’s gonna make you question yourself.

So instead of me coming to you and saying that, like, Hey, you are good, but not so good. If I was a sponsor, I’d be like, Hey, listen, I’m gonna put my everything in you. So you know, give me that minute or give me that second, make it come whatever, you know? Mm-hmm. Um, I believe in you. We are gonna do this as a team.

I think if things come in more positively in that way, I think, uh, you know, they get most out of it. You know?

Lyubov Ozeretskovskaya: Mm-hmm. [00:28:00]

Phoebe Nongrum: Any in any field is what I’m trying to say. Because when you have doubts, it’s when you know, even us as drivers, we of course when once we put that helmet on, there’s a lot that goes on in our head right before we start.

And of course after we start, we forget everything and we just on it, like at it on track, right? So once we get that support, we know we have someone who’s supporting or someone with positivity, someone looking forward to get something good out of us. I think that’s what pushes us to do better. Mm-hmm.

Know pushes us more. So I think if we create that space of, you know, irrelevant if you’re a female or a male driver, you know, uh, come in as a sponsor, uh, help out, you know, see, maybe you can try always with, they need a, sponsors could always try with the drivers for a season or two, see how they work, you know?

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: Uh, that way I’m sure they would find three, four female races who are good at it. Jimmy Chadwick is like really amazing. Mm-hmm. Sophie is, uh, also amazing, you know, so [00:29:00] I mean, like, um, these drivers have also proven, uh, Doreen, right? I think if I pronounce her her name right, Doreen. Yeah.

Lyubov Ozeretskovskaya: So, yeah, I think it’s, uh, really important to have the, you know, the whole industry, uh, who’s like working toward the, the drivers and uh, and sponsors also getting in.

So when you got really small, uh. Industry of racing in your country. It’s really hard to get sponsors. It’s really hard to get into racing actually, because, uh, like it’s not working that well, as in, for example, in the United States, uh, where we know that industry is working pretty well and, uh, drivers getting small sponsors and it’s actually overall working, uh, pretty, pretty well.

Um, um, so yeah, it’s really complicated, uh, but it’s good to see that, uh, racing, develop and, uh, starting to grow every [00:30:00] day in small countries as well. Like not really small, but small in, uh, in racing industry. Yeah. Uh, because racing is. Not really, uh, popular, uh, like in India or in Kazakhstan, but it’s, uh, cool to see that it’s, uh, eventually growing And, um, yeah, that, that’s really cool, uh, to see.

Definitely. So I, I think that’s, uh. In the future. So perfect world, uh, where in every country we’ll have a racing, which is, uh, like, uh, good business for everybody and, uh, uh, nice sport to get in. Uh, and, uh, but yeah, that’s just a dream. And all these people, which we, we got right now, um. All guests, which we got on the need talks.

Uh, they, uh, trying to, um, you know, invest into this step to, um, make, uh, [00:31:00] their country closer to be in, in, in big worlds of the racing. And actually it’s really, really cool. Uh, one day that, that’s my, my dream that, uh, we’ll have in each country, uh, the racing, which, uh, e equal to, uh, racing, uh, how it’s working in United States because, uh, uh, they got the big show with it.

They got little sponsors who support like. Even, uh, drivers who taken part in last position, uh, in championship. And it’s really cool to see how it’s working actually. And, um, hopefully, yeah, in one, one day, uh, in like in India or in Kazakhstan and other countries, we’ll see. Um. You know, more people into racing and more sponsors also getting into it and just, uh, having fun.

Um, so yeah, actually from your yourself, how do you see the future of Indian Motor Sports? Would you like to see [00:32:00] someone from India taking part in formal one or maybe in, uh, other, uh, big championships? Uh, so how do you see it from yourself?

Phoebe Nongrum: Yeah. As far as the Euro, um, it goes, I think, uh, from India right now we have, in the rallying field, we have, uh, s gi who has been representing India and the WRC.

Uh, I think he hasn’t done the whole season as yet again, maybe because due to sponsors, you know, but he has been getting help. So he has been attending like, maybe a few rounds of the INRC last year or prior to that, I think 2023 or 24, uh, is when he, uh, actually took part in the WRC. He is actually one of India’s top best drivers.

Mm-hmm. Um. So, uh, you know, it’s lovely to see him there because that inspires us. And, uh, also, uh, like we have other drivers like, uh, [00:33:00] um, I think his name is, uh, Han. Uh, no, sorry. Uh, what is his name? Yeah, I think Johan something is there. I forgot his name. Then, uh, there’s, uh, Kush. Uh, so these are a few drivers, engine drivers that I’ve gotten so far as being male, you know, so it would be lovely to see also a female engine driver.

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: Uh, you know, doing one of these, um, uh, even of these, um, disciplines of either rallying or uh, you know, um, formula. So for us to get there, I think, uh, we would need a lot of, uh, help with the sponsorship.

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: So, and the fact that, you know, uh, we haven’t accepted India as, uh, I mean most of the Indian, uh.

Uh, sponsors probably haven’t really looked into, uh, motorist sports, uh, that, you know, looked into it that well to invest in it. But yeah, slowly and surely we are coming up slowly [00:34:00] and surely we are having, uh, people who are interested in it. So I just hope like five years down the line, we have like, you know, um, a few female drivers, uh, out there, uh, you know, representing India.

Lyubov Ozeretskovskaya: Uh, hopefully that will be you. Uh, so we’ll be happy to see you on international scene.

Phoebe Nongrum: Yeah.

Lyubov Ozeretskovskaya: Yeah. And, uh, the last one, uh, I think I’m

Phoebe Nongrum: hoping so too. I mean, uh,

Lyubov Ozeretskovskaya: yeah, hopefully, uh, we’ll see you on international scene, uh, representing India one day. Hopefully

Phoebe Nongrum: one day, one fine day.

Lyubov Ozeretskovskaya: Okay. And uh, the last one, what advice can you give to Yes, girls, boys who would like to take a part, uh, in racing, uh, all over the world and from India?

Uh, particularly.

Phoebe Nongrum: So basically, um, you know, if you have that [00:35:00] dream, I think, um, now we live in a world where. You know, it’s not like before, before we have to, if our parents say, know this is what we have to do because it’s good for you, we tend to always, uh, you know, follow that step, right?

Lyubov Ozeretskovskaya: Mm-hmm.

Phoebe Nongrum: Uh, I just think that, um, if you do have a dream, uh, relevant of its, uh, just racing or anything else, I think you should speak up.

I think you should tell them of your dream. You know, if, if it’s, if you wanna be, let’s just put the simple example of you wanna be a singer. Which is something that’s related to, you know, the normal, um, uh, day-to-day, uh, thoughts of, you know, where you should be. Like a doctor or a, or a, or a police officer or a, you know, like, like the normal jobs, you know, if you have something like, I wanna be a race car driver, or I wanna be a singer, I think you should go, always be able to go to your parents and, you know.

Tell them, this is what I think I’m good at and this is what I wanna do. So the same, similar thing with [00:36:00] racing. I think, um, we should take that step and just inform them, you know, oh, hey, I find I have interest in this. You never know. Your parents might go all out and support you, you know, knowing the fact that, uh, you know, this is your dream.

So I think, uh. It should start at a young age where, you know, we should be given also that opportunity to speak up or tell what our dreams are to our parents, because I think that’s the only way where anybody could live their dream. Right? Uh, until, and unless our parents don’t know about our dreams, I don’t think, uh, you know, we would get anywhere that far because.

If only they knew, then maybe they’d be supportive. I mean, best example is look at Louise Hamilton’s, uh, dad. So Louise Hamilton’s dad was like, you know, very supportive towards him since he was a kid, right? Mm-hmm. And, uh, I think it, that is a good way to go about, because if your parents knows what you love, they would give everything.

Like Louise’s dad gave everything, like, you know, [00:37:00] for him to become a world champion one five day. So I think, uh, you know, it should start there. Mm-hmm. Um, my advice would be don’t be scared. Go tell your parents what your dreams are. In case it turns the other way. Like, you know, like for me, like, you know, I wouldn’t say my parents were against it, but they just needed time to get used to it because this is something new to them.

Maybe, you know, someone would be in the same spot like I was in. I, what I would say is find a way, you know, find a way to make them get used to the fact that, uh, you know, this is normal. You know, uh, at first it might seem impossible, but if you work towards it. Find your way, work towards it. You know, find a way to tell them, make them familiar with, uh, the whole, uh, you know, the whole, um.

Make them familiar with the whole, uh, plan or the whole dream that you have. You know, eventually they’ll come around it, anybody will come around it. And the, the most important thing is that you believe in yourself. Like, you know. Mm-hmm. Uh, you don’t, um, [00:38:00] you know, doubt yourself. Even if others around you doubt you.

You shouldn’t doubt yourself. I mean, of course I’ve had my days as well, like when I had a lot of people doubting me. Some days I would doubt myself as well, right? Mm-hmm. Uh, but then, um, some days I would also doubt myself. Uh, but then these things are normal, you know, I mean, we’re human beings. There would be days that would be difficult, and of course we would think to ourselves like, what am I even doing here?

Like. You know, I got this far, but I don’t think I can go further. You know, these are things that happen to other individuals. Right. But I think if those days come, we shouldn’t be too hard on ourselves. Mm-hmm. I think we should let those days pass. I think, uh, I’ve been in days where I’m like, when the pandemic had hit, I was like, oh, my recent career is done.

Like, this is it for me. Like I just started, you know, and, uh, this has happened and I think this is it. Like, um, you know, this is where it ends. I’ve had days like that too. And then once the pandemic was over, I was like, Hey, [00:39:00] you know what? I could, I can always restart where I left off, right? I can always try again.

I mean, it was starting from the bottom again. So then I was like, why not if I’ve started from the bottom before I can do it again, right? Mm-hmm. So these are things that, uh, you know, you should, um, be able, like your mind is a powerful, uh, it’s, it’s, it is the most powerful thing in your body. So I think the more you tell, you convince yourself, the more you train your mind that you can do these impossible things, I think it’s, you know, you can do it.

Lyubov Ozeretskovskaya: Mm-hmm. So,

Phoebe Nongrum: I mean, if you tell your mind that, uh, you know, I’m sick. Your body will feel sick. Mm-hmm. Basically, right? Uh, or you say, uh, I’m feeling lazy. You know, the moment you think I’m lazy, your whole day is gone. You are gonna feel lazy the whole day. Mm-hmm. So basically the mind is the most powerful thing in your body.

So if you say, I can do it, basically, uh, you know, even if you can’t do it today, if you can do it. Like five months from now. But if you say every day that you can do it and you take every small [00:40:00] step you are gonna get there eventually, right? Mm-hmm. So I think, um, this would be my, uh, advice to everybody that, you know, um, nothing is good and pretty always, um, now if we look at most of the racing drivers, we love where they are at right now.

But everyone has a story at the end of the day, right? Mm-hmm. Everyone had come through something to get to where they are right now. So what I would say is that, uh, you know, um, if you think that’s what you want, don’t give up. Like chase it. Even if it seem impossible, I’m sure in between somewhere, it’s not going to be smooth.

It’s gonna be a rough path. Mm-hmm. But, uh, you know, uh, don’t stop there. You know, continue, keep going. You know? Uh, and eventually if you do not give up on yourself, you’re going to get to places where you never thought you would be, uh, like the rest of us who have, you know, uh, pushed ourselves and come this far.

Lyubov Ozeretskovskaya: Mm-hmm. So

Phoebe Nongrum: that would be my, yeah. Yeah.

Lyubov Ozeretskovskaya: I, I agree with you. Also, it’s. It’s [00:41:00] always worse to try. Uh, at least. Yeah. And, uh, maybe you going to get in and, uh, like have good experience if you’re not going to continue, like at least you. Going to have fun. Yeah. And, uh, just, uh, did what you, uh, what you actually like and that, that’s great thing.

Okay. So thank you so much for Yes. Being with us. Uh, yeah, no worries about technical issues. It, it is always happened. Uh, it’s fine. And that’s part of the stream. Yeah, because we, we go on live and it’s more harder than, uh, record videos and all the stuff. So once again, uh, Phoebe, thank you so much. Yeah.

Phoebe Nongrum: Thank you. It was lovely chatting with you. Thank you for having patience with my network today. And, uh, I hope it, we do stay connected. Maybe, you know, once I day I get to come and see you and never know what plans you could make for the future. Yeah, sure. Only when we join hands is when we can. Yeah. [00:42:00] Okay guys, when we join hands is when we can make a better place, right?

So, uh, one question I have, I have for you though. Uh, so you, you do some racing a lot?

Lyubov Ozeretskovskaya: Yes. I I’m doing this a lot. I’m full-time streamer, uh, the network again, so I suggest you to join a racing one day. It’s really fun.

Phoebe Nongrum: Yeah. Cool. I hope I, I, I hope I’m trying set up myself. Yeah, I’m trying to set up a sim myself.

I’ve never done sim racing before, so hopefully we can connect then. Mm-hmm. Maybe we can. Yeah. Would be awesome. Sim racing,

Lyubov Ozeretskovskaya: I think worse to try because, uh, community is really friendly and, uh, helpful all the time. Okay. Then I guess,

Phoebe Nongrum: um, the network is not allowing us to go further. Okay.

Lyubov Ozeretskovskaya: See you. Okay guys, thank you so much for watching.

We’ll see you. You should stay. Thank

Phoebe Nongrum: you. Yes, thank you. Bye.[00:43:00]

Crew Chief Brad: In it. eSports focuses on SIM racing events in digital tournaments. They bring eSports content to fans and sponsorship opportunities to brands while maximizing audience reach across multiple sports industries and platforms. eSports is a woman-led company where diversity, equity, inclusion, and accessibility is in their DNA and their platform aims to combat bullying and cheating to help make the eSports world as safe and fair as possible.

To learn more, be sure to log onto www.initesports.gg or follow them on social media at init eSports. Join their discord, check out their YouTube channel, or follow their live content via switch.

Crew Chief Eric: This episode has been brought to you by Grand Touring Motorsports as part of our Motoring Podcast network.

For more episodes like this, tune in each week for more exciting and educational content from organizations like The Exotic Car Marketplace, the Motoring Historian, break Fixx, and many others. If you’d like [00:44:00] to support Grand Touring Motor Sports and the Motoring Podcast Network, sign up for one of our many sponsorship tiers at www.patreon.com/gt Motorsports.

Please note that the content, opinions and materials presented and expressed in this episode are those of its creator, and this episode has been published with their consent. If you have any inquiries about this program, please contact the creators of this episode via email or social media as mentioned in the episode.

After over a decade in corporate jobs—including a stint with Red Bull—she hit a crossroads: “I was supposed to be happy… but something was missing.” That yearning led her home, back to Shillong, where a chance at a local dirt-track autocross turned out to be a life-defining moment. A friend handed her the keys and said, “Just drive.” She did – and found where she belonged.

Phoebe’s ultimate goals? Competing in the W Series and making her mark in the World Rally Championship (WRC). While she recognizes the financial hurdles—particularly as a woman in a male-dominated space—she remains undeterred. With sponsorship challenges in India and limited domestic infrastructure, she believes trust and opportunity could unlock the next generation of fierce female racers. “If sponsors just gave us the chance—they’d get results they never expected.”

Advice for the Next Generation

To those dreaming of a life in motorsport, Phoebe’s message is simple and empowering:

  • Be vocal about your ambitions, especially with your family.
  • Don’t let others’ disbelief shrink your vision.
  • When the hard days come, let them pass—then come back stronger.
  • Trust your gut, trust your grind.

Phoebe’s journey reminds us that talent can come from anywhere – and with enough courage, it can go anywhere!

Copyright INIT eSports. This podcast is now produced as part of the Motoring Podcast Network and can be found everywhere you stream, download or listen! 


More Screen to Speed…

Dive into the journeys of remarkable individuals making waves in sim racing and bridging the virtual with the real. From the thrill of digital circuits to the roar of real-life racetracks, they explore the passion, dedication, and innovation that drives the world of motorsports. They hear from athletes, creators, and pioneers sharing their stories, insights, and the powerful ways sim racing is connecting communities and creating pathways into motorsports.

INIT eSports focuses on sim racing events and digital tournaments. They bring eSports content to fans and sponsorship opportunities to brands, while maximizing audience reach across multiple sports, industries, and platforms. INIT eSports is a woman-led company where Diversity, Equity, Inclusion and Accessibility is in their DNA, and their platform aims to combat bullying and cheating to help make the eSports world as safe and fair as possible. To learn more, be sure to logon to www.initesports.gg today or follow them on social media @initesports, join their discord, check out their YouTube Channel, or follow their live content via Twitch.

At INIT eSports, founder and CEO Stefy Bau doesn’t just settle for the ordinary. She creates extraordinary experiences by producing thrilling online competitions and real-life events that transcend the boundaries of the eSports universe. And she’s here with us on Break/Fix to share her story, and help you understand why you need to get more involved in the world of eSports. 

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